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Fillmore West Closing Week 1971

Date Venue - City, State City Media

1. 06/30/71 Shn - 0, F.W.Closing Week N1 San Francisco Fillmore West Night 1 Fillmore West Closing Week 06.30.1971 notes

2. 07/01/71 Shn - 0, F.W.Closing Week N2 San Francisco Fillmore West Night 2 Fillmore West Closing Week 1971 07/01/71 notes

3. 07/02/71 Shn - 0, F.W.Closing Week N3 San Francisco Fillmore West Night 3 Fillmore Wert Closing Week Night 3 notes

4. 07/03/71 Shn - 0, F.W.Closing Week N4 San Francisco Fillmore West Night 4 Fillmore West Closing Week 1971 07/03/71 notes

5. 07/04/71 Shn - 0, F.W.Closing Week N5 San Francisco Fillmore West Night 5 Fillmore West Closing Week 1971 07/04/71 notes

Grateful Dead http://www.dead.net

Date Venue - City, State City Media

1. 01/02/70 Shn - 0, 18120 New York Fillmore East early show complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno notes

2. 01/02/70 Shn - 0, 86 New York Fillmore East - late show late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change notes

3. 01/02/70 Shn - 0, 12624 New York Fillmore East early show likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute notes

4. 01/02/70 Flac 16 - 0, 137375 New York Fillmore East - late show flac16; Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear on a Sony 770 Reel Deck) > 1st gen (TDK SAX-100 cassette) from Dick Latvala (Master Reel Playback on a Technics 1506 Reel to Reel > Tascam 122 MK111 Cassette Deck No dolby) > Analog to Digital (Cassettes played back on Nakamichi Dragon > Sony PCM-R700 DAT @ 44.1 by Jim Wise 1998); Edited and mastered SIRMIck notes

5. 01/03/70 Flac 16 - 0, 97743 New York Fillmore East (Late Show) flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros. notes

6. 01/03/70 Shn - 0, 19440 New York Fillmore East (Late Show) improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET notes

7. 01/03/70 Shn - 0, 6642 New York Fillmore East (Late Show) early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan notes

8. 01/03/70 Flac 16/48 - 0, 137559 New York Fillmore East (Early Show) flac16/48kHz; Early & Late Show Recording Info: SBD > Master Reel > Cassette > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes

9. 01/03/70 Flac 16/48 - 0, 138811 New York Fillmore East (Late Show) flac16/48kHz; Source: sbd > 1st gen reel > dat (48k); provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick July 2017 notes

10. 01/10/70 Flac 16 - 0, 89862 San Diego Golden Hall flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes

11. 01/10/70 Flac 16 - 0, 127228 San Diego Golden Hall flac16; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller notes

12. 01/10/70 Flac 24 - 0, 127227 San Diego Golden Hall flac24; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller notes

13. 01/10/70 Flac 16 - 0, 89281 San Diego Golden Hall flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes

14. 01/10/70 Flac 24 - 0, 89614 San Diego Golden Hall flac24; source: MR > R1 > RX (purported to be 2nd gen) transfer: RX > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96] notes

15. 01/10/70 Shn - 0, 6663 San Diego Golden Hall Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd notes

16. 01/10/70 Flac 16 - 0, 89157 San Diego Golden Hall b>flac16; source: MR > R1 >RX (purported 2nd gen) transfer: RX (purported 2nd gen) > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96] notes

17. 01/10/70 Shn - 0, 17345 San Diego Golden Hall Lineage: S:MR>DAT>CD ; pitch shifted down 48.4 centones using SoundForge 4.5 and reburned by David Hollister. notes

18. 01/16/70 Shn - 0, 7111 Portland Springer's Inn Portland sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow notes

19. 01/16/70 Flac 16 - 0, 131910 Portland Springer's Inn Portland b>flac16; restoration of source ID 7111; see info file for details notes

20. 01/16/70 Flac 16 - 0, 140967 Portland Springer's Inn Portland flac16; Source: sbd > reel master > reel > pcm (sony beta tape ESX-HiFi/L-750) - Given to Tim Dalton by the late Harvey Lubar; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 notes

21. 01/17/70 Shn - 0, 19283 Corvallis Gill Coliseum, Oregon State University SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman notes

22. 01/17/70 Shn - 0, 2220 Corvallis Gill Coliseum, Oregon State University Master Soundboard Reel > DAT > CDR; via Scott Clugston notes

23. 01/23/70 Shn - 0, 18153 Honolulu Honolulu Civic Auditorium Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor notes

24. 01/23/70 Shn - 0, 88 Honolulu Honolulu Civic Auditorium updated lineage: SBD > MASTER REEL > CASS > DAT > CD > SHN; via Teddy Goodbear to abgd, later to etree notes

25. 01/24/70 Shn - 0, 7890 Honolulu Honolulu Civic Auditorium SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton notes

26. 01/30/70 Shn - 0, 10546 New Orleans The Warehouse SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon notes

27. 01/31/70 Shn - 0, 24028 New Orleans The Warehouse notes

28. 01/31/70 Shn - 0, 7045 New Orleans The Warehouse SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman notes

29. 02/01/70 Shn - 0, 9629 New Orleans The Warehouse SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan notes

30. 02/01/70 Shn - 0, 18121 New Orleans The Warehouse Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit notes

31. 02/01/70 Flac 16 - 0, 126275 New Orleans The Warehouse flac16; Lineage: Source 1 SBD > MSR > C > DAT (Biodtl thru O1(7:27); Source 2 MR > Revox A77 > tube pre (O1@7:27 thru Lovelight); Transfer info: Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

32. 02/02/70 Flac 16 - 0, 121041 St. Louis The Fabulous Fox Theatre flac16; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k) Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Transferred By David Gans; Mastered By Charlie Miller notes

33. 02/02/70 Shn - 0, 33334 St. Louis The Fabulous Fox Theatre SBD> RR> RR> PCM> DAT; Transfer: Tascam DA-20 mkII> SB Audigy> SF 6.0> CDWave>mkwACT> .shn notes

34. 02/02/70 Shn - 0, 18122 St. Louis The Fabulous Fox Theatre Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit notes

35. 02/02/70 Flac 24/96 - 0, 121042 St. Louis The Fabulous Fox Theatre flac24; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Transferred By David Gans; Mastered By Charlie Miller notes

36. 02/02/70 Shn - 0, 10374 St. Louis The Fabulous Fox Theatre SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes

37. 02/02/70 Shn - 0, 17809 St. Louis The Fabulous Fox Theatre SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman notes

38. 02/04/70 Shn - 0, 12130 San Francisco Family Dog at the Great Highway SBD>Rm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Mille notes

39. 02/04/70 Shn - 0, 12601 San Francisco Family Dog at the Great Highway Composite of "crisp" Charlie Miller sbd seed and additional mono tuneage from PBS TV broadcast; via Jeff Cotsman notes

40. 02/04/70 Shn - 0, 14188 San Francisco Family Dog at the Great Highway Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast via Seth Kaplan notes

41. 02/05/70 Shn - 0, 9184 San Francisco Fillmore West SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute notes

42. 02/05/70 Shn - 0, 3911 San Francisco Fillmore West SBD> MR> C> D> CD; via Don Bean notes

43. 02/06/70 Shn - 0, 3913 San Francisco Fillmore West SBD> MR> C> D> CD; via Don Bean notes

44. 02/07/70 Shn - 0, 10527 San Francisco Fillmore West SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment notes

45. 02/07/70 Shn - 0, 3648 San Francisco Fillmore West SBD> MR> C> D> CD; EAC> SHN by naked_jaybird notes

46. 02/07/70 Shn - 0, 3912 San Francisco Fillmore West SBD> MR> C> D> CD; via Don Bean notes

47. 02/08/70 Shn - 0, 19152 San Francisco Fillmore West composite: AUD>MC>R>PCM>D>CD>EAC>SHN; SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW; Thanks to Andy Lemieux notes

48. 02/08/70 Shn - 0, 17679 San Francisco Fillmore West MAC> R> PCM> DAT> CD; MSR> C> DAT> CD; MSR> ?> C> DAT> CD (end of Lovelight); Source discs supplied by Andy Lemieux, CD> EAC> WAV> SHN by Sean Cribbs notes

49. 02/08/70 Shn - 0, 18123 San Francisco Fillmore West AUD Source: MAC>R>C>DAT>WAV>SHN SBDa Source: MSR>R>Cassettes>DAT>WAV>SHN SBDb Source: MSR>R>C>DAT>WAV>SHN C>SHN Conversions By Cousinit notes

50. 02/11/70 Flac 16 - 0, 99154 New York Fillmore East (late show) flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC notes

51. 02/11/70 Shn - 0, 90 New York Fillmore East (late show) early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown notes

52. 02/11/70 Flac 16 - 0, 126251 New York Fillmore East flac16; SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

53. 02/11/70 Flac 24/96 - 0, 127482 New York Fillmore East (late show) flac24; Partial Set 2 Lineage SBD MR - (primary source for disc 2) Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77 (Pat Lee) @7.5 ips; Transfer info: Akai GX636 direct tape head output > Telefunken Tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

54. 02/11/70 Flac 16 - 0, 28402 New York Fillmore East (late show) flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW notes

55. 02/11/70 Shn - 0, 33335 New York Fillmore East (late show) SBD> RR> RR> DAT (tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.)l Transfer: DAT> HD-P2> Sound Forge 6.0> CD Wave> mkwAct> .shn notes

56. 02/11/70 Flac 16 - 0, 28292 New York Fillmore East (late show) flac16; portions of early and late shows; Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); includes Patch for Dark Star: Master audience tape > ? > DAT > CD; EAC> FLAC by Jack Warner, with thanks to anonymous and Bob Murphy for patch material notes

57. 02/11/70 Flac 16 - 0, 99052 New York Fillmore East (late show) flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC > Cool Edit Pro > TLH > FLAC16 notes

58. 02/11/70 Flac - 0, 99152 New York Fillmore East (late show) MAR > ? > R @ 3 ¾ ips. > DAT > CD > EAC > WAV > FLAC notes

59. 02/12/70 Shn - 0, 88908 New York Ungano's Night Club notes

60. 02/12/70 Shn - 0, 5932 New York Ungano's Night Club SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed discs; see Jay's extensive notes; note could really be 2/13/70 early show- see discussion in pub comments notes

61. 02/13/70 Flac 16 - 0, 97639 New York Fillmore East (Late Show) flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613) notes

62. 02/13/70 Flac 16 Mtx - 0, 131678 New York Fillmore East (Late Show) flac16; 2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD) notes

63. 02/13/70 Shn - 0, 9191 New York Fillmore East reportedly early show, though the shns have been circulated as reported 2/12/70 (see alternate entry); SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB , via Jay Serafin, Patrick Murphy notes

64. 02/13/70 Flac 16 - 0, 31636 New York Fillmore East (Late Show) flac16; Early Show Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB > EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac notes

65. 02/13/70 Shn - 0, 2208 New York Fillmore East early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd notes

66. 02/13/70 Flac 16 - 0, 123814 New York Fillmore East (Late Show) flac16; Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c notes

67. 02/13/70 Flac - 0, 109535 New York Fillmore East flac16; 5th gen aud casette from unknown source > WAV notes

68. 02/13/70 Shn - 0, 18114 New York Fillmore East (Late Show) early and late; mostly from SBD> MR> D> CD> EAC> SHN, with patches from SBD> MR> PCM> D> CD >EAC> SHN and SBD> MR> R> D> CD> EAC> SHN; mastered on 7" reels @ 15ips; encoding by JCotsman, with thanks to Paul Hartman, David Litfin et al notes

69. 02/14/70 Flac 16 - 0, 97644 New York Fillmore East flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

70. 02/14/70 Shn - 0, 18115 New York Fillmore East SHNID: 18115 complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman notes

71. 02/14/70 Flac 16 - 0, 124495 New York Fillmore East flac16; source: aud cassette master taped by Jim Cooper; hitachi trq-222 deck nak bx-300 > benchmark adc1 > adobe audition cs6 > tlh flac; transferred & seeded by Rob Berger notes

72. 02/14/70 Flac 16 - 0, 141007 New York Fillmore East flac16; Late Show Recording Info: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

73. 02/23/70 Shn - 0, 10375 Austin The Auditorium SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes

74. 02/27/70 Flac 16 - 0, 28833 San Francisco Family Dog at the Great Highway flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller notes

75. 02/27/70 Shn - 0, 2191 San Francisco Family Dog at the Great Highway Master Soundboard Reel > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; note includes Casey and Cumberland notes

76. 02/28/70 Shn - 0, 9377 San Francisco Family Dog at the Great Highway SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band notes

77. 03/01/70 Shn - 0, 4641 San Francisco Family Dog at the Great Highway SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes notes

78. 03/01/70 Flac 16 - 0, 132769 San Francisco Family Dog at the Great Highway flac16; Recording Info: SBD Master Reels -> Dat (Panasonic 3700); Transfer Info: Delta DiO 2496 sound card > HD > CD-R; Mastering Info: HD > CD WAV > Cool Edit > Trader's Little Helper 2.7 > xACT 2.35 FLAC 8; Mastering by Seth Kaplan (alligator69@optonline.net) March 25, 2015 notes

79. 03/01/70 Flac - 0, 136666 San Francisco Family Dog at the Great Highway flac16; Source: Soundboard > Mater Reel > Dat (44.1k notes

80. 03/01/70 Shn - 0, 91 San Francisco Family Dog at the Great Highway S:MR> C> D> CDR; not complete show, but all that's available of this version; via Dave Goldstein, Ben Yerys; note reel splice @ 5:29 of King Bee notes

81. 03/07/70 Shn - 0, 6156 Santa Monica Civic Auditorium low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes notes

82. 03/08/70 Flac 16 - 0, 113359 Phoenix Star Theatre flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

83. 03/08/70 Shn - 0, 9195 Phoenix Star Theatre SBD MR>C>D>CD; Unknown seeder notes

84. 03/08/70 Flac 24/48 - 0, 145952 Phoenix Star Theatre flac24; Source: sbd > ??? >cassette (high gen, from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 -Transfer by Tom Markson; Lineage: wav 24/38 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMic notes

85. 03/08/70 Flac 16/48 - 0, 145951 Phoenix Star Theatre flac16/48kHz; Source: sbd > ??? > cassette (from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 - Transfer by Tom Markson; Lineage: wav 24/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/48 >CD Wave > Flac 1648; edited and mastered SIRMick April 2019 notes

86. 03/20/70 Shn - 0, 14287 Port Chester Capitol Theater mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz notes

87. 03/20/70 Flac 16 - 0, 99182 Port Chester Capitol Theater flac16; SBD MR > ? > R @ 7.5 ips > CD > EAC > WAV > FLAC notes

88. 03/20/70 Shn - 0, 1315 Port Chester Capitol Theater S:mR> ?> DAT> CDR; EAC/SHN by Ben Yerys, from Jared Minkoff seed; see info file for misc flaw notes notes

89. 03/21/70 Shn - 0, 21779 Port Chester Capitol Theater (Late) late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project notes

90. 03/21/70 Shn - 0, 20184 Port Chester Capitol Theater (Early) early show; Cassette Master> Soundforge> cd> EAC> SHN; Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a Norelco 120 normal bias tape. Microphones were set up in the balcony with a 20 foot spread; Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.; Cleanup performed by Peter G with Soundforge; EAC performed with correct offsets. SHN conversion with MKWact & retracking done with CD Wave and EAC by Evan Bellaff; Port Chester "Resurrection" Project #2 notes

91. 03/21/70 Shn - 0, 5315 Port Chester Capitol Theater (Early) early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch notes

92. 03/21/70 Shn - 0, 5316 Port Chester Capitol Theater (Late) late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch notes

93. 03/21/70 Flac 16 - 0, 118670 Port Chester Capitol Theater (Early) flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs. notes

94. 03/21/70 Flac 16 - 0, 118670 Port Chester Capitol Theater (Late) flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs. notes

95. 03/21/70 Flac 16 - 0, 124148 Port Chester Capitol Theater (Late) flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger notes

96. 03/21/70 Flac 16 - 0, 144383 Port Chester Capitol Theater (Late) flac16; Late Show; Recording Information: unknown mono reel-to-reel recorder & mike -> master 3" reel-to-reel tapes -> unknown digital transfer, except #14-17 from 1st generation 7 1/2 IPS Maxell UD35-90 reel -> wavs; Playback 2018-12-xx: M & M1 wavs -> Audacity (very little work done... some fades, popmute on clapping in a few places for volume control, minor volume adjustments, pitch (speed) OK on master reel transfers but M1 trax #14-17 used +0.8% fix with single pass after frequency analysis & with pitchpipe verification, no EQ or NR applied) -> CD Wave (track splits) -> Trader's Little Helpe notes

97. 03/24/70 Flac 16 - 0, 32054 Dania Pirates World flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC notes

98. 03/24/70 Flac 24/48 - 0, 136667 Dania Pirates World flac16/48kHz; Source: Soundboard > Master Reel > Cassette > Dat (48k) notes

99. 04/03/70 Flac 16 - 0, 114616 Cincinnati Field House, U. of Cincinnati flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011 notes

100. 04/03/70 Flac 24 - 0, 114569 Cincinnati Field House, U. of Cincinnati flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011 notes

101. 04/03/70 Shn - 0, 4283 Cincinnati Field House, U. of Cincinnati SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com notes

102. 04/03/70 Flac 16 - 0, 119118 Cincinnati Field House, U. of Cincinnati flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source. notes

103. 04/03/70 Shn - 0, 3862 Cincinnati Field House, U. of Cincinnati SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth notes

104. 04/03/70 Flac 24/96 - 0, 141217 Cincinnati Field House, U. of Cincinnati flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes

105. 04/03/70 Flac 16 - 0, 141224 Cincinnati Field House, U. of Cincinnati flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes

106. 04/03/70 Flac 24/96 - 0, 141361 Cincinnati Field House, U. of Cincinnati flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes

107. 04/03/70 Flac 16 - 0, 144890 Cincinnati Field House, U. of Cincinnati flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes

108. 04/03/70 Flac 16/44 - , 154482 Cincinnati Field House, U. of Cincinnati flac16/44 Source: Reel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1 - All Transfers by Rob Eaton Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16 edited and mastered SIRMick November 2021 notes

109. 04/09/70 Shn - 0, 6157 San Francisco Fillmore West complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes notes

110. 04/09/70 Flac 16 - 0, 137104 San Francisco Fillmore West flac16; Source: Unknown Taper+Equipment>MA>Cass(Unk); Conversion: NAK Dragon>Cass>WAV>FLAC; FLAC encoding via TLH notes

111. 04/09/70 Flac 16 - 0, 145715 San Francisco Fillmore West flac16; 1) sbd > Dick's Cassette (start through to "UJB") Transfer: Cassette > Nakamichi Dragon > Sony PCM-R700 > wav 16/44.1 - Transferred by Jim Wise; 2) unknown audience recording (through to "Cryptical Envelopment" shnid 137104 seeded by Cousinit) and 3) unknown audience recording ("NFA > Turn On Your Lovelight shnid 6157, seeded by Hanno Bunjes); Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019 notes

112. 04/11/70 Shn - 0, 12072 San Francisco Fillmore West Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman notes

113. 04/11/70 Flac 16 - 0, 132470 San Francisco Fillmore West flac16; Partial Set 3; 7 Inch Half Track Reel Master @ 7.5 ips-Recorded by Bear (Reel # 4 Only); 1st Generation Cassettes(TDK SA-X 100's) Transferred By Dick Latvala; (Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer (Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) notes

114. 04/11/70 Flac 16 - 0, 136668 San Francisco Fillmore West flac16; Partial Show Source: sbd > Reel Master > Cassette > DAT (44k) notes

115. 04/12/70 Shn - 0, 3820 San Francisco Fillmore West combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan notes

116. 04/12/70 Flac 16 - 0, 143493 San Francisco Fillmore West flac16; One song audience > unk gen > xlII 90 dolby C, tape trade Dec 1984 notes

117. 04/12/70 Flac 16 - 0, 149544 San Francisco Fillmore West >flac16; FM broadcast of source id 3820 Source: SBD for all except Casey Jones through Deep Elem Blues; Small fixes and audio massage by Jamie Waddell; pitch correction by Jason Chastain [100.25%] notes

118. 04/15/70 Shn - 0, 14354 San Francisco Winterland Arena MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed notes

119. 04/15/70 Shn - 0, 6644 San Francisco Winterland Arena sdb> Master Reel> Cassette> Dat> CD; via Mike Lai, with thanks to Wayne Gucwa notes

120. 04/15/70 Flac 16 - 0, 132743 San Francisco Winterland Arena flac16; Sony 770 7 Inch Half Track Reel Master @ 7.5 ips-(Bob Mathews); DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW); play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise (note: A fixed version of this source was seeded on 03/28/2015 to address unspecified errors. Please don't circulate the original fileset.) notes

121. 04/24/70 Shn - 0, 19531 Denver Mammoth Gardens AUD master C-120 > reel 3.75ips > DAT > CD ; improvement over all circulating copies, via Hanno Bunjes, Uli Teute, Carsten Baumann, Gerhard Schinzel notes

122. 04/24/70 Shn - 0, 17685 Denver Mammoth Gardens MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis notes

123. 04/24/70 Shn - 0, 27205 Denver Mammoth Gardens sources: aud master C-120 > reel 3.75ips > dat > cd > eac > shn > wav > shn.This is a re-master of shn id 19531;see txt file for details. Seeded by SirMick (thedarkstar@btinternet.com)December 2004 notes

124. 04/24/70 Shn - 0, 9498 Denver Mammoth Gardens AUD>MC>C>D>CD; via Chuck Gannon; Seeded to etree by J. Cotsman; Note- Original d2 was 'messed up' and scrapped early. Likely it does not circulate notes

125. 05/01/70 Flac 16 - 0, 95683 Alfred Alfred College flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

126. 05/01/70 Flac 16 - 0, 85332 Alfred Alfred College flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac
Seeds provided by David Gans, Remastered by Charlie Miller notes

127. 05/01/70 Shn - 0, 5465 Alfred Alfred College Master Soundboard Reel > (reel to reel, for part)> DAT > Sonic Solutions > CDR; EAC'ed / SHN'ed by Scott Clugston notes

128. 05/02/70 Flac 24 - 0, 108673 Binghamton Harpur College flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell notes

129. 05/02/70 Flac 16 - 0, 108955 Binghamton Harpur College flac16; Gen 4 SBD Cassettes > SonyTC-W320 > Marantz 510 > CD > EAC > CD Wave Editor > Flac level 8; see info file for details notes

130. 05/02/70 Flac - 0, 100007 Binghamton Harpur College flac16; SBD > 3xcass (maxell XLII), transfer: cassette > Yamaha KX-W282 > Monster digital cable > Yamaha RX-530 > Monster digital cable > JVC XL-R5000 > CDR > EAC (offsets set) > CDWav > Flac (level 8), Dick's Picks 8 Outtake notes

131. 05/02/70 Flac 16 - 0, 120081 Binghamton Harpur College flac16; reel> cass > cass; Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell; Resampled from 96 to 44.1 khz in r8brain Pro > dithered in Izotope Ozone 3 (MBIT+, high noise shaping, 16 bit depth, normal dither, DC offset filter on) > exported to 16 bit in Audacity 2.0.0 > FLAC notes

132. 05/02/70 Flac 16/48 - 0, 138227 Binghamton Harpur College flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes

133. 05/03/70 Flac 16 - 0, 130667 Middletown Field House, Wesleyan University flac16; Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac notes

134. 05/03/70 Flac 16 - 0, 130844 Middletown Field House, Wesleyan University flac16; Recording Information: unknown stereo(?) recording equipment -> master AUD cassette (NOT a SBD as noted in shnid 9770) -> ? -> unknown generation tape used for shnid 9770 -> CDr > EAC > Soundforge (normalize & pitch correction -> shn -> aiff (xACT) -> flacs; flacs -> TLH -> wavs -> Audacity using right channel for mono signal [fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, NO equalisation] -> CD Wave (track splits) -> flacs (Trader's Little Helper) notes

135. 05/03/70 Shn - 0, 20852 Middletown Field House, Wesleyan University AUD>MR>?>CD>EAC>SHN. Digital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The Sugarmegs Restoration Krewe) notes

136. 05/03/70 Shn - 0, 9378 Middletown Field House, Wesleyan University AUD>MC>?>C>D>CD; via Jeff Cook; Seeded to etree by J Cotsman notes

137. 05/06/70 Flac - 0, 95816 Cambridge Kresge Plaza, M.I.T. flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky notes

138. 05/06/70 Shn - 0, 95 Cambridge Kresge Plaza, M.I.T. Gans version as for other shn set, SHNed by M. Hall (not sure if this copy got into wide circulation) notes

139. 05/06/70 Shn - 0, 94 Cambridge Kresge Plaza, M.I.T. MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) -> TC 2000 Studio Effects Processor (using only the A->D converter, no effects) -> Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2 (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans, R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice) notes

140. 05/06/70 Flac 24 - 0, 95817 Cambridge Kresge Plaza, M.I.T. flac24; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins > TLH > Flac Transfer and Mastering: Bill Koucky notes

141. 05/07/70 Shn - 0, 5439 Cambridge Dupont Gymnasium, MIT AudMC > ? > 7" R > DAT > HD > SHN; Taper, mics, and deck unknown; A > D transfer by Noah Weiner; almalgam of different sources; pitch corrected; see info file for mastering and flaw notes; via Audience Devotional Tree notes

142. 05/07/70 Flac - 0, 32276 Cambridge Dupont Gymnasium, MIT main source: AudMC > ? > 7" R > DAT > HD > SHN Taper, mics, and deck unknown A > D transfer by Noah Weiner - noahbw@home.com This is a remaster of shnid 5439. See text file for full details notes

143. 05/07/70 Flac 16 - 0, 141093 Cambridge Dupont Gymnasium, MIT flac16; Source: Audience Cassette Master > Reel > PCM (Sony HG) - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; New Riders Of The Purple Sage Source: Audience Cassette Master > ? > 7" Reel > DAT; Transfer: DAT > HD > SHN - Transferred by Noah Weiner; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 notes

144. 05/08/70 Flac 16 - 0, 32056 Delhi Farrell Hall flac16; Recording Info: (Stage) Unknown Mic -> Cassettte Master Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes

145. 05/09/70 Shn - 0, 9770 Worcester Worcester Polytechnic Institute Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes

146. 05/14/70 Shn - 0, 24223 Kirkwood Meramec Community College SBD>MR>?>D>CD>EAC>SHN (acoustic set) SBD>MR>D>CD>EAC>SHN (electric set) same as http://db.etree.org/shninfo_detail.php?shnid=12439 with sbe's fixed and seektables appended. notes

147. 05/14/70 Shn - 0, 12439 Kirkwood Meramec Community College SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman notes

148. 05/14/70 Flac - 0, 28716 Kirkwood Meramec Community College flac16; Source: Soundboard Lineage: MSR> DAT> CDR> EAC> FLAC except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC notes

149. 05/14/70 Flac - 0, 97548 Kirkwood Meramec Community College flac16; MSR > DAT > CDR > EAC > FLAC (with portions from MSR > MP3 > WAV > FLAC) notes

150. 05/14/70 Shn - 0, 7604 Kirkwood Meramec Community College Master Soundboard Reel > Cassette > DAT> CDR; via Scott Clugston notes

151. 05/14/70 Shn - 0, 34165 Kirkwood Meramec Community College Acoustic Set; Source: Soundboard of unspecified provenence; CD Re-Mastering / Shn'ed by Scott Clugston 2/15/03 notes

152. 05/14/70 Flac - 0, 136645 Kirkwood Meramec Community College flac16; Set 2 Source: Soundboard > Reel Master > DAT (48k) notes

153. 05/15/70 Shn - 0, 29473 New York Fillmore East (Late Show) New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan. notes

154. 05/15/70 Shn - 0, 97 New York Fillmore East (Late Show) acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2 > CDR, except the NRPS sets which have 2 cass gens; this is apparently the best possible available copy- one fewer cass gen than first etreed version, complete NRPS 2nd set, less hifreq hiss; more details in info file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did very minor editing, mostly putting tasteful fades where there were cuts in the original- no NR notes

155. 05/15/70 Flac 24 - 0, 136574 New York Fillmore East (Late Show) flac24; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger notes

156. 05/15/70 Flac - 0, 136575 New York Fillmore East (Late Show) flac16; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger notes

157. 05/16/70 Shn - 0, 17027 Philadelphia Temple University AUD>MC>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; This shn set is derived from the Noah Weiner seed, and following Noah's edits, has been pitch corrected using Sound Forge; edits/encoding by JCotsman notes

158. 05/16/70 Shn - 0, 14769 Philadelphia Temple University AUDMC > ? > C > CD/0 > EAC > WAV > SHN via Noah Weiner notes

159. 05/24/70 Shn - 0, 6481 Newcastle Newcastle-Under-Lyme SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes notes

160. 05/24/70 Flac 16 - 0, 135716 Newcastle Newcastle-Under-Lyme flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC and with shnid 6481 notes

161. 05/24/70 Flac 16 - 0, 135803 Newcastle Newcastle-Under-Lyme flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC; further patched with shnid 6481 notes

162. 05/24/70 Flac 16 - 0, 136424 Newcastle Newcastle-Under-Lyme flac16; Unknown Board MR > Maxell XLII-S90 cassette (unknown generation) > Audacity via soundcard > Goldwave (to increase volume) > FLAC notes

163. 05/24/70 Flac 16/48 - 0, 136669 Newcastle Newcastle-Under-Lyme flac16/48kHz; Source: sbd > reel master > cassette > dat (48k) notes

164. 05/24/70 Shn - 0, 6159 Newcastle Newcastle-Under-Lyme AUD MR> C> D> CD; mastered by Hanno Bunjes; source supplied by Uli Teute; Hanno's notes notes

165. 06/04/70 Flac 16 - 0, 119921 San Francisco Fillmore West flac16; sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16 notes

166. 06/04/70 Shn - 0, 12135 San Francisco Fillmore West Partial; Last three songs; See info file for details; SBD->Rm->Cass->?>Dat>CD; Seeded to etree by Charlie Miller notes

167. 06/04/70 Flac16 Mtx - 0, 123799 San Francisco Fillmore West flac16; Matrix of Soundboard (shnid:119921) sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16; conversion by: miogi; Soundboard (shnid:12135) SBD->Rm->Cass->?>Dat>CD>EAC>SHN CD>EAC>SHN done by charlie miller; The entire acoustic set has been matrixed. The last three songs of the electric set have been matrixed with (shnid:123798) Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape notes

168. 06/04/70 Flac 16 - 0, 132790 San Francisco Fillmore West flac16; Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise notes

169. 06/04/70 Flac 16 - 0, 123798 San Francisco Fillmore West flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise. notes

170. 06/05/70 Flac 16 Mtx - 0, 123702 San Francisco Fillmore West flac16; Matrix from Soundboard (shnid:28653) (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC and Audience (shnid:109847) Lineage: Source #1: Dire Wolf through New Speedway - unknown gen aud cassette; Source #2: Cold Rain through Mama Tried - unknown gen aud cassette; Source #3: Cryptical through Casey - unknown gen aud cassette notes

171. 06/05/70 Shn - 0, 4361 San Francisco Fillmore West SBD> MR> C> D> CD> SHN; see info file for flaw notes; via thecore@core.com notes

172. 06/05/70 Flac 16 - 0, 28653 San Francisco Fillmore West flac16; Source: Soundboard (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC notes

173. 06/05/70 Shn - 0, 7589 San Francisco Fillmore West SBD MR>C>D>CD + AUD patch from low-gen cassette courtesy Uli Teute (see info); via Hanno Bunjes; Hanno's notes notes

174. 06/05/70 Flac 16 - 0, 109847 San Francisco Fillmore West flac16; Unknown gen cassettes from unknown aud source > WAV; see info file for details notes

175. 06/05/70 Flac 16 - 0, 132395 San Francisco Fillmore West flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)-1st Generation Cassettes Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015 notes

176. 06/06/70 Shn - 0, 2172 San Francisco Fillmore West electric set; SBD Reel master > cassette > DAT > CD > SHN; Seeded by Jay Ashley; see info file for listening notes notes

177. 06/06/70 Flac 16 - 0, 86951 San Francisco Fillmore West flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller. notes

178. 06/06/70 Flac 16 - 0, 132157 San Francisco Fillmore West flac16 Acoustic Set Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Mille notes

179. 06/07/70 Shn - 0, 98 San Francisco Fillmore West acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield notes

180. 06/07/70 Flac 16/48 - 0, 132325 San Francisco Fillmore West flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) notes

181. 06/13/70 Shn - 0, 9079 Oahu Red Vest Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli notes

182. 06/21/70 Shn - 0, 6160 Berkeley Pauley Ballroom, U. of California AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes notes

183. 06/21/70 Flac 16/48 - , 154086 Berkeley Pauley Ballroom, U. of California flac1648; AUD said to have been recorded by Harry Ely > unknown transfer to WAV-1648 marked 2nd-Gen > Wavelab (small edits & speed adjust) > CD-Wave > TLH > FLAC 1648 tagged. notes

184. 06/24/70 Shn - 0, 9330 Port Chester Capitol Theater (Late) Late Show--Electric Set; center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN; via Crazy Jimi; Seeded to etree by Harlan notes

185. 06/24/70 Flac 16 - 0, 124175 Port Chester Capitol Theater (Late) flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger notes

186. 06/24/70 Flac 16 - 0, 98880 Port Chester Capitol Theater (Late) flac16; Late Show partial source: aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b; transferred & seeded by Rob Berger; pitch correction by Moose notes

187. 06/24/70 Flac 16 - 0, 100223 Port Chester Capitol Theater (Late) flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16 Analog to Digital by Bill Gadsden, April 2009 notes

188. 06/24/70 Shn - 0, 5339 Port Chester Capitol Theater (Late) late electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch notes

189. 06/24/70 Shn - 0, 32710 Port Chester Capitol Theater (Late) Audience tape recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape. Transferred by Coopernicus March 2006: Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC notes

190. 06/24/70 Shn - 0, 23062 Port Chester Capitol Theater (Late) early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics notes

191. 06/24/70 Shn - 0, 7467 Port Chester Capitol Theater (Late) late show, plus 7/10/70 mislabled as 6/24 early; reportedly AUD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa notes

192. 06/24/70 Flac 16 - 0, 145261 Port Chester Capitol Theater (Late) flac16; Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16; edited and mastered SIRMick February 2019 notes

193. 07/01/70 Shn - 0, 9624 Winnipeg Winnipeg Fairgrounds SBD>?>VHS>CD; assumed to be a portion taken from the raw video footage shot during the Trans Continental Pop Festival Tour across Canada by train; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes

194. 07/10/70 Shn - 0, 17351 New York Fillmore East AUD>MR>CD>EAC>SHN recorded by Marty Weinberg on an Uher 5 inch open reel deck encoding/edits by Jeff Cotsman notes

195. 07/11/70 Shn - 0, 9379 New York Fillmore East AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman notes

196. 07/12/70 Flac - 0, 108002 New York Fillmore East flac16; unknown audience recording; edited and mastered by Jamie Waddell; all transfers and work performed in the 24 bit realm Weiss-Saracon for 16 BIT 44.1kHz; SBE Free, Flac Level 8 with TLH, Meta Data with Tag & Rename notes

197. 07/12/70 Flac - 0, 130938 New York Fillmore East flac16; Combination of the two audience recordings shnid 9379 and shnid 122707; edits were limited to volume, speed, cross-fades at the beginning and end of patches, and such elimination or reduction of drops, static, clicks, and bumps as I could obtain without losing any music; see info files for details notes

198. 07/12/70 Shn - 0, 24663 New York Fillmore East source: aud > ??? > shn > wav > shn via SirMick notes

199. 07/12/70 Flac - 0, 108156 New York Fillmore East flac16; Marty Weinberg's 5" 1/4 track Master Audience Reel>HHb CDR-850>CDR>EAC>CDR>EAC>.WAV>TLH>.FLAC notes

200. 07/12/70 Flac - 0, 122707 New York Fillmore East flac16; Jim Cooper's Hitachi TRQ-222 Cassette recording > CDR > WAV > FLAC notes

201. 07/14/70 Shn - 0, 17815 San Rafael Euphoria Ballroom both sets; SBD> MR> C> D> CD> EAC> SHN; aud patch for Don't Ease; edits/encoding by JCotsman notes

202. 07/14/70 Shn - 0, 96628 San Rafael Euphoria Ballroom sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030 notes

203. 07/16/70 Shn - 0, 6485 San Rafael Euphoria Ballroom partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd notes

204. 07/16/70 Flac 16 - 0, 32551 San Rafael Euphoria Ballroom flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller notes

205. 07/16/70 Shn - 0, 32575 San Rafael Euphoria Ballroom Set 2; SBD>MR>?>C>CD>SHN notes

206. 07/16/70 Flac - 0, 140310 San Rafael Euphoria Ballroom flac16; Source: SBD > Master Reel > Cass > CDR; Lineage: CDR > Eac > wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick December 2017 notes

207. 07/30/70 Shn - 0, 17077 San Anselmo Lion's Share SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman notes

208. 07/30/70 Flac 16 - 0, 114020 San Anselmo Lion's Share flac16; MR(Abrams)>R@ 7.5 ips.(Peter Kafer)>R @ 7.5 ips.(Will Boswell) > CD; Transfered and mastered by Matt Smith 5/11; cd > flac dbpoweramp cd ripper notes

209. 07/??/70 Flac 16 - 0, 106571 Unknown Festival Express Train flac16; Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes

210. 08/05/70 Shn - 0, 17271 San Diego Golden Hall Community Concourse MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile notes

211. 08/05/70 Shn - 0, 4941 San Diego Golden Hall Community Concourse SBD> MR> PCM> D> CD> EAC> SHN; some normalization and editing with Soundforge; via thecore notes

212. 08/17/70 Shn - 0, San Francisco Fillmore West Partial; 2+ songs & date is 'uncertain'; See info file for details; AUD>MC>D>CD; via Chuck Gannon; Seeded to etree by JCotsman notes

213. 08/18/70 Shn - 0, 1346 San Francisco Fillmore West AUD mC> Rx2> DAT> CDR; EAC and SHN'd by Ben Yerys from Jared Minkoff's seed; DAT>CD transfer by Miles Garret notes

214. 08/18/70 Flac 16 - 0, 141071 San Francisco Fillmore West flac16; AUD mC> Rx2> DAT> CDR; this new version has been pitch adjusted with the following ratios: acoustic set with a 'slight' sliding time scale/pitch shift of +0.123%; 2) electric set with a sliding time scale/pitch shift of +9.678%; (electric [lower volume level] set has also been amplified by +3.9%) notes

215. 08/18/70 Flac 24 - 0, 142417 San Francisco Fillmore West flac24; Unknown Audience Cassette > FLAC notes

216. 08/18/70 Flac 16/48 - 0, 142416 San Francisco Fillmore West flac16/48kHz; Unknown Audience Cassette > FLAC notes

217. 08/19/70 Shn - 0, 11797 San Francisco Fillmore West AUD>MC>R>PCM>D>CD; Missing several songs; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & JCotsman notes

218. 08/19/70 Flac - 0, 81775 San Francisco Fillmore West flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC notes

219. 08/19/70 Flac - 0, 81605 San Francisco Fillmore West flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic Acoustic Set: Master Electric Set: 1st generation cassette Transfer and FLAC encoding by David Minches: Master/1st generation cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded notes

220. 08/30/70 Shn - 0, 12762 San Francisco KQED Studios Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn encoding using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks to Andy Lemieux for the source CDs. notes

221. 08/30/70 Shn - 0, 12750 San Francisco KQED Studios FM-> 7inch MR-> DAT-> CDR-> EAC-> SHN V.3; via D. Backus notes

222. 09/17/70 Shn - 0, 27591 New York Fillmore East remaster of shnid 16090, by SIRMick notes

223. 09/17/70 Shn - 0, 15090 New York Fillmore East mixed sources: MAC> R> C> CD recorded by Jack Toner, with a Sony TC-110 with built-in microphone; plus MAC> ?> C> R> CD and MAC> ?> C> R> R> CD, Unknown tapers/equipment; Source tapes from Dwight Holmes, Transfer to digital by David Minches, Patches and SHN encoding by Jack Warner notes

224. 09/17/70 Shn - 0, 15983 New York Fillmore East MAC> Reel> Cassette> DAT> CD> EAC> SHN; submitted by user seabass; note slightly different tracking from previous shn set notes

225. 09/17/70 Shn - 0, 33826 New York Fillmore East AKG190E>Uher 400L>Master Audience Reel>Reel>DAT>CDR>EAC(Secure Mode)>WAV>Soundforge (Speed Corrected)>FLAC Taped by Marty Weinberg A GEMS production -+-+- www.shnflac.net -+-+- March 2006 notes

226. 09/17/70 Flac 16/44,1 - 0, 146027 New York Fillmore East flac16/44.1khz Matrix of Dark Star by Sirmick notes

227. 09/17/70 Flac 24/96 - 0, 145892 New York Fillmore East flac24; Partial Set 3 Source: AKG190E > Uher 400L >Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac24; edited and mastered SIRMick March 2019 notes

228. 09/17/70 Flac 16 - 0, 145891 New York Fillmore East flac16; Partial Set 3 Source: AKG190E > Uher 400L > Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick March 2019 notes

229. 09/18/70 Flac - 0, 97525 New York Fillmore East flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009 notes

230. 09/18/70 Shn - 0, 4670 New York Fillmore East SBD > MR > R > DAT > CDR > EAC (Secure, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky, from Paul Botiglio's CD notes

231. 09/18/70 Shn - 0, 17893 New York Fillmore East Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets notes

232. 09/18/70 Shn - 0, 100 New York Fillmore East updated source info: ?> bootleg CD> CD; previously marked SBDMR > DAT > CD; partial; filler 2/2/70 Dark Star; brief reel glitch in Dancin' at 5:06; original seed via Morgan Evans (1997)- see his notes; etreed via G. Hamilton notes

233. 09/18/70 Flac - 0, 30882 New York Fillmore East flac16; source 1: sbd > mr > r > d > cd > eac > shn > wav > flac; source 2: aud > mc > ? > c > r > cd > eac> shn > wav > flac; remaster of the sources from shnid 17893; via SIRMick notes

234. 09/19/70 Flac 16 - 0, 31510 New York Fillmore East flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell notes

235. 09/19/70 Flac 16 - 0, 97906 New York Fillmore East flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds notes

236. 09/19/70 Shn - 0, 5217 New York Fillmore East MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions notes

237. 09/19/70 Shn - 0, 102 New York Fillmore East SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R; DAT from "3 Decades of Dead" Tree CDR; Conversion by Tim Buller notes

238. 09/19/70 Shn - 0, 25473 New York Fillmore East Composite Audience Source (Master audience cassette Taped by Jack Toner, Sony TC-110 with built-in microphone and Master audience reel Taped by Marty Weinberg, AKG190E>Uher 400L) via Dwight Holmes and Dr. Michael Parrish. Patches and EAC > SHN by Jack Warner notes

239. 09/19/70 Flac 16 - 0, 119722 New York Fillmore East flac16; source: aud 1st gen reel; Jerry Moore's copy; lineage: aud reel master>reel @ 3.75 ips master taped by Marty Weinberg: akg d190e>Uher 4000L reel; technics rs-1506>hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred & seeded by Rob Berger notes

240. 09/19/70 Flac 16/44 - , 152705 New York Fillmore East flac1644 ; AUD fragment; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021 notes

241. 09/20/70 Flac 16 - 0, 97364 New York Fillmore East flac16; MR > R Heavily Edited > R @ 71/2ips > CD * Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 notes

242. 09/20/70 Shn - 0, 1190 New York Fillmore East mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault." notes

243. 09/20/70 Shn - 0, 27583 New York Fillmore East This is a remaster of shn id 1190; hiss has been reduced, a number of clicks and pops have been removed and some other artifacts cleaned up, a number of volume adjustments have been made, final mastering using iZotope Ozone notes

244. 09/20/70 Flac 16 - 0, 81728 New York Fillmore East flac16; AUD MR>CD Marty Weinberg master 5" Uher open-reel. via Jack Warner, Hanno Bunjes notes

245. 09/20/70 Flac 16 - 0, 135798 New York Fillmore East flac16; This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 Restoration completed with Diamond Cut Forensics 10.2. notes

246. 09/20/70 Flac 16 - 0, 136729 New York Fillmore East flac16; Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS** notes

247. 09/20/70 Flac 16 - 0, 140660 New York Fillmore East flac16; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes

248. 09/20/70 Flac 24 - 0, 140665 New York Fillmore East flac24; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes

249. 10/04/70 Shn - 0, 19985 San Francisco Winterland Arena SBD> FM> MR> R> R> DAT> WAV> SHN; R>SHN; Conversion By Cousinit, seeded to abgd notes

250. 10/04/70 Shn - 0, 28363 San Francisco Winterland Arena KSAN-FM Master Reel> Barry Glassberg's 1st gen Reel (Dolby B Decoded)> PCM> CDR> EAC> CoolEdit2000 (see notes)> SHN; EAC> seekable SHN by D.Winters, with thanks to Harvey Lubar, Tony Cortazzo, Chuckles notes

251. 10/04/70 Shn - 0, 4942 San Francisco Winterland Arena SBD FM> MR> R> ?> CD> SHN; via thecore; see info file for flaw notes notes

252. 10/04/70 Flac 16 - 0, 145828 San Francisco Winterland Arena flac16; Source: KSAN-FM > Reel Master > Barry Glassberg's 1st Gen 1/4 tr Reel > PCM > CD > Wav - Received from an anonymous benefactor; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019 notes

253. 10/10/70 Shn - 0, 7590 Flushing Colden Auditorium - Queens College AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes notes

254. 10/10/70 Flac 16/48 - 0, 144636 Flushing Colden Auditorium - Queens College flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick January 2019 notes

255. 10/11/70 Shn - 0, 9500 Wayne Marion Shea Aud., Paterson State Col. AUD>MC>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes

256. 10/17/70 Flac - 0, 119329 Cleveland Cleveland Music Hall flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes

257. 10/23/70 Flac - 0, 85071 Washington McDonough Arena, Georgetown U. flac16; Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe notes

258. 10/23/70 Shn - 0, 15080 Washington McDonough Arena, Georgetown U. Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans. Various glitches edited out by CW posted to abgd 11/2002. SBE's on all tracks except d2t03 notes

259. 10/23/70 Shn - 0, 12227 Washington McDonough Arena, Georgetown U. includes NRPS; source (a guess?): AUD Taper: Cary Wolfson, Sony TC124 with a 1 point stereo mic 15 feet back from stage > MC > C > DAT > ??? > CD > EAC > shn; seeded by Sketchy; shn info submitted by user jamballyho notes

260. 10/24/70 Flac 16 - 0, 31948 St. Louis Kiel Opera House flac16; SBDMR->R->R->DAT->DAT->ZA2->DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)-> CD "via D. Hollister, J. Ayers" pitch correction using SoundEdit 16 on the Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 7/16/05: SHN->xACT->AIFF->SoundEdit16->FLAC notes

261. 10/24/70 Shn - 0, 103 St. Louis Kiel Opera House S:MReel> Reelx2> DATx2> ZA2> DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)> CD; cut at beginning of NFA (reel flip?); via D. Hollister, J. Ayers; w/ 12/31/70 filler; 12/31/70 filler notes

262. 10/24/70 Flac 16 - 0, 140923 St. Louis Kiel Opera House flac16; Recording: SBD > Master Reel > Reel > (7.5ips) > PCM (Sony HG tape); Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes

263. 10/24/70 Flac 24/96 - 0, 141429 St. Louis Kiel Opera House flac24; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick notes

264. 10/24/70 Flac 16 - 0, 144903 St. Louis Kiel Opera House flac16; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick; This file set is 16 bit @ 44.1 notes

265. 10/30/70 Flac 16 - 0, 121126 Stony Brook Gym, SUNY (Early Show) flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06) notes

266. 10/30/70 Flac 16/48 - 0, 121125 Stony Brook Gym, SUNY (Early Show) flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06) notes

267. 10/30/70 Shn - 0, 20044 Stony Brook Gym, SUNY (Late Show) SBD>MR>PCM>D>CD>EAC>SHN; complete early/late shows via Jeff Cotsman notes

268. 10/30/70 Shn - 0, 29190 Stony Brook Gym, SUNY (Late Show) Late Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09 notes

269. 10/30/70 Shn - 0, 17359 Stony Brook Gym, SUNY (Early Show) Early Show: MSR>C>DAT>WAV>SHN via Cousinit (Cassette Source recorded directly from Master Reels) notes

270. 10/30/70 Shn - 0, 7466 Stony Brook Gym, SUNY (Early Show) early show; SDB> MR> PCM> CD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa notes

271. 10/30/70 Flac 16/44 - , 152644 Stony Brook Gym, SUNY (Late Show) flac1644; 1-song only; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021 notes

272. 10/30/70 Flac 24/96 - , 153005 Stony Brook Gym, SUNY (Early Show) flac24/96 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021 notes

273. 10/30/70 Flac 16/44 - , 153005 Stony Brook Gym, SUNY (Early Show) flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021 notes

274. 10/30/70 Flac 24/96 - , 153006 Stony Brook Gym, SUNY (Early Show) flac24/96 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021 notes

275. 10/30/70 Flac 16/44 - , 153005 Stony Brook Gym, SUNY (Early Show) flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021 notes

276. 10/31/70 Flac 16 44,1khz - 0, 122043 Stony Brook Gym, S.U.N.Y. (Early) flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred By Digitalrbb; Mastered By Charlie Miller notes

277. 10/31/70 Flac 16/48 - 0, 122042 Stony Brook Gym, S.U.N.Y. (Early) flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Transferred By Digitalrbb; Mastered By Charlie Miller notes

278. 10/31/70 Shn - 0, 16902 Stony Brook Gym, S.U.N.Y. (Late) Late Show, includes NRPS set; MSR> C> DAT> WAV> SHN; Cassette Source recorded directly from Master Reels; C>SHN Conversion by Cousinit; note parens in filenames notes

279. 10/31/70 Shn - 0, 29192 Stony Brook Gym, S.U.N.Y. (Late) Early Show: MSR>C>DAT>WAV>SHN
Circulated via alt.binaries.gdead usenet group in 4/2003
Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09 notes

280. 10/31/70 Shn - 0, 6917 Stony Brook Gym, S.U.N.Y. (Early) early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer notes

281. 10/31/70 Flac - 0, 33566 Stony Brook Gym, S.U.N.Y. (Late) SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006 notes

282. 10/31/70 Flac 24/96 - , 153060 Stony Brook Gym, S.U.N.Y. (Early) flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021 notes

283. 10/31/70 Flac 16/44 - , 153059 Stony Brook Gym, S.U.N.Y. (Early) flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021 notes

284. 10/31/70 Flac 24/96 - , 153146 Stony Brook Gym, S.U.N.Y. (Late) flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 Edited and mastered SIRMick August 2021 notes

285. 10/31/70 Flac 16/44 - , 153145 Stony Brook Gym, S.U.N.Y. (Late) flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 notes

286. 11/05/70 Shn - 0, 30115 Port Chester Capitol Theater D1T1 through D2T2: MAC>C>D>CD>EAC>SHN>WAV>FLAC D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN>WAV>FLAC Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. This is remaster of shnid 17182 I decided to track it a little differently to the original seed notes

287. 11/05/70 Shn - 0, 17182 Port Chester Capitol Theater Mastered and encoded by Jack Warner. Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. D1T1 through D2T2: MAC>C>D>CD>EAC>SHN. D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN notes

288. 11/05/70 Shn - 0, 9356 Port Chester Capitol Theater Electric Set; center lodge, mics mounted on rails->Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect; via Crazy Jimi; Seeded to etree by Harlan notes

289. 11/06/70 Shn - 0, 17183 Port Chester Capitol Theater Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone notes

290. 11/06/70 Shn - 0, 19922 Port Chester Capitol Theater disc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD), via Hanno Bunjes notes

291. 11/06/70 Shn - 0, 3338 Port Chester Capitol Theater see info file; 5/00 to abgd via Teddy Goodbear, Doug Johnson; 3/01 to etree via Morgan Evans, Rick Lepley lepleyr@hotmail.com; note in absence of md5s for 5/00 set, not sure whether there are 2 different shn sets or not; note 3/01 discs labelled as 1,3,4 (d2 reportedly NRPS?) notes

292. 11/06/70 Flac 16 - 0, 119818 Port Chester Capitol Theater flac16; partial: aud reel master > reel, Jerry Moore's copy of Marty Weinberg's master; lineage: aud > akg d190e > uher 4000L mar > 7" reel @ 3.75 ips, dolby b; technics rs-1506 > teac an-180/b > hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred/seeded by Rob Berger notes

293. 11/07/70 Flac 16 - 0, 98264 Port Chester Capitol Theater flac16; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>adobe 2.0 16/44>flac tranferred & seeded by Rob Berger notes

294. 11/07/70 Shn - 0, 10306 Port Chester Capitol Theater Mixed audience sources; See info file for details; Including NRPS set; via Ken Leigh, Jack Toner, Marty Weinberg; Seeded to etree by Jack Warner notes

295. 11/07/70 Flac 16 - 0, 134083 Port Chester Capitol Theater flac16; source: aud reel master; taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; seeded by Rob Berger notes

296. 11/07/70 Flac 16 - 0, 100330 Port Chester Capitol Theater flac16; source: aud 1st gen reel master taped by Jack Toner; lineage: mac>7" reel@ 7.5 ips, no nr technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger notes

297. 11/07/70 Flac 24 - 0, 98263 Port Chester Capitol Theater flac24; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>flac tranferred & seeded by Rob Berger notes

298. 11/08/70 Shn - 0, 26975 Port Chester Capitol Theater The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details. notes

299. 11/08/70 Flac 16 - 0, 94500 Port Chester Capitol Theater flac16; Partial Electric Set Remaster/repitch of the AudMC > DAT > CD > EAC > SHN source (source ID 28609) using Adobe Audition notes

300. 11/08/70 Shn - 0, 28609 Port Chester Capitol Theater AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (http://db.etree.org/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner notes

301. 11/08/70 Shn - 0, 23474 Port Chester Capitol Theater THE OWEN BROTHERS VAULT ; (AUD:Various sources ); Editing and Mastering by The Wizard ; Please see txt for details. 04/14/2004 notes

302. 11/08/70 Shn - 0, 18639 Port Chester Capitol Theater Source: MAR>C>D>WAV>SHN; MAR source seems to be from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; C>SHN Conversion by Cousinit; includes some tracks from the Jack Warner shn set. notes

303. 11/08/70 Shn - 0, 17184 Port Chester Capitol Theater Multiple audience sources mastered by Jack Warner (see info file for details) including MAR>C>D>CD>EAC>SHN, from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; MAC>C>D>CD>EAC>SHN, MAC>C>R>D>CD>EAC>SHN and MAC>C2>D>CD>EAC>SHN from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in mic; and an unknown third master. notes

304. 11/08/70 Flac 16 - 0, 125659 Port Chester Capitol Theater flac16; source: aud reel master taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; the following were used as patch sources: Jerry Moore's 1st gen reel of Marty's mar and Ken Lee's aud cassette master; assembled by Rob Berger notes

305. 11/08/70 Flac 16 - 0, 119787 Port Chester Capitol Theater flac16; aud 1st gen reel, Jery Moore's reel copy of Marty Weinberg's reel; lineage: mar > 7" reel @ 3.75 ips, dolby b; master: akg d190e > uher 4000L 5" open reel deck taped by Marty Weinberg technics rs-1506 > teac an-180/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; transferred & seeded by Rob Berger april 2012 notes

306. 11/08/70 Shn - 0, 3339 Port Chester Capitol Theater mixed sources (see info file); DAT>CD conversion, Miles Garrett; CD> SHN, Morgan Evans; via Rick Lepley lepleyr@hotmail.com; note in absence of md5s for previous listing, not sure if there are 2 different shn sets notes

307. 11/08/70 Flac 24/96 - , 154243 Port Chester Capitol Theater flac24/96 Source: AKG 190E mic > Uher 4000 Report-L > Master Reels - recorded by Marty Weinberg and from the collection of Steve Martin Transfer Master Reels > Akai GX625 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick November 2021 notes

308. 11/09/70 Shn - 0, 7591 Island Park Action House AUD low gen; via Hanno Bunjes, with thanks to Uli Teute; pitch corrected up 3%; Hanno's notes notes

309. 11/10/70 Shn - 0, 17032 Island Park Action House AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg source). AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One); see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman notes

310. 11/10/70 Shn - 0, 8837 Island Park Action House partial; AUD; see notes in info file; via Hanno Bunjes; with thanks to Uli and Jack Warner notes

311. 11/11/70 Shn - 0, 17081 Brooklyn 46th Street Rock Palace AUD>MC>C>C>C>C>D>CD>EAC>SHN; See info file for quality notes; via Chuck Kiefe encoding and edits by Jeff Cotsman notes

312. 11/11/70 Flac 16 - 0, 31154 Brooklyn 46th Street Rock Palace flac16; aud > mc > cass (4 gens) > d > cd > eac > shn > wav > flac; remaster of shnid 17081; via SIRMick notes

313. 11/16/70 Shn - 0, 17361 New York Fillmore East SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70). notes

314. 11/16/70 Flac 16 - 0, 112897 New York Fillmore East flac16; SBD > RR > ? > ? > Cassette; Transfer Info: Nak MR2 Deck > Cassette > WAV >Soundforge > FLAC notes

315. 11/16/70 Shn - 0, 4734 New York Fillmore East SBDMR> DAT> CD-r> EAC> SHN; fits on 1x80; retracked and seeded by Mike Lai; reportedly chopped up, as are previous seeds notes

316. 11/16/70 Flac 16 - 0, 135717 New York Fillmore East flac16; Partial; Lineage: aud>?>Rich>nak>nak dolby C> XLII C90, from Rich Petlock; Transfer: Dragon dolby C>UA55>usb> Audacity>TLH>flac16 notes

317. 11/20/70 Shn - 0, 9001 Rochester The Palestra, U. of Rochester AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook notes

318. 11/21/70 Shn - 0, 17033 Boston Sargent Gym, Boston University SBD>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman notes

319. 11/21/70 Shn - 0, 14858 Boston Sargent Gym, Boston University Partial; SBD C/?; See info file for detail; From Uli Teute & Hanno Bunjes notes

320. 11/29/70 Shn - 0, 7592 Columbus Club Agora AUD low gen; a few cuts; via Hanno Bunjes with thanks to Uli Teute; pitch corrected; Hanno's notes notes

321. 11/??/70 Flac 16 - 0, 136653 New York Unknown flac16; Master Reel>CD>FLAC; Taped by Marty Weinberg, Transferred by Michael Parrish notes

322. 12/12/70 Flac & Shn - 0, 5985 Santa Rosa Santa Rosa Fairgrounds Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes notes

323. 12/12/70 Flac 16/44 - 0, 151894 Santa Rosa Santa Rosa Fairgrounds flac1644; partial; Gene Taback's Master Audience Cassette (Sony TC-124 with Sony Stereo Mic); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD. Editing performed in Adobe Audition; Flac Encoded notes

324. 12/17/70 Flac 16 - 0, 87356 San Francisco Winterland flac16; SBD > Master Reel > Master Cassette? > Cassette > CoolEdit > Flac notes

325. 12/23/70 Flac 16 - 0, 31608 San Francisco Winterland Arena flac16; Source: SBD > Master Reel? > Master Cassette > Cassette > CoolEdit > Flac notes

326. 12/23/70 Shn - 0, 10376 San Francisco Winterland Arena Partial; SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes

327. 12/23/70 Flac 16 - 0, 132343 San Francisco Winterland Arena flac16; Recording Info: (d1t01 - d1t06) SBD -> Master Reel -> CD -> FLAC; (d1t07 - d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

328. 12/26/70 Shn - 0, 22369 El Monte Legion Stadium Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller notes

329. 12/26/70 Shn - 0, 14124 El Monte Legion Stadium SBD> ?? (maybe 2 reel gens)> PCM> WAV> CDR> EAC> SHN; Transfer: SPDIF> SEK'D Prodif96Pro, Speed corrected via Samplitude notes

330. 12/26/70 Shn - 0, 7465 El Monte Legion Stadium sdb> R> pcm> cd; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa notes

331. 12/26/70 Flac 16 - 0, 34031 El Monte Legion Stadium flac16; SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 22369 notes

332. 12/27/70 Shn - 0, 23530 El Monte Legion Stadium SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller notes

333. 12/27/70 Shn - 0, 6016 El Monte Legion Stadium MSR> C> D> CD; via Steve Barbella with thanks to Seth Kaplan notes

334. 12/28/70 Shn - 0, 22313 El Monte Legion Stadium SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Mille notes

335. 12/28/70 Flac 16 Mtx - 0, 87294 El Monte Legion Stadium flac16; Matrix 2 Source Mix - SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - matrix mixing by Kevin Tobin notes

336. 12/28/70 Flac Dts 5.1 - 0, 87301 El Monte Legion Stadium DTS Audio 5.1; SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - dts mixing by Kevin Tobin notes

337. 12/28/70 Shn - 0, 17706 El Monte Legion Stadium AUD : MR > DAT > CD via Alan Fink notes

338. 12/28/70 Flac 16 - 0, 87365 El Monte Legion Stadium flac16; AUD : MR > Reel > DAT > CD original via Alan Fink - patched and speed correction by Kevin Tobin notes

339. 12/31/70 Shn - 0, 7283 San Francisco Winterland Arena Complete; Mixed Sources; FMS (KSAN)> ??> Cass> DAT> CDR; SBD MR> Cass> DAT> CDR (Pre-FM GDH) notes

340. 12/31/70 Shn - 0, 106 San Francisco Winterland Arena partial; S:MReel> DAT> Satellite Feed> DAT> ZA2> SoundForge NR (removed hum)> DartPro32 de-hissed (gain 3.0)> CD; filler on 10/24/70 notes

341. 12/31/70 Shn - 0, 6171 San Francisco Winterland Arena (aftershow) "aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed notes

342. 12/31/70 Flac 16 - 0, 101530 San Francisco Winterland Arena flac16; Partial Show, source: sony ecm-22p's>sony tc-770 reel @ 7.5 ips; lineage: aud reel master>7" reel @ 7.5 ips technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 16/44>flac; transferred & seeded by Rob Berger 9/24/09 notes

343. 12/??/70 Shn - 0, 34788 Unknown Radio Unknown source. notes

344. ??/??/70 Flac 16 - 0, 91324 San Francisco Pacific High Recording Studio flac16; studio sessions transfer and mastering by matt smith soundboard > master reel > Kidd Candelario dub > will boswell 7 1/2 ips reel > Apogee 24/96 (dithered to 16/44 via Wavelab 5.0) > CD notes

345. ??/??/70 Shn - 0, 7319 San Francisco Pacific High Recording Studio studio MR> ?> C> SF> CDR; includes repeat of some material with EQ, Dolby A notes

346. ??/??/70 Flac 16 - , 154490 Unknown Unknown flac16 Source: Restoration of SHNID 017271 Thanks to Joe Jupille and Andy Lemiuex for the original source
Transfer: MSR > Reel > PCM > DAT > CDR > EAC > SHN notes

347. 01/21/71 Flac 16 - 0, 131517 Davis Freeborn Hall, University of California flac16; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller notes

348. 01/21/71 Flac 24/96 - 0, 131516 Davis Freeborn Hall, University of California flac24; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller notes

349. 01/21/71 Flac 24/96 - , 153417 Davis Freeborn Hall, University of California flac24/96 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 notes

350. 01/21/71 Flac 16/48 - , 153406 Davis Freeborn Hall, University of California flac16/48 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 notes

351. 01/21/71 Flac 16/48 - , 153472 Davis Freeborn Hall, University of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - surround mixing by Kevin Tobin notes

352. 01/21/71 Dts Audio 5.1 - , 153471 Davis Freeborn Hall, University of California DTS-Audio-CD 5.1 Mix; - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - dts mixing by Kevin Tobin notes

353. 01/21/71 Flac 16 Mtx - , 153470 Davis Freeborn Hall, University of California flac16; Matrix 2 Source Mix - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes

354. 01/22/71 Shn - 0, 12592 Eugene Lane Community College SBD> (unknown analog gens)> C> CD> EAC> SHN; Walter Schnell analog-> CD conversion; shn encoding Jeff Cotsman notes

355. 01/24/71 Shn - 0, 6347 Seattle Seattle Center Arena SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B. notes

356. 01/24/71 Flac 16 - 0, 150274 Seattle Seattle Center Arena flac16; Recording Info: SBD > Master Reel > Cassette > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC notes

357. 02/18/71 Flac 16 - 0, 111793 Port Chester Capitol Theater flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

358. 02/18/71 Flac 16 - 0, 85478 Port Chester Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. notes

359. 02/18/71 Flac 16 - 0, 132101 Port Chester Capitol Theater flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented notes

360. 02/18/71 Shn - 0, 107 Port Chester Capitol Theater SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) notes

361. 02/18/71 Shn - 0, 6672 Port Chester Capitol Theater direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson notes

362. 02/18/71 Flac 16 - 0, 132136 Port Chester Capitol Theater flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show notes

363. 02/18/71 Flac 16 - 0, 123539 Port Chester Capitol Theater flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC notes

364. 02/18/71 Flac 16 - 0, 123881 Port Chester Capitol Theater flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger notes

365. 02/18/71 Flac 16/48 - 0, 143183 Port Chester Capitol Theater flac16/48kHz; SBD Master Reels>Dat>Clone directly to me via snail mail>file cloned into Microtrack using Tascam Dat deck>Goldwave tracking and removal on one glitch (reel change)>TLH8 notes

366. 02/18/71 Flac 24/96 - 0, 148239 Port Chester Capitol Theater flac24; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496 notes

367. 02/19/71 Flac 16 Mtx - 0, 31210 Port Chester Capitol Theatre flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell notes

368. 02/19/71 Shn - 0, 1029 Port Chester Capitol Theatre 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers) notes

369. 02/19/71 Flac 16 - 0, 132102 Port Chester Capitol Theatre flac16; Partial 1st Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented notes

370. 02/19/71 Flac 16 - 0, 30230 Port Chester Capitol Theatre flac16; unknown mono audience recording source: 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC recordist unknown transfered and remastered by Clinton Vadnais (cleantone@hotmail.com) notes

371. 02/19/71 DVD Audio - 0, 91849 Port Chester Capitol Theatre DVD-VA; (Video-Audio) 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > DAW (Bertha)>>Audio DVD; audio only - no video notes

372. 02/19/71 Flac 16/44 - 0, 151881 Port Chester Capitol Theatre flac16/44khz Recording Info: SBD > Master Reel (Sony TC-770/Scotch 7in 1/4 track 7.5ips) Transfer Info: Master Reel (Technics RS-1506) > Sony PCM-R500 (pass through) > Sound Forge > CD Mastering Info: CD > Samplitude Pro X5 Suite > FLAC/16 notes

373. 02/20/71 Flac 16 - 0, 116617 Port Chester Capitol Theater flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes

374. 02/20/71 Flac 16 - 0, 85912 Port Chester Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. notes

375. 02/20/71 Shn - 0, 111 Port Chester Capitol Theater 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs notes

376. 02/20/71 Shn - 0, 5188 Port Chester Capitol Theater likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01) notes

377. 02/21/71 Flac 16 - 0, 116618 Port Chester Capitol Theater flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes

378. 02/21/71 Flac 16 - 0, 87134 Port Chester Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. notes

379. 02/21/71 Flac 16 - 0, 98034 Port Chester Capitol Theater flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.) notes

380. 02/21/71 Shn - 0, 1980 Port Chester Capitol Theater SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different notes

381. 02/21/71 Flac 16 - 0, 123830 Port Chester Capitol Theater flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation notes

382. 02/21/71 Flac 16 - 0, 123885 Port Chester Capitol Theater flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013 notes

383. 02/23/71 Flac 16 - 0, 110353 Port Chester Capitol Theater flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes

384. 02/23/71 Flac 16 - 0, 82755 Port Chester Capitol Theater flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell notes

385. 02/23/71 Flac 16 - 0, 98406 Port Chester Capitol Theater flac16; Partial Set 2 source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac notes

386. 02/23/71 Shn - 0, 113 Port Chester Capitol Theater SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes) notes

387. 02/23/71 Flac 24/96 - 0, 151503 Port Chester Capitol Theater flac24/96khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021 notes

388. 02/23/71 Flac 16/44,1 - 0, 151502 Port Chester Capitol Theater flac16/44.1khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021 notes

389. 02/24/71 Flac 16 - 0, 87570 Port Chester Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. notes

390. 02/24/71 Flac 16 - 0, 121065 Port Chester Capitol Theater flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes

391. 02/24/71 Shn - 0, 6190 Port Chester Capitol Theater seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation notes

392. 02/24/71 Shn - 0, 6189 Port Chester Capitol Theater retracked version of previous shn set, by Bob Clevenger notes

393. 02/24/71 Flac 16 - 0, 125171 Port Chester Capitol Theater flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger notes

394. 02/24/71 Flac 16 - 0, 140834 Port Chester Capitol Theater flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16 notes

395. 02/24/71 Shn - 0, 114 Port Chester Capitol Theater via Leigh Orf; WBOTB source > distortion removed digitally (see notes) notes

396. 02/??/71 Flac - 0, 120486 Unknown Unknown flac16; unknown low gen Maxell XLII Cassette>Wav via Teac Stand Alone CD Burner > ? > SBE found - fix (TLH) shift backwards > MD5 + FFP made with (TLH) notes

397. 03/03/71 Shn - 0, 6248 San Francisco Fillmore West SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B. notes

398. 03/03/71 Flac 16 - 0, 130986 San Francisco Fillmore West flac16; Recording Info: SBD > MR > ? > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing SBD source. First four tracks are stereo, balance of show is 2 track MONO. Transferred, tracked and mastered by Bill Guarneri, August 18, 2014 notes

399. 03/03/71 Flac 16 - 0, 149685 San Francisco Fillmore West flac16; Master Soundboard Recording, unknown pedigree; Transfer - Nak BX-300 > Sony 75ES > DAT; Mastering by Jamie Waddell and Jason Chastain notes

400. 03/03/71 Flac 24/96 - 0, 149880 San Francisco Fillmore West flac24; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496 notes

401. 03/03/71 Flac 16/48 - 0, 149879 San Francisco Fillmore West flac16/48kHz; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

402. 03/14/71 Shn - 0, 6115 Madison Camp Randall Field House, University of Wisconsin Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1 notes

403. 03/14/71 Flac 16 - 0, 130581 Madison Camp Randall Field House, University of Wisconsin flac16; Recording Info: SBD > MR > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes

404. 03/14/71 Shn - 0, 6249 Madison Camp Randall Field House, University of Wisconsin SBD> MR> C> DAT> CDR; disc # 1 is 80 minutes, Truckin? fades in at "typical daydream", splice in Hard To Handle; via Mike Lai, with thanks to Paul B. notes

405. 03/18/71 Shn - 0, 1663 St. Louis Fox Theatre SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke notes

406. 03/18/71 Flac 16 - 0, 130560 St. Louis Fox Theatre flac16; Recording Info: SBD > R > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes

407. 03/18/71 Flac 16 - 0, 132491 St. Louis Fox Theatre flac16; Set 2 Only; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bob Mathews)- Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 44.1KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) notes

408. 03/20/71 Shn - 0, 5582 Iowa City University of Iowa SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella notes

409. 03/21/71 Shn - 0, 12074 Milwaukee Exposition Center AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman notes

410. 03/24/71 Flac 16 - 0, 85585 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller notes

411. 03/24/71 Flac 16 - 0, 25313 San Francisco Winterland Arena Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transfered and Edited By Charlie Miller notes

412. 03/24/71 Flac 16 - 0, 95869 San Francisco Winterland Arena flac16; Source: unknown aud > cdr > eac > wav > flac notes

413. 03/24/71 Shn - 0, 9501 San Francisco Winterland Arena Partial; SBD>MR>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes

414. 04/04/71 Flac 16 - 0, 110325 New York Manhattan Center flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC All Transfers and Mastering By Charlie Miller notes

415. 04/04/71 Flac 16 - 0, 35252 New York Manhattan Center flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac notes

416. 04/04/71 Flac 16 - 0, 76807 New York Manhattan Center flac16; source: MSR > C >DAT3 > Delta DiO 2496 > SoundForge 7.0 > cdwav > flac > wav > flac; this is a partial clean up of shn id 35252. see text file (note: this source was originally seeded with some files out of order) notes

417. 04/04/71 Shn - 0, 10358 New York Manhattan Center AUD>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman notes

418. 04/05/71 Flac 16 - 0, 110185 New York Manhattan Center flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller notes

419. 04/05/71 Shn - 0, 16606 New York Manhattan Center 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens notes

420. 04/05/71 Flac 16 - 0, 96269 New York Manhattan Center flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros. notes

421. 04/05/71 Flac 16 - 0, 110127 New York Manhattan Center flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes

422. 04/05/71 Shn - 0, 117 New York Manhattan Center remastered de-whined version? (see notes) of version circulating 8/99, via Leigh Orf; his other comments: "I also fixed track sector boundaries (urk why can't people get this right the 1st time), cut a couple of annoying micro-dropouts, put smooth fades in/out where the reel stopped/started, and did a seamless crossfade-merge on the reel flip in Lovelight" and retracked d3 notes

423. 04/05/71 Shn - 0, 12367 New York Manhattan Center shntool fix of Orf seed (?- note doesn't jibe with what is know of prev seed), by Chris Ladner notes

424. 04/05/71 Flac 16 - 0, 100052 New York Manhattan Center flac16; Partial show source: aud of unknown origin lineage: mono aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/7/09 notes

425. 04/06/71 Flac 16 - 0, 96299 New York Manhattan Center flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros. notes

426. 04/06/71 Flac 24/96 - 0, 109026 New York Manhattan Center flac24; Unknown lineage soundboard reels > Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC by Matt Smith Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8 notes

427. 04/06/71 Shn - 0, 18735 New York Manhattan Center 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens notes

428. 04/06/71 Shn - 0, 118 New York Manhattan Center SBD; via M. Lai notes

429. 04/06/71 Flac 16 - 0, 100040 New York Manhattan Center flac16; source: aud of unknown origin; lineage: mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/6/09 notes

430. 04/06/71 Flac 16/44 - , 152611 New York Manhattan Center flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16 notes

431. 04/06/71 Flac 16 - , 154656 New York Manhattan Center Source: Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k)
Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1
Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16 notes

432. 04/07/71 Flac 16 - 0, 96225 Boston Music Hall flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros. notes

433. 04/07/71 Flac 16 - 0, 83301 Boston Music Hall flac16; 7" BBD Reel > PCM501ES > Fostex D5 > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 1-12-02 WBOTB Project notes

434. 04/07/71 Shn - 0, 119 Boston Music Hall Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix notes

435. 04/07/71 Flac 16 - 0, 136892 Boston Music Hall flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes

436. 04/07/71 Flac 16 - 0, 141029 Boston Music Hall flac16; Source: sbd > master reel > pcm > dolby A decoded dat > pcm (Sony beta HG) - recorded by Betty Cantor and provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 notes

437. 04/08/71 Flac 16 - 0, 96627 Boston Music Hall flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros. notes

438. 04/08/71 Flac 16 - 0, 83756 Boston Music Hall flac16; 7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk Transferred by Tim Deibert 9-16-02 WBOTB notes

439. 04/08/71 Shn - 0, 120 Boston Music Hall SBD; via Mike Lai; updated info file with tracklist and notes provided by Cosmic Chuck notes

440. 04/08/71 Shn - 0, 14397 Boston Music Hall SMR>PCM>WAV>Shn; Conversion via SEK'd Prodif96Pro, editing via Samplitude filtered the right channel to reduce 60-cycle hum using narrowband filter reducing it a few db's; uploaded by theotherwayne@yahoo.com notes

441. 04/08/71 Shn - 0, 23732 Boston Music Hall sbd; same as http://db.etree.org/shninfo_detail.php?shnid=120 with SBEs fixed and seektables appended with shntool. notes

442. 04/08/71 Flac 16 - 0, 141099 Boston Music Hall flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

443. 04/10/71 Flac !! - 0, 8674 Lancaster East Hall, Franklin & Marshall College SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy notes

444. 04/12/71 Flac 16 - 0, 31960 Pittsburgh Civic Arena flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller notes

445. 04/13/71 Flac 16 - 0, 32015 Scranton Catholic Youth Center flac16; MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac16 notes

446. 04/13/71 Flac 16 - 0, 32077 Scranton Catholic Youth Center flac16; SBD > MR > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 6) notes

447. 04/13/71 Shn - 0, 9410 Scranton Catholic Youth Center set 2 partial; Master Soundboard Reel > DAT> CDR notes

448. 04/14/71 Shn - 0, 6250 Lewisburg Davis Gymnasium SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2 notes

449. 04/14/71 Flac 16 - 0, 130916 Lewisburg Davis Gymnasium flac16; Recording Info: SBD > MR > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > Flac; Cleaned up, retracked, remastered version of shnid 6250. Cleaned up, retracked and mastered by Bill Guarneri, August 9, 2014 notes

450. 04/14/71 Flac 16/48 - 0, 132543 Lewisburg Davis Gymnasium 16/48kHz: 7 Inch 1/4 Track Reel Master @ 7.5 ips (Recorded By Bob Mathews); Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel to Reel-Sony PCM-R500 DAT Deck @ 48KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing (Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)- Tagging(Tag & Re-name) notes

451. 04/14/71 Flac 16/48 - 0, 132733 Lewisburg Davis Gymnasium flac16/48kHz; Static reduced, speed corrected, slightly eq'ed & gain normalized version of source ID 132543 (SBD> MR> DAT) by Dan McDonald notes

452. 04/15/71 Shn - 0, 11652 Meadville Allegheny College SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr) notes

453. 04/17/71 Flac 16 - 0, 88760 Princeton Dillon Gym, Princeton University flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav notes

454. 04/17/71 Flac 16 Mtx - 0, 107384 Princeton Dillon Gym, Princeton University flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobi notes

455. 04/17/71 Shn - 0, 121 Princeton Dillon Gym, Princeton University set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield notes

456. 04/17/71 Flac 16 - 0, 107075 Princeton Dillon Gym, Princeton University flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith notes

457. 04/17/71 Flac 24/96 - 0, 89031 Princeton Dillon Gym, Princeton University flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate notes

458. 04/17/71 Flac Dts 5.1 - 0, 107385 Princeton Dillon Gym, Princeton University DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin notes

459. 04/17/71 Flac 16/48 - 0, 138033 Princeton Dillon Gym, Princeton University flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017 notes

460. 04/17/71 Shn - 0, 122 Princeton Dillon Gym, Princeton University set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield notes

461. 04/18/71 Shn - 0, 7112 Cortland Lusk Field House, S.U.C.N.Y SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes notes

462. 04/18/71 Flac 16 - 0, 130710 Cortland Lusk Field House, S.U.C.N.Y flac16; Recording Info: SBD > MR > C > C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC; This fresh transfer is a nice upgrade over existing sources which are very degraded with loud tape hiss. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014 notes

463. 04/18/71 Shn - 0, 6251 Cortland Lusk Field House, S.U.C.N.Y SBD> MR> ??> DAT> CDR; splice at 4:20 of Casey Jones, missing a couple seconds, UJB cuts at 3:21; via Mike Lai, with thanks to Paul B. notes

464. 04/21/71 Shn - 0, 8227 Providence Rhode Island Auditorium MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan notes

465. 04/21/71 Flac - 0, 130598 Providence Rhode Island Auditorium Recording Info: SBD > R > DAT >CD; Transfer Info: CD >WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked version of Source ID 8227 notes

466. 04/21/71 Shn - 0, 2578 Providence Rhode Island Auditorium sdb> MR> PCM> CD; via Mike Lai notes

467. 04/21/71 Flac 16 - 0, 141116 Providence Rhode Island Auditorium flac16; Source Info: Master Soundboard Reels > 1st generation reels > 2nd generation reels > PCM (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

468. 04/22/71 Shn - 0, 2176 Bangor Bangor Municipal Auditorium Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree notes

469. 04/24/71 Flac 16/48 - 0, 143958 Durham Wallace Wade Stadium, Duke University flac16/48kHz; Source Info: Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

470. 04/24/71 Flac 24/96 - 0, 143959 Durham Wallace Wade Stadium, Duke University flac24; Source Info:Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496 notes

471. 04/24/71 Shn - 0, 2579 Durham Wallace Wade Stadium, Duke University sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file notes

472. 04/25/71 Flac - 0, 95625 New York Fillmore East flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes

473. 04/25/71 Dvd - 0, 96096 New York Fillmore East DVD-VA; (Video-Audio) SBD>>MR>>CD>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel source (source id 95625) Audio only, no video notes

474. 04/25/71 Flac - 0, 113038 New York Fillmore East flac16; This remaster uses Charlie Miller's gd71-04-25.sbd.miller.95625.sbeok.flac16 as a baseline. Amplitude and Equalization adjustments were made using Cool Edit 2000. notes

475. 04/25/71 Flac - 0, 30886 New York Fillmore East flac16; Source: SBD -> ? -> C -> CDR via Dave Minor, encoding Matt Vernon notes

476. 04/25/71 Shn - 0, 8761 New York Fillmore East Partial set 2; sbd>RM>?>DAT>CD; via Charlie Miller; Seeded to etree by Grote notes

477. 04/26/71 Flac 16 - 0, 105814 New York Fillmore East flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes

478. 04/26/71 Flac 24/96 - 0, 105815 New York Fillmore East flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes

479. 04/26/71 Shn - 0, 2214 New York Fillmore East MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead notes

480. 04/26/71 Shn - 0, 4991 New York Fillmore East GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers notes

481. 04/26/71 Flac - 0, 114839 New York Fillmore East Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11 notes

482. 04/26/71 Shn - 0, 4330 New York Fillmore East notes

483. 04/26/71 Flac 24/96 - 0, 143159 New York Fillmore East flac24; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018 notes

484. 04/26/71 Flac 16 - 0, 145130 New York Fillmore East flac16; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018; This file set is 16 bit @ 44.1 notes

485. 04/26/71 Flac 16 - 0, 126270 New York Fillmore East flac16; MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer; Transfer: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013 notes

486. 04/27/71 Flac 16 - 0, 114461 New York Fillmore East flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes

487. 04/27/71 Flac 24/96 - 0, 106562 New York Fillmore East flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller notes

488. 04/27/71 Flac 16 - 0, 114094 New York Fillmore East flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith notes

489. 04/27/71 Shn - 0, 2221 New York Fillmore East MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead notes

490. 04/27/71 Shn - 0, 5165 New York Fillmore East mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.) notes

491. 04/27/71 Shn - 0, 2998 New York Fillmore East SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead notes

492. 04/27/71 Shn - 0, 4331 New York Fillmore East MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine? notes

493. 04/27/71 Flac 16 - 0, 141129 New York Fillmore East flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

494. 04/27/71 Flac 16 - 0, 106550 New York Fillmore East flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes

495. 04/28/71 Flac 16 - 0, 106099 New York Fillmore East flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller notes

496. 04/28/71 Flac 24/96 - 0, 114088 New York Fillmore East flac24; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0 > FLAC 24 bit; Transfered and mastered by Matt Smith 6/11 notes

497. 04/28/71 Flac 24/96 - 0, 106100 New York Fillmore East flac24; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/24; All Mastering By Charlie Miller notes

498. 04/28/71 Shn - 0, 11257 New York Fillmore East Complete; Previous splices patched with 'official release' material; See info file for details; Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR; Bird Song 02:08.70 through end of show: MSR 7 inch (7.5 ips) Revox A 77> Alesis Masterlink> CDR (previous splices patched via multi- track sources as noted below); Seeded to etree by Seth D Kaplan and Alan J Fink notes

499. 04/28/71 Flac 24/96 - 0, 102869 New York Fillmore East flac24; SBD MR>R@ 7 1/2 ips. Tape stock:Maxell UD35-7 tape. Transfer info:Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC. Edited on the GEMS Edit Station by Jamie Waddell. Pow-r3 Dither in Weiss-Saracon FLAC Level 8 in Trader's Lil Helper Meta-Data with Tag&ReName notes

500. 04/28/71 Shn - 0, 32862 New York Fillmore East MR>R>CDR and MR>CDR with alt. SBD patches; Refined, patched, re-tracked and SHN'ed by Chris Frisco. notes

501. 04/28/71 Shn - 0, 2248 New York Fillmore East MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead notes

502. 04/28/71 Flac 16 - 0, 114029 New York Fillmore East flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > CD FLAC; Transfered and mastered by Matt Smith notes

503. 04/28/71 Shn - 0, 4332 New York Fillmore East MR> R> CDR and MR> CDR; includes NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine? notes

504. 04/28/71 Flac 16 - 0, 126262 New York Fillmore East flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Truckin thru Bird Song is from a second gen reel. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transfered and mastered by Matt Smith notes

505. 04/29/71 Flac 16 - 0, 105926 New York Fillmore East flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes

506. 04/29/71 Flac 16 Mtx - 0, 97660 New York Fillmore East flac16; matrix of SBD: shnid=33565 and AUD: shnid=26568 by hansokolow using ProTools notes

507. 04/29/71 Flac 24/96 - 0, 105925 New York Fillmore East flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes

508. 04/29/71 Flac 16 - 0, 114145 New York Fillmore East flac16; SBD MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering) > Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > FLAC notes

509. 04/29/71 Shn - 0, 33565 New York Fillmore East fake version of the show, seeded by Dan Am-Dig to bt.etree.org, actually a composite including material from 4/27,28 as "patches" or "interleaves" (see notes in 4/6 info) notes

510. 04/29/71 Shn - 0, 4333 New York Fillmore East SBD>MR>CDR; includes NRPS; see info file for listening notes and detailed source info; tracked out and with same background info as previous shn set, but md5s differ; via vine? notes

511. 04/29/71 Shn - 0, 19639 New York Fillmore East SBD > 8 track RTR @ 15 i.p.s. (Vault Master) > 2 track RTR @ 15 i.p.s. (Phil Lesh 1987 mixdown Safety) > 24/96 DAT > SSSB (SHNTOOL used and verified) notes

512. 04/29/71 Flac 16 - 0, 114350 New York Fillmore East flac16; Recording Info: SBD -> 16 Track Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

513. 04/29/71 Shn - 0, 126 New York Fillmore East MR> R> DAT> CDR; note 4 CD best-of-run is available from the Dead notes

514. 04/29/71 Shn - 0, 16782 New York Fillmore East Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set notes

515. 04/29/71 Shn - 0, 1858 New York Fillmore East complete, including NRPS; MSR 7 inch (Revox A-77) @ 7.5 ips > Alesis Masterlink >CD-R; via Bob Murphy, Dan Stephens; stemming from Jim Wise seed of Well vine; note d5 tracked for 80 min; see highly detailed commentary in pub comments; note 4 CD best-of-run is available from the Dead notes

516. 04/29/71 Flac 16 - 0, 26568 New York Fillmore East flac16; Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; A > D by Steven Martin; Tracking and EAC > SHN by Jack Warner notes

517. 05/29/71 Flac 16 - 0, 110324 San Francisco Winterland Arena notes

518. 05/29/71 Shn - 0, 19153 San Francisco Winterland Arena source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others notes

519. 05/30/71 Flac 16 - 0, 94119 San Francisco Winterland Arena flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes

520. 05/30/71 Flac 16 - 0, 31968 San Francisco Winterland Arena flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transferred and Edited By Charlie Miller notes

521. 06/21/71 Flac 16 - 0, 94356 Herouville Chateau D'Herouville flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes

522. 06/21/71 Shn - 0, 4643 Herouville Chateau D'Herouville SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree notes

523. 07/02/71 Flac 16 - 0, 118485 San Francisco Fillmore West flac16; Partial Set 2, FM>Reel>CDR>TLH>FLAC and Pre-FM MSR>DAT>CDR>TLH>FLAC notes

524. 07/02/71 Shn - 0, 33659 San Francisco Fillmore West Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs notes

525. 07/02/71 Shn - 0, 11789 San Francisco Fillmore West sdb (suspected FM); via Mike Lai; Sector boundaries fixed, files renamed correctly and txt file cleaned up by Dave Backus notes

526. 07/02/71 Flac - 0, 18289 San Francisco Fillmore West Source: Master Reel (Pre-FM) > PCM > DAT
Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB) notes

527. 07/02/71 Flac 16 - 0, 136638 San Francisco Fillmore West flac16; Pre Broadcast Recording > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audacity and Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH notes

528. 07/02/71 Shn - 0, 6193 San Francisco Fillmore West FM; Bob Clevenger's clean-up of Leigh Orf's hosting of Mike Lai's previous shn set; see notes in info file notes

529. 07/31/71 Shn - 0, 5678 New Haven Yale Bowl, Yale University AKG 190E mic > Uher 4000 Report-L 5" Reel deck, Taper: Marty Weinberg; mixed genealogy: I: AudMR > CD > EAC > WAV > SHN, II: AudMR > C > DAT > CD > EAC > WAV >SHN; final digital version assembled by: Noah Weiner; see info file for details and flaw notes; via Audience Devotional Tree notes

530. 07/31/71 Flac 16 Mtx - 0, 134686 New Haven Yale Bowl, Yale University flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:132730)SBD -> Master Reel -> CD,CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; Audience (shnid:101438)Sources:I: AudMR > CD > EAC > WAV > SHN,II: AudMR > C > DAT > CD > EAC > WAV > SHN,single AKG 190E mic > Uher 4000 Report-L 5" Reel deck, 1/2 track tapes on a Revox A-700 (tweaked the head azimuth to match the original recording). Signal fed into DigiDesign Pro Tools on a Macintosh with Audio Media III sound card. The only post processing was normalization. notes

531. 08/04/71 Flac 16 - 0, 95308 San Pedro Terminal Island Correctional Fac. flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes

532. 08/05/71 Flac 16 - 0, 96540 Hollywood Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes

533. 08/05/71 Flac 16 Mtx - 0, 97014 Hollywood Hollywood Palladium flac 16; Sick Bits Vol. 29a - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=96540) + AUD (shnid=94260) as well as patch AUD sources (shnid=88859 and shnid=9768). Matrixed by Chris Chappell. notes

534. 08/05/71 Flac 16 - 0, 94260 Hollywood Hollywood Palladium flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD 'loser' was missing on this reel but used Don Wolfe's MAR>R>R @ 3 3/4 ips copy... One of the mics malfunctioned before the second set resulting in a mono recording on set 2 R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH) notes

535. 08/05/71 Shn - 0, 9768 Hollywood Hollywood Palladium AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman notes

536. 08/05/71 Flac 16 - 0, 88859 Hollywood Hollywood Palladium flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes

537. 08/05/71 Flac 16 - 0, 137288 Hollywood Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Mastered By Charlie Miller notes

538. 08/05/71 Flac 24 - 0, 137274 Hollywood Hollywood Palladium flac24; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller notes

539. 08/05/71 Flac 24/96 - 0, 141678 Hollywood Hollywood Palladium flac24; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes

540. 08/05/71 Flac 16 - 0, 144915 Hollywood Hollywood Palladium flac16; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; this file set is 16 bit @ 44.1 notes

541. 08/05/71 Flac 16 - 0, 147720 Hollywood Hollywood Palladium flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD; Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; converted to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and patched in tracks from the Charlie Miller SBD source and the Boswell / Smith / Sirmick AUD source. Increased the volume on patched SBD tracks by 25%. All post work done by Brian Flegel (using Roxio Sound Editor 2009) notes

542. 08/06/71 Flac 16 Mtx - 0, 96668 Hollywood Hollywood Palladium flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009 notes

543. 08/06/71 Flac 16 - 0, 96541 Hollywood Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes

544. 08/06/71 Flac 16 Mtx - 0, 97015 Hollywood Hollywood Palladium flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell. notes

545. 08/06/71 Flac 16 Mtx - 0, 130793 Hollywood Hollywood Palladium flac16; Matrix 2 Source Mix - SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - matrix mixing by Kevin Tobin notes

546. 08/06/71 Flac 24/96 - 0, 127690 Hollywood Hollywood Palladium flac24; Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

547. 08/06/71 Flac 24/96 - 0, 109430 Hollywood Hollywood Palladium flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC notes

548. 08/06/71 Shn - 0, 129 Hollywood Hollywood Palladium updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys notes

549. 08/06/71 Flac 24/96 - 0, 114390 Hollywood Hollywood Palladium flac24; Aud.7.5 ips>R(Don Wolfe) Transfer info:Akai GX636 > Apogee Mini Me @24/96; Transfered and mastered by Matt Smith 6/11 notes

550. 08/06/71 Shn - 0, 30224 Hollywood Hollywood Palladium source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick notes

551. 08/06/71 Flac - 0, 77457 Hollywood Hollywood Palladium flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected notes

552. 08/06/71 Flac Dts 5.1 - 0, 130794 Hollywood Hollywood Palladium DTS-Audio-CD 5.1 Mix; SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - dts mixing by Kevin Tobin notes

553. 08/06/71 Flac 16 - 0, 94261 Hollywood Hollywood Palladium flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH) notes

554. 08/06/71 Flac DVDA - 0, 110278 Hollywood Hollywood Palladium DVD-VA: (Video Audio) SBD>>MR>>CDA>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (audio only, no video) notes

555. 08/06/71 Flac 16 - 0, 88816 Hollywood Hollywood Palladium flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes

556. 08/14/71 Shn - 0, 21268 Berkeley Berkeley Community Theater Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03. notes

557. 08/14/71 Flac - 0, 130871 Berkeley Berkeley Community Theater flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Transferred, tracked and mastered by Bill Guarneri, August 5, 2014 notes

558. 08/14/71 Shn - 0, 1451 Berkeley Berkeley Community Theater SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00 notes

559. 08/15/71 Shn - 0, 21780 Berkeley Berkeley Community Theater Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner notes

560. 08/15/71 Flac - 0, 130890 Berkeley Berkeley Community Theater flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing sources. No shn or CDR in lineage. Transferred, tracked and mastered by Bill Guarneri, August 7, 2014 notes

561. 08/15/71 Shn - 0, 131 Berkeley Berkeley Community Theater mSR> cass> DAT> Serafin remaster> CDR; via Andy Gustin; Andy's comments: "not 100% flawless (eg. reel flip in Rider, sporadic anomalies) but they are absolutely worth getting. To my knowledge this is the best that circulates. They do sound amazing." notes

562. 08/21/71 Shn - 0, 17179 Novato Mickey's Barn AUDMC(Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback unit) through a Zefiro ZA2 soundcard tracked and normalized in Sound Forge. Known as "Mickey's Barn Jam" notes

563. 08/21/71 Flac 16 - 0, 83307 Novato Mickey's Barn flac16; listed as SBD from John Cipollina's reels > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac (this is actually an audience recording) notes

564. 08/23/71 Flac 16 - 0, 125886 Chicago Auditorium Theatre flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes

565. 08/23/71 Shn - 0, 9759 Chicago Auditorium Theatre AUD>MR>C>R>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes

566. 08/26/71 Flac 16 - 0, 32303 Bronx Gaelic Park flac16; SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transferred and Edited By Charlie Miller notes

567. 08/26/71 Flac 16 - 0, 35174 Bronx Gaelic Park flac16; Source 1: set 1 and Casey Jones - unknown aud and Source 2: the rest of set 2 - AKG190E > Uher 400L, taped by Marty Weinberg remastered by SIRMick notes

568. 08/26/71 Shn - 0, 32351 Bronx Gaelic Park Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12. notes

569. 08/26/71 Shn - 0, 1559 Bronx Gaelic Park SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2 notes

570. 08/26/71 Flac 16 - 0, 100292 Bronx Gaelic Park flac16; taped by Marty Weinberg: akg d190e mic > Uher 4000L; source: aud 1st gen reel lineage: aud 5" reel masters>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 7/25/09 notes

571. 08/26/71 Flac 16 - 0, 126297 Bronx Gaelic Park flac16; source: aud cassette master taped by Jim & Laurie Cooper; 2 unknown mics > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger 2013 notes

572. 09/29/71 Shn - 0, 16891 Santa Venetia Studio Rehearsals with Keith Godchaux MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt notes

573. 09/29/71 Flac - 0, 16951 Santa Venetia Studio Rehearsals with Keith Godchaux flac16 Bootleg CDs "Unsurpassed Master Vol 4" And "Unsurpassed Master Vol 6" > EAC > Wav > FLAC notes

574. 09/??/71 Shn - 0, 16897 Santa Venetia Keith rehearsals Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp notes

575. 09/??/71 Flac 24/96 - 0, 150976 Santa Venetia Keith rehearsals notes

576. 09/??/71 Flac 16/48 - 0, 151081 Santa Venetia Keith rehearsals flac16/48khz omplied from multiple sources including analog tapes (from the Jeff Knudsen Archive, curated by Tom Markson, and Blackwood archives) as well as existing shn and bootleg cd sources. Regarding accuracy of dates within the sets of rehearsals: this is as-is as it may not all be 100% correct. Cassette source transfers (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transfers and Mastering by Jim Blackwood Speed Corrections by Jason Chastain Project assistance from Jamison Waddell notes

577. 10/01/71 Shn - 0, 16896 Santa Venetia Studio MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived]. notes

578. 10/19/71 Flac 16 - 0, 114351 Minneapolis Northrop Auditorium, U. of Minn. flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

579. 10/19/71 Shn - 0, 3301 Minneapolis Northrop Auditorium, U. of Minn. PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston notes

580. 10/21/71 Flac - 0, 112086 Chicago Auditorium Theatre flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

581. 10/21/71 Shn - 0, 9622 Chicago Auditorium Theatre Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA notes

582. 10/21/71 Shn - 0, 5071 Chicago Auditorium Theatre SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file notes

583. 10/21/71 Shn - 0, 5067 Chicago Auditorium Theatre Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes

584. 10/22/71 Flac 16 - 0, 112821 Chicago Auditorium Theatre flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

585. 10/22/71 Flac 16 - 0, 86728 Chicago Auditorium Theatre flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

586. 10/23/71 Flac - 0, 111673 Detroit Eastown Theater flac16; Recording Info:SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24; Transfer Info:FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes

587. 10/23/71 Shn - 0, 18666 Detroit Eastown Theater SBD>FM>?>CASS>CD>EAC>DC5>CD Thanks to the Wizard; seedeD notes

588. 10/23/71 Shn - 0, 19862 Detroit Eastown Theater FM C/3; via Uli Teute and Hanno Bunjes notes

589. 10/23/71 Shn - 0, 10359 Detroit Eastown Theater SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman notes

590. 10/24/71 Shn - 0, 3292 Detroit Eastown Theater Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston notes

591. 10/24/71 Flac - 0, 125887 Detroit Eastown Theater flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

592. 10/26/71 Shn - 0, 9761 Rochester The Palestra, U. of Rochester Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman notes

593. 10/27/71 Flac - 0, 32668 Syracuse Onondaga County War Memorial flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes

594. 10/27/71 Flac - 0, 32869 Syracuse Onondaga County War Memorial flac16; SBD > MR > CASS > DAT > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha Remaster of shn id 32668 notes

595. 10/27/71 Shn - 0, 9503 Syracuse Onondaga County War Memorial Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes

596. 10/29/71 Flac - 0, 24999 Cleveland Allen Theatre Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller notes

597. 10/29/71 Shn - 0, 10357 Cleveland Allen Theatre Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman notes

598. 10/29/71 Shn - 0, 4090 Cleveland Allen Theatre set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD notes

599. 10/30/71 Shn - 0, 26608 Cincinnati Taft Auditorium mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes) notes

600. 10/30/71 Flac - 0, 120823 Cincinnati Taft Auditorium flac16; Updated Recording Info: Pre FM SBD > MR > RR @ 7 1/2 IPS; Transfer Info: RR > 1978 Teac 3440 > WAV > Sound Forge 10 > TLH > FLAC; Transfered, tracked and mastered by Bill Guarneri, August 1, 2014 notes

601. 10/30/71 Shn - 0, 2664 Cincinnati Taft Auditorium FM> Pioneer RT-707 (7" reel @ 19 ips)> CD; Conversion: Kenwood TrueX > EAC > shn v3 (seekable); via Brian Cole notes

602. 10/30/71 Flac - 0, 137408 Cincinnati Taft Auditorium flac16; Recording of the FM Broadcast on WEBN Cincinnati, DAT provided and transferred by Stuccoholmes, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Critical Listening assitance by John Wenzel. Track, FLAC and Pack by Norm notes

603. 10/31/71 Flac 16 - 0, 79011 Columbus Ohio Theatre flac16; Set 1 & Encore: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes

604. 10/31/71 Shn - 0, 16781 Columbus Ohio Theatre partial SBD pre-fm GDH Dick Pick's leftovers notes

605. 10/31/71 Flac 16 - 0, 142426 Columbus Ohio Theatre flac16; Recording Info: SBD > Master Reel (7in @ 7.5ips 1/2trk) > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes

606. 11/06/71 Shn - 0, 6253 San Francisco Harding Theater SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B. notes

607. 11/07/71 Shn - 0, 9570 San Francisco Harding Theater SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan notes

608. 11/07/71 Flac 16 - 0, 127503 San Francisco Harding Theater flac16; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Telefunken tubes tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

609. 11/07/71 Flac 24/96 - 0, 127490 San Francisco Harding Theater flac24; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

610. 11/07/71 Shn - 0, 2580 San Francisco Harding Theater updated lineage: sdb> MR> [FM> ?>] D> CD; via Mike Lai notes

611. 11/07/71 Flac 16 - 0, 135990 San Francisco Harding Theater flac16; FM or Pre-FM > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Audacity and Wavelab 7.1 Mastering by Jamie Waddell notes

612. 11/07/71 Flac 24/96 - , 155687 San Francisco Harding Theater flac24/96 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips)
Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC
Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Remastered version of shnid=127490 notes

613. 11/07/71 Flac 16/44 - , 155721 San Francisco Harding Theater FLAC 1644 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips)
Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC
Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Remastered version of shnid=127490
This is 155687 2496 > 1644 notes

614. 11/11/71 Shn - 0, 8326 Atlanta Atlanta Municipal Auditorium Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd notes

615. 11/11/71 Flac 16/44 - , 155920 Atlanta Atlanta Municipal Auditorium flac1644 (Bootleg Tape - from FM broadcast) FM-Cassx?>CD>.wav>flac via Brian Flegel notes

616. 11/12/71 Shn - 0, 3347 San Antonio San Antonio Civic Auditorium sdb> master reel> pcm> cdr; via Mike Lai notes

617. 11/12/71 Shn - 0, 14916 San Antonio San Antonio Civic Auditorium 2nd set only; S : MC > C > SONIC SOLUTIONS > CDR > EAC > COOL EDIT PRO >CD (patched with SBD : MR > PCM > CDR source); See info file for details; via Charlie Miller; Seeded to etree by Alan J Fink; notes

618. 11/12/71 Shn - 0, 4759 San Antonio San Antonio Civic Auditorium Master Soundboard Reel > Cassette > DAT > CDR notes

619. 11/12/71 Flac 16 - 0, 120716 San Antonio San Antonio Civic Auditorium flac16; Partial aud 1st gen reel Jerry Moore's copy; lineage: aud > AKG d190e > Marty Weinberg's Uher reel master > JM's 1st gen reel @ 3.75 ips/dolby b > dat; sony tc-765 reel > teac an-180/b > sbm1 > sony d8 reel transferred to dat in 1999 by Rob Berger, seeded June 2012 notes

620. 11/12/71 Flac 16 - 0, 137396 San Antonio San Antonio Civic Auditorium flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick notes

621. 11/12/71 Flac 16 - 0, 142439 San Antonio San Antonio Civic Auditorium flac16; Partial Set 2 Source: Sbd > Master reel (vault) > Dick's dat (44.1) - Provided by Rob Eaton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; edited and mastered SIRMick June 2018 notes

622. 11/14/71 Shn - 0, 23568 Fort Worth Texas Christian University SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller notes

623. 11/14/71 Shn - 0, 8738 Fort Worth Texas Christian University Charles Weir fix of original SBD source; including a written txt file notes

624. 11/14/71 Shn - 0, 6254 Fort Worth Texas Christian University SBD> MR> C> (additional analog gens?)> DAT> CDR; minor background noise from 3:21-3:23 of IKYR; via Mike Lai, with thanks to Paul B. notes

625. 11/15/71 Flac - 0, 31607 Austin Austin Municipal Auditorium flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05) notes

626. 11/15/71 Shn - 0, 12438 Austin Austin Municipal Auditorium SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman notes

627. 11/15/71 Shn - 0, 7735 Austin Austin Municipal Auditorium partial: "Big Jam" portion; SBD:MR > Cassette > Sonic Solutions > CDR > EAC > SHN; CD mastering by David Gans. Extraction (EAC), re-tracking (CD Wave and WavMerge), and .shn encoding (mkwACT) by Joe Jupille notes

628. 11/17/71 Shn - 0, 10285 Albuquerque Albuquerque Civic Auditorium SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman notes

629. 11/20/71 Flac - 0, 92908 Los Angeles Pauley Pavilion, UCLA flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

630. 11/20/71 Shn - 0, 8806 Los Angeles Pauley Pavilion, UCLA SBD>FM>R>DAT>CDR; via Rick Martin; Seeded to etree by Willy notes

631. 12/01/71 Flac 16 - 0, 76424 Boston Music Hall flac16; Set 2 Only; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; All Mastering done By Charlie Miller (This source fixes a flaw in the Big Boss Man on the previous source.) notes

632. 12/01/71 Flac 16 - 0, 83164 Boston Music Hall flac16; Partial Set 2 Matrix. Mix Ratio = +3 db sbd (shnid=76424) / -5.5 db aud (shnid=24765) via Matt Vernon notes

633. 12/01/71 Flac 16 - 0, 32304 Boston Music Hall flac16; Recording Info: SBD -> Reel Master -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; upgrade in circulation notes

634. 12/01/71 Shn - 0, 3898 Boston Music Hall set 2; sbd; via Mike Lai notes

635. 12/01/71 Shn - 0, 24765 Boston Music Hall Source: Unknown aud via David Minor. Likely Lineage: AUDMC > C > C > CDR > EAC > Pitch Correction / editing > SHN Pitch correction and general fixup by David Minches. Minor assistance by Matt Vernon notes

636. 12/02/71 Shn - 0, 6255 Boston Music Hall SBD> MR> R> DAT> CDR; see info file for flaw notes; via Mike Lai, with thanks to Paul B. (SBE fixed version via SIRMick, January, 2006.) notes

637. 12/02/71 Flac 16 Fm - 0, 141202 Boston Music Hall flac16; Source Info: FM Broadcast; Unknown Analog Master > 2 cassette generations > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

638. 12/02/71 Flac 16 - 0, 141424 Boston Music Hall flac16; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes

639. 12/02/71 Flac 24/96 - 0, 141425 Boston Music Hall flac24; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496 notes

640. 12/02/71 Flac 16/48 - 0, 142970 Boston Music Hall flac16/48kHz; Set 2 Source Info: Master Soundboard Reels > Cassette > Dat (16/48); Transfer Info: Dat (Sony PCM-R500)(16/48)> Apogee aes/ebu cable > Tascam DA-3000 (16/48)> Adobe Audition 3.0 (16/48) > TLH flac1648 notes

641. 12/02/71 Flac 16/48 - 0, 142968 Boston Music Hall flac16/48kHz; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp; pitch corrected version of shnid 141424 notes

642. 12/02/71 Flac 24/96 - 0, 142969 Boston Music Hall flac24; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; pitch corrected version of shnid 141425 notes

643. 12/04/71 Flac - 0, 110128 New York Felt Forum, Madison Square Garden flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes

644. 12/04/71 Shn - 0, 6256 New York Felt Forum, Madison Square Garden SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here notes

645. 12/04/71 Flac - 0, 120948 New York Felt Forum, Madison Square Garden flac16: aud reel master>reel>dat, taped by Marty Weinberg, Jerry Moore's copy transferred by Rob Berger notes

646. 12/04/71 Flac 16 - 0, 110186 New York Felt Forum, Madison Square Garden flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

647. 12/05/71 Flac - 0, 3391 New York Felt Forum, Madison Square Garden Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes notes

648. 12/05/71 Flac 16 - 0, 131532 New York Felt Forum, Madison Square Garden flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

649. 12/05/71 Flac 16 - 0, 100316 New York Felt Forum, Madison Square Garden flac16; FM -> Master Reel -> CD -> EAC -> FLAC. This is a complete show and a real nice upgrade from the so-called Pre-FM. notes

650. 12/05/71 Shn - 0, 18665 New York Felt Forum, Madison Square Garden Updated lineage: FM>MR>DAT>CD>SHN (had been marked as pre-FM) notes

651. 12/05/71 Flac 16 - 0, 147715 New York Felt Forum, Madison Square Garden flac16; SOURCE: Pre-FM>MR>DAT>CD>SHN; converted original files (gd1971-12-05.sbd.unknown.18665.sbeok.shnf) to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and fixed every track transitions; All done with crossfades (minus the tracks that naturally segue into each other) and did numerous volume adjustments and little edits notes

652. 12/05/71 lps. - 0, New York Felt Forum, Madison Square Garden notes

653. 12/06/71 Flac - 0, 108425 New York Felt Forum, Madison Square Garden flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

654. 12/06/71 Shn - 0, 2418 New York Felt Forum, Madison Square Garden MSR> DAT> CD; via Seth Kaplan notes

655. 12/07/71 Shn - 0, 3375 New York Felt Forum, Madison Square Garden SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones notes

656. 12/09/71 Shn - 0, 3345 St. Louis Fox Theatre MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks notes

657. 12/10/71 Flac - 0, 92392 St. Louis Fox Theatre flac16; Set 1 Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

658. 12/10/71 Shn - 0, 85787 St. Louis Fox Theatre Source: MSR>C>DAT>CD; with FM patch notes

659. 12/10/71 Shn - 0, 1311 St. Louis Fox Theatre MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkof notes

660. 12/14/71 Shn - 0, 23842 Ann Arbor Hill Auditorium 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs. Same as http://db.etree.org/shninfo_detail.php?shnid=12763 with SBEs fixed and seektables appended with shntool. notes

661. 12/14/71 Shn - 0, 12763 Ann Arbor Hill Auditorium 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs notes

662. 12/14/71 Shn - 0, 133 Ann Arbor Hill Auditorium SBD > Master Reel > PCM > DAT x3> CDR > SHN > WAV > Sound Forge Noise Reduction > SHN; 7" two track Betty Cantor Reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz / PCM501ES analog out > Fostex D5 @ 48 kHz; Mastered to CD using a Tascam DA302 > HHB 850; via jeffk; report by L. Orf- NR version lacking fullness relative to orig- more NR discussion notes

663. 12/14/71 Flac 16 - 0, 140950 Ann Arbor Hill Auditorium flac16; Source Info: Betty's 7" 2-track Master Soundboard Reels > PCM > PCM (14 bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

664. 12/15/71 Flac 16 - 0, 97718 Ann Arbor Hill Auditorium flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

665. 12/15/71 Shn - 0, 134 Ann Arbor Hill Auditorium set 2; SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; see info file for flaws notes

666. 12/15/71 Shn - 0, 12615 Ann Arbor Hill Auditorium both sets, 2 different SBD sources (see notes); via Walter Schnell; encoding and mastering by Jeff Cotsman notes

667. 12/15/71 Shn - 0, 16464 Ann Arbor Hill Auditorium set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann notes

668. 12/15/71 Flac 24 - 0, 149430 Ann Arbor Hill Auditorium flac24; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 notes

669. 12/15/71 Flac 16 - 0, 149966 Ann Arbor Hill Auditorium flac16; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes

670. 12/31/71 Shn - 0, 135 San Francisco Winterland Arena FM > Reel > Dat > CDR; via G. Lanum notes

671. 12/31/71 Flac 16 Fm - 0, 141329 San Francisco Winterland Arena flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick notes

672. 12/31/71 Flac 16 - 0, 142687 San Francisco Winterland Arena flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFi l-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2018 notes

673. 12/31/71 Flac 16/48 - 0, 142681 San Francisco Winterland Arena flac16/48 Recording Info: SBD > Master Reel > Dat (48k) Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering by Charlie Miller notes

674. 12/31/71 Flac 16/48 - 0, 142742 San Francisco Winterland Arena flac16/48kHz; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; this is a fix of shnid=142681 notes

675. ??/??/71 Flac 16/44 - 0, 152206 Unknown Unknown Studio flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC notes

676. 01/02/72 Flac 16 - , 161838 San Francisco Winterland Arena flac16 Recording info: SBD > Master Reel > DAT source from Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes

677. 01/02/72 Shn - 0, 8709 San Francisco Winterland Arena updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD notes

678. 03/05/72 Flac 16 - 0, 103282 San Francisco Winterland Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller notes

679. 03/05/72 Shn - 0, 20704 San Francisco Winterland Arena AUD -> ? -> Reel (Mono) -> DAT -> WAV -> SHN Taper, mic, and deck unkown. Analog > DAT by Neil Sturtevant. DAT > SHN & final edits by Charlie Miller. Added to etree by Noah Weiner notes

680. 03/05/72 Shn - 0, 12152 San Francisco Winterland Arena Partial 1st set and complete 2nd set; See info file for details and 'cuts'; sbd>cass>cass>cass>dat>cd; Seeded to etree by Jools notes

681. 03/05/72 Shn - 0, 20739 San Francisco Winterland Arena SBD -> ?m -> Cass -> Cass -> Cass -> Cass -> Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN via Charlie Miller; upgrade now in circulation notes

682. 03/21/72 Flac 16 - 0, 92395 New York Academy Of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

683. 03/21/72 Flac 16 - 0, 32370 New York Academy Of Music flac16; Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD EAC, Re-track, and FLAC by Joe Samaritano notes

684. 03/21/72 Flac 16 - 0, 136670 New York Academy Of Music flac16; Source: sbd > cassette master > dat(48k) notes

685. 03/21/72 Shn - 0, 15041 New York Academy Of Music Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD->EAC->SHN CD->EAC->SHN Done By Joe Samaritano; samaritano@adelphia.net, 2/5/03 notes

686. 03/21/72 Shn - 0, 9331 New York Academy Of Music Set 2; SBD>MR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes

687. 03/22/72 Flac - 0, 132726 New York Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller notes

688. 03/22/72 Flac - 0, 136682 New York Academy of Music flac16; Source: sbd > master reel > dat (48k) notes

689. 03/22/72 Shn - 0, 19142 New York Academy of Music Partial Audience Recording via David Hollister. Lineage: A:?>Cass>Reel>CD>EAC>SHN notes

690. 03/23/72 Flac 16 - 0, 100000 New York Academy of Music flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller notes

691. 03/23/72 Shn - 0, New York Academy of Music notes

692. 03/23/72 Shn - 0, 137 New York Academy of Music set II; Gans Betty; Source: ?>Jim Wise BBD (Betty Board)> Gans CD> Goodbear's Gans CD clone> SHN; via Teddy Goodbear to abgd, ~10/16; etreed ~10/29; more info; note slight buzz & a touch of hiss notes

693. 03/23/72 Flac 16 - 0, 136683 New York Academy of Music flac16; Source: sbd > master reel > dat (48k) notes

694. 03/25/72 Flac 16/48 - 0, 133593 New York Academy of Music flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes

695. 03/25/72 Flac 16 - 0, 133592 New York Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Mille notes

696. 03/25/72 Shn - 0, 8838 New York Academy of Music AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute notes

697. 03/25/72 Flac 16 - 0, 136684 New York Academy of Music flac16; Source: sbd > master reel > dat (48k) notes

698. 03/25/72 Flac 16 - 0, 100352 New York Academy of Music flac16; source: aud reel; lineage: aud>?>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/29/09 notes

699. 03/25/72 Shn - 0, 22094 New York Academy of Music Multiple Sources -- see info file, same as shn ID 8838, but SBE's in d1t11, d1t14, and d2t10 fixed with shntool and new md5's generated notes

700. 03/25/72 Flac 24 - 0, 137696 New York Academy of Music flac24; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick notes

701. 03/25/72 Flac 16 - 0, 137695 New York Academy of Music flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick notes

702. 03/26/72 Flac 16 - 0, 133303 New York Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller notes

703. 03/26/72 Shn - 0, 15413 New York Academy of Music AUD C/3 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes notes

704. 03/26/72 Flac 16/48 - 0, 136689 New York Academy of Music flac16/48kHz; Source: sbd > master reel > dat (48k) notes

705. 03/27/72 Flac 16 - 0, 132366 New York Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

706. 03/27/72 Shn - 0, 15816 New York Academy of Music AUD C/? > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes notes

707. 03/27/72 Flac 16/48 - 0, 135871 New York Academy of Music flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes

708. 03/28/72 Flac - 0, 132729 New York Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

709. 03/28/72 Shn - 0, 15414 New York Academy of Music AUD C/5 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes notes

710. 03/28/72 Shn - 0, 24536 New York Academy of Music source: aud C/5 > soundforge > cdr > shn > wav > shn You might wonder why I would bother to remaster this show since the sound on it is so bad. Well firstly, I like a challenge, secondly I had the time but most of all, it's a great show. This recording had serious deficiencies as can be seen from the original notes below. It is now listenable for most of the show but problems remain. Purists will probably not like the way that I have re-mastered this but needs must notes

711. 04/07/72 Flac 16 - 0, 31329 London Wembley Empire Pool flac16; source: mac (2 sources) > c > cdr + M? > low-gen reel > cdr > ??? > wav > shn > wav > flac; remaster of shnid 6161 by SIRMick notes

712. 04/07/72 Shn - 0, 6161 London Wembley Empire Pool 2 AUD sources: MR> C> CDR + M?> low-gen reel> CDR (see info file); mastered by Hanno Bunjes from compilation tape by Uli Teute; Hanno's notes notes

713. 04/08/72 Flac - 0, 83714 London Wembley Empire Pool flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

714. 04/08/72 Shn - 0, 2185 London Wembley Empire Pool SBD; Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN; Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton, from Seth Kaplan's copy; d3 is identical to previously circulated shn; note 1/01: cleaned version of this now in shn notes

715. 04/08/72 Flac - 0, 83148 London Wembley Empire Pool SHNID: 83143 notes

716. 04/08/72 Shn - 0, 2534 London Wembley Empire Pool SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file notes

717. 04/11/72 Flac - 0, 94377 Newcastle Newcastle City Hall flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD. notes

718. 04/11/72 Shn - 0, 4640 Newcastle Newcastle City Hall SBD> MC> D> CD> SHN; some Soundforge editing; see info file for flaw notes; via thecore notes

719. 04/11/72 Shn - 0, 12186 Newcastle Newcastle City Hall remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes notes

720. 04/14/72 Flac 16 - 0, 76006 Copenhagen Tivoli Theater flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed notes

721. 04/14/72 Flac 16 - 0, 34931 Copenhagen Tivoli Theater flac16; SBD > MR (16 Track) > Dat > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 34552 notes

722. 04/14/72 Shn - 0, 23662 Copenhagen Tivoli Theater Aud (unknown mics), Unknown via Dave Minor encoded by Matt Vernon notes

723. 04/14/72 Shn - 0, 8828 Copenhagen Tivoli Theater SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt notes

724. 04/14/72 Flac 16 Mtx - 0, 136980 Copenhagen Tivoli Theater flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:76006), Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k)Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Bert Slany: Speed Correction.flac -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed; Audience (shnid:23662), Source: Aud (unknown mics) Lineage: Unknown notes

725. 04/14/72 Shn - 0, 140 Copenhagen Tivoli Theater MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments notes

726. 04/14/72 Flac 16 - 0, 34552 Copenhagen Tivoli Theater flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller notes

727. 04/16/72 Shn - 0, 18103 Aarhus Stakladen, Aarhus University Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller notes

728. 04/16/72 Shn - 0, 19861 Aarhus Stakladen, Aarhus University set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes notes

729. 04/16/72 Shn - 0, 10258 Aarhus Stakladen, Aarhus University Partial set 1 & 2; Mixed SBD sources; SBD>MR>?>C>Sound Forge>SHN; SBD>MR>D>CD>EAC>SHN; See info file for 'caveat'; via Walter Schnell, Mark Sweeney; Seeded to etree by J. Cotsman notes

730. 04/16/72 Shn - 0, 9196 Aarhus Stakladen, Aarhus University Partial set 2; SBD>MR>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes

731. 04/17/72 Flac 16 - 0, 33802 Copenhagen Tivoli Concert Hall flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac notes

732. 04/17/72 Flac 16 - 0, 34224 Copenhagen Tivoli Concert Hall flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302 notes

733. 04/17/72 Flac 16 - 0, 34032 Copenhagen Tivoli Concert Hall flac16; SBD > MR (16Track) > DAT > WAV > CDA > Wav > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 33802 notes

734. 04/17/72 Flac 16/48 - 0, 136685 Copenhagen Tivoli Concert Hall flac16/48kHz; Source: sbd > 14" 16 track Master Reel @15ips > DAT (48k) notes

735. 04/17/72 Shn - 0, 9390 Copenhagen Tivoli Concert Hall SBD>??>French TV Broadcast>C>DAT>CDR; Several missing tracks, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon notes

736. 04/17/72 Flac 16 - 0, 34038 Copenhagen Tivoli Concert Hall flac16; sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac SIRMick fix of shnid 33802. Details of fixes in text file. notes

737. 04/21/72 Shn - 0, 9380 Bremen Beat Club SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon notes

738. 04/21/72 Flac 16 - 0, 116404 Bremen Beat Club Source: SBD -> ? (Remaster of shinid 9380 soundcheck portion). Transfer: CDR>EAC>Adobe Audition 2.0 pitch adjusted +78 cents>CD Wave>FLAC. Seeded by Rob Berger. notes

739. 04/24/72 Shn - 0, 6956 Düsseldorf Rheinhalle mixed SBD + AUD: RM> C> DAT> CD; see info file for notes notes

740. 04/24/72 Shn - 0, 16332 Düsseldorf Rheinhalle SHNID: 16332 notes

741. 04/26/72 Shn - 0, 12884 Frankfurt Jahrhundert Halle This is probably the original FM broadcast No generational info given with original shn set. See text file notes

742. 04/26/72 Shn - 0, 9197 Frankfurt Jahrhundert Halle 100 Year Hall Outtakes; SBD>MR>DAT>SS>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes

743. 04/26/72 Shn - 0, 12849 Frankfurt Jahrhundert Halle Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon notes

744. 04/26/72 Flac 16/48 - 0, 136637 Frankfurt Jahrhundert Halle flac16/48kHz; Source: Soundboard > Master Reel > Dat (48k) notes

745. 04/29/72 Flac 16 Mtx - 0, 98401 Hamburg Musikhalle flac16; Matrix SBD Source: SBD > MR > ?? > DAT > CDR with Aud Patch Source: MR* > cass > SB Live! > wav > shn > CD-R. shnid 32877 (* believed to be Uher Reel Machine at 4.75 cm/sec) and Aud Source: MR* > 2 reels > cass > SB Live! > wav > shn > CD-R. shnid 5250 (* believed to be Uher Reel Machine at 4.75 cm/sec) notes

746. 04/29/72 Flac 16 - 0, 125888 Hamburg Musikhalle flac16; Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes

747. 04/29/72 Flac 16 Mtx - 0, 126010 Hamburg Musikhalle flac16; 2 Source Matrix by dusborne; Soundboard (shinid:125888) Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; and Audience (shinid:5250) Source: MR*> 2 reels> cass>SB Live!>.wav>.shn>CD-R. seed disks provided by eurodead.net; SHN Conversion by mvernon54@home.com notes

748. 04/29/72 Shn - 0, 18523 Hamburg Musikhalle SBD Source: MSR*>R>R>C>DAT>WAV>SHN (* Possibly Monitor Board See Notes Below); AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec); AUD seed disks provided by eurodead.net; SBD seed by Cousinit; SBD C>SHN Conversion by Cousinit; AUD SHN Conversion by mvernon54@home.com notes

749. 04/29/72 Shn - 0, 17026 Hamburg Musikhalle SBD>MR>??>DAT>CDR via Raoul Duke. Pitched and patched with etree audience source and shn encoded by Matt Vernon. notes

750. 04/29/72 Shn - 0, 5250 Hamburg Musikhalle AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks notes

751. 04/29/72 Shn Mtx - 0, 17025 Hamburg Musikhalle SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources notes

752. 04/29/72 Flac 16 - 0, 141886 Hamburg Musikhalle flac16; Source: Unknown mics > Uher 4400 > Master Reel > PCM > DAT (44.1k) - Taped by Wolsander* and provided by Tim Dalton; Tansfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick May 2018 notes

753. 04/29/72 Flac 16 - 0, 32877 Hamburg Musikhalle This is a remaster of shnid 17026 by Sir Mick notes

754. 05/03/72 Shn - 0, 142 Paris Olympia Theater SBD > multitrack 2" MR > rough mix by J. Norman/D. Latvala> DAT > CDR > EAC > shn;?? Extraction, shortening, and uploading by Mike Masse; note "honeymoon theft" source: China-Rider, Jed spliced in from E72 album (they were snipped from master reel) notes

755. 05/03/72 Shn - 0, 21923 Paris Olympia Theater Soundboard> Master Reel (multi-track)> DAT x 5. DAT> ZA2> .wav> mkw> SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano; note: channel problems fixed by Joe in reseed- get that version instead notes

756. 05/03/72 Flac 16 - 0, 29082 Paris Olympia Theater flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano notes

757. 05/03/72 Shn - 0, 6453 Paris Olympia Theater possible reDAE/reshn by unIDed person of previous shn set- md5s do not match; same info file with added note; noted at gdlive notes

758. 05/03/72 Flac 16 - 0, 139539 Paris Olympia Theater flac16; Recording Info: SBD -> 16 Track Master Reels (purportedly Healy's rough mix)-> DAT; Transfer Info: DAT(Sony R500)-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston notes

759. 05/04/72 Flac 16 - 0, 77294 Paris Olympia Theater flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller notes

760. 05/04/72 Shn - 0, 143 Paris Olympia Theater SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?) notes

761. 05/04/72 Shn - 0, 20562 Paris Olympia Theater *Set 1 Only* Soundboard->Master Reel->PCM->DAT x ?; DAT->ZA2->Soundforge->.wav->mkw->SHN. Includes in between song tuning and banter that other sources have edited out. DAT seed, transfer, and SHN by Joe Samaritano. notes

762. 05/04/72 Flac 16 - 0, 141434 Paris Olympia Theater flac16; Source: sbd cassette master > pcm (Sony L-750ESX-HFB beta tape) - Recorded by Betty Cantor. From the collection Of Tim Dalton and given to him by Harvey Lubar; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick March 2017 notes

763. 05/07/72 Flac 16 - , 155550 Wigan Bickershaw Festival flac16 This has been compiled from three different sources but I only know one of the tapers. The two unknown sources have been used for Set I and Simon Phillips' master for the whole of Set II edited and mastered SIRMick February 2022 notes

764. 05/07/72 Flac 16/48 - 0, 133598 Wigan Bickershaw Festival flac16/48kHz; Set 1 Recording Info: SBD -> Master Reel (10 inch - 1/2 track) -> Dat/48k; Transfer Info: Dat -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes

765. 05/07/72 Shn - 0, 9193 Wigan Bickershaw Festival Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston notes

766. 05/07/72 Flac 16 - 0, 140896 Wigan Bickershaw Festival flac16; Partial Set 2 Source Info: Betty's Master Soundboard Reel > PCM > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

767. 05/10/72 Shn - 0, 1582 Amsterdam Concertgebouw S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in notes

768. 05/11/72 Shn - 0, 9357 Rotterdam Rotterdam Civic Hall 10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02. notes

769. 05/11/72 Shn - 0, 3830 Rotterdam Rotterdam Civic Hall d1,2: SBD> MR> C> DAT> CDR> EAC> SHN; d3,4: SBD> MR> ??> FM> ??> CDR> editing> CDR> EAC> SHN; via Tony Gardner with thanks to Paul B.; Remastered by Bill Giles (see info file for his comments) notes

770. 05/11/72 Shn - 0, 7364 Rotterdam Rotterdam Civic Hall Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN notes

771. 05/13/72 Shn - 0, 21725 Lille Lille Fairgrounds SBD -> Rm -> Dat -> CD -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller notes

772. 05/13/72 Shn - 0, 3457 Lille Lille Fairgrounds sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing notes

773. 05/16/72 Shn - 0, 10353 Luxembourg Theatre Hall Shntool fix of previous sbd/reel source; SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN notes

774. 05/16/72 Shn - 0, 7089 Luxembourg Theatre Hall SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN; Initial DAT Transfer via Panasonic 3700 DAT-> Tascam 122mkII (MX-S Cassette)-> Fostex D5-> Sony 59ES DAT-> DAT-Heads Tree Summer '96-> Sony D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate conversion @ 350 quality; pitch correction: 102 ratio stretch. Tracks inserted via CDWave and SHN conversion via mkwACT; d1 tracked for 80 min notes

775. 05/16/72 Shn - 0, 23825 Luxembourg Theatre Hall Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN Apparently, d1t06 is from etree seed 7089 and the rest of the show is from 10353. Seeded to Etree via Tol. notes

776. 05/16/72 Flac 16 - 0, 77980 Luxembourg Theatre Hall flac16; CD "Dead de luxe", Live in Luxembourg "European Bootleg" Source: Soundboard Transfer: CDR>EAC>Wave>Flac Frontend (Level 6)>Flac16 Transfered by: Scott Brown notes

777. 05/16/72 Flac 16 - 0, 141754 Luxembourg Theatre Hall flac16; Set 1 Source Info: Radio Luxembourg FM Broadcast > 1st generation Reel > PCM > Dat (16 bit/44.1 kHz); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > dBpoweramp > Adobe Audition 3.0 > TLH flac16 notes

778. 05/18/72 Flac 16 - 0, 79057 München Kongressaal Deutsches Museum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC notes

779. 05/18/72 Flac 16 - 0, 94581 München Kongressaal Deutsches Museum flac16; source info: Master Soundboard Reel (Rex Jackson) > Reel (Jerry Garcia)> Reel (Will Boswell) @ 3 3/4 ips) > CD; CDs copied in EAC and Repairs and Adjustments in Wavelab 6.0 on the **GEMS* Edit Station by Jamie Waddell notes

780. 05/18/72 Shn - 0, 146 München Kongressaal Deutsches Museum notes

781. 05/18/72 Shn - 0, 2266 München Kongressaal Deutsches Museum MSR> ?> dat> cdr; Repaired version of previous shn set; See info file for details; via Mike (Unicorn) to abgd; Note- md5's/txt from shn set hosted on tol.etree.org added 4-27-03 notes

782. 05/23/72 Flac 16 - 0, 97816 London Lyceum Ballroom flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename notes

783. 05/23/72 Shn - 0, 16750 London Lyceum Ballroom Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn notes

784. 05/23/72 Shn - 0, 2581 London Lyceum Ballroom partial; sdb> MR> PCM> CD; via Mike Lai notes

785. 05/23/72 Shn - 0, London Lyceum Ballroom notes

786. 05/23/72 Flac 16 - 0, 32863 London Lyceum Ballroom flac16; Set 2 partial; MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs, from Lemieux source notes

787. 05/23/72 Shn - 0, 16089 London Lyceum Ballroom Another shn set claiming this lineage "lineage unknown, but believed to be 10" 2-track reel master>1 cassette generation>DAT> 1 cassette generation > circulation listed at www.resourcesfortraders.com" with different md5's than prior etree seeds with this info file notes

788. 05/24/72 Shn - 0, 5920 London Lyceum Ballroom AUD: mono crappy Pye cassette recorder with hand-held mike > Ampex R2R > CD-R > EAC > CEP > CDWAV > .shn & CD-R; Original recording by Chris Jones. Transferred (untracked) to CDR by Graham Harper; EAC> all subsequent modification by Alasdair Macdonald; see extensive notes in info file; d1 tracked for 80 min notes

789. 05/24/72 Flac 16 - 0, 91509 London Lyceum Ballroom flac16; Partial Set 2, Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC notes

790. 05/24/72 Flac 16 - 0, 87027 London Lyceum Ballroom flac16; source : aud > Pye mono cassette recorder (crappy model) with hand-held mike > mac transfer : mac > ampex R2R > cdr > eac > cep > cdwav > shn taped by Chris Jones transferred (untracked) to CDR by Graham Harper. Remastered by Sir Mick from the raw wav files. notes

791. 05/24/72 Shn - 0, 24068 London Lyceum Ballroom notes

792. 05/25/72 Flac 16 - 0, 87682 London Lyceum Ballroom flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

793. 05/25/72 Shn - 0, 147 London Lyceum Ballroom set 2 partial; MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN; Dick cass leak; u/l via G. Hamilton; note fits on 1 shn disc w/ 6/24/73 disc; update: redundant material in Dark Star, patch of d1t3 circulates notes

794. 05/25/72 Shn - 0, 26355 London Lyceum Ballroom fix of d1t3 Dark Star in previous shn set to remove redundant material, by Sean Cribbs notes

795. 05/26/72 Flac - 0, 89641 London Lyceum Ballroom flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8 notes

796. 05/26/72 Shn - 0, 12758 London Lyceum Ballroom S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies" notes

797. 05/26/72 Flac - 0, 94452 London Lyceum Ballroom flac16; Source: Soundboard Lineage: MR(film crew feed) at 7 1/2 i.p.s.>R at 7 1/2 i.p.s (Don Wolfe) >CD transfer info:Maxell UD XL reel tape>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD by Matt Smith notes

798. 05/26/72 Shn - 0, 5931 London Lyceum Ballroom Master SBD reel > DAT > CD-R >EAC > CDR; D2T7 some music lost at start; splices in Sugaree, Dew; to etree via Matt Vernon; passes shntool check notes

799. 06/17/72 Flac 16 - 0, 116272 Hollywood Hollywood Bowl flac16; Recording Info: (FOB) Shure Unidyne III -> Cassette Master (Sony TC-40); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC/16; Recorded By Dave and Jim Melton in Box 52; All Transfers and Mastering By Charlie Miller notes

800. 06/17/72 Shn - 0, 16470 Hollywood Hollywood Bowl set 1,2p; AUD C/?; pitch corrected; via Hanno Bunjes, Uli Teute and Carsten Baumann notes

801. 06/17/72 Flac 16 - 0, 115839 Hollywood Hollywood Bowl flac16; Recorded from Box 52 which is just left of center. Recorded with a Sony Cassette recorder with Shure Microphone attached. This recording was transferred directly to digital using Audacity; Taped by: David Melton notes

802. 07/16/72 Shn - 0, 11285 Hartford Dillon Stadium source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman notes

803. 07/18/72 Flac - 0, 32878 Jersey City Roosevelt Stadium flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes

804. 07/18/72 Flac - 0, 127703 Jersey City Roosevelt Stadium flac16; 2 Source Matrix by Dusborne; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; and AUDMC>?>R>D>SHN>CDR notes

805. 07/18/72 Shn - 0, 5916 Jersey City Roosevelt Stadium AUD MC> ?> R> D> SHN> CDR, with change to A:MC> ?> C> D source toward end; A > D transfer by Noah Weiner; via Audience Devotional Tree notes

806. 07/18/72 Shn - 0, 9097 Jersey City Roosevelt Stadium sdb>>master reel>>reel>>pcm>>cdr; Likely a re-eac of the original Lai seed; Unknown seeder notes

807. 07/18/72 Shn - 0, 3348 Jersey City Roosevelt Stadium sdb> master reel> reel> pcm> cdr; via Mike Lai notes

808. 07/18/72 Shn - 0, 88658 Jersey City Roosevelt Stadium Primary: SMR>?>DAT>WAV>CDR>SHN secondary: SMR>reel>PCM>WAV (from Mike Lai source) transfer via SEK'd Prodif96Pro, editing via SEK'd Samplitude Producer notes

809. 07/18/72 Shn - 0, 9067 Jersey City Roosevelt Stadium SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs notes

810. 07/21/72 Shn - 0, 9246 Seattle Paramount Northwest Theater SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweene notes

811. 07/21/72 Flac 16/48 - 0, 148725 Seattle Paramount Northwest Theater flac16/48kHz; Source Info: Bear's Master Soundboard Cassettes > 1st generation Cassettes > 2nd generation Cassettes > Tim Dalton's Dat (16/48); Transfer Info: Dat (Sony PCM-R500) (16/48) > Tascam DA-3000 (16/48)> Adobe Audition CC 2019 > TLH flac1648 notes

812. 07/22/72 Flac 16 - 0, 94112 Seattle Paramount Northwest Theater flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller notes

813. 07/22/72 Flac 16 - 0, 86726 Seattle Paramount Northwest Theater flac16; Sound Board Master Reel>DAT 16/48 > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav notes

814. 07/22/72 Shn - 0, 13562 Seattle Paramount Northwest Theater SBD MR>PCM>D>CD via Hanno notes

815. 07/22/72 Flac 16 - 0, 106930 Seattle Paramount Northwest Theater flac16; Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS notes

816. 07/22/72 Flac 16 - 0, 141112 Seattle Paramount Northwest Theater b>flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

817. 07/22/72 Flac 16 - 0, 141760 Seattle Paramount Northwest Theater flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this is a fixed version of source ID 141122 notes

818. 07/25/72 Flac 16 - 0, 124017 Portland Paramount Theater flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

819. 07/25/72 Shn - 0, 7046 Portland Paramount Theater SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney notes

820. 07/26/72 Flac - 0, 87034 Portland Paramount Theater flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007 Mastering By Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed TLH level 8 notes

821. 07/26/72 Flac - 0, 34803 Portland Paramount Theater flac16; MR > PCM > DAT > CD > EAC > SHN with patches from MSR > DAT > ZA2 > CDR x2; Fix of shn id 8957 by Andrew Long notes

822. 07/26/72 Shn - 0, 1411 Portland Paramount Theater nearly complete; updated info: Master Soundboard Reel > PCM> DAT > ZA2 > CDR x2; DAT seed via Jeff Tiedrich, original DAT>CD transfer by David Hollister; subsequent CD remastering and SHN by Scott Clugston; see info file and pub comments for notes notes

823. 07/26/72 Shn - 0, 8957 Portland Paramount Theater Variation of original Kaplan seed; Filler removed, and He's Gone added; See info file for details; MR > PCM > DAT > CD > EAC > SHN; via Popi notes

824. 08/12/72 Flac 16 - 0, 105132 Sacramento Sacramento Memorial Auditorium flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me > Wavelab 5.0 @ 24 bit 96kHz Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net) notes

825. 08/12/72 Flac 16 - 0, 127465 Sacramento Sacramento Memorial Auditorium flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transferred by Matt Smith March 2014 notes

826. 08/12/72 Flac 24 - 0, 127433 Sacramento Sacramento Memorial Auditorium flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transferred by Matt Smith March 2014; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair 1960s era Telefunken tubes > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

827. 08/12/72 Shn - 0, 3327 Sacramento Sacramento Memorial Auditorium SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes notes

828. 08/12/72 Flac 24 - 0, 139784 Sacramento Sacramento Memorial Auditorium flac24; Source Info: 7" Master Soundboard Reels @7.5ips 1/2trk > Garcia's reel @ 3.75 ips > Will Boswell's reel @ 3.75 ips (Maxell UDXL); Transfer Info: Technics RS1506 > Tascam DA-3000 > Adobe Audition > TLH flac2496 notes

829. 08/12/72 Flac 16 - 0, 139783 Sacramento Sacramento Memorial Auditorium flac16; Source Info: 7" Master Soundboard Reels @7.5ips 1/2trk > Garcia's reel @ 3.75 ips > Will Boswell's reel @ 3.75 ips (Maxell UDXL); Transfer Info: Technics RS1506 > Tascam DA-3000 > Adobe Audition > TLH flac2496 notes

830. 08/12/72 Flac 24/96 - 0, 104168 Sacramento Sacramento Memorial Auditorium flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me Wavelab 5.0 @ 24 bit 96kHz Transferred by Matt Smith Fall 2009 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8 notes

831. 08/20/72 Flac 16 - 0, 83733 San Jose San Jose Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

832. 08/20/72 Flac 16 - 0, 32789 San Jose San Jose Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

833. 08/20/72 Flac 16 - 0, 82716 San Jose San Jose Civic Auditorium flac16; Recording by Olaf Schiappacasse (using Gene Taback's equipment): Master Audience Cassette; Sony TC-124 with Sony Stereo Mic (Pacific Stereo Cassettes) Transfer and FLAC encoding by David Minches: Master cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; L3 Multimaximizer>Waves Z-Noise; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded notes

834. 08/20/72 Shn - 0, 14988 San Jose San Jose Civic Auditorium Set 1 SBD; source SBD>?>CDR>WAV>CE2k (*Serious* cleanup)>SHN; Missing Bertha; see notes notes

835. 08/20/72 Shn - 0, 16335 San Jose San Jose Civic Auditorium SBD>MC>R>C>C>C>D>CD>EAC>SHN (?) see notes on lineage via Chuck Kiefe edits/encoding by Jeff Cotsman notes

836. 08/21/72 Shn - 0, 150 Berkeley Berkeley Community Theater S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws notes

837. 08/21/72 Flac 16 - 0, 139581 Berkeley Berkeley Community Theater flac16; Source: SBD > Master Reels @ 7.5ips (10 Inch half-track ) > PCM > DAT (44.1k) - Recorded by Betty Cantor-Jackson, provided by Charlie Miller; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 notes

838. 08/22/72 Flac - 0, 27780 Berkeley Berkeley Community Theater mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Mille notes

839. 08/22/72 Shn - 0, 7285 Berkeley Berkeley Community Theater 2nd Set; S:MR > PCM > DAT > CDR > EAC > SHN via Seth Kaplan; NFA end cuts off; passes shntool check notes

840. 08/22/72 Shn - 0, 11672 Berkeley Berkeley Community Theater SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2); Missing first 3 1/2 songs; See info file for details; via Mike Dolgushkin & Seth Kaplan; Seeded to etree by J. Cotsman notes

841. 08/24/72 Flac - 0, 18093 Berkeley Berkeley Community Theater SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller notes

842. 08/24/72 Shn - 0, 151 Berkeley Berkeley Community Theater SBD> ?> DAT> CDR> SHN; d3t5,6 duplic fixed 5/24; note d1t1 only 4 sec notes

843. 08/24/72 Flac 16 - , 156469 Berkeley Berkeley Community Theater flac16 Source: Master SBD Reel > DAT from ANON
Mastered by Jamie Waddell and Jim Blackwood
Pitch correction by Jason Chastain
Listening assistance, track, FLAC, and pack by Steve Gravel notes

844. 08/25/72 Flac 16 - 0, 92840 Berkeley Berkeley Community Theater flac16; Recording Info:SBD -> Master Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

845. 08/25/72 Flac 16 - 0, 94218 Berkeley Berkeley Community Theater flac16; Bertha Remaster of the Master Reel Source: SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD>>FLAC notes

846. 08/25/72 Shn - 0, 12751 Berkeley Berkeley Community Theater SHNID: 12751 notes

847. 08/25/72 Shn - 0, 8474 Berkeley Berkeley Community Theater Partial Set 1: SBD> MR> PCM> DAT; Partial Set 2: FMSBD> ??? notes

848. 08/25/72 Flac - 0, 93888 Berkeley Berkeley Community Theater DVD-VA; (Video-Audio) SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (Audio only - no video) notes

849. 08/27/72 Shn - 0, 8045 Veneta Old Renaissance Faire Grounds SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes notes

850. 08/27/72 Shn - 0, 3328 Veneta Old Renaissance Faire Grounds SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not notes

851. 08/27/72 Shn - 0, Veneta Old Renaissance Faire Grounds Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels) notes

852. 08/27/72 Shn - 0, 2199 Veneta Old Renaissance Faire Grounds SBD Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN; Set 3 has unknown # of PCM gens; via Jeff Tiedrich (DAT seed), David Hollister (transfer> CD), G.S. Hamilton (EAC> SHN); see info file for comments; d3 tracked for 80 min; upgrade relative to previously etreed copy notes

853. 08/27/72 Shn - 0, 152 Veneta Old Renaissance Faire Grounds SBD MR> DAT> CDR> EAC> SHN; via S. Kaplan, G. Hamilton; known flaws: sound system disortion/buzziness at places; d1t7 d/o @ 11:14; d2t6 discontinuity @ 3:36, static @ 5:07; note least-flawed of several versions assayed (no clicks/pops in Dark Star); 12/00 update: an upgrade version is now circulating notes

854. 08/27/72 Shn - 0, 16582 Veneta Old Renaissance Faire Grounds SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed notes

855. 08/27/72 Shn - 0, 4682 Veneta Old Renaissance Faire Grounds SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; see info file for details, fixes and flaw notes; note most banter edited out; Reel>DAT transfer by Dick Latvala; DAT clone supplied by Rob Eaton; DAT>SHN by Jamie Lutch; QC courtesy dankseeds notes

856. 09/03/72 Flac 16 - 0, 101143 Boulder Folsom Field, U of Colorado flac16; Composite sources: MR>cass, MR>cass>cass and multi generation sources; transfers were TascamMKII >Korg MR1000 at 1bit/5.6mHZ and cass> Apogee Mini Me>apogeeDAC>LynxOne at 24/96 PCM WAV; all edits and mastering by Jamie Waddell on the **GEMS** Edit Station at 32bitfloat/88.2kHz Weiss Saracon for SRC and POW-r3 dither to 16 bit/44.1 kHz notes

857. 09/03/72 Shn - 0, 13563 Boulder Folsom Field, U of Colorado primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3); secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3); aud source is pretty weak (see caveat); Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes notes

858. 09/03/72 Shn - 0, 20168 Boulder Folsom Field, U of Colorado Composite aud/sbd - entire show speed corrected, static removed; includes encore. via Carsten Baumann and Hanno Bunjes notes

859. 09/03/72 Shn - 0, 92805 Boulder Folsom Field, U of Colorado Unknown aud composite of shnid's 12627 and 20168 notes

860. 09/03/72 Shn - 0, 18779 Boulder Folsom Field, U of Colorado Composite aud/sbd coordinated by Jim Powell. Patches and final mastering: Dave Greenberg Special thanks to Jack Warner, Hugh Barroll and Steve Fukawa, encoded by Matt Vernon notes

861. 09/03/72 Flac 16/48 - , 166363 Boulder Folsom Field, U of Colorado flac1648; Recording info: SBD > Bear's Master Reels > Cassette; Transfer info: Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Recorded by Augustus Owsley Stanley III (aka Bear); 2023 transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes

862. 09/03/72 Flac 24/96 - , 166362 Boulder Folsom Field, U of Colorado flac2496; Recording info: SBD > Bear's Master Reels > Cassette; Transfer info: Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Recorded by Augustus Owsley Stanley III (aka Bear); 2023 transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes

863. 09/09/72 Flac 16 Mtx - 0, 103311 Hollywood Hollywood Palladium flac16; Matrix by Hunter Seamons using Final Cut Pro Pitch correction, normalization, and EQ work by Rob Bertrando notes

864. 09/09/72 Flac 16 - 0, 105458 Hollywood Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller notes

865. 09/09/72 Flac 24 - 0, 131690 Hollywood Hollywood Palladium flac24; updated source info: aud 1st gen reel; Rob Bertrando's copy (via Michael Johan); lineage: MAR > R; sony ecm 22p's > sony tc-770; taped by Bruce Harvie; transfer: tdk 1800-sd 7" reel @ 3.75 ips, dolby b: technics rs-1506 > teac an-180 > benchmark adc1 24/96 > tascam hd-p2, adobe audition cs6 > cd wave > flac; transfer & seeded by Rob Berger notes

866. 09/09/72 Flac 24 - 0, 133002 Hollywood Hollywood Palladium flac24; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith April, 2015 notes

867. 09/09/72 Flac 16 - 0, 133001 Hollywood Hollywood Palladium flac16; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith, April 2015 notes

868. 09/09/72 Flac 16 - 0, 31949 Hollywood Hollywood Palladium flac16; AUD MR> Cassette (unknown gen) > WAV > FLAC speed-corrected of prior seed ; by Zeb notes

869. 09/09/72 Flac 16 - 0, 32036 Hollywood Hollywood Palladium flac16; Main source: mac > cass (u/k gen) > wav > flac > wav > flac transfer: nak dr3 > audacity > cdwav. Second source: sbd: mr> dat > cdr > shn > wav > flac via SirMick notes

870. 09/09/72 Shn - 0, 14086 Hollywood Hollywood Palladium Sbd: MR>DAT>CDR>SHN Audio discs provided by Dyer O' Connor eac>mkw>shn by popi n. feeldz notes

871. 09/09/72 Flac 24/96 - 0, 131474 Hollywood Hollywood Palladium flac24; lineage: MAR > R > R > R; master taped by Bruce Harvie; sony ecm 22p's > sony tc-770; transfer: maxell ud-35-90 7" reel @ 3.75 ips, dolby b: technics rs-1506 > teac an-180 > benchmark adc1 24/96 > tascam hd-p2, adobe audition cs6 > cd wave > flac; transfer & seeded by Rob Berger 2014 notes

872. 09/09/72 Flac 16 - 0, 30991 Hollywood Hollywood Palladium flac16; Lineage: AUD MR> Cassette (unknown gen) > WAV > FLAC Transfer: NAK DR3 > AUDACITY > CDWAV notes

873. 09/09/72 Flac 24/96 - 0, 149458 Hollywood Hollywood Palladium flac24; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes

874. 09/09/72 Flac 16/48 - 0, 149457 Hollywood Hollywood Palladium flac16/48kHz; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

875. 09/10/72 Shn - 0, 22793 Hollywood Hollywood Palladium MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg. notes

876. 09/10/72 Shn - 0, 5679 Hollywood Hollywood Palladium sdb; via Mike Lai; note boundary-fixed version of this shn set also circulates notes

877. 09/10/72 Shn - 0, 5680 Hollywood Hollywood Palladium SBD > [MR > C > DAT(s) ??] > CDR(s) > EAC > SHN > SHNTOOL (fix sector boundaries by sets) > mkwact (seekable); via Mike Lai, Matt Vernon; boundary fixed version of previous shn set notes

878. 09/10/72 Flac 16 - 0, 136690 Hollywood Hollywood Palladium flac16; Soundboard Master-Reel > Reel (1st gen) > DAT 2x (44.1 kHz) notes

879. 09/10/72 Shn - 0, 17690 Hollywood Hollywood Palladium SBD> MR> Cassette> DAT> CD> EAC> CoolEdit2000> SHN; EAC, CoolEdit 2000, CDWave, MKW, & shntool by D.Winters; reportedly has flaws fixed realtive to previous versions notes

880. 09/10/72 Flac 16 - , 163863 Hollywood Hollywood Palladium flac16; Vault master SBD reel source (with assumed DAT generation) provided by Charlie Miller; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel notes

881. 09/15/72 Shn - 0, 7924 Boston Music Hall MAC > Reel > Cassette > DAT > CD; Lower quality aud provides many patches, see info file for details; via Noah Weiner; Jack Warner; Seeded to etree by Matt Vernon notes

882. 09/15/72 Shn - 0, 8946 Boston Music Hall partial set 2; SBD: MR > cassette > DAT > CD > SHN; SHNed by Seth Kaplan; via G.S. Hamilton to BUDD notes

883. 09/15/72 Flac 16 - 0, 133998 Boston Music Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

884. 09/15/72 Flac 16 - 0, 31990 Boston Music Hall flac16; this is a remaster by SirMick of shnid 7924. Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row. Source 2: MAC > ? > DAT (supplied by Dave Minor) > CD provides additional patch and missing material notes

885. 09/16/72 Shn - 0, 6683 Boston Music Hall partial; 7" SBDMR > Cass > DAT > CDn > EAC > SHN; via Matt Vernon? notes

886. 09/16/72 Flac 16 Mtx - 0, 77442 Boston Music Hall flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell notes

887. 09/16/72 Shn - 0, 9247 Boston Music Hall mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher notes

888. 09/16/72 Shn - 0, 12932 Boston Music Hall AUDMC > C > DAT > CD > SHN recorded by Bill Degen from orchestra seats mic and deck unknown. A > D & shn conversion by Noah Weiner notes

889. 09/16/72 Flac 24/44,1 - 0, 150979 Boston Music Hall Flac 24/44.1 Vault Master Reel to DAT Provided by ANON
WAV > Samplitude Pro X5 > Flac24
Mastered by Jim Blackwood with assistance provided by Jamison Waddell
Speed Correction by Jason Chastain notes

890. 09/16/72 Flac 24/44 - 0, 150978 Boston Music Hall Flac 24/44.1 Bear's Reel > Cassette
Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Transferred and Mastered by Jim Blackwood with assistance provided by Jamison Waddell
Speed Correction by Jason Chastain notes

891. 09/17/72 Shn - 0, 154 Baltimore Baltimore Civic Center SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it notes

892. 09/17/72 Shn - 0, 28165 Baltimore Baltimore Civic Center Audience Recording (taper Cary Wolfson) > Cassette > DAT > SHN; Extraction and SHN encoding by David Minches notes

893. 09/19/72 Shn - 0, 12075 Jersey City Roosevelt Stadium AUD>MC>?>D>CD; Many songs are clipped due to taper conservation, though almost all such cuts are minor; See info file for details; via Paul Hartman; Seeded to etree by JCotsman notes

894. 09/19/72 Flac 24/48 - 0, 152468 Jersey City Roosevelt Stadium flac2448; s1-s2p; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021 notes

895. 09/19/72 Flac 16/44 - , 154185 Jersey City Roosevelt Stadium flac16/44 Source Info: Ed Deal's Master Audience Cassettes (Sony C-90); Unknown equipment Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini-Me (24-bit/96k) > WaveLab (16-bit/44.1k) > Adobe Audition CC 2022 > TLH flac16 notes

896. 09/21/72 Shn - 0, 7296 Philadelphia The Spectrum SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details notes

897. 09/21/72 Flac 16 - 0, 138083 Philadelphia The Spectrum flac16 SBD > Reel > DAT; DAT(c) @ 44.1kHz > Tascam DA-20 > Tascam DR-680 MKII > Canare Coax > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Dave Flaschner; Transfer & edits by Jeff Mitchell notes

898. 09/21/72 Flac 16 - 0, 150281 Philadelphia The Spectrum flac16; Recording Info: SBD > Master Reel (7-inch 7.5ips 1/2trk) > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller notes

899. 09/21/72 Flac 24/96 - 0, 152464 Philadelphia The Spectrum flac24/96 Source: unknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick May 2021 notes

900. 09/21/72 Flac 16/44 - 0, 152453 Philadelphia The Spectrum flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021 notes

901. 09/21/72 Flac 24/96 - 0, 152464 fixed Philadelphia The Spectrum flac24/96 Source: unknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick May 2021 notes

902. 09/21/72 Flac 16/44 - 0, 152463 fixed Philadelphia The Spectrum flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021 notes

903. 09/23/72 Shn - 0, 2201 Waterbury Palace Theater SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file notes

904. 09/23/72 Flac 16 - 0, 130728 Waterbury Palace Theater flac16; Recording Info: SBD > MR > C > DAT > CDR > SHN; Transfer Info: SHN > WAV > Sound Forge 10 > TLH > FLAC; Sonically enhanced, remastered, retracked upgrade of shnid 2201; Mastered and tracked by Bill Guarneri, July 25, 2014 notes

905. 09/23/72 Flac 16 - 0, 135178 Waterbury Palace Theater flac16; Source: SBD>MR>Cass>DAT>CDR>EAC>SHN; This is a flac encoded & tagged restoration of shnid 2201; Restoration done with Diamond Cut Forensics 10 (beta1 through RC3) notes

906. 09/24/72 Shn - 0, 2202 Waterbury Palace Theater SBD> MR> CASS> DAT> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes notes

907. 09/24/72 Shn - 0, 130758 Waterbury Palace Theater flac16; Recording Info: SBD > MR > ? > C > DAT > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Tracked, patched and mastered by Bill Guarneri, July 28, 2014 notes

908. 09/24/72 Shn - 0, 25282 Waterbury Palace Theater Source:SBD Lineage: Reel master > ? > cassette > DAT > CDR > EAC > SHN Edits by Sean Cribbs - see info file for details notes

909. 09/24/72 Flac - 0, 99860 Waterbury Palace Theater flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac notes

910. 09/26/72 Shn - 0, 16755 Jersey City Stanley Theatre SBD > MR > DAT(48kHz) > za2 > CD; See user comments for flaw notes notes

911. 09/26/72 Shn - 0, 19198 Jersey City Stanley Theatre Cleaned up disc 3 of previous SBD by Charles Wier; d1 & d2 are unchanged. See text file for details. notes

912. 09/26/72 Shn - 0, 156 Jersey City Stanley Theatre SBD Reel> unknown dat gens> digital noise reduction> 3dat gens> za/2 48-41; for flaws see revised info file; note next night 9/27/72 is available as Dick's Picks 11- go buy it notes

913. 09/26/72 Shn - 0, 25281 Jersey City Stanley Theatre notes

914. 09/26/72 Flac 16 44,1khz - 0, 136691 Jersey City Stanley Theatre flac16; Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz) notes

915. 09/27/72 Shn - 0, 18106 Jersey City Stanley Theatre SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon notes

916. 09/28/72 Flac 16 - 0, 94268 Jersey City Stanley Theatre flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

917. 09/28/72 Flac 16 - 0, 110020 Jersey City Stanley Theatre flac16; Bear's Cassette Copies Nakamichi Dr-1 > Lynx Studio Interface at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1 kHz Transfered and Lightly Mastered by Jamie Waddell notes

918. 09/28/72 Shn - 0, 157 Jersey City Stanley Theatre set 2; master reel> pcm> dat> cdr; via M. Lai; note previous night 9/27/72 is available as Dick's Picks 11- go buy it notes

919. 09/28/72 Shn - 0, 12657 Jersey City Stanley Theatre SBD (probably sbd>mr>dat>cdr) Seeded by Bill from Monterey to clone.etree.org 9/02 any setlist help send to nick@burgis.org notes

920. 09/28/72 Flac 16 - 0, 136692 Jersey City Stanley Theatre flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k) notes

921. 09/28/72 Flac 16 - 0, 99843 Jersey City Stanley Theatre flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac notes

922. 09/28/72 Flac 16 - 0, 26933 Jersey City Stanley Theatre flac16; Primary Source: SBD> MR> DAT> CDR> WAV> SHN; patches and missing track from Unknown audience > C > ? > DAT >WAV > FLAC (level 8); AUD material courtesy Uli Teute via Jim Powell; via Chris Ladner? notes

923. 09/28/72 Shn - 0, 27584 Jersey City Stanley Theatre SBD> MR> DAT> CDA> WAV> SHN> FLAC> DAW (Bertha)> SHN/CDA patched with UNK.AUD> CASS> ???> DAT> WAV> FLAC; Bertha Remaster of shn ID 26933 notes

924. 09/28/72 Flac - 0, 34162 Jersey City Stanley Theatre SBD>>MR>>DAT>>CDA>>WAV>>SHN>>FLAC>>DAW(Bertha)>>SHN/CDA - Sound A- UNK.AUD>>CASS>>???>>DAT>>WAV>>FLAC - Sound D Bertha Remaster of the patched master reel source Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on December 12, 2004. http://www.deadacated.com/BerthaRemasters.htm notes

925. 09/30/72 Shn - 0, 8184 Washington American University Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR; CD Mastering by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston to abgd via Wyatt Earp notes

926. 09/30/72 Shn - 0, 5681 Washington American University SB> MR> Cassette> DAT> CD; except OMSN SB> MR>cass(2)> DAT> CD; CD> cleanup> SHN; see info file for fixes and flaw notes; via Matt Vernon notes

927. 10/02/72 Flac - 0, 112864 Springfield Springfield Civic Center flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

928. 10/02/72 Shn - 0, 158 Springfield Springfield Civic Center master reel sdb> cass> dat> cdr; via M. Lai; listeners report hiss level sounds closer to 2 cass gens notes

929. 10/09/72 Shn - 0, 5249 San Francisco Winterland Arena SBD > MR > C > DAT > CDR; EAC > Cool Edit (remove some pops, see info file) > SHN (seekable); SHN Conversion by Matt Vernon from Paul B. seed discs notes

930. 10/09/72 Flac 16 - 0, 130494 San Francisco Winterland Arena flac16; Recording Info: SBD > MR > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes

931. 10/17/72 Shn - 0, 2219 St. Louis Fox Theatre MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated notes

932. 10/18/72 Flac - 0, 7295 St. Louis Fox Theatre SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details notes

933. 10/18/72 Flac 16 - 0, 123571 St. Louis Fox Theatre flac16; Unknown SBD source (probably shnid 7295) CD > wav > cool edit 2000 > flac notes

934. 10/18/72 Shn - 0, 3393 St. Louis Fox Theatre MR> Cass> DAT> CD; via Mike Lai with thanks to Lu Khachigian II notes

935. 10/18/72 Flac 16 - 0, 132378 St. Louis Fox Theatre flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller notes

936. 10/18/72 Flac 16 - 0, 139725 St. Louis Fox Theatre flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v10.22 > FLAC; All Transfers and Mastering By Charlie Miller; edited and remastered SIRMick November 2017 notes

937. 10/19/72 Shn - 0, 4506 St. Louis Fox Theatre SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised notes

938. 10/21/72 Flac 16 - 0, 94409 Nashville Alumni Lawn, Vanderbilt University flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

939. 10/21/72 Flac 16 - 0, 122342 Nashville Alumni Lawn, Vanderbilt University flac16; SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453 notes

940. 10/21/72 Flac 16 - 0, 94453 Nashville Alumni Lawn, Vanderbilt University flac16; SBD -> Master Reel -> Dat -> CD -> -> Samplitude Professional v10.1 -> FLAC -> Remastering -> FLAC; remastered version of the Charlie Miller seed notes

941. 10/21/72 Flac 16 - 0, 91505 Nashville Alumni Lawn, Vanderbilt University flac16; Partial Set 2 Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC notes

942. 10/21/72 Flac 16 - 0, 122383 Nashville Alumni Lawn, Vanderbilt University flac16; SBD -> Master Reel -> Dat -> CD -> DC8; this version uses noise reduction; see info file for details notes

943. 10/23/72 Shn - 0, 18914 Milwaukee Milwaukee Performing Arts Center AUD>MR>?>D>CD; See info file for 'warning'; via Paul Hartman; seeded to etree by J. Cotsman notes

944. 10/23/72 Flac 16 - 0, 98958 Milwaukee Milwaukee Performing Arts Center flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-124/BASF Normal Bias 120 Min Tapes); Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller notes

945. 10/24/72 Flac - 0, 105842 Milwaukee Milwaukee Performing Arts Center flac16; A Dick Latvala SBD DAT Transfer is Apogee DAT > Tascam DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White notes

946. 10/24/72 Flac - 0, 106018 Milwaukee Milwaukee Performing Arts Center flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

947. 10/24/72 Shn - 0, 159 Milwaukee Milwaukee Performing Arts Center Set 2, Truckin' through Johnny B. Goode; MR > 1 cass. > DAT > CDR 2x; DAE/.shn conversion by G. Hamilton notes

948. 10/24/72 Flac - 0, 97614 Milwaukee Milwaukee Performing Arts Center flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-153/BASF Normal Bias 120 Min Tapes) Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD Mastering Info: CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller notes

949. 10/26/72 Flac - 0, 32717 Cincinnati Cincinnati Music Hall flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

950. 10/26/72 Shn - 0, 3117 Cincinnati Cincinnati Music Hall set 2; Master Soundboard Reel > Cassette > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; reported best circulating copy as of 2/01 notes

951. 10/26/72 Shn - 0, 15113 Cincinnati Cincinnati Music Hall SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN (1 Disc SHN / 2 Discs Audio); Seeded to etree by Charlie Miller notes

952. 10/27/72 Shn - 0, 18849 Columbus Veterans' Memorial Hall SBD C/? upgrade of first set; via Hanno Bunjes and Uli Teute notes

953. 10/27/72 Shn - 0, 19630 Columbus Veterans' Memorial Hall Sources: SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN SBD conversions by Cousinit AUD portion from previously circulating shn set from Paul Hartman edited/encoded by J. Cotsman notes

954. 10/27/72 Shn - 0, 10286 Columbus Veterans' Memorial Hall Set 1: SBD>?>C>SHN; Set 2: AUD>MR>C>D>CD; See info file for 'warning'; via Paul Hartman, Chris Masciangelo; Seeded to etree by J. Cotsman notes

955. 10/28/72 Shn - 0, 20301 Cleveland Cleveland Public Hall Complete SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master via King Bee and Andy Lemieux, encoding etc. by Cotsman notes

956. 10/28/72 Shn - 0, 160 Cleveland Cleveland Public Hall filler on Seastones disc; Dark Star/Philo Stomp; via D. Finney notes

957. 10/28/72 Shn - 0, 20405 Cleveland Cleveland Public Hall Bertha Remaster of the Master Cassette source SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B Ampex C-90 cassette master notes

958. 10/28/72 Shn - 0, 11653 Cleveland Cleveland Public Hall Partial; 2 songs; See info file for details; SBD>MR>D>Sonic Solutions>CD notes

959. 10/30/72 Shn - 0, 10915 Detroit Ford Auditorium AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman notes

960. 11/12/72 Shn - 0, 9771 Kansas City Soldiers' and Sailors' Memorial Hall SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman notes

961. 11/13/72 Flac 16 - 0, 105812 Kansas City Soldiers and Sailors Memorial Hall flac16; Dick's copy of Owsley's AUD; Transfer is Apogeee DAT > Tascan DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz TLH Flac Level 8 Tag & Rename for Meta-Data SBE FREE notes

962. 11/13/72 Shn - 0, 17416 Kansas City Soldiers and Sailors Memorial Hall AUD(unknown mics) > C(x3) > Nak > Fostex D5 A/D @ 44.1 > CD by Kevin Weil, encoded by Matt Vernon. Note this aud will appeal chiefly to completists and audience tape collectors. It is almost complete except for tape flips and includes more between song banter/crowd than the other sources already circulating. notes

963. 11/13/72 Shn - 0, 10089 Kansas City Soldiers and Sailors Memorial Hall master #1: AUD MR>C>D>CD recorded by Bear (//Playing through Casey Jones// is all that circulates from this source) master #2: low generation AUD (supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B notes

964. 11/13/72 Shn - 0, 7518 Kansas City Soldiers and Sailors Memorial Hall partial; AUD> MR> C> D> CD> EAC> SHN; via J. Cotsman, with thanks to Jeff Cook; see notes in info file notes

965. 11/14/72 Shn - 0, 22024 Oklahoma City Civic Center Music Hall Recording Info: Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) Transfer Info: Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET. notes

966. 11/14/72 Shn - 0, 11615 Oklahoma City Civic Center Music Hall SBD>MC>C>D>CD>EAC>SHN (?); May be a MC; See info file for details and flaw notes; via Jeff Cook, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman notes

967. 11/14/72 Shn - 0, 11836 Oklahoma City Civic Center Music Hall SBD>Rm>Cass>Dat>CD; Seeded to etree by Charlie Miller notes

968. 11/15/72 Flac 16 - 0, 110631 Oklahoma City Civic Center Music Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

969. 11/15/72 Flac 16 - 0, 91760 Oklahoma City Civic Center Music Hall flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes

970. 11/15/72 Shn - 0, 10916 Oklahoma City Civic Center Music Hall Partial; SBD>MR>C>C>C>D>CD; Pitch corrected; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman notes

971. 11/15/72 Flac - 0, 112616 Oklahoma City Civic Center Music Hall DVD Audio; Video Format-Audio Only: Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>WAV>>FLAC>>DAW(Bertha)>>Audio DVD; audio only - no video notes

972. 11/17/72 Shn - 0, 15982 Wichita Century II Convention Hall Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy notes

973. 11/17/72 Shn - 0, 1185 Wichita Century II Convention Hall sdb> reel master> cassette> dat> cdr; via Mike Lai; note Jeff Tiedrich reports this is more likely MR> C> C> DAT notes

974. 11/18/72 Flac - 0, 123077 Houston Hofheinz Pavilion flac16; Set 2 Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

975. 11/18/72 Shn - 0, 9182 Houston Hofheinz Pavilion SHNID: 9182 notes

976. 11/18/72 Shn - 0, 9002 Houston Hofheinz Pavilion 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus notes

977. 11/19/72 Shn - 0, 17705 Houston Hofheinz Pavilion Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions notes

978. 11/19/72 Flac 16 - 0, 122783 Houston Hofheinz Pavilion flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation notes

979. 11/19/72 Flac 16 - 0, 123578 Houston Hofheinz Pavilion b>flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783 notes

980. 11/19/72 Flac 24/96 - 0, 123577 Houston Hofheinz Pavilion flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122784 notes

981. 11/19/72 Shn - 0, 3910 Houston Hofheinz Pavilion SBD; sound adjustments during Bertha, minor digi-noise at the end of Jack Straw; Transferred and seeded to etree by Mike Lai, from Bruce Fried DAT notes

982. 11/19/72 Flac 24/96 - 0, 132970 Houston Hofheinz Pavilion flac24; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

983. 11/19/72 Flac 16 - 0, 132969 Houston Hofheinz Pavilion flac16; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

984. 11/19/72 Flac 16 - 0, 142329 Houston Hofheinz Pavilion flac16; Source: SBD > Master Reel > 1st Gen Reel > DAT (44.1k) - Provided by Tim Dalton; Lineage: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018; the original version of this source was missing s2t13 notes

985. 11/19/72 Flac 24/96 - 0, 122784 Houston Hofheinz Pavilion flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation notes

986. 11/22/72 Flac 16 - 0, 115765 Austin Austin Municipal Auditorium flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

987. 11/22/72 Flac 16 - 0, 115765 Austin Austin Municipal Auditorium flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730 notes

988. 11/22/72 Shn - 0, 4081 Austin Austin Municipal Auditorium sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min notes

989. 11/22/72 Flac 16 - 0, 141118 Austin Austin Municipal Auditorium flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

990. 11/22/72 Flac 24/96 - 0, 141189 Austin Austin Municipal Auditorium flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes

991. 11/24/72 Shn - 0, 5288 Dallas Dallas Memorial Auditorium SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs notes

992. 11/24/72 Flac 24/96 - 0, 141267 Dallas Dallas Memorial Auditorium flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes

993. 11/24/72 Flac 16 - 0, 141266 Dallas Dallas Memorial Auditorium flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

994. 11/26/72 Flac 16 - 0, 127478 San Antonio San Antonio Civic Auditorium flac16; This is a restored version of SHNID 9248 combined with SHNID 123022 to produce the full show. It is not based on any new sources. Modifications by Dan McDonald (droncit@yahoo.com). notes

995. 11/26/72 Flac 16 - 0, 123022 San Antonio San Antonio Civic Auditorium flac16; Unknown SBD version of Dark Star > Bobby McGee; this alternate version has no cut in Dark Star, but is slightly hissier than the previous version notes

996. 11/26/72 Shn - 0, 9248 San Antonio San Antonio Civic Auditorium SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B. notes

997. 11/26/72 Flac 16/44 - , 152827 San Antonio San Antonio Civic Auditorium flac16/44 a remaster of shn #9248 with short patches from shn #123022 by acetboy 2021-07-07 notes

998. 12/10/72 Shn - 0, 5801 San Francisco Winterland Arena MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini notes

999. 12/10/72 Flac 16 - 0, 132778 San Francisco Winterland Arena flac16; Restored version of source ID 5801 (MSR > Cass x 3 > DAT > CDR > EAC > SHN) by Droncit; Diamond Cut 8.5 Forensics was used for equalization and virtual valve simulation, an enhancer and some slight noise reduction. notes

1000. 12/10/72 Flac 16/48 - 0, 141755 San Francisco Winterland Arena flac16/48kHz; Partial Show Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) (16-bit/48k)> Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/48k)> Adobe Audition 3.0 > TLH flac1648 notes

1001. 12/11/72 Flac 16 - 0, 107885 San Francisco Winterland Arena flac16; Lineage: 7" MR @ 7 1/2 ips.>R@ 3 3/4 ips.>R @ 3 3/4 ips>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering) >> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz; All transfers, edits and mastering done in the 24 bit realm Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV | Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 notes

1002. 12/11/72 Flac 16 Mtx - 0, 121029 San Francisco Winterland Arena flac16; 2 source matrix: Soundboard (shnid=107885): Lineage: "7 MR @ 7 1/2 ips.>R@ 3 3/4 ips.(Kidd dub for Jerry)>R @ 3 3/4 ips(Will Boswell)>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering)>> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz Audience (shnid=108946): Analog Audience Source: Taped from balcony Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x TDK c 90's sd Analog Lineage: External Stereo Mic >> Sony TC-124 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0 notes

1003. 12/11/72 Shn - 0, 5251 San Francisco Winterland Arena SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes notes

1004. 12/11/72 Flac 16 - 0, 100398 San Francisco Winterland Arena flac16; Source: SBD>MR>R>C>WAV>FLAC Patch Source: Unknown AUD>??>C>WAV>FLAC; C>FLAC Conversion by Cousinit notes

1005. 12/11/72 Flac 16 - 0, 108946 San Francisco Winterland Arena flac16; Taped from balcony External Stereo Mic >> Sony TC-124 >> MAC; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke notes

1006. 12/11/72 Flac 16/48 - , 153091 San Francisco Winterland Arena flac16/48 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496 notes

1007. 12/11/72 Flac 24/96 - , 153092 San Francisco Winterland Arena flac24/96 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496 notes

1008. 12/12/72 Flac - 0, 32041 San Francisco Winterland Arena SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller notes

1009. 12/12/72 Shn - 0, 5802 San Francisco Winterland Arena partial; mixed source SBD, AUD: MR > ? > DAT > CDR > EAC > SHN; Aud: Mcass > DAT > ZA2 > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Mark Wienke, Mark Perini; to CDead vine notes

1010. 12/15/72 Shn - 0, 2329 Long Beach Long Beach Arena SBDmR> C> D> CDR; via Ben Yerys, M. Weinke; reportedly stemming from David Gans; includes possibly extraneous Box of Rain, JGB repeats in d3? notes

1011. 12/15/72 Shn - 0, 17186 Long Beach Long Beach Arena Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister notes

1012. 12/15/72 Flac 16 - 0, 136651 Long Beach Long Beach Arena flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT notes

1013. 12/31/72 Shn - 0, 634ß San Francisco Winterland Arena cleaned up version of previous shn set, by Charles Weir; tracked in as-played order; sector boundaries corrected with shntool; d1,d3 now tracked for 80 min notes

1014. 12/31/72 Shn - 0, 26559 San Francisco Winterland Arena Bertha Remaster of the patched PreFM source, by Jay Ashley notes

1015. 12/31/72 Shn - 0, 1563 San Francisco Winterland Arena Pre-FM KSAN Reel > DAT > .SHN; to abgd; note out of order tracking notes

1016. 12/31/72 Flac 16 - 0, 137465 San Francisco Winterland Arena flac16; Recording of FM Broadcast on KSAN > ? > DAT provided and transferred by Stuccoholmes; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm notes

1017. 12/31/72 Shn - 0, 20559 San Francisco Winterland Arena Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (http://db.etree.org/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon notes

1018. 12/31/72 Flac 16/48 - 0, 141135 San Francisco Winterland Arena flac16/48kHz; Source Info: Vault Master Soundboard Reels > Dat (16/48k); Transfer Info: Dat (Sony PCM-R500) 16/48k > Tascam DA-3000 (16-bit/48k) > Adobe Audition 3.0 (16/48k)> TLH flac1648; the original source had errors in track 6 notes

1019. ??/??/72 Flac 16/44 - 0, 152205 San Francisco Alembic Studios flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC notes

1020. 02/09/73 Shn - 0, 14939 Palo Alto Roscoe Maples Pavilion, Stanford University S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink. notes

1021. 02/09/73 Shn - 0, 12571 Palo Alto Roscoe Maples Pavilion, Stanford University Jay Ashley (Bertha) remaster of previous MR source; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA notes

1022. 02/09/73 Shn - 0, 9888 Palo Alto Roscoe Maples Pavilion, Stanford University SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set notes

1023. 02/09/73 Shn - 0, 10361 Palo Alto Roscoe Maples Pavilion, Stanford University MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi notes

1024. 02/09/73 Flac 24/96 - 0, 134399 Palo Alto Roscoe Maples Pavilion, Stanford University flac24; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes

1025. 02/09/73 Flac 16 - 0, 134398 Palo Alto Roscoe Maples Pavilion, Stanford University flac16; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes

1026. 02/09/73 Flac 16 - 0, 141001 Palo Alto Roscoe Maples Pavilion, Stanford University flac16; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA>>SHN>>COOL EDIT PRO>>SHN; Speed-corrected using Celemony Capstan done for each track individually; Reencoded to flac (level 8); SBE's fixed using Trader's Little Helper notes

1027. 02/09/73 Flac 16 - 0, 150166 Palo Alto Roscoe Maples Pavilion, Stanford University flac16; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (44.1k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller notes

1028. 02/15/73 Shn - 0, 1580 Madison Dane County Coliseum MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) notes

1029. 02/15/73 Flac 16 Mtx - 0, 124360 Madison Dane County Coliseum flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper notes

1030. 02/15/73 Flac 16 - 0, 112812 Madison Dane County Coliseum flac16; Lineage: sbd>?>?>CDR(s)(borrowed) & aud>?>?>cassette(s)(my tape); Transfer: audience tapes>Sony TD-C690 (heads aligned to each tape segment)> Phillips CDR-765>CDDA-R80 X 3>EAC>flac level 8> flacs & checksums with traderslittlehelper CDR > CDR and Analog > CDR transfer October 1999 by arfarf CDR > flac 2011-04-10 by arfarf notes

1031. 02/15/73 Flac 24 - 0, 134028 Madison Dane County Coliseum flac24; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes

1032. 02/15/73 Flac 16 - 0, 134029 Madison Dane County Coliseum flac16; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes

1033. 02/15/73 Flac 16 - 0, 124195 Madison Dane County Coliseum flac16; two channel mono MAC> ? > normal bias cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traderslittlehelper notes

1034. 02/15/73 Flac 16/48 - 0, 150175 Madison Dane County Coliseum flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC notes

1035. 02/17/73 Flac 16 - 0, 32580 St. Paul St. Paul Auditorium flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller notes

1036. 02/17/73 Flac 16 - 0, 32875 St. Paul St. Paul Auditorium flac16; SBD > MR > PCM > DAT > CDA > WAV > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 32580 notes

1037. 02/17/73 Shn - 0, 11771 St. Paul St. Paul Auditorium SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman notes

1038. 02/17/73 Flac 16/48 - 0, 150300 St. Paul St. Paul Auditorium flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC notes

1039. 02/19/73 Flac 16 - 0, 83023 Chicago International Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

1040. 02/19/73 Shn - 0, 15589 Chicago International Amphitheatre SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03 notes

1041. 02/19/73 Shn - 0, 12826 Chicago International Amphitheatre set 2 partial; SBD> MC> C> DAT> CDR> WAV> SHN; Jeffrey Williams, Jim notes

1042. 02/21/73 Flac 16 - 0, 111120 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1043. 02/21/73 Shn - 0, 165 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22 notes

1044. 02/22/73 Flac 16 - 0, 111189 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1045. 02/22/73 Shn - 0, 12215 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign reworking of previous shn set, by Randy Carman (see notes in info file) notes

1046. 02/22/73 Shn - 0, 166 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign sets 1p,2; MR > DAT > 1 cass> DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, notes

1047. 02/22/73 Shn - 0, 10963 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign Partial; According to Deadlists this is missing the 4 songs after Playin' in Set 1, and Around from Set 2; See info file for details; SBD:MR>Cas>DAT>CD; Seeded to etree by Julian Elliot notes

1048. 02/24/73 Shn - 0, 16051 Iowa City Field House, University Of Iowa Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke notes

1049. 02/24/73 Shn - 0, 11929 Iowa City Field House, University Of Iowa Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools notes

1050. 02/24/73 Flac 16 - 0, 142031 Iowa City Field House, University Of Iowa flac16; partial source: aud cassette master; taped by Mark Owen; sears & robuck deck, floor, 100’ from stage; nakamichi dragon > benchmark adc1 @ 24/96> adobe audition cc > fission > xACT flac 16/44.1; transferred by Rob Berger notes

1051. 02/26/73 Shn - 0, 1208 Lincoln Pershing Municipal Auditorium S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25 notes

1052. 02/28/73 Shn - 0, 15386 Salt Lake City Salt Palace Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN notes

1053. 02/28/73 Shn - 0, 9986 Salt Lake City Salt Palace SBD:MR>?>DAT>CD; Missing several songs at the end of show; See info file for details; Seeded to etree by Jools notes

1054. 02/28/73 Flac 16/48 - 0, 143133 Salt Lake City Salt Palace flac16/48kHz; Source: SBD > MR > Cas >Dat (48k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 notes

1055. 03/15/73 Shn - 0, 14035 Uniondale Nassau Veterans Memorial Coliseum composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman notes

1056. 03/15/73 Shn - 0, 13468 Uniondale Nassau Veterans Memorial Coliseum Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon notes

1057. 03/15/73 Flac 16 - 0, 136652 Uniondale Nassau Veterans Memorial Coliseum flac16; Source: Soundboard > Reel Master > Cassette > DAT (48k) notes

1058. 03/15/73 Flac 16 - 0, 151902 Uniondale Nassau Veterans Memorial Coliseum flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 02-27-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac notes

1059. 03/16/73 Flac 16 - 0, 79186 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC notes

1060. 03/16/73 Shn - 0, 19141 Uniondale Nassau Veterans Memorial Coliseum Fixed composite sbd version (based on shnid = 167) by Sean Cribbs. See info file for details. notes

1061. 03/16/73 Shn - 0, 167 Uniondale Nassau Veterans Memorial Coliseum SBD, complete; Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN; Set 2: MSR > Reel > DAT > CD > EAC > SHN; see info file for misc flaws; via G.S. Hamilton notes

1062. 03/16/73 Flac 16 - 0, 33556 Uniondale Nassau Veterans Memorial Coliseum Source: Audience Lineage: ? > C > CDR > EAC > CE Pro > CDWAV > FLAV (level 8) Thanks to Dave Minor for the source. EAC etc by Matt Vernon notes

1063. 03/16/73 Flac 16/44 - , 152003 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 03-01-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac notes

1064. 03/19/73 Flac 16 - 0, 123987 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> Adobe Audition CS6 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1065. 03/19/73 Shn - 0, 9987 Uniondale Nassau Veterans Memorial Coliseum Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools notes

1066. 03/19/73 Flac 16 - 0, 97506 Uniondale Nassau Veterans Memorial Coliseum flac16; Taper: Dan H. Location: Slightly too close to stage Transfer/editing/flac conversion: Dan McDonald Unknown Mic, Unknown Cassette recorder (mono) ->Master Cassette -> 24bit/96kHz wav -> slight edit (fade-in, out, azimuth adjustment, and slight level changes for crowd noise) -> 16-bit, 44.1 khz wav (triangular noise dither) notes

1067. 03/19/73 Flac 24/96 - 0, 141298 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band) notes

1068. 03/19/73 Flac 16 - 0, 141309 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band) notes

1069. 03/19/73 Flac 16 - 0, 97417 Uniondale Nassau Veterans Memorial Coliseum flac16; Taper Gerry Moskal Sony Stereo ECM x 2 -->SONY TCD126 Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac notes

1070. 03/21/73 Flac - 0, 29263 Utica Utica Memorial Auditorium Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm notes

1071. 03/21/73 Shn - 0, 5072 Utica Utica Memorial Auditorium SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file notes

1072. 03/21/73 Flac 24/96 - 0, 152104 Utica Utica Memorial Auditorium flac24/96 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced edited and mastered SIRMick March 2021 notes

1073. 03/21/73 Flac 16/44 - 0, 152103 Utica Utica Memorial Auditorium flac16/44 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick March 2021 notes

1074. 03/21/73 Flac 16/48 - 0, 152018 Utica Utica Memorial Auditorium flac16/48 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes

1075. 03/21/73 Flac 24/96 - 0, 152019 Utica Utica Memorial Auditorium flac24/96 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes

1076. 03/22/73 Flac 16 - 0, 83397 Utica Utica Memorial Auditorium flac 16; Source: 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk; Transferred by Tim Deibert 6-10-2002 notes

1077. 03/22/73 Flac 16 44,1khz - 0, 136267 Utica Utica Memorial Auditorium flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz notes

1078. 03/22/73 Shn - 0, 1822 Utica Utica Memorial Auditorium MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks notes

1079. 03/24/73 Shn - 0, 1216 Philadelphia The Spectrum S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes notes

1080. 03/24/73 Shn - 0, Philadelphia The Spectrum SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN notes

1081. 03/24/73 Flac 16 - 0, 83407 Philadelphia The Spectrum flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02 notes

1082. 03/24/73 Flac 16 - 0, 139595 Philadelphia The Spectrum flac16; Primary Source: Betty's 10" MSR -> PCM -> DAT supplies the 2nd Set; Secondary Sources: MSR -> C -> DAT (gd73-03-24.sbd.hamilton.shnid1216) supplies the majority of the 1st set; Betty's 10" MSR -> PCM -> S/PDIF out -> disk -> digital noise reduction w/Sound Forge 6.0 (shnid83407) supplies from 7:38 of "Here Comes Sunshine" (t15)thru the end of the 1st Set; Transfer Info: DAT -> Sony PCM R500-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston notes

1083. 03/26/73 Flac - 0, 34787 Baltimore Civic Center flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller notes

1084. 03/26/73 Shn - 0, 1373 Baltimore Civic Center SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes notes

1085. 03/28/73 Flac 16 - 0, 86459 Springfield Springfield Civic Center flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

1086. 03/28/73 Flac 16 Mtx - 0, 86833 Springfield Springfield Civic Center flac16; Matrix 2 Source Mix - SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - matrix mixing by Kevin Tobin notes

1087. 03/28/73 Flac 16 - 0, 34759 Springfield Springfield Civic Center flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

1088. 03/28/73 Shn - 0, 1073 Springfield Springfield Civic Center set 2 partial; MSR> DATs> CDRs> EAC> SHN; without steady whine that marred previously-circulating copies; via Jack Warner, Darrin Sacks notes

1089. 03/28/73 Flac 16 - 0, 74682 Springfield Springfield Civic Center flac16; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

1090. 03/28/73 Shn - 0, 16886 Springfield Springfield Civic Center AudMC > R > DAT > WAV > SHN; taper: Andy Nourse - equipment unknown; via Noah Weiner; see background in txt notes

1091. 03/28/73 Flac Dts 5.1 - 0, 86896 Springfield Springfield Civic Center DTS Audio 5.1; SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - dts mixing by Kevin Tobin notes

1092. 03/28/73 Flac 24 - 0, 75138 Springfield Springfield Civic Center flac24; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/24 All Transfers and Mastering By Charlie Miller notes

1093. 03/28/73 Shn - 0, 11473 Springfield Springfield Civic Center Discs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman notes

1094. 03/30/73 Flac 16/44 - , 154328 Rochester Rochester Community War Memorial flac1644; Source: Unknown mono AUD, composite source, see notes below. Transfer Source-1: ID-11616 AUD tracks > SHN > TLH > WAV > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source-2: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes

1095. 03/30/73 Shn - 0, 11616 Rochester Rochester Community War Memorial AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman notes

1096. 03/31/73 Shn - 0, 2986 Buffalo Buffalo Memorial Auditorium SBD Reel master > cassette > DAT > CD > EAC > SHN> retrack> reSHN; retracking of previous shn set, by G.S. Hamilton; see info file for listening notes; to BUDD offer notes

1097. 03/31/73 Shn - 0, 2237 Buffalo Buffalo Memorial Auditorium Master Soundboard Reel > Cassette > DAT > CD-R; via Morgan Evans, Ben Yerys; see info file for listening notes; note some offbeat tracking notes

1098. 03/31/73 Flac 16 - 0, 31604 Buffalo Buffalo Memorial Auditorium flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 notes

1099. 04/02/73 Flac - 0, 17346 Boston Boston Garden SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source. notes

1100. 04/02/73 Shn - 0, 22246 Boston Boston Garden Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ notes

1101. 04/02/73 Shn - 0, 169 Boston Boston Garden complete, with qualitative change in sound partway through; MSR > Cassette > DAT > CD (unknown gens) > DAE > SHN; mix problems in d1t1, bit of distortion in a few places, esp d1t2; brief dropout at d2t6 2:39; cut d3t1 11:46; via A. Cohen, G. Hamilton notes

1102. 04/02/73 Shn - 0, 170 Boston Boston Garden mSR > cassette > DAT > CDR; via B. Yerys notes

1103. 04/02/73 Shn - 0, 16176 Boston Boston Garden Master 7.5 ips 2 Track reel> DAT> DAT> SONIC SOLUTIONS> CD> CD > EAC[secure] > SHN notes

1104. 05/13/73 Flac 16 - 0, 97558 Des Moines Iowa State Fairgrounds flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH notes

1105. 05/13/73 Flac 16 - 0, 100302 Des Moines Iowa State Fairgrounds flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239 notes

1106. 05/13/73 Flac 16 - 0, 100239 Des Moines Iowa State Fairgrounds flac16; Recording Info:SBD -> Master Reel -> Dat -> CD -> EAC -> FLAC; EAC -> FLAC conversion By Charlie Miller; fixed version now in circulation notes

1107. 05/13/73 Shn - 0, 7270 Des Moines Iowa State Fairgrounds Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches notes

1108. 05/20/73 Flac 16 - 0, 86905 Santa Barbara Campus Stadium, UCSB flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller notes

1109. 05/20/73 Flac 16 Mtx - 0, 124567 Santa Barbara Campus Stadium, UCSB flac16; 2 Source Matrix by dusborne Soundboard (shinid:86905) Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat -> CD; Transfer Info: CD -> EAC -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:5915) MC>R>C>DAT>HD>SHN>CD notes

1110. 05/20/73 Shn - 0, 5915 Santa Barbara Campus Stadium, UCSB AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree notes

1111. 05/20/73 Shn - 0, 19564 Santa Barbara Campus Stadium, UCSB 7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

1112. 05/20/73 Shn - 0, 16531 Santa Barbara Campus Stadium, UCSB Set 3 only; MSR> C> DAT> CD; edits, Aud patch from prior shn set; edits by Sean Cribbs notes

1113. 05/20/73 Shn - 0, 16158 Santa Barbara Campus Stadium, UCSB Set 3 only; SBD> MR> C> DAT >CDR ; by Sly_Wow, with thanks to Raoul Duke notes

1114. 05/20/73 Shn - 0, 24495 Santa Barbara Campus Stadium, UCSB Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source. notes

1115. 05/26/73 Flac 16 - 0, 83535 San Francisco Kezar Stadium flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

1116. 05/26/73 Flac 16 - 0, 83438 San Francisco Kezar Stadium flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01 notes

1117. 05/26/73 Flac 16 - 0, 81854 San Francisco Kezar Stadium flac16; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>Audio DVD>DVD Audio Extractor 4.1.1>FLAC (44.1Khz/16bit notes

1118. 05/26/73 Shn - 0, 17076 San Francisco Kezar Stadium MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003 notes

1119. 05/26/73 Shn - 0, 7798 San Francisco Kezar Stadium Re-eac of previous shn set; Betty Board SBD> Reel> PCM> DAT> Digi I/O> wav; via "Datsit, Other1 and Ripple"; note some low levels, brief d/o's; Row Jimmy splice notes

1120. 05/26/73 Flac 16 - 0, 147312 San Francisco Kezar Stadium flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD; Editing performed in Adobe Audition; Flac Encoded notes

1121. 05/26/73 Flac 16 - 0, 150710 San Francisco Kezar Stadium flac16; Source: SBD Reel Master > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered (Adobe Audition) by Joe Noel; original version had flaws notes

1122. 05/26/73 Flac 16/44 - , 154515 San Francisco Kezar Stadium flac1644; Partial; Sources: Matrix of SBD ID-83438 & AUD ID-154514. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. notes

1123. 05/26/73 Flac 16/44 - , 154514 San Francisco Kezar Stadium flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. notes

1124. 06/09/73 Flac 16 - 0, 91236 Washington Robert F. Kennedy Stadium flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up FOB center infield, between sbd platform and stage platform Lineage: MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry; Upgrade in circulation notes

1125. 06/09/73 Shn - 0, 93677 Washington Robert F. Kennedy Stadium Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.) notes

1126. 06/09/73 Flac 16 Mtx - 0, 130393 Washington Robert F. Kennedy Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag; fixed version in circulation notes

1127. 06/09/73 Flac 16 Mtx - 0, 131169 Washington Robert F. Kennedy Stadium flac16; Fix of 2 Source Matrix (130939) by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag notes

1128. 06/09/73 Shn - 0, 172 Washington Robert F. Kennedy Stadium SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry! notes

1129. 06/09/73 Shn - 0, 22790 Washington Robert F. Kennedy Stadium AUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner notes

1130. 06/09/73 Flac 16 - 0, 120958 Washington Robert F. Kennedy Stadium flac16 Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform; Lineage:transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > 16/44 > TLH > SBEs fixed > CD Tag notes

1131. 06/09/73 Flac 24/96 - 0, 120959 Washington Robert F. Kennedy Stadium flac24; Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag notes

1132. 06/09/73 Flac 16 Mtx - 0, 117476 Washington Robert F. Kennedy Stadium flac16; Matrix Recording From: Audience Lineage (shnid 91236): MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit and SBD Lineage (shnid 172): S:MR > PCM > cassette > DAT > CD > EAC > SHN; pitch-corrected and matrixed by Monte Barry notes

1133. 06/10/73 Flac 16 - 0, 98730 Washington Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640 notes

1134. 06/10/73 Flac 16 - 0, 90979 Washington Robert F. Kennedy Stadium flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected notes

1135. 06/10/73 Flac 16 Mtx - 0, 131065 Washington Robert F. Kennedy Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag notes

1136. 06/10/73 Shn - 0, 174 Washington Robert F. Kennedy Stadium SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available" notes

1137. 06/10/73 Flac 16 - 0, 90351 Washington Robert F. Kennedy Stadium flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry notes

1138. 06/10/73 Flac 16 Mtx - 0, 90771 Washington Robert F. Kennedy Stadium flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin notes

1139. 06/10/73 Flac 16 - 0, 89681 Washington Robert F. Kennedy Stadium flac16; partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant notes

1140. 06/10/73 Flac 24 - 0, 136252 Washington Robert F. Kennedy Stadium flac24; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger notes

1141. 06/10/73 Flac 16 - 0, 136263 Washington Robert F. Kennedy Stadium flac16; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger notes

1142. 06/10/73 Flac 16 - 0, 89640 Washington Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates notes

1143. 06/10/73 Flac Dts 5.1 - 0, 90794 Washington Robert F. Kennedy Stadium DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin notes

1144. 06/10/73 Flac 16 - 0, 90796 Washington Robert F. Kennedy Stadium flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin notes

1145. 06/10/73 Flac 16 - 0, 121030 Washington Robert F. Kennedy Stadium flac16; taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag notes

1146. 06/10/73 Flac 24/96 - 0, 121031 Washington Robert F. Kennedy Stadium flac24; Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag notes

1147. 06/22/73 Flac 16 Mtx - 0, 92375 Vancouver P.N.E. Coliseum flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes

1148. 06/22/73 Flac 16 - 0, 88526 Vancouver P.N.E. Coliseum flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes

1149. 06/22/73 Shn - 0, 5850 Vancouver P.N.E. Coliseum Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes

1150. 06/22/73 Flac 16 - 0, 88347 Vancouver P.N.E. Coliseum flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details notes

1151. 06/22/73 Flac 16 - 0, 140868 Fixed Vancouver P.N.E. Coliseum flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original source had a dropout in track 22 (Black Peter); Fixed version in circulation notes

1152. 06/22/73 Shn - 0, 16889 Vancouver P.N.E. Coliseum AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner notes

1153. 06/22/73 Shn - 0, 17270 Vancouver P.N.E. Coliseum composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs notes

1154. 06/22/73 Flac 16 - 0, 85957 Vancouver P.N.E. Coliseum flac16; partial set 1: Lineage: Master cassette > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: ? Transfered by: Pantagruel; reportedly fixed some flaws in the previous SBD source. notes

1155. 06/22/73 Flac 16 - 0, 140897 Vancouver P.N.E. Coliseum flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source fixes the flaws in the three circulating Clugston sources: source ID 140868 and source ID 140892; this version includes a fix in track 11, Jack Straw notes

1156. 06/24/73 Flac 16 - 0, 99852 Portland Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1157. 06/24/73 Shn - 0, 176 Portland Memorial Coliseum set 2 partial; MSBDR > 1 cass > CD > EAC > SHN; u/l via G. Hamilton; note fits on 1 shn disc w/ 5/25/72 disc notes

1158. 06/24/73 Shn - 0, 12828 Portland Memorial Coliseum partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman notes

1159. 06/26/73 Flac 16 Mtx - 0, 100024 Seattle Seattle Center Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009 notes

1160. 06/26/73 Flac 16 - 0, 80602 Seattle Seattle Center Arena flac 16 Sources: 1 - SBD>MR>C1 (Latvalla?)>GoodBear DAT>5/2000 edit by GoodBear>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006; 2 - SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006>FLAC; 3 - AUDMC>Reel>Reel>DAT>WAV>SHN (from "12076")>GoodBear heavy edit>FLAC notes

1161. 06/26/73 Shn - 0, 5293 Seattle Seattle Center Arena set 2 partial, labeled as d2; MR > C1 (Latvala cassette?) > DAT; via Mike Lai notes

1162. 06/26/73 Shn - 0, 12076 Seattle Seattle Center Arena Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon notes

1163. 06/26/73 Shn - 0, 14673 Seattle Seattle Center Arena AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner notes

1164. 06/26/73 Flac 16 - 0, 105840 Seattle Seattle Center Arena flac16:Taped and Transferred By: JEMS; Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic; Lineage: Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac. Originally seeded at Dime-A-Dozen ~ 2/4/2010 notes

1165. 06/26/73 Flac 16 - 0, 115571 Seattle Seattle Center Arena flac16; Recorded by Don Amick; Lineage: MAC(Sony TC-126)>R@7.5 ips.(Don's edited copy)>R@3.3/4 ips(Matt Williams reel)>FLAC notes

1166. 06/29/73 Shn - 0, 11617 Universal City Universal Amphitheatre Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman notes

1167. 06/30/73 Flac 16 - 0, 29753 Universal City Universal Amphitheatre flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell notes

1168. 06/30/73 Flac 16 - 0, 128248 Universal City Universal Amphitheatre flac16; SBD > ? > DAT > CD; CD > Sound Forge 10 > flac; Upgrade to existing source SBD 19903 notes

1169. 06/30/73 Shn - 0, 19903 Universal City Universal Amphitheatre SBD>?>DAT>CD>EAC>SHN patched with AudMR>R>DAT>WAV>SHN. This is a patched and re-tracked version of the previously circulating soundboard source. notes

1170. 06/30/73 Flac 16 - 0, 130561 Universal City Universal Amphitheatre flac16; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

1171. 06/30/73 Flac 16 - 0, 100346 Universal City Universal Amphitheatre flac16; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8) notes

1172. 06/30/73 Flac 16 - 0, 99703 Universal City Universal Amphitheatre b>flac16; AudMR(C?) > ? > DAT > WAV > FLAC : Alternate copy originating from same original master recording as source ID 6019. Transferred by Noah Weiner notes

1173. 06/30/73 Flac 24/96 - 0, 130557 Universal City Universal Amphitheatre flac24; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

1174. 06/30/73 Shn - 0, 177 Universal City Universal Amphitheatre SBD> ?> DAT> CD> EAC> SHN; (note Tiedrich's site lists a circulating? SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6,? Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert notes

1175. 06/30/73 Shn - 0, 6019 Universal City Universal Amphitheatre AudMR > R > DAT > WAV > SHN; A > D transfer by Noah Weiner; d1 tracked for 80 min; see info file for notes; via Audience Devotional Tree notes

1176. 06/30/73 Flac 16 - 0, 85816 Universal City Universal Amphitheatre flac16; remaster of shn id 6019: AudMR > R > DAT notes

1177. 06/30/73 Flac 24/96 - 0, 100345 Universal City Universal Amphitheatre flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8) notes

1178. 07/01/73 Flac 16 Mtx - 0, 89848 Universal City Universal Amphitheatre flac16; Matrix 2 Source Mix - SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin notes

1179. 07/01/73 Flac 16 - 0, 127028 Universal City Universal Amphitheatre flac16; Recording Info: SBD -> Master Reel -> Sound Devices 744T (24bit/96k); Transfer Info: WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes

1180. 07/01/73 Flac 16 Mtx - 0, 127232 Universal City Universal Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes

1181. 07/01/73 Flac 16 - 0, 88528 Universal City Universal Amphitheatre flac16 MOTB Release: 0055 16/44.1 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell notes

1182. 07/01/73 Shn - 0, 178 Universal City Universal Amphitheatre daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs notes

1183. 07/01/73 Flac 16 - 0, 30362 Universal City Universal Amphitheatre flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA notes

1184. 07/01/73 Flac Dts 5.1 - 0, 89853 Universal City Universal Amphitheatre DTS Audio 5.1; SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin notes

1185. 07/01/73 Flac 24 - 0, 88608 Universal City Universal Amphitheatre flac24 MOTB Release: 0055 24/96 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell notes

1186. 07/27/73 Flac 16 Mtx - 0, 100410 Watkins Glen Grand Prix Racecourse flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>Soundtrack>WAV>FLAC) notes

1187. 07/27/73 Flac 16 - 0, 27779 Watkins Glen Grand Prix Racecourse flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes

1188. 07/27/73 Flac 16 - 0, 123408 Watkins Glen Grand Prix Racecourse flac16; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith notes

1189. 07/27/73 Flac 16 - 0, 87464 Watkins Glen Grand Prix Racecourse flac16; source: aud (unknown gen) > ??? > wav > flac; remaster of shn id 28882 notes

1190. 07/27/73 Flac 24 - 0, 135381 Watkins Glen Grand Prix Racecourse flac24; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger 3/2016 notes

1191. 07/27/73 Flac 16 - 0, 135383 Watkins Glen Grand Prix Racecourse flac16; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger 3/2016 notes

1192. 07/27/73 Flac 24 - 0, 123407 Watkins Glen Grand Prix Racecourse flac24; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith notes

1193. 07/27/73 Shn - 0, 180 Watkins Glen Grand Prix Racecourse no regular info file (covers only); see 2 "history" posts; reported flaws: d2t3 (jam > wharf rat) has pops at 4:37, 9:22, 23:42; see pub comments for other flaw notes; circulated with 7/28/73 notes

1194. 07/27/73 Shn - 0, 25509 Watkins Glen Grand Prix Racecourse Soundcheck: Recording by Jeffrey Siniawsky and Joel Smith front row, 15' from stage, mic attached to top of lean-to tent via Noah Weiner Audience Devotional Tree Round 11 - Note: Soundcheck separated from 7/28/73 notes

1195. 07/27/73 Flac 16 - 0, 146057 Watkins Glen Grand Prix Racecourse flac16; Soundboard Recording Info: SBD -> Master Reel -> Dat (48k) edited and patched with aud cassette master taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222 by cloverman using Roxio Sound Editor 2009 notes

1196. 07/27/73 Shn - 0, 26363 Watkins Glen Grand Prix Racecourse AudMC stereo> ? > C > DAT > WAV > SHN, unknown taper; A>D by Noah Weiner: Cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D only)> Turtle Beach Montego II Digital I/O > Sound Forge(wav edits and track IDs)> SHNTOOL (SBE fix) > MKWAct (shn) notes

1197. 07/27/73 Flac 16 - 0, 28882 Watkins Glen Grand Prix Racecourse flac16; Lineage: cassette (unknown gen) > HD Encoding: CDWave > flac frontend > flac Taped by: Unknown Transfered by: Pantagruel notes

1198. 07/27/73 Flac 24/44 - , 152005 Watkins Glen Grand Prix Racecourse flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 2-19-12 notes

1199. 07/28/73 Shn - 0, 14196 Watkins Glen Grand Prix Racecourse Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another. notes

1200. 07/28/73 Flac 24 - 0, 135584 Watkins Glen Grand Prix Racecourse flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes

1201. 07/28/73 Flac 16 - 0, 100612 Watkins Glen Grand Prix Racecourse flac16; taped by Jerry Moore source: aud cassette master, lineage: aud>akg d1000e>sony tc-110, tdk c-120sd cassettes, no nr nak dragon>hd-p2 24/48>hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 8/11/09 notes

1202. 07/28/73 Flac 16 - 0, 106794 Watkins Glen Grand Prix Racecourse flac16: AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8) notes

1203. 07/28/73 Shn - 0, 181 Watkins Glen Grand Prix Racecourse no regular info file (covers only); see 2 "history" posts; reported flaw: d2t6 (truckin) has pop at 2:15; see pub comments for other flaw notes; circulated with 7/27/73 notes

1204. 07/28/73 Shn - 0, 11474 Watkins Glen Grand Prix Racecourse Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry] notes

1205. 07/28/73 Flac 16 - 0, 136693 Watkins Glen Grand Prix Racecourse flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k) notes

1206. 07/28/73 Flac 24 - 0, 106793 Watkins Glen Grand Prix Racecourse flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8) notes

1207. 07/28/73 Flac 16 - 0, 135585 Watkins Glen Grand Prix Racecourse flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes

1208. 07/28/73 Flac 16 - 0, 141306 Watkins Glen Grand Prix Racecourse flac16; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496; 24-bit > 16-bit via dBpoweramp notes

1209. 07/28/73 Flac 24/96 - 0, 141307 Watkins Glen Grand Prix Racecourse flac24; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496 notes

1210. 07/28/73 Flac 16 - 0, 141310 Watkins Glen Grand Prix Racecourse flac16; Analog Audience Source: Sony ECM 270 mic > Sony TC 110 deck; Medium Stock Brands: TDK C120SD; Analog Sound Preservation: MAC > Nak DR-1 > Korg MR-2 2.8mhz > AudioGate 2496 WAV; Recorded by: Louis Falanga; Transferred by: Bob Menke; Mastering by: Derek McCabe notes

1211. 07/28/73 Flac 16 - 0, 150454 Watkins Glen Grand Prix Racecourse flac16; Composite of 1. Source: SBD > Master Reels > DAT (Master Reels transferred by Rob Eaton); Mastering Info: DAT> Adobe Audition 3.0 24/96 > TLH > flac16; 2. Source: sony ecm22p’s > hitachi trq-232 > MAC; taped by Jim Cooper; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred by Rob Berger; 3. shnid 14196; Soundboard Master Reel > ? > Cassette > DAT > CDR > SHN; see info file for more details notes

1212. 07/28/73 Flac 24/44 - , 152004 Watkins Glen Grand Prix Racecourse flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Circa (1984) 3-04-21 Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 3-04-21 notes

1213. 07/28/73 Flac 24/44 - , 152006 Watkins Glen Grand Prix Racecourse flac24/44 Taper Gerry Moskal *
Sony Stereo ECM ->SONY TCD126
Location: **
Transfer: Gerry Moskal
Master Cassette Transfer->RR ->Cassette
Transfer/editing//flac Conversion
Brian Mandel Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 notes

1214. 07/31/73 Flac 24 - 0, 133928 Jersey City Roosevelt Stadium flac24; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110 TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger notes

1215. 07/31/73 Flac 16 - 0, 133927 Jersey City Roosevelt Stadium flac16; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110; TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger notes

1216. 07/31/73 Shn - 0, 8909 Jersey City Roosevelt Stadium FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy; Note- This show may circ with PCM in the lineage (instead of CM) notes

1217. 07/31/73 Shn - 0, 12883 Jersey City Roosevelt Stadium AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner notes

1218. 07/31/73 Flac 16 - 0, 121160 Jersey City Roosevelt Stadium flac16; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag notes

1219. 07/31/73 Flac 24/96 - 0, 121161 Jersey City Roosevelt Stadium flac24; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag notes

1220. 08/01/73 Flac 16 - 0, 92478 Jersey City Roosevelt Stadium flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008 notes

1221. 08/01/73 Flac - 0, 123128 Jersey City Roosevelt Stadium flac16; matrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012 notes

1222. 08/01/73 Shn - 0, 182 Jersey City Roosevelt Stadium Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR; CD Mastering by D. Gans; EAC and encoding by M. Jungeblut notes

1223. 08/01/73 Shn - 0, 11813 Jersey City Roosevelt Stadium Complete; Discs One and Two; SBD>MSR>R2>D>CD; Disc Three; SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR; See info file for info and tracking notes; Seeded to etree by Seth Kaplan notes

1224. 08/01/73 Shn - 0, 12222 Jersey City Roosevelt Stadium complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook notes

1225. 08/01/73 Shn - 0, 9145 Jersey City Roosevelt Stadium AudMR > C > C > C > CD; Reported upgrade to previous Weiner seed, see info file for details; Seeded to etree by Noah Weiner notes

1226. 08/01/73 Flac 16 - 0, 119371 Jersey City Roosevelt Stadium flac16; Complete show AUD: source - ElectroVoice RE-15 mic > Nakamichi 550 cassette recorder w/ Dolby NR > Maxell UD C90 Chromium Tapes. Taped, transferred, and remastered by Monte Barry. lineage - MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag notes

1227. 08/01/73 Flac 24 - 0, 135887 Jersey City Roosevelt Stadium flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger notes

1228. 08/01/73 Flac 16 - 0, 135886 Jersey City Roosevelt Stadium flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger notes

1229. 08/01/73 Flac - 0, 112572 Jersey City Roosevelt Stadium aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger notes

1230. 08/01/73 Flac 24/96 - 0, 121127 Jersey City Roosevelt Stadium flac24; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag notes

1231. 08/01/73 Flac 16 - 0, 121129 Jersey City Roosevelt Stadium flac16; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag notes

1232. 08/01/73 Shn - 0, 8724 Jersey City Roosevelt Stadium AudMR > R > DAT > WAV > SHN; via ADT; Seeded to etree by Noah Weiner notes

1233. 08/??/73 Shn - 0, 2522 Sausalito Record Plant Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F notes

1234. 08/??/73 Shn - 0, 113751 Sausalito Record Plant Betty> BCM> DAT> DAT> DIO 2448> SHN notes

1235. 08/??/73 Flac 16 - 0, 140895 Sausalito Record Plant flac16; Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick February 2018 notes

1236. 08/??/73 Flac 16 - 0, 148528 Sausalito Record Plant flac16; Taper: Betty Cantor; Editing: Joe D'Amico; SBD Master Reels > PCM > VHS Tape; Sony Hifi 4 Head Vhs Player > Sony Pcm 501 > Korg Mr-1000 > Audio Gate > Adobe Audition > Traders Little Helper notes

1237. 09/07/73 Shn - 0, 1126 Uniondale Nassau Veterans Memorial Coliseum Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD; 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?); via Teddy GoodBear to abgd; later to etree; see flaw notes in pub comments notes

1238. 09/07/73 Shn - 0, 18854 Uniondale Nassau Veterans Memorial Coliseum AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner. notes

1239. 09/07/73 Shn - 0, 19893 Uniondale Nassau Veterans Memorial Coliseum SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds notes

1240. 09/08/73 Shn - 0, 183 Uniondale Nassau Veterans Memorial Coliseum SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s) notes

1241. 09/08/73 Flac 16 - 0, 125071 Uniondale Nassau Veterans Memorial Coliseum flac16; SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf:(original shn 183) - pitch correction and patches by Kevin Tobin notes

1242. 09/08/73 Flac 16 - 0, 78349 Uniondale Nassau Veterans Memorial Coliseum flac16; Reel>Cass1>DAT1 (not widely circulated source)>5/1999? edit (no hiss reduction)>CD>hiss edit w/Cool Edit Pro>FLAC notes

1243. 09/08/73 Flac 16 - 0, 126071 Uniondale Nassau Veterans Memorial Coliseum flac16; (original shnid = 126029) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - pitch correction and patches by Kevin Tobin notes

1244. 09/08/73 Flac 16 Mtx - 0, 126079 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - matrix mixing by Kevin Tobin notes

1245. 09/08/73 Flac 16 - 0, 126029 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger notes

1246. 09/08/73 Flac Dts 5.1 - 0, 126083 Uniondale Nassau Veterans Memorial Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin notes

1247. 09/08/73 Flac 24/96 - 0, 126070 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger notes

1248. 09/11/73 Flac 16 Mtx - 0, 120143 Williamsburg College Of William & Mary Hall flac16; 2 source matrix: SBD: MR>C1>DAT>Goodbear_Edit>CD (shnid=113051) and Original Audience Source: (shnid=116231) Jimmy Warburton's reel Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger 01.28.2011 notes

1249. 09/11/73 Flac 16 - 0, 113051 Williamsburg College Of William & Mary Hall flac16; SBD:MR>C1>DAT>Edit (see info file)>CD notes

1250. 09/11/73 Shn - 0, 184 Williamsburg College Of William & Mary Hall MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes notes

1251. 09/11/73 Flac 16 - 0, 116321 Williamsburg College Of William & Mary Hall flac16; Original source: AUD Jimmy Warburton's reel; Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger; Patch source 1: Lineage: MAUD>?>R>C>WAV>FLAC Transferred and Encoded by Cousinit; Patch source 2: Lineage: Unknown Provided by Micgram notes

1252. 09/11/73 Flac 16 - 0, 136694 Williamsburg College Of William & Mary Hall flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1) notes

1253. 09/11/73 Flac 16 - 0, 111742 Williamsburg College Of William & Mary Hall flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; transferred/seeded by Rob Berger notes

1254. 09/11/73 Flac 16 - 0, 112220 Williamsburg College Of William & Mary Hall flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; patched/seeded by Rob Berger 2011-03-03 notes

1255. 09/11/73 Flac 16 - 0, 152009 Williamsburg College Of William & Mary Hall flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots.
Transfer Information: Mastering by Jamie Waddell and Jim Blackwood
Speed corrections by Jason Chastain
Listening assistance and track, FLAC and pack by Steve Gravel
FLAC Level 8 at 16 bit 44.1kHz notes

1256. 09/12/73 Shn - 0, 21618 Williamsburg College Of William & Mary Hall SBD>MR>C>DAT>CD>WAV>SHN encoded by Susan notes

1257. 09/12/73 Shn - 0, 14010 Williamsburg College Of William & Mary Hall SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow notes

1258. 09/12/73 Flac 16 - 0, 152015 Williamsburg College Of William & Mary Hall flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots.
Transfer Information: Mastering by Jamie Waddell and Jim Blackwood
Speed corrections by Jason Chastain
Listening assistance and track, FLAC and pack by Steve Gravel
FLAC Level 8 at 16 bit 44.1kHz notes

1259. 09/15/73 Shn - 0, 1077 Providence Providence Civic Center set 2; SBD :Master Reel> DAT> Sonic Solutions workstation> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy notes

1260. 09/15/73 Shn - 0, 16174 Providence Providence Civic Center set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman notes

1261. 09/17/73 Flac 16 - 0, 107542 Syracuse Onondaga County War Memorial flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin Conversion: DA-40>U2A>CDWave>MkW with seek tables appended Transferred by Tyler Jensen tylerlundby@yahoo.com notes

1262. 09/17/73 Shn - 0, 10082 Syracuse Onondaga County War Memorial Source:MSR>C>DAT>DAT Conversion: DA-40>U2A>CDWave>MkW with seek tables appended notes

1263. 09/17/73 Shn - 0, 14473 Syracuse Onondaga County War Memorial SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details notes

1264. 09/17/73 Flac 16 - 0, 150977 Syracuse Onondaga County War Memorial Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > DAT (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3700/44.1k)
Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k)
Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC notes

1265. 09/20/73 Shn - 0, 9845 Philadelphia The Spectrum Partial; Master Soundboard Reel > Reel to Reel > PCM > CDR; CD Re-Mastering, EAC'ed & SHN'ed by Scott Clugston; To fungus and abgd via Charlie Connor notes

1266. 09/20/73 Shn - 0, 11618 Philadelphia The Spectrum Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman notes

1267. 09/21/73 Shn - 0, 17410 Philadelphia The Spectrum SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller notes

1268. 09/21/73 Flac 16 - 0, 127554 Philadelphia The Spectrum flac16; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

1269. 09/21/73 Flac 24 - 0, 127548 Philadelphia The Spectrum flac24; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring > FLAC notes

1270. 09/21/73 Shn - 0, 4082 Philadelphia The Spectrum SBD; via Mike Lai from Bruce Fried DAT; encore missing notes

1271. 09/21/73 Flac 24/96 - 0, 143101 Philadelphia The Spectrum flac24; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 2; edited and mastered SIRMick September 2018 notes

1272. 09/21/73 Flac 16 - 0, 145131 Philadelphia The Spectrum flac16; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1 notes

1273. 09/21/73 Flac 16 - 0, 33567 Philadelphia The Spectrum flac16; analog>cd recorder on stereo>pc>goldwave>flac I used goldwave to only take the pop/clicks out. Casey Jones with Joe Ellis on trumpet and Martin Fierro on saxophone, last song of the 2'nd set right before the encore This is missing from all other copies out there. I got it from the tape I bought years ago. notes

1274. 09/21/73 Flac 16/44 - , 154301 Philadelphia The Spectrum flac1644; Partial; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021 notes

1275. 09/24/73 Flac 16 Mtx - 0, 96744 Pittsburgh Civic Arena flac16; Matrix 4 Source Mix - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin notes

1276. 09/24/73 Flac 16 - 0, 95740 Pittsburgh Civic Arena flac16; Mixed SBD\AUD with new sbd material to make a more complete show MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD; CD's supplied by Matt Smith; audio patches by Kevin Tobin notes

1277. 09/24/73 Flac - 0, 95815 Pittsburgh Civic Arena DTS-Audio-CD 5.1 Mix; - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin notes

1278. 09/24/73 Flac 16 - 0, 128997 Pittsburgh Civic Arena flac16; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

1279. 09/24/73 Flac 16 - 0, 95729 Pittsburgh Civic Arena flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin notes

1280. 09/24/73 Shn - 0, 5839 Pittsburgh Civic Arena partial sets 1,2; Unknown gen SBD > PCM > DAT > WAV > SHN DAT > WAV > SHN by Dan Stephens; Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool notes

1281. 09/24/73 Shn Mtx - 0, 11620 Pittsburgh Civic Arena Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman notes

1282. 09/24/73 Flac 24/96 - 0, 128855 Pittsburgh Civic Arena flac24; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

1283. 09/24/73 Flac 16 - 0, 150275 Pittsburgh Civic Arena flac16; SBD (shnid=95740) patched with the vault master reel from dead.net taper's section lossy stream; All remastering was done by Charlie Miller notes

1284. 09/26/73 Flac 16 - 0, 80198 Buffalo Community War Memorial Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01. notes

1285. 09/26/73 Flac 16 Mtx - 0, 82879 Buffalo Community War Memorial Auditorium flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin notes

1286. 09/26/73 Shn - 0, 16155 Buffalo Community War Memorial Auditorium SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame notes

1287. 09/26/73 Flac Dts 5.1 - 0, 80710 Buffalo Community War Memorial Auditorium DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> Dat (48k) and AUD:Unknown lineage transferred by SIRMick; mixed by kevtobin notes

1288. 09/26/73 Flac 16 - 0, 80665 Buffalo Community War Memorial Auditorium flac16; Unknown Audience Lineage provided by Chuck Diliberto transfered by SirMick speed corrected and patched by Kevin Tobin notes

1289. 10/19/73 Shn - 0, 187 Oklahoma City Oklahoma City Fairgrounds Arena mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that notes

1290. 10/21/73 Shn - 0, 17413 Omaha Omaha Civic Auditorium SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller notes

1291. 10/21/73 Shn - 0, 8191 Omaha Omaha Civic Auditorium MSR->C->D->CD; Some static in spots, see info file for details; via Jeff Fishman; Steve Barbella notes

1292. 10/23/73 Flac - 0, 92792 Bloomington Metropolitan Sports Center flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller notes

1293. 10/23/73 Shn - 0, 18899 Bloomington Metropolitan Sports Center MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets. notes

1294. 10/23/73 Shn - 0, 18227 Bloomington Metropolitan Sports Center partial of set 1 and set 2; source:MR>Dat>cdr using EAC v0.9 prebeta 11 in secure mode to extract, and mkw ver 0.97 beta1 to create shn's conversion to .shn done by Todd Norman norma023@tc.umn.edu notes

1295. 10/25/73 Shn - 0, 14451 Madison Dane County Coliseum SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon. notes

1296. 10/25/73 Shn - 0, 188 Madison Dane County Coliseum SBD MR> DAT> Sound Forge> CDR; set 2; (shn discs have 10/19/73 filler); a few brief volume drops/noises in Let It Grow; via G. Hamilton; see public comments for a few more flaw notes notes

1297. 10/25/73 Flac 16 - 0, 29668 Madison Dane County Coliseum flac16; Original source: http://db.etree.org/shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73) notes

1298. 10/25/73 Shn - 0, 189 Madison Dane County Coliseum Partial set 2; SBD > Unknown Analog Generation(s) > DAT > Mac (via Lucid PCI25) > CDR; via Tim Buller notes

1299. 10/25/73 Shn - 0, 9213 Madison Dane County Coliseum Unsure if this is the "best in circ", but it is the most complete. SBD:MR>DAT>CD notes

1300. 10/25/73 Flac 16 - 0, 34837 Madison Dane County Coliseum flac16; MSR > D > CD > EAC > WAV > CD > EAC > WAV > FLAC; DAE(EAC) of shn id 29668 by Sean Cribbs (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73) notes

1301. 10/25/73 Flac 16 - 0, 136695 Madison Dane County Coliseum flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k) notes

1302. 10/25/73 Flac 16 - 0, 140863 Madison Dane County Coliseum flac16; Partial Set 2 Source Info: Master 1/2 track Soundboard Reel @ 15ips (Nagra Reel to Reel) > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

1303. 10/27/73 Shn - 0, 16583 Indianapolis Indianapolis State Fair Coliseum ource: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine notes

1304. 10/27/73 Flac 16 - 0, 107323 Indianapolis Indianapolis State Fair Coliseum flac16; Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Revox A77 Reel @ 7.5 ips >> Revox A77 >> Akai GX636>Apogee Mini Me(24/96)>Apogee Mini Dac(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>FLAC Taped By: David Boswell notes

1305. 10/27/73 Flac 16/48 - 0, 142772 Indianapolis Indianapolis State Fair Coliseum flac16/48kHz; Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16/48k)> Dat (16/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (16/48k)> Adobe Audition 3.01 > TLH flac1648 notes

1306. 10/29/73 Flac 16 - 0, 32352 St. Louis Kiel Auditorium flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC notes

1307. 10/29/73 Flac 16 - 0, 116118 St. Louis Kiel Auditorium flac16; Taper: Unknown; Source: Unknown Mics and Deck>??>C>WAV>FLAC; Transferred and Encoded by Cousinit notes

1308. 10/29/73 Flac 16 Mtx - 0, 131409 St. Louis Kiel Auditorium flac16; Matrix mix of Shnid 32352(sbd) and Shnid 116118(aud) notes

1309. 10/29/73 Flac 16 - 0, 131458 St. Louis Kiel Auditorium flac16; Set 2, Handheld Sony 1 point stereo mic from the 5th and 4th row sometimes standing on chair; Recorderd and transferred by Chaffe McIlhenny; Master cassette>Revox cassette deck to DAT in 1998> to Tascam P2 Flash Card in Oct 2014>Audacity>Traders Little Helper for FLAC Fingerprint creation notes

1310. 10/29/73 Shn - 0, 1014 St. Louis Kiel Auditorium MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73 notes

1311. 10/29/73 Shn - 0, 1070 St. Louis Kiel Auditorium eel master > 1 cassette gen > DAT > CD > SHN; no El Paso, otherwise complete show; via S. Kaplan, G. Hamilton; see info file and pub comments for flaw notes; note anomalies fixed by Darrin for other shn set seemed to be already lacking here- if they really are still present, please let us know notes

1312. 10/29/73 Shn - 0, 16817 St. Louis Kiel Auditorium Source: MSR > C > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show in SBD w/ AUD patches (including AUD El Paso) via Dave Greenberg and Jim Powell. Retracked from CDA seed of this source circulated 3/2003 (incorporated brief separate crowd tracks into song tracks). Sector boundaries verified w/ shntool. notes

1313. 10/30/73 Flac 16 - 0, 32367 St. Louis Kiel Auditorium flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC notes

1314. 10/30/73 Shn - 0, 969 St. Louis Kiel Auditorium Reel master > 1 cassette gen > DAT > CD > EAC > SHN; seed via J. Merdler, DAE>SHN by G.S. Hamilton, retracking of d2 by A. J. Fink; some editing between songs; known flaws: d1t1 split-second cut into beginning, d1t6 cuts at 1:21, d2t1 volume change at 3:39, d3t3 cut/splice at 6:27 notes

1315. 10/30/73 Shn - 0, 16818 St. Louis Kiel Auditorium Source: MSR > D > PCM > D > CD patched with AUD
Conversion: CD > EAC > WAV > retracking (shntool) > SHN
Complete show with AUD patches via Dave Greenberg and Jim Powell. Retrack of CDA seed circulated 3/2003 to incorporate separate crowd tracks into song tracks. Different lineage from previous seed. Cut to start Me & My Uncle patched w/ AUD, no cut in Mexicali. Does have anomolies in China Cat & Eyes noted in that seed. notes

1316. 10/30/73 Shn - 0, 19809 St. Louis Kiel Auditorium Reel master > 1 cassette gen > DAT > CD > EAC > SHN. Appears to be a re-extraction of John Merdler seed. notes

1317. 10/30/73 Flac 16/44 - , 154414 St. Louis Kiel Auditorium flac1644; 1st Set; Source: Unknown AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021 notes

1318. 11/01/73 Shn - 0, 22795 Evanston McGaw Memorial Hall, Northwestern University New Version] MSR > C> DAT > PCM > DAT > CD (see notes in info file regarding correctness of genealogy) - Subsequent CD extraction (EAC), editing (Cool Edit Pro 2), and SHN encoding (mkwACT) by Sean Cribbs 12/2003 notes

1319. 11/01/73 Shn - 0, 15759 Evanston McGaw Memorial Hall, Northwestern University Source: MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN SHNed and seeded by Jon Seff (jon@seff.net) notes

1320. 11/01/73 Flac 16 - 0, 80714 Evanston McGaw Memorial Hall, Northwestern University flac16; MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits notes

1321. 11/01/73 Flac 16 44,1khz - 0, 136696 Evanston McGaw Memorial Hall, Northwestern University flac16; Set 2 Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k) notes

1322. 11/01/73 Shn - 0, 8834 Evanston McGaw Memorial Hall, Northwestern University 2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo notes

1323. 11/01/73 Shn - 0, 2178 Evanston McGaw Memorial Hall, Northwestern University set 2; MR> C1> DAT; via Teddy Goodbear to abgd notes

1324. 11/09/73 Shn - 0, 2657 San Francisco Winterland Arena SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes notes

1325. 11/10/73 Shn - 0, 3290 San Francisco Winterland Arena MSR> reel > PCM > DAT > CD; see info file for listening notes notes

1326. 11/10/73 Flac 16 - 0, 140704 San Francisco Winterland Arena flac16; Partial Show Source Info: Master Soundboard Reel > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes

1327. 11/11/73 Flac 16 - 0, 88485 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller notes

1328. 11/11/73 Shn - 0, 14105 San Francisco Winterland Arena Pitch correction applied by Alan Schlissel to patch in Eyes in previous shn set (which itself was a fix of another previous one). notes

1329. 11/11/73 Flac 16 - 0, 83318 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

1330. 11/11/73 Shn - 0, 12178 San Francisco Winterland Arena Shntool fix (by Tony Gardner) of previous Tony Gardner 'patched eyes' seed; See info file for details; Disks 1-2 MSR>Cass>Cass>DATs>CDRs; Disk 3 MSR>Cass>DATs>CDRs; With Eyes patched from MSR>?>DAT>CDR notes

1331. 11/11/73 Shn - 0, 1016 San Francisco Winterland Arena Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating notes

1332. 11/11/73 Flac 16/48 - , 166326 San Francisco Winterland Arena flac1648; Recorded by Charles Conner from dead center 10 rows back with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer and mastering of re-shelled master cassettes by Jim Blackwood on November 11, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Speed/pitch adjusted by Jason Chastain notes

1333. 11/11/73 Flac 24/96 - , 166325 San Francisco Winterland Arena flac2496; Recorded by Charles Conner from dead center 10 rows back with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer and mastering of re-shelled master cassettes by Jim Blackwood on November 11, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Speed/pitch adjusted by Jason Chastain notes

1334. 11/14/73 Flac 16 - 0, 79049 San Diego San Diego Sports Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC notes

1335. 11/14/73 Shn - 0, 5612 San Diego San Diego Sports Arena Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file notes

1336. 11/14/73 Shn - 0, 14716 San Diego San Diego Sports Arena Lineage: 7" Master Reel > Cassette > CD Transferred, burned, shn'ed, and all by David Hollister notes

1337. 11/14/73 Shn - 0, 6197 San Diego San Diego Sports Arena edit of previous shn set by Bob Clevenger; see info file for notes notes

1338. 11/14/73 Flac 16/48 - , 166344 San Diego San Diego Sports Arena flac1648; Recorded by Charles Conner from center right with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 12, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 13, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain notes

1339. 11/14/73 Flac 24/96 - , 166343 San Diego San Diego Sports Arena flac2496; Recorded by Charles Conner from center right with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 12, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 13, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain notes

1340. 11/17/73 Flac 16 - 0, 79548 Los Angeles Pauley Pavilion, UCLA flac16; source: unknown sbd > ??? > shn > wav > flac notes

1341. 11/17/73 Shn - 0, 23731 Los Angeles Pauley Pavilion, UCLA SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G (spreaddead@bellsouth.net) notes

1342. 11/17/73 Shn - 0, 4749 Los Angeles Pauley Pavilion, UCLA SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected) notes

1343. 11/17/73 Shn - 0, 23472 Los Angeles Pauley Pavilion, UCLA SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN via Jay Ashley notes

1344. 11/17/73 Flac - 0, 22799 Los Angeles Pauley Pavilion, UCLA This is a FLAC composite of different sources that all have cassette/reel flip cuts at various points of the show. See text document for further info notes

1345. 11/17/73 - , 166358 Los Angeles Pauley Pavilion, UCLA flac1648; Recorded by Charles Conner from floor level seats on the right side with a Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain notes

1346. 11/17/73 - , 166357 Los Angeles Pauley Pavilion, UCLA flac2496; Recorded by Charles Conner from floor level seats on the right side with a Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain notes

1347. 11/20/73 Flac 16 - 0, 83165 Denver Denver Coliseum flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon notes

1348. 11/20/73 Shn - 0, 1234 Denver Denver Coliseum S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details notes

1349. 11/20/73 Flac 16 - 0, 76616 Denver Denver Coliseum flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879) notes

1350. 11/20/73 Flac 16 Mtx - 0, 133392 Denver Denver Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:1234) MR > DAT > CD > EAC > SHN and Audience (shnid:22879) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

1351. 11/20/73 Flac 24/96 - 0, 144266 Denver Denver Coliseum flac24; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips; There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?). This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 notes

1352. 11/20/73 Flac 16/48 - 0, 144265 Denver Denver Coliseum flac16/48kHz; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?); This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

1353. 11/20/73 Flac 16 - 0, 144245 Denver Denver Coliseum flac16; This is a pitch corrected, patched and re-mastered version of the source ID 1234 sbd.hollister source: Source Info: Master Soundboard Reels > (most likely Dick's cassettes) > Dat > CD > EAC > SHN to flac via TLH) > Adobe Audition CC 2019 notes

1354. 11/20/73 Shn - 0, 22879 Denver Denver Coliseum MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by David Minches EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet) notes

1355. 11/21/73 Flac 16 - 0, 97468 Denver Denver Coliseum flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.) notes

1356. 11/21/73 Flac 16 - 0, 88612 Denver Denver Coliseum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation notes

1357. 11/21/73 Flac Mtx. - 0, 133522 Denver Denver Coliseum flac; 2 Source Matrix by Dusborne; Soundboard(shnid:97468) SBD -> Master Reel -> Cassette -> Dat -> CD; CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC and Audience(shnid:22096) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

1358. 11/21/73 Shn - 0, 22096 Denver Denver Coliseum MAC (Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

1359. 11/21/73 Shn - 0, 192 Denver Denver Coliseum via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38 notes

1360. 11/21/73 Shn - 0, 22097 Denver Denver Coliseum MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) notes

1361. 11/23/73 Flac 16 - 0, 112801 El Paso County Coliseum flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1362. 11/23/73 Shn - 0, 6702 El Paso County Coliseum retracked, edited version of previous shn set, for 90 min CDs (see info), by Bob Clevenger notes

1363. 11/23/73 Shn - 0, 194 El Paso County Coliseum notes

1364. 11/25/73 Flac 16 - 0, 113007 Tempe Feyline Field flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1365. 11/25/73 Shn - 0, 2213 Tempe Feyline Field MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01 notes

1366. 11/25/73 Flac 16/44,1 - 0, 150853 Tempe Feyline Field flac16/44.1khz Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC notes

1367. 11/25/73 Flac 16/44 - 0, 150897 Tempe Feyline Field flac16/44khz 1Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC notes

1368. 11/30/73 Shn - 0, 8099 Boston Music Hall sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it notes

1369. 11/30/73 Flac 16 Mtx - 0, 124131 Boston Music Hall flac16; 2 source matrix by dusborne; Soundboard (shnid:8099) sbd > ? > CDR > EAC(secure) > mkwact(seekable) and Audience (shnid:17277) Source: AUDMC(unknown mics) > ? > C > DAT; DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN notes

1370. 11/30/73 Shn - 0, 17227 Boston Music Hall unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol notes

1371. 11/30/73 Flac 16/44 - , 155310 Boston Music Hall flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2022 notes

1372. 12/01/73 Flac 16 - 0, 112205 Boston Music Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1373. 12/01/73 Flac 16 Mtx - 0, 124132 Boston Music Hall flac16; 2 source matrix by dusborne Soundboard (shnid:112205) SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC and Audience (shnid:110781) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes

1374. 12/01/73 Shn - 0, 4337 Boston Music Hall SBD> MR> DAT> Sonic Solutions> CDR; shn by Tony Gardner, from Paul B.'s discs; note more complete than previous shn versions notes

1375. 12/01/73 Shn - 0, 4972 Boston Music Hall same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person? notes

1376. 12/01/73 Shn - 0, 18094 Boston Music Hall AUDMC(unknown mics) > ? > C > DAT via David Minor, encoded by Marc Pujol and Matt Vernon notes

1377. 12/01/73 Flac 16 - 0, 98049 Boston Music Hall flac16; Audience Analog Master>cdr>eac>flac; Joe Maloney Master Recording notes

1378. 12/01/73 Shn - 0, 6648 Boston Music Hall Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston notes

1379. 12/01/73 Flac 16 - 0, 110781 Boston Music Hall flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes

1380. 12/02/73 Shn - 0, 3415 Boston Music Hall Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd notes

1381. 12/02/73 Flac 16 Mtx - 0, 124133 Boston Music Hall flac16; 3 source matrix by dusborne Soundboard (shnid:3415) Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; Audience (shnid:17278) Source: MAC > ? > C > DAT > CDR DAT > WAV(48kHz) by Marc Pujol; Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com; and Audience (shnid:110782) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes

1382. 12/02/73 Shn - 0, 4733 Boston Music Hall same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?; hosted by Mike Lai notes

1383. 12/02/73 Shn - 0, 17278 Boston Music Hall unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol notes

1384. 12/02/73 Flac 16/44 - 0, 110782 Boston Music Hall flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassette, kindly provided by Tim Friend. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes

1385. 12/02/73 Flac 16/48 - 0, 150276 Boston Music Hall flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller notes

1386. 12/04/73 Flac - 0, 86839 Cincinnati Cincinnati Gardens flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). notes

1387. 12/04/73 Shn - 0, 11800 Cincinnati Cincinnati Gardens Partial; Half of last song and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools notes

1388. 12/04/73 Flac - 0, 30656 Cincinnati Cincinnati Gardens flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller notes

1389. 12/06/73 Flac 16 - 0, 105560 Cleveland Public Hall flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452 notes

1390. 12/06/73 Shn - 0, 4452 Cleveland Public Hall SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton notes

1391. 12/06/73 Flac 16 - 0, 132261 Cleveland Public Hall flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1392. 12/06/73 Shn - 0, 195 Cleveland Public Hall partial; S:MR> Cass> SonicSolutions> DAT> ZA2> CD; via R. Nayfield (from Gans seed?); Reel Splice in Eyes from master notes

1393. 12/06/73 Shn - 0, 6703 Cleveland Public Hall retracked, slightly edited version of previous shn set, for 1x90 min CD (see info), by Bob Clevenger notes

1394. 12/06/73 Flac 16 - 0, 102750 Cleveland Public Hall flac16; Recording Info: SBD > MR > cassette > DAT > CD; Transfer Info: CD > Wav > Sound Forge 9 for compression, volume and EQ > FLAC; remastered version of source ID 4452 notes

1395. 12/06/73 Flac 16 - 0, 147505 Cleveland Public Hall flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v11.2.1 > FLAC; Remastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/16 notes

1396. 12/06/73 Flac 16/48 - , 166462 Cleveland Public Hall flac1648 Recorded by Dave Cubbedge on a Sony portable stereo recorder with a stereo mic. LINEAGE: Master > TDK SA copy > WAV > FLAC notes

1397. 12/08/73 Flac 16 - 0, 105607 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 1811 notes

1398. 12/08/73 Shn - 0, 1811 Durham Cameron Indoor Stadium, Duke University SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source notes

1399. 12/08/73 Flac 16 - 0, 106139 Durham Cameron Indoor Stadium, Duke University flac16; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0(levels, dc offset)>cd wave>16/44.1>flac transferred & seeded by Rob Berger notes

1400. 12/08/73 Flac 24/96 - 0, 106138 Durham Cameron Indoor Stadium, Duke University flac24; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0 (levels, dc offset)>cd wave>flac notes

1401. 12/08/73 Flac 16 - 0, 141376 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info: Master Soundboard Reel > Dat (16/44.1k)(Dick Latvala); Transfer Info: Dat (Panasonic SV-3800) > Pro Tools (.wav 16/44.1k) > Samplitude Professional v10.22 > Adobe Audition 3.0 > TLH flac16 notes

1402. 12/08/73 Shn - 0, 7586 Durham Cameron Indoor Stadium, Duke University Stereo Soundboard > Master Reel > ? > CD > SHN; via unknown person; May be a re-eac of previous shn set notes

1403. 12/08/73 Flac 16 - 0, 105268 Durham Cameron Indoor Stadium, Duke University notes

1404. 12/08/73 Flac 24/96 - 0, 152573 Durham Cameron Indoor Stadium, Duke University flac24/96 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021 notes

1405. 12/08/73 Flac 16 - 0, 152572 Durham Cameron Indoor Stadium, Duke University flac16/44 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021 notes

1406. 12/10/73 Shn - 0, 11799 Charlotte Charlotte Coliseum Partial; Last two songs and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools notes

1407. 12/12/73 Flac 16 - 0, 105561 Atlanta The Omni flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 6023; Upgrade in circulation notes

1408. 12/12/73 Flac 16 - 0, 123585 Atlanta The Omni flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 105561 notes

1409. 12/12/73 Shn - 0, 3410 Atlanta The Omni souncheck apparently circulates as filler on circulating copy of 11/4/77. notes

1410. 12/12/73 Shn - 0, 6023 Atlanta The Omni nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs notes

1411. 12/12/73 Flac 16 - 0, 102910 Atlanta The Omni flac16; Remaster of SHNID 6023 (Recording Info: Sbd > MR > C > CDR) Transfer Info: CDR > Soundforge 8 for many adjustments > Flac Transfer notes: Soundcheck recording changes: Volume increase, EQ and balance adjustments. Main show recording changes: Pitch of entire show was slowed to match A=440. It's close but not perfect, as pitch varied throughout. Volume was increased to modern standards Tape hiss, while still present, was reduced, without compromising overall fidelity notes

1412. 12/18/73 Flac 16 - 0, 113498 Tampa Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1413. 12/18/73 Flac 16 Mtx - 0, 126123 Tampa Curtis Hixon Convention Hall flac16; 3 source matrix: Soundboard (shnid 97511); AdamG's audience recording (new flat transfer); and Dan McDonald's audience recording (new flat transfer) notes

1414. 12/18/73 Flac 16 Mtx - 0, 123373 Tampa Curtis Hixon Convention Hall flac16; matrix of shnid 122508 (source 1 AUD) and shnid 116498 (source 2 SBD); matrixed by Monte Barry notes

1415. 12/18/73 Flac 16 - 0, 97511 Tampa Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes

1416. 12/18/73 Shn - 0, 3119 Tampa Curtis Hixon Convention Hall SBD Reel master > cassette > DAT > CDR (unknown gens); info file circulating with the shn set falsely says this is via G.S. Hamilton- it is not. Please use md5s to ID copies in circulation. This copy has 7 tracks in d2, Greg's real shn set has 9. Reel change in Wharf Rat (d3t04) @ 6:36; reported noise reduction on this copy- see comments notes

1417. 12/18/73 Shn - 0, 12469 Tampa Curtis Hixon Convention Hall further retracking and slight editing of previous retracked shn set, by Bob Clevenger notes

1418. 12/18/73 Shn - 0, 12214 Tampa Curtis Hixon Convention Hall SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry notes

1419. 12/18/73 Flac 16 - 0, 122508 Tampa Curtis Hixon Convention Hall flac16; Audience Cassette->Nakamichi Dragon->Sony PCMR300 Dat (16/44.1)->Sound Forge eq and normalization notes

1420. 12/19/73 Flac 16 - 0, 113503 Tampa Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1421. 12/19/73 Flac 16 - 0, 126124 Tampa Curtis Hixon Convention Hall flac16; Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer) notes

1422. 12/19/73 Shn - 0, 197 Tampa Curtis Hixon Convention Hall "DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it notes

1423. 12/19/73 Flac 16 - 0, 97261 Tampa Curtis Hixon Convention Hall flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1424. 12/19/73 Shn - 0, 86ß2 Tampa Curtis Hixon Convention Hall Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it notes

1425. 12/19/73 Flac 16 - 0, 107984 Tampa Curtis Hixon Convention Hall flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper notes

1426. ??/??/73 Flac 16 - 0, 97924 Various Studio Rehearsals flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC ->FLAC by Joe Samaritano notes

1427. 02/22/74 Flac 16 - 0, 114556 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1428. 02/22/74 Shn - 0, 21128 San Francisco Winterland Arena Lineage: SBD > D > CD > SSSB *12-14-2002* Files were run through shntool to correct sector boundary errors. The date was also corrected as the soundcheck does not circulate from the 24th, because there wasn't one....FLAC encoding and shntool processing done by Mr. Marmar 12/2002 Converted from flac to shn by SIRMick (thedarkstar@btinternet.com) notes

1429. 02/22/74 Shn - 0, 26763 San Francisco Winterland Arena mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller notes

1430. 02/22/74 Shn - 0, 21539 San Francisco Winterland Arena Sources: 1 - sbd > ? > shn > wav > shn 2 - sbd > cass? > cdr > wav > shn via SIRMick (thedarkstar@btinternet.com) notes

1431. 02/22/74 Shn - 0, 11654 San Francisco Winterland Arena SBD > ? > SHN; Missing Sugar Mag's & UJB; Unknown seeder notes

1432. 02/22/74 Shn - 0, 8623 San Francisco Winterland Arena soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive notes

1433. 02/22/74 Flac 16 - 0, San Francisco Winterland Arena Fixed version of Shnid = 115446 notes

1434. 02/23/74 Flac 16 - 0, 115607 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1435. 02/23/74 Shn - 0, 26362 San Francisco Winterland Arena Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley notes

1436. 02/23/74 Shn - 0, 3382 San Francisco Winterland Arena complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min notes

1437. 02/23/74 Shn - 0, 198 San Francisco Winterland Arena incomplete; SBD > Reel > PCM > DAT > CD > EAC > SHN; via Jay Serafin, Seth Kaplan, G.S. Hamilton; missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones; note complete copy now in shn notes

1438. 02/23/74 Flac 16 - 0, San Francisco Winterland Arena Fixed version of shni = 115607. notes

1439. 02/24/74 Flac 16 - 0, 116902 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1440. 02/24/74 Shn - 0, 21370 San Francisco Winterland Arena SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com) notes

1441. 02/24/74 Shn - 0, 13961 San Francisco Winterland Arena Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD notes

1442. 02/24/74 Shn - 0, 199 San Francisco Winterland Arena SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed notes

1443. 02/24/74 Flac 16 - 0, 136276 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1444. 02/24/74 Flac 16 - 0, 136266 San Francisco Winterland Arena flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel notes

1445. 02/24/74 Flac 16 Mtx - 0, 136140 San Francisco Winterland Arena flac16; Matrix 2 Source Mix - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; - matrix mixing by Kevin Tobin notes

1446. 02/24/74 Flac 16 Dts.5.1 - 0, 136141 San Francisco Winterland Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin notes

1447. 02/24/74 Flac 16/48 - 0, 136142 San Francisco Winterland Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - mixing by Kevin Tobin notes

1448. 02/24/74 Flac 16 Mtx - 0, 136641 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes

1449. 02/24/74 Shn - 0, 200 San Francisco Winterland Arena S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister? notes

1450. 02/24/74 Flac 16/44 - 0, 151723 San Francisco Winterland Arena flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat (44.1k) Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Adobe Audition v3 > Samplitude Professional v11.2 > FLAC notes

1451. 03/23/74 Shn - 0, 1995 Daly City Cow Palace modification of previously-circulating shn set- d2 retracked by Leigh Orf; update: portions of show are now DP24- go buy it notes

1452. 03/23/74 Flac 16 Mtx - 0, 82507 Daly City Cow Palace flac16; Matrix 2 Source Mix - SBD (shnid 1689) + AUD (shnid 78599) notes

1453. 03/23/74 Shn - 0, 1689 Daly City Cow Palace Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it notes

1454. 03/23/74 Flac 16 - 0, 78599 Daly City Cow Palace flac16; Master Audience Cassette > Dat (or PCM?) Edits & Tracking in Wavelab 6.0 by **__** : BBE processing, Crystal Sample Rate converter, L3 multimaximizer>dithered44.1k/16>FLACfrontend SBE FREE Patches by Michael Hughey in Adobe Audition notes

1455. 03/23/74 Shn - 0, 1186 Daly City Cow Palace incomplete; SBD> reel master> cassette> dat> cdr; via Mike Lai; update: portions of show are now DP24- go buy it notes

1456. 03/23/74 Flac Dts 5.1 - 0, 82531 Daly City Cow Palace DTS Audio 5.1; SBD (shnid 1689) Master Soundboard Reel > DAT + AUD shnid 79610 Master Audience Cassette > Dat (or PCM?) notes

1457. 03/23/74 Shn - 0, 83453 Daly City Cow Palace Sources: AUD MC>(PCM?)>DAT>DA-20>M-Audio 192 (Shnid=78599) Editing and mastering by The Wizard notes

1458. 03/??/74 Shn - 0, 12468 San Francisco Mars Hotel Outtakes Mars Hotel Outtakes; SBD>?>CDR notes

1459. 05/12/74 Shn - 0, 2224 Reno University Of Nevada MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file notes

1460. 05/12/74 Shn - 0, 16749 Reno University Of Nevada MSR>C>DAT>CD w/ pitch corrected aud patches for disk 3 only of SBD seed via Sean Cribbs notes

1461. 05/12/74 Shn - 0, 22248 Reno University Of Nevada Appears to be reshn'd DAE version of SHNID=2224. Extraction and 'fix' performed by Matt. notes

1462. 05/12/74 Shn - 0, 10529 Reno University Of Nevada Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon notes

1463. 05/12/74 Flac 16 Mtx - 0, 90172 Reno University Of Nevada flac16; Matrix 2 Source Mix - SBD (shn id 2224) MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks + AUD (shn id 10529) Partial 2nd Set; AUD>?>CD; via Jack Warner - matrix mixing by Kevin Tobin notes

1464. 05/12/74 Shn Dts 5.1 - 0, 90179 Reno University Of Nevada DTS Audio 5.1; SBD (shn id 2224) MSR>C>DAT>CDRs>EAC>SHN + AUD (shn id 10529)AUD>?>CDRs>EAC>SHN Shns supplied by Jack Warner - dts mixing by Kevin Tobin notes

1465. 05/12/74 Flac 16 - 0, 90176 Reno University Of Nevada flac16; AUD>?>CDRs>EAC>SHN - original shnid 10529 - audio patches and speed correction by Kevin Tobin notes

1466. 05/12/74 Flac 16 - 0, 150221 Reno University Of Nevada flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC notes

1467. 05/14/74 Flac - 0, 114462 Missoula Adams Field House, University Of Montana flac16; Recording Info: Set 1: SBD -> Master Reel -> Cassette -> Dat (48k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1468. 05/14/74 Shn - 0, 1823 Missoula Adams Field House, University Of Montana MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy notes

1469. 05/17/74 Flac 16 - 0, 89972 Vancouver P.N.E. Coliseum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes

1470. 05/17/74 Shn - 0, 202 Vancouver P.N.E. Coliseum updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler notes

1471. 05/17/74 Flac 16 - 0, 28041 Vancouver P.N.E. Coliseum flac16; set 1,2p; hand-held external stereo mic> portable Sony cassette deck> BASF LH C120 MC> [1 cass gen for Promised only] > HD> CDWave > flac frontend > flac; Taped by: Mike Kent, transferred by Pantagruel notes

1472. 05/19/74 Flac 16 - 0, 116983 Portland Portland Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1473. 05/19/74 Flac 16 Mtx - 0, 131464 Portland Portland Memorial Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:116983) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:115876) Source:Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC Transferred and Encoded by Cousinit notes

1474. 05/19/74 Flac 16 - 0, 79781 Portland Portland Memorial Coliseum flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer. notes

1475. 05/19/74 Flac 16 - 0, 115876 Portland Portland Memorial Coliseum flac16; Source: Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC; Transferred and Encoded by Cousinit notes

1476. 05/19/74 Shn - 0, 6957 Portland Portland Memorial Coliseum complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston notes

1477. 05/19/74 Shn - 0, 203 Portland Portland Memorial Coliseum SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked on sector boundaries by J. Kempka; see public comments for detailed flaw notes notes

1478. 05/19/74 Flac 16 - 0, 106716 Portland Portland Memorial Coliseum flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C); Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957); Source 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes

1479. 05/19/74 Flac 16 - 0, 107165 Portland Portland Memorial Coliseum flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes

1480. 05/21/74 Flac 16 Mtx - 0, 109887 Seattle Edmundson Pavilion, University Of Washington flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes

1481. 05/21/74 Flac 16 Mtx - 0, 87114 Seattle Edmundson Pavilion, University Of Washington flac16; Matrix 2 Source Mix - SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV + AUD (shn id 10150) AudMC > WAV > SHN - matrix mixing by Kevin Tobin notes

1482. 05/21/74 Flac 16 - 0, 98822 Seattle Edmundson Pavilion, University Of Washington flac16; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee notes

1483. 05/21/74 Flac 16 - 0, 114321 Seattle Edmundson Pavilion, University Of Washington flac16; Updated source: Audience recording by Don Amick; Transcription Pathway: Maxell XLII-90 cassettes (unknown generation) ? Nakamichi DRAGON (no Dolby, EQ 120 µsec) ? ADC Sound Shaper Two Mk II stereo frequency equalizer ? Edirol UA-5 T-MOD PLUS (custom-modified by the Oade Brothers) (driven by MME, in advanced mode; set to Red Book Standard for LPCM streaming) ? USB 2.0 ? Audacity 1.2.6 (set to 32-bit float/44.1kHz resolution for recording LPCM stream; set to Red Book Standard and, with snap-to on, to cdda min:sec:frames 75 fps for cutting tracks on sector boundaries and exporting them as .wav’s); Transcribed by George M. Prescott Jr. on October 14, 2010 notes

1484. 05/21/74 Flac 16 - 0, 87143 Seattle Edmundson Pavilion, University Of Washington flac16; Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details) notes

1485. 05/21/74 Flac Dts 5.1 - 0, 87124 Seattle Edmundson Pavilion, University Of Washington DTS Audio 5.1; SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496 + AUD (shn id 10150) AudMC > WAV > SHN - dts mixing by Kevin Tobin notes

1486. 05/21/74 Shn - 0, 1347 Seattle Edmundson Pavilion, University Of Washington S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in; DAE/SHN by Seth Kaplan, upload by G.S. Hamilton; see info file for misc notes; previously uncirculated; note offbeat tracking- see pub comment notes

1487. 05/21/74 Flac 24 - 0, 89901 Seattle Edmundson Pavilion, University Of Washington flac24; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee notes

1488. 05/21/74 Shn - 0, 2597 Seattle Edmundson Pavilion, University Of Washington MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of previous shn set, courtesy Josh Belkin notes

1489. 05/21/74 Shn - 0, 22801 Seattle Edmundson Pavilion, University Of Washington MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier notes

1490. 05/21/74 Shn - 0, 10150 Seattle Edmundson Pavilion, University Of Washington AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner notes

1491. 05/21/74 Flac 16/48 - 0, 150950 Seattle Edmundson Pavilion, University Of Washington flac16/48khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes

1492. 05/21/74 Flac 24/96 - 0, 150951 Seattle Edmundson Pavilion, University Of Washington flac24/96khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes

1493. 05/25/74 Shn - 0, 205 Santa Barbara Campus Stadium, UCSB MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn; via Jonathan Miller, Adam Roux; David Hollister reports problems on USB track notes

1494. 05/25/74 Flac 16 Mtx - 0, 111432 Santa Barbara Campus Stadium, UCSB flac16; Matrix: 60%sbd/40% aud; Sources: Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn (shnid 2635) Originally seeded to phlash.etree.org by Johnathan Miller. FOB Audience Recording by Jeremy Witt (shnid 111301) Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free notes

1495. 05/25/74 Flac 16 - 0, 111301 Santa Barbara Campus Stadium, UCSB flac16; Recording Info: FOB Audience Recording by Jeremy Witt Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free notes

1496. 05/25/74 Shn - 0, 2635 Santa Barbara Campus Stadium, UCSB MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track notes

1497. 05/25/74 Flac 16 - , 162440 Santa Barbara Campus Stadium, UCSB flac16; Soundboard Reel >DAT >CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o by OldNeumanntapr notes

1498. 06/08/74 Flac 16 - 0, 97268 Oakland Oakland-Alameda County Coliseum b>flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller notes

1499. 06/08/74 Flac 16 - 0, 97182 Oakland Oakland-Alameda County Coliseum flac16; Set 1 & encores MR>R(JG)>R(WB & Pat Lee)@ 3 3/4 ips. Set 2 Lineage: MR>DAT Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH notes

1500. 06/08/74 Flac 16 Mtx - 0, 135277 Oakland Oakland-Alameda County Coliseum flac16; 2 source matrix by Dusborne; Soundboard (shnid:97268), Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC, Re-Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC, Re-mastered By Charlie Miller; Audience (shnid:94596), FOB Master Cassettes (MAC), Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> MAC, Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96],Mastering: WAV 24/96 > Audition 3.0 > Wavelab 5.0 > Izotope Ozone3(dithering) > CDWave > TLH > Flac 2496, Taped By: Louis Falanga, Transfer By: Bob Menke, Mastering By: Paul Gilbert notes

1501. 06/08/74 Shn - 0, 2365 Oakland Oakland-Alameda County Coliseum Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master notes

1502. 06/08/74 Flac 24 - 0, 94596 Oakland Oakland-Alameda County Coliseum flac24; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas notes

1503. 06/08/74 Flac 16 - 0, 94594 Oakland Oakland-Alameda County Coliseum flac16; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave >> TLH >> Flac 1644 Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas notes

1504. 06/16/74 Shn - 0, 26452 Des Moines Des Moines State Fair Grandstand mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt) notes

1505. 06/16/74 Shn - 0, 207 Des Moines Des Moines State Fair Grandstand SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50 notes

1506. 06/16/74 Shn - 0, 17701 Des Moines Des Moines State Fair Grandstand S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself notes

1507. 06/16/74 Flac 24/96 - 0, 136659 Des Moines Des Moines State Fair Grandstand flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger notes

1508. 06/16/74 Flac 16 - 0, 136660 Des Moines Des Moines State Fair Grandstand flac16; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger notes

1509. 06/16/74 Flac 16/48 - 0, 136709 Des Moines Des Moines State Fair Grandstand flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - mixing by Kevin Tobin notes

1510. 06/16/74 Flac Dts 5.1 - 0, 136707 Des Moines Des Moines State Fair Grandstand DTS-Audio-CD 5.1 Mix; SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin notes

1511. 06/16/74 Flac 16 Mtx - 0, 136706 Des Moines Des Moines State Fair Grandstand flac16; Matrix 2 Source Mix - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin notes

1512. 06/16/74 Shn - 0, 15781 Des Moines Des Moines State Fair Grandstand S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details notes

1513. 06/16/74 Flac 16 - 0, 143135 Des Moines Des Moines State Fair Grandstand flac16; Partial Show Source: SBD > MR > Dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered by SIRMick notes

1514. 06/18/74 Flac 16 - 0, 89690 Louisville Freedom Hall flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

1515. 06/18/74 Shn - 0, 18150 Louisville Freedom Hall Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A notes

1516. 06/18/74 Flac 16 - 0, 32528 Louisville Freedom Hall flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8) notes

1517. 06/18/74 Shn - 0, 209 Louisville Freedom Hall SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8 notes

1518. 06/20/74 Shn - 0, 2179 Atlanta The Omni Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min notes

1519. 06/20/74 Flac 16 - 0, 105427 Atlanta The Omni flac16; Recording Info: SBD > MR > Cassette > DAT > CD; Transfer Info: CD > Soundforge 8 to retrack and eliminate dead air-no music was cut! > Flac 16. Sourced from shnid 2179 notes

1520. 06/20/74 Shn - 0, 211 Atlanta The Omni Set II, E; SBD reel -> ??? -> CD; t4 8:50 small reel blip; via D. Finney; additional source info not forthcoming notes

1521. 06/22/74 Flac 16 Mtx - 0, 106179 Miami Jai-Alai Fronton flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes

1522. 06/22/74 Flac 16 - 0, 90200 Miami Jai-Alai Fronton flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes

1523. 06/22/74 Flac 24 - 0, 106156 Miami Jai-Alai Fronton flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24) notes

1524. 06/22/74 Shn - 0, 212 Miami Jai-Alai Fronton MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks notes

1525. 06/22/74 Shn - 0, 30972 Miami Jai-Alai Fronton SBDMR> CASS> DAT> CD> EAC> SHN> DC6> CD; THE OWEN BROTHERS VAULT; Editing and Mastering by The Wizard notes

1526. 06/22/74 Shn - 0, 30999 Miami Jai-Alai Fronton Source: AUD>CASS>DAT>WAV>SHN>DC5>WAV>SHN ; THE OWEN BROTHERS VAULT ; mastering of SHNid=14193; Editing and Mastering by The Wizard notes

1527. 06/22/74 Shn - 0, 14193 Miami Jai-Alai Fronton AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn) notes

1528. 06/22/74 Flac 24/96 - 0, 105825 Miami Jai-Alai Fronton flac24; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac notes

1529. 06/22/74 Flac 16 - 0, 140873 Miami Jai-Alai Fronton flac16; Soundcheck Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

1530. 06/22/74 Flac 16 - 0, 145646 Miami Jai-Alai Fronton flac16; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; This file set is 16 bit @ 44.1 notes

1531. 06/22/74 Flac 16 - 0, 83488 Miami Jai-Alai Fronton flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell notes

1532. 06/22/74 Flac 16 - 0, 148680 Miami Jai-Alai Fronton flac16; source: aud cassette master; taped by Jerry Moore; new "master" created with the original shn #105825 files; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details notes

1533. 06/23/74 Flac 16 Mtx - 0, 105983 Miami Jai-Alai Fronton flac16; Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16) notes

1534. 06/23/74 Flac 16 Mtx - 0, 83489 Miami Jai-Alai Fronton flac 16; Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265). Matrixed by Chris Chappell. notes

1535. 06/23/74 Flac 16 - 0, 116312 Miami Jai-Alai Fronton flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith notes

1536. 06/23/74 Flac 16 - 0, 84615 Miami Jai-Alai Fronton flac16; source: aud cassette master akg d1000e's>Sony TC-152 taped by Jerry Moore lineage: aud c.m.>dat>cdr>eac>cd wave>flac transfered by Rob Berger '99, tracking by John Tallmadge notes

1537. 06/23/74 Flac 24 - 0, 105867 Miami Jai-Alai Fronton flac24:Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24) notes

1538. 06/23/74 Shn - 0, 96890 Miami Jai-Alai Fronton AudMC > DAT>CD>DC6>CD Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT, DAT > SHN/CD Editing and Mastering by The Wizard, see info file for details notes

1539. 06/23/74 Shn - 0, 7894 Miami Jai-Alai Fronton AUD MR> R> DAT/1> HD> SHN> CD; recorded by Neil Merin - unknown mics > Uhrer 5" master reel; A>D transfer by Noah Weiner; includes SBD-sourced encore notes

1540. 06/23/74 Flac 16 Mtx - 0, 122270 Miami Jai-Alai Fronton flac16; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin notes

1541. 06/23/74 Flac 24 - 0, 105755 Miami Jai-Alai Fronton flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 notes

1542. 06/23/74 Shn - 0, 30846 Miami Jai-Alai Fronton Remaster of sbd w/ aud patches by Owens Brothers notes

1543. 06/23/74 Flac Dts 5.1 - 0, 122271 Miami Jai-Alai Fronton DTS-Audio-CD 5.1 Mix; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin notes

1544. 06/23/74 Shn - 0, 213 Miami Jai-Alai Fronton SBD, with patches (see updated info file for details, including about "blank" tracks); "painstakingly complete" version assembled by J. Belkin; also see additional comments from D. Sacks: contrary to original info file, primary SBD was not subject to NR; report from Skank: only discs 1&2 were posted? to abgd at first, fixed d3 before completing; to etree via A. Stern 2/2; pre-fixed d3 may have been etreed earlier- note fixed d3 has 10 tracks notes

1545. 06/23/74 Shn - 0, 14265 Miami Jai-Alai Fronton AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. notes

1546. 06/23/74 Flac 24 Mtx - 0, 122269 Miami Jai-Alai Fronton flac24; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin notes

1547. 06/23/74 Flac 16 - 0, 145674 Miami Jai-Alai Fronton flac16; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010; 16 bit 44.1 khz version notes

1548. 06/23/74 Shn - 0, 16780 Miami Jai-Alai Fronton MSR>DAT>CD w/ MAC>DAT patches notes

1549. 06/23/74 Flac 16 - 0, 122255 Miami Jai-Alai Fronton flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin notes

1550. 06/23/74 Flac 16 - 0, 148679 Miami Jai-Alai Fronton flac16; source: aud cassette master; taped by Jerry Moore; new "master" created from the original files from shn #105755; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details notes

1551. 06/26/74 Flac 16 Mtx - 0, 119613 Providence Providence Civic Center flac16; 2 source matrix: Soundboard (shnid=00214): Source for disc 1: SBD>MR>C>DAT>CDR; Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) and Audience (shnid=105919): source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b nak dragon>hd-p2 24/96>cd wave>flac notes

1552. 06/26/74 Shn - 0, 214 Providence Providence Civic Center MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it notes

1553. 06/26/74 Flac 16 - 0, 136648 Providence Providence Civic Center flac16; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger notes

1554. 06/26/74 Flac 24/96 - 0, 136647 Providence Providence Civic Center flac24; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger notes

1555. 06/26/74 Shn - 0, 16ß37 Providence Providence Civic Center AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones. notes

1556. 06/26/74 Flac 16 - 0, 140081 Providence Providence Civic Center flac16; Recording Info: SBD > Master Reel > Dat (Panasonic SV-3800/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes

1557. 06/26/74 Flac 24 - 0, 105919 Providence Providence Civic Center flac24; aud cassette master, 24 bit transfer, rec. by Jerry Moore, transfer/seed by Rob Berger notes

1558. 06/26/74 Flac 16 Mtx - 0, 149947 Providence Providence Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 140081 & 105919 notes

1559. 06/26/74 Flac 16/44 - 0, 151833 Providence Providence Civic Center flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Brian Mandel gdplusmore@aol.com Master Cassette Nakamichi BX-150 Transfer->Nakamichi BX300 Cassette Maxell XL11-S90 x3 circa 1984 Wave/ Flac Conversion & Editing 2-20-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac Edits Tape Flips - Audacity notes

1560. 06/28/74 Shn - 0, 10984 Boston Boston Garden et 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it notes

1561. 06/28/74 Flac 16/44 - , 154913 Boston Boston Garden flac1644; Partial Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021 notes

1562. 06/28/74 Shn - 0, 16038 Boston Boston Garden complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18 notes

1563. 06/28/74 Flac 24 - 0, 106003 Boston Boston Garden flac24; source: aud cassette master taped by Jerry Moore lineage: aud>sony ecm99 stereo mic>sony tc-152sd (2)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/11/10 notes

1564. 06/28/74 Flac - 0, 139780 Boston Boston Garden flac16; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v11.1 > FLAC/16; All Transfers and Mastering by Charlie Miller notes

1565. 06/28/74 Flac 16 Mtx - 0, 149954 Boston Boston Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139780 & 106003. notes

1566. 06/30/74 Flac 16/44 - , 155034 Springfield Springfield Civic Center flac1644; 1st Set, Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021 notes

1567. 06/30/74 Flac 16 - 0, 96275 Springfield Springfield Civic Center flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1568. 06/30/74 Flac 16 Mtx - 0, 97185 Springfield Springfield Civic Center flac16; SBD + AUD Matrix Mix (65%/SBD + 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN notes

1569. 06/30/74 Shn - 0, 216 Springfield Springfield Civic Center SBD> MR> cass> DATx2> ZA2> CDRx1> EAC> SHN; via Andy, Tiedrich, Skank, A. Stern; to abgd and etree notes

1570. 06/30/74 Shn - 0, 17814 Springfield Springfield Civic Center SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner notes

1571. 06/30/74 Flac 16 Mtx - 0, 89998 Springfield Springfield Civic Center flac16; Set 2 only, Matrix of the following sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537). This source fixed a flaw in d2t04 of shn id 82179 notes

1572. 06/30/74 Flac 16 Mtx - 0, 82179 Springfield Springfield Civic Center flac16; Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537) notes

1573. 06/30/74 Shn - 0, 15537 Springfield Springfield Civic Center AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16 notes

1574. 06/30/74 Shn Dts 5.1 - 0, 97225 Springfield Springfield Civic Center DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN notes

1575. 06/30/74 Flac 24/96 - 0, 106027 Springfield Springfield Civic Center flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger notes

1576. 06/30/74 Flac 24/96 - 0, 143331 Springfield Springfield Civic Center flac24; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018 notes

1577. 06/30/74 Flac 16 - 0, 145132 Springfield Springfield Civic Center flac16; source: aud cassette master taped by Jerry Moore; lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; transferred & seeded by Rob Berger; This file set is 16 bit @ 44.1 notes

1578. 06/30/74 Flac 16 - 0, 145133 Springfield Springfield Civic Center flac16; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1 notes

1579. 06/30/74 DvD 5.1 - 0, 97650 Springfield Springfield Civic Center DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) Soundboard - Aud Matrix by Dan Haugh notes

1580. 07/19/74 Flac - 0, 32634 Fresno Selland Arena flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat notes

1581. 07/19/74 Flac - 0, 102866 Fresno Selland Arena flac 16 Source: Recorded by AS and friends with borrowed UC Santa Cruz AV gear; 2 Shure omni mics > Sony portable (152 possibly) cassette recorder; Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Pitch corrected -72 cents from master playb notes

1582. 07/19/74 Flac - 0, 102766 Fresno Selland Arena flac16; 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Recorded by AS and friends with borrowed UC Santa Cruz AV gear; upgrade now in circulation. notes

1583. 07/19/74 Shn - 0, 217 Fresno Selland Arena set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulatio notes

1584. 07/19/74 Flac Mtx. - 0, 103132 Fresno Selland Arena flac16; Matrix 60% sbd/40% aud (- 4dbs) sbd - shnid 32634 Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) aud - shnid 102866 Recorded by AS and friends with borrowed UC Santa Cruz AV gear 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact notes

1585. 07/19/74 Shn - 0, 12381 Fresno Selland Arena MSR > D > CD patched with MAC > C > C > D Mastering and patches by Dave Greenberg. SHN conversion by Jay Gerland (EAC/mkwACT). Project instigated and organized by Jim Powell. Additional patching by Tim Symons 7-29-02; Note- This is the previous shn set with the 'additional patching'. (Upgrade now in circulation.) notes

1586. 07/19/74 Shn - 0, 4596 Fresno Selland Arena complete; Master Reel> Cassette(1)> DAT@44.1K> DAT> WAV> Soundforge 4.0> CDWAV> SHN w/seek tables appended; DAT> WAV via Sony SDT-9000 DDS Drive using VDat DAT seed from Rob Eaton, DAT>SHN by Jamie Lutch, QC by dankseeds; see info file for flaw and editing notes; see pub comments for d2 md5 notes (Upgrade now in circulation.) notes

1587. 07/21/74 Flac - 0, 88979 Los Angeles Hollywood Bowl flac16; MOTB Release: 0056 16/44.1 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe notes

1588. 07/21/74 Shn - 0, 8102 Los Angeles Hollywood Bowl Sony ECM-22p > Sony TC-152 master cassette > reel > DAT > CDR; taper Rob Bertrando; via Andy Gustin, Tony Gardner; end of Scarlet cut notes

1589. 07/21/74 Shn - 0, 8241 Los Angeles Hollywood Bowl Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner notes

1590. 07/21/74 Flac - 0, 31436 Los Angeles Hollywood Bowl flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller notes

1591. 07/21/74 Flac - 0, 88553 Los Angeles Hollywood Bowl flac16; Recording Info: (FOB) Sony ECM-22P -> Cassette Master -> Reel -> Dat; Around & Around through 1:03 of Truckin' supplied by RB's Master: (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152/Sony CRO-90) Dat Transfer Info: Dat -> Samplitude Professional v9.11 -> FLAC Cassette Master Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.11 -> FLAC/16 Recorded By Rob Bertrando All Transfers and Mastering By Charlie Miller notes

1592. 07/21/74 Flac 24 - 0, 98033 Los Angeles Hollywood Bowl flac24 MOTB Release: 0056 24/96 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe notes

1593. 07/25/74 Shn - 0, 12656 Chicago International Amphitheater SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller notes

1594. 07/25/74 Shn - 0, 1072 Chicago International Amphitheater SBD MR > CASS > DAT > CD; original seed via Jim Wise; via Jon Miller, Alan J. Fink, Greg Hamilton; see info file and addendum for notes notes

1595. 07/25/74 Flac 16 - , 152924 Chicago International Amphitheater flac16 Source: SBD -> Vault Master Reel -> Dat -> Sonic Solutions -> CD
Remastered by Jim Blackwood
Pitch Correction by Jason Chastain notes

1596. 07/27/74 Flac - 0, 107804 Roanoke Roanoke Civic Center flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1597. 07/27/74 Flac - 0, 132282 Roanoke Roanoke Civic Center flac16; Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr; Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16 notes

1598. 07/27/74 Flac Mtx. - 0, 136793 Roanoke Roanoke Civic Center flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:107804) Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN-> Adobe Audition v3.0-> Samplitude Professional v11.03-> FLAC; Audience (Shnid:132282) Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr,Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced >CD Wave > TLH > Flac 16 notes

1599. 07/27/74 Flac - 0, 132188 Roanoke Roanoke Civic Center flac16; unknown gen audience recording > ? > FLAC notes

1600. 07/27/74 Shn - 0, 2420 Roanoke Roanoke Civic Center SBD> MR> C> DAT> CDR; via Seth Kaplan notes

1601. 07/29/74 Flac Mtx - 0, 107756 Landover Capital Centre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut (2496) > AIFF CD tracking via Audacity [w/dither] > FLAC1644 via xAct) notes

1602. 07/29/74 Flac - 0, 107756 Landover Capital Centre flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1603. 07/29/74 Flac - 0, 29482 Landover Capital Centre flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell notes

1604. 07/29/74 Flac 24 Mtx - 0, 108281 Landover Capital Centre flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC2496 & FLAC1644 > AIFF > Final Cut [2496] > tracking via Audacity > FLAC2496 via xAct) notes

1605. 07/29/74 Shn - 0, 2277 Landover Capital Centre SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd notes

1606. 07/29/74 Flac 24 - 0, 106066 Landover Capital Centre flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (2)tdk c-120sd's**, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/14/10 notes

1607. 07/29/74 Flac - 0, 123816 Landover Capital Centre flac16; Source: 2nd Set Mono AUD, 3rd Gen tape, kindly provided by Seaweed1010. Transfer: MX-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013 notes

1608. 07/29/74 Shn - 0, 17968 Landover Capital Centre AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner notes

1609. 07/31/74 Flac - 0, 32353 Hartford Dillon Stadium flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC notes

1610. 07/31/74 Flac Mtx - 0, 121836 Hartford Dillon Stadium flac16; SBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) SBD (shnid = 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC and AUD (shnid = 115499) source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - matrix mixing by Kevin Tobin notes

1611. 07/31/74 Shn - 0, 7363 Hartford Dillon Stadium AudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner notes

1612. 07/31/74 Flac - 0, 112951 Hartford Dillon Stadium flac16; The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000 by Phil Matera** philipmatera@optonline.net notes

1613. 07/31/74 Flac - 0, 115499 Hartford Dillon Stadium flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac notes

1614. 07/31/74 Flac 24 - 0, 136161 Hartford Dillon Stadium flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger notes

1615. 07/31/74 Flac - 0, 136162 Hartford Dillon Stadium flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger notes

1616. 07/31/74 Flac Dts 5.1 - 0, 121838 Hartford Dillon Stadium DTS-Audio-CD 5.1 Mix; SBD (shn id 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC + AUD (shn id 115499) source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - dts mixing by Kevin Tobin notes

1617. 07/31/74 Shn - 0, 1019 Hartford Dillon Stadium SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies notes

1618. 08/04/74 Flac Mtx - 0, 100653 Philadelphia Philadelphia Civic Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC16) notes

1619. 08/04/74 Shn - 0, 1631 Philadelphia Philadelphia Civic Arena SBD> MR> DAT> CDR; transfer by Stephen Agan; via Bob Allred to vines, offer; tracked differently from Sacks shn set, but with same AUD patches: in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; see pub comments for additional notes notes

1620. 08/04/74 Shn - 0, 1574 Philadelphia Philadelphia Civic Arena MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks notes

1621. 08/04/74 Shn - 0, 9112 Philadelphia Philadelphia Civic Arena I: AudMC > DAT > WAV > SHN II: AudMC > R? > Beta Hi-Fi PCM > CASS > WAV > CD > EAC > SHN; Seeded to etree by Noah Weiner notes

1622. 08/04/74 Shn - 0, 20369 Philadelphia Philadelphia Civic Arena AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen DAT > SHN/CD by Noah Weiner notes

1623. 08/05/74 Shn - 0, 1826 Philadelphia Philadelphia Civic Arena MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks notes

1624. 08/05/74 Flac 16 - 0, 108814 Philadelphia Philadelphia Civic Arena flac16; Source: MSR>C>C>DAT Conversion : DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC notes

1625. 08/05/74 Flac 16 Mtx - 0, 131660 Philadelphia Philadelphia Civic Arena flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:108814) MSR>C>C>DAT DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC; Audience (shnid:21294)AUDMC > DAT > WAV > SHN; Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck; Maxell UD-120 cassettes, with Dolby B ON notes

1626. 08/05/74 Shn - 0, 21294 Philadelphia Philadelphia Civic Arena AUDMC > DAT > WAV > SHN - Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Added to etree by Noah Weiner notes

1627. 08/05/74 Flac 16 - 0, 140873 Philadelphia Philadelphia Civic Arena flac16; Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16. Note this originally circulated as a soundcheck for 6/22/1974 but was identified as the jam from 8/5/1974 and has been moved to the correct date. notes

1628. 08/05/74 Flac 16/44,1 - 0, 151039 Philadelphia Philadelphia Civic Arena flac16/44.1khz Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamkichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV (44.1k) notes

1629. 08/06/74 Shn - 0, 1463 Jersey City Roosevelt Stadium ully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" notes

1630. 08/06/74 Flac Mtx - 0, 126356 Jersey City Roosevelt Stadium flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1463) MR > DAT > CD > Sonic Solutions > CD Circulation > Plextor SCSI 40x Reader > EAC and Audience (shnid:5914) MR>R>DAT>HD>Soundforge>SHN>CD; Recorded by Neil Merinu sing an unknown mic (mono) onto a Uhrer 5" reel deck. The end of the show plus other missing parts from Neil's tapes are supplied by Ihor Slabicky's recording (AUDMC>DAT>HD> Soundforge>SHN>CD) notes

1631. 08/06/74 Flac - 0, 135847 Jersey City Roosevelt Stadium flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transfer & seeded by Rob Berger notes

1632. 08/06/74 Flac 24 - 0, 135848 Jersey City Roosevelt Stadium flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger notes

1633. 08/06/74 Flac LPCM 5.1 - 0, 134934 Jersey City Roosevelt Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - mixing by Kevin Tobin notes

1634. 08/06/74 Flac Dts 5.1 - 0, 135930 Jersey City Roosevelt Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin notes

1635. 08/06/74 Flac Mtx. - 0, 135929 Jersey City Roosevelt Stadium flac16; Matrix 2 Source Mix - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin notes

1636. 08/06/74 Shn - 0, 5914 Jersey City Roosevelt Stadium AUD (unknown mic) MR> R> DAT> HD> Soundforge> SHN> CD, recorded by Neil Merin; plus patches from Ihor Slabicky's AUD (see info file); A>D by Noah Weiner; via Audience Devotional Tree notes

1637. 09/09/74 Flac - 0, 32642 London Alexandra Palace Dick's Picks Vol 7 Outtakes by Sir Mick notes

1638. 09/09/74 Flac 16 - 0, 97013 London Alexandra Palace flac 16; Source: sbd > mr > dat (x2) > cdr > eac > mkwact > wav > flac notes

1639. 09/09/74 Shn - 0, 12846 London Alexandra Palace SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow notes

1640. 09/09/74 Flac 16 - 0, London Alexandra Palace flac16; Partial SBD > ? > flac notes

1641. 09/09/74 Flac 16 - 0, 135655 London Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1642. 09/09/74 Flac 16/44 - , 154544 London Alexandra Palace flac16/44 Unknown audience with unknown lineage via Brian Flegel notes

1643. 09/10/74 Shn - 0, 18806 London Alexandra Palace Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano notes

1644. 09/10/74 Shn - 0, 11601 London Alexandra Palace SBD>?>CD; May be missing up to three first set songs; See info file for details; Note- Many tracks appear on DP7, Buy it here ; via Craig Reimer; Seeded to etree by Willy notes

1645. 09/10/74 Flac - 0, 135654 London Alexandra Palace flac16; Lineage: Vault Soundboard Reels->Cassette-> DAT->PCM->DAT notes

1646. 09/10/74 Flac - 0, 135699 London Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1647. 09/11/74 Shn - 0, 12183 London Alexandra Palace Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's notes

1648. 09/11/74 Flac - 0, 123207 London Alexandra Palace flac16; Partial SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC notes

1649. 09/11/74 Flac - 0, 131901 London Alexandra Palace flac16; Recorded by unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a notes

1650. 09/11/74 Shn - 0, 3190 London Alexandra Palace complete; SBD Reel master > DAT > CDR > EAC > SHN; Extraction and .shn encoding by Seth Kaplan; Slight retracking of discs 2 and 3 (CoolEdit/CDWav) and re-shn (v2) by G.S. Hamilton; to BUDD and etree; note parts of the run are on Dick's Picks 7- go buy it notes

1651. 09/11/74 Flac - 0, 132458 London Alexandra Palace flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:012183) Candelario Matrix MSR > D> CD; Soundboard 2(Shnid:121207) SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC and Audience (Shnid:131901) unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a notes

1652. 09/11/74 Shn - 0, 7365 London Alexandra Palace Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A notes

1653. 09/11/74 Shn - 0, 4647 London Alexandra Palace SBD (as previous shn set), with added AUD patches- see info file for details; patching by Hanno Bunjes, some cleanup by Alasdair; to BUDD offer; Hanno's notes; note d3 tracked for 80 min; note parts of the run are on Dick's Picks 7- go buy it notes

1654. 09/11/74 Flac - 0, 135802 London Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1655. 09/11/74 Flac 16 - 0, 135883 London Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes the flaws in source ID 135802 notes

1656. 09/14/74 Flac - 0, 28353 Munich Olympiahalle flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes

1657. 09/14/74 Flac - 0, 131395 Munich Olympiahalle flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:30653) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:9890) MAR > CD. This audience tape was mastered by Gerhard Schinzel from mid-floor using a Philips mic and a Telefunken reel deck. The reel masters were transferred to CD by Uli Teute and were re-mastered by Dave Greenberg notes

1658. 09/14/74 Flac - 0, 28353 Munich Olympiahalle flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes

1659. 09/14/74 Shn - 0, 9890 Munich Olympiahalle Philips mic> Telefunken reel deck, taper Gerhard Schinzel; master AUD reel > CD with "safety cass" patch in WRS, transferred to CD by Uli Teute and were re-mastered by Dave Greenberg; SHN conversion by Jay Gerland, with thanks to Jason Chastain; circulated via Deadlists Project; see listening notes in info file notes

1660. 09/14/74 Shn - 0, 6162 Munich Olympiahalle AUD MR> D> CD; via Hanno Bunjes; Sugar Magnolia has dropout (seems to be on all copies); Hanno's notes notes

1661. 09/14/74 Flac - 0, 32641 Munich Olympiahalle aud remaster by Sir Mick notes

1662. 09/18/74 Shn - 0, 20732 Dijon Parc Des Expositions Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((http://db.etree.org/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon notes

1663. 09/18/74 Flac 16 - 0, 32292 Dijon Parc Des Expositions flac16: **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller notes

1664. 09/18/74 Shn - 0, 20675 Dijon Parc Des Expositions Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) SHN'd By Charlie Miller from Pre-FM GDH Production Discs charliemiller87@earthlink.net 11/19/03 notes

1665. 09/18/74 Shn - 0, 5807 Dijon Parc Des Expositions SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD; pitch modified, plus other editing- see notes in info file; missing USB, Phil and Ned notes

1666. 09/18/74 Shn - 0, 21925 Dijon Parc Des Expositions Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+ notes

1667. 09/18/74 Shn - 0, 3398 Dijon Parc Des Expositions SBD> MR> ?> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding By Jeff M.; Phil & Ned and Encore are missing notes

1668. 09/20/74 Flac - 0, 131529 Paris Palais Des Sports flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1669. 09/20/74 Shn - 0, 5648 Paris Palais Des Sports SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns) notes

1670. 09/20/74 Flac 16/44 - , 154273 Paris Palais Des Sports flac1644; 1st Set; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021 notes

1671. 09/21/74 Flac - 0, 30654 Paris Palais Des Sports flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller notes

1672. 09/21/74 Flac - 0, 131530 Paris Palais Des Sports flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1673. 09/21/74 Shn - 0, 5649 Paris Palais Des Sports sets 2,3; SBD > master reel > reel to reel > DAT > CD > SoundForge > CD, plus patches; see info file for fixes and flaws; d2 tracked for 80 min; to a tree?; reportedly runs a bit fast; includes 1/24/69 filler notes

1674. 10/16/74 Flac 16 - 0, 90145 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller notes

1675. 10/16/74 Flac 16 Mtx - 0, 131539 San Francisco Winterland Arena flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:90145) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC and Audience (shnid:107036) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120; Analog Lineage: Sony ECM 250 >> Sony 110 (mono) >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga notes

1676. 10/16/74 Flac 16 - 0, 88180 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller notes

1677. 10/16/74 Flac 16 - 0, 88251 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller notes

1678. 10/16/74 Shn - 0, 12577 San Francisco Winterland Arena Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman notes

1679. 10/16/74 Shn - 0, 222 San Francisco Winterland Arena SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate notes

1680. 10/16/74 Flac 24/96 - 0, 137664 San Francisco Winterland Arena flac24; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick notes

1681. 10/16/74 Flac 16 - 0, 147663 San Francisco Winterland Arena flac16; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick notes

1682. 10/16/74 Flac 16 - 0, 107036 San Francisco Winterland Arena b>flac16; Sony ECM 250 >> Sony 110 (mono) >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga notes

1683. 10/17/74 Flac 16 - 0, 99031 San Francisco Winterland Arena flac16; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData notes

1684. 10/17/74 Flac 24/96 - 0, 99032 San Francisco Winterland Arena flac24; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData notes

1685. 10/17/74 Shn - 0, 10360 San Francisco Winterland Arena MSR>DAT>CDR; Seeded to etree by Carl Royer notes

1686. 10/17/74 Shn - 0, 16189 San Francisco Winterland Arena MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon notes

1687. 10/17/74 Flac 24/96 - 0, 137630 San Francisco Winterland Arena flac24; Partial Set 1 & 2 Source: Room mics * > Master Audience Reel > Reel From The Debbie Stash; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick notes

1688. 10/17/74 Flac 16/48 - 0, 140588 San Francisco Winterland Arena flac16/48kHz; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT notes

1689. 10/18/74 Flac - 0, 110771 San Francisco Winterland Arena flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1690. 10/18/74 Flac - 0, 110515 San Francisco Winterland Arena flac16; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell notes

1691. 10/18/74 Flac 24 - 0, 111459 San Francisco Winterland Arena flac24; Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011 notes

1692. 10/18/74 Shn - 0, 22796 San Francisco Winterland Arena Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+ notes

1693. 10/18/74 Shn - 0, 21785 San Francisco Winterland Arena Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller notes

1694. 10/18/74 Flac 24 - 0, 110558 San Francisco Winterland Arena flac24; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell notes

1695. 10/18/74 Shn - 0, 21213 San Francisco Winterland Arena SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN. SHN'd By Charlie Miller notes

1696. 10/18/74 Shn - 0, 225 San Francisco Winterland Arena set 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- go buy it; see public commnets for flaw note on d2t5 notes

1697. 10/18/74 Shn - 0, 5436 San Francisco Winterland Arena sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive notes

1698. 10/18/74 Shn - 0, 34950 San Francisco Winterland Arena Recording Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN All Transfers Done By Charlie Miller notes

1699. 10/19/74 Shn - 0, 221927 San Francisco Winterland Arena Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04 notes

1700. 10/19/74 Flac 24 - 0, 116341 San Francisco Winterland Arena flac24; Lineage:16 track "truck monitor mix">2 track mixdown reel(Garcia's)>R @ 3 3/4 ips.>FLAC
Transferred by: Matt Smith notes

1701. 10/19/74 Flac 24 - 0, 112531 San Francisco Winterland Arena flac24; 24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley; notes

1702. 10/19/74 Flac 24 - 0, 131694 San Francisco Winterland Arena flac24; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips. > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith notes

1703. 10/19/74 Flac 16 - 0, 131704 San Francisco Winterland Arena flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith notes

1704. 10/19/74 Flac 16 - 0, 112791 San Francisco Winterland Arena flac16; reel > cass recorded by Owsley Stanley
cass > 24bit/88.2kHz by Blackwood/Waddell
dithered/tracked by SteveSw
notes

1705. 10/19/74 Flac 24 - 0, 116170 San Francisco Winterland Arena flac24; SBD Reel > cass Recorded by the Immortal Owsley Stanley; cass > 24bit/88.2kHz WAV by Blackwood/Waddell; WAV (shnid 112531) > CD Wave (remove "dead air" and split tracks) > FLAC (24/88) by Tim Keeler notes

1706. 10/19/74 Shn - 0, 227 San Francisco Winterland Arena SBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- go buy it notes

1707. 10/19/74 Shn - 0, 228 San Francisco Winterland Arena SBD; via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for flaw notes notes

1708. 10/19/74 Flac 16 - 0, 139578 San Francisco Winterland Arena flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick notes

1709. 10/19/74 Flac 16 - 0, 140626 San Francisco Winterland Arena flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; This is a fixed version of source ID 139578 notes

1710. 10/19/74 Flac 16/44 - 0, 152593 San Francisco Winterland Arena flac1644; Source: Unknown AUD from the collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021 notes

1711. 10/20/74 Flac - 0, 84851 San Francisco Winterland Arena flac16; SBD>7" 1/2 track 7 1/2 IPS MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac notes

1712. 10/20/74 Flac - 0, 97193 San Francisco Winterland Arena flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH notes

1713. 10/20/74 Flac - 0, 132113 San Francisco Winterland Arena flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith notes

1714. 01/??/75 Flac - 0, 137598 Mill Valley Ace's flac16; Source: Studio Reel - Bob Gurman's TDK LX 35/90B @7.5ips; Lineage: Studio Master Reel -> ?-> Reel @7.5ips (TEAC A-4010 SL playback)-> Lexicon Lambda-> Logic 24/96 AIFF -> wav conversion to 16bit-44.1k-> xAct -> flac notes

1715. 02/28/75 Flac 16 - 0, 93779 Mill Valley Bob Weir's Studio flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC notes

1716. 03/17/75 Flac & Shn - 0, 10111 Mill Valley Ace's SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon notes

1717. 03/17/75 Flac 16 - 0, 145773 Mill Valley Ace's flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes

1718. 03/21/75 Shn - 0, 14288 Mill Valley Ace's studio SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation notes

1719. 03/23/75 Flac 16 - 0, 110126 San Francisco Kezar Stadium flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1720. 03/23/75 Flac 24/96 - 0, 126296 San Francisco Kezar Stadium flac24; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes

1721. 03/23/75 Flac 16 - 0, 94026 San Francisco Kezar Stadium flac16; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Pat Lee)* > CD. Reel to reel transfer by Taper Pat - (R copied @ 7.5 ips using a Revox A-77>A-77) --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH) notes

1722. 03/23/75 Shn - 0, 32539 San Francisco Kezar Stadium SBD>Pre-FM SBD MR>DAT>Digi-Remaster>CD>CD>EAC>MKW>SHN notes

1723. 03/23/75 Shn - 0, 13585 San Francisco Kezar Stadium SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36 notes

1724. 03/23/75 Shn - 0, 32299 San Francisco Kezar Stadium Source: FM > ??? > WAV > SHN
"Originally part of gd1991-03-31 on gdlive.com." notes

1725. 03/23/75 Flac - 0, 18525 San Francisco Kezar Stadium Unknown SBD Note: This is disc 1 of a 5 disc set containing all of the sets from the 3/23/1975 SNACK Benefit. Other artists were Tower of Power, Santana, Doobie Brothers, Jefferson Starship, Joan Baez and, finally, Neil Young, Bob Dylan & The Band. notes

1726. 03/26/75 Shn - 0, 14289 Mill Valley Ace's Studio rehearsals; sbd> ?> PCM> SEK'D Prodif96Pro> wav> SHN; 1-disc portion of 6 discs seeded to abgd, with seeking reshn on t1,2 by terrapinstation notes

1727. 03/26/75 Flac 16 - 0, 145774 Mill Valley Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes

1728. 03/??/75 Shn - 0, 4231 Unknown Studio (Blues for Allah Outtakes) iberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus notes

1729. 03/??/75 Flac 16 - 0, 145786 Mill Valley Bob Weir's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes

1730. 04/02/75 Shn - 0, 14290 Mill Valley Ace's Studio ehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree notes

1731. 04/02/75 Flac 16 - 0, 145775 Mill Valley Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes

1732. 04/17/75 Shn - 0, 14291 Mill Valley Ace's Studio rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation notes

1733. 04/17/75 Flac 16 - 0, 122863 Mill Valley Ace's Studio flac16; Straight from my reel to reel masters notes

1734. 06/03/75 Flac 16 - 0, 145776 Mill Valley Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes

1735. 06/04/75 Flac 16 - 0, 145777 Mill Valley Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes

1736. 06/05/75 Shn - 0, 14292 San Rafael Club Front rehearsals; SBD: 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN; SBEs fixed (with shntool), files renamed, re-shn'ed, text file created by terrapinstation notes

1737. 06/05/75 Shn - 0, 21936 San Rafael Club Front rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute notes

1738. 06/05/75 Flac 16 - 0, 145778 San Rafael Club Front flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes

1739. 06/07/75 Flac 16 - 0, 94427 Mill Valley Bob Weir's Studio flac16; "Blues Ruffs" : SBD MR > R > Rs > CD * > EAC > WAV > FLAC via Matt Smit notes

1740. 06/17/75 Flac 16 - 0, 97077 San Francisco Winterland Arena flac16; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033 notes

1741. 06/17/75 Flac 16 Mtx - 0, 29465 San Francisco Winterland Arena flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell. notes

1742. 06/17/75 Flac 16 - 0, 96125 San Francisco Winterland Arena flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station notes

1743. 06/17/75 Flac 24/96 - 0, 97078 San Francisco Winterland Arena flac24; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033 notes

1744. 06/17/75 Flac 16 Mtx - 0, 96148 San Francisco Winterland Arena flac16; Matrix 2 Source Mix - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and matrix mixing by Kevin Tobin notes

1745. 06/17/75 Flac 16 - 0, 97079 San Francisco Winterland Arena flac16; MTX 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033 and flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station notes

1746. 06/17/75 Shn - 0, 20084 San Francisco Winterland Arena sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus notes

1747. 06/17/75 Shn Dts 5.1 - 0, 96162 San Francisco Winterland Arena DTS-Audio-CD 5.1 Mix; - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and dts encoding by Kevin Tobin notes

1748. 06/17/75 Shn - 0, 233 San Francisco Winterland Arena AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson notes

1749. 06/17/75 Flac 16 - 0, 143102 San Francisco Winterland Arena flac16; Source: Sony ECM-280's > Sony TC-152SD > Cass master > reel > dat (44.1) - Recorded by Rob Bertrando from the floor, about 30-35' back, just to the left of dead center Provided by Tim Dalton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; fixed version of source ID 143100 notes

1750. 06/17/75 Flac 16 - 0, 145779 San Francisco Winterland Arena flac16; Partial Set 1 Source: Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes

1751. 06/17/75 Flac 16 - 0, 87560 San Francisco Winterland Arena flac16; Sony ECM-280's > Sony TC-152SD playback on Nak Dragon > Sony PCM 601ES > Beta Beta > Sony R500 DAT >HHb-850 CDR Pitch correction and slight EQ in Audacity notes

1752. 07/07/75 Shn - 0, 14293 Mill Valley Ace's Studio sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree notes

1753. 07/07/75 Flac 16 - 0, 145780 Mill Valley Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes

1754. 07/23/75 Flac 16 - 0, 140800 San Rafael Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac notes

1755. 07/24/75 Flac 16 - 0, 140801 San Rafael Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac notes

1756. 08/13/75 Shn - 0, 23661 San Francisco Great American Music Hall Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon notes

1757. 08/13/75 Shn - 0, 18512 San Francisco Great American Music Hall FM Source: SBD>FM>MC>DAT>WAV>SHN SBD Source: MSR>R(2)>C>DAT>WAV>SHN With full intro and tunings- these are missing from the OFTV release. notes

1758. 08/13/75 Flac 16/44 - , 155570 San Francisco Great American Music Hall flac16/44 (Bootleg Tape - from FM broadcast - 9/1/75) via Brian Flegel notes

1759. 09/01/75 Flac 16 - 0, 140813 San Rafael Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac notes

1760. 09/16/75 Flac 16 - 0, 140795 San Rafael Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac notes

1761. 09/28/75 Flac 16 Mtx - 0, 102155 San Francisco Lindley Meadows, Golden Gate Park flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC16) notes

1762. 09/28/75 Shn - 0, 236 San Francisco Lindley Meadows, Golden Gate Park Source: ?? > Turtle Tree > CD > SHN; via B. Beggs; note some confusion on this etreed material, needs sorting out notes

1763. 09/28/75 Shn - 0, 22257 San Francisco Lindley Meadows, Golden Gate Park Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A notes

1764. 09/28/75 Shn - 0, 9392 San Francisco Lindley Meadows, Golden Gate Park SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink notes

1765. 09/28/75 Flac 24/96 - 0, 91770 San Francisco Lindley Meadows, Golden Gate Park flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UD 120 Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga notes

1766. 09/28/75 Shn - 0, 2562 San Francisco Lindley Meadows, Golden Gate Park sbd> reel (mic mix)> DAT> CD; via Mike Lai; modified info file courtesy Dave Laesser; note TLEO not included notes

1767. 09/28/75 Flac 16 - 0, 86250 San Francisco Lindley Meadows, Golden Gate Park flac16; Source: On Stage Mic's (BY Band) > ? > Dat @ 44.1 Transfer: Fostex D5 > Zoltrix > Sf 6.0 (fades,normalized,patches) > Cd Wave > Flac 16/44.1 notes

1768. 09/28/75 Flac 16 - 0, 91769 San Francisco Lindley Meadows, Golden Gate Park flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UD 120 Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga Transfer By: Bob Menke Mastering By: Derek McCabe notes

1769. ??/??/75 Flac 16 - 0, 151654 Mill Valley Ace's Studio flac16 Studio Recording-> ?-> Cassette Maxell UDXL2 C90 with Dolby B (playback on Nakamichi Dragon with Dolby B)-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac notes

1770. ??/??/75 - , 163701 Mill Valley Ace's Studio flac1648 Soundboard > Cassette > DVD > WAV > FLAC. This is a sampler from cassettes made by Steve Brown for Jerry Garcia to listen to after the sessions. Tape courtesy of JGMF. notes

1771. 04/20/76 Flac 16 - 0, 141357 Novato Mickey's Barn flac16; Source Info: Soundboard > ? > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

1772. 05/28/76 Flac - 0, 82947 San Francisco Orpheum Theatre flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details) notes

1773. 05/28/76 Shn - 0, 9769 San Francisco Orpheum Theatre Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon notes

1774. 06/03/76 Flac Mtx. - 0, 91912 Portland Paramount Theatre MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008 notes

1775. 06/03/76 Flac 16 - 0, 123507 Portland Paramount Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes

1776. 06/03/76 Flac 16 Mtx - 0, 123898 Portland Paramount Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging) notes

1777. 06/03/76 Shn - 0, 17266 Portland Paramount Theatre Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation notes

1778. 06/03/76 Shn - 0, 20004 Portland Paramount Theatre SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included. notes

1779. 06/03/76 Shn - 0, 7825 Portland Paramount Theatre Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003] notes

1780. 06/03/76 Shn - 0, 86745 Portland Paramount Theatre SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07) notes

1781. 06/03/76 Shn - 0, 7719 Portland Paramount Theatre SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation notes

1782. 06/03/76 Flac 16 - 0, 123464 Portland Paramount Theatre flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller notes

1783. 06/03/76 Shn - 0, 7555 Portland Paramount Theatre last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive notes

1784. 06/03/76 Flac 16 - 0, 99910 Portland Paramount Theatre flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac notes

1785. 06/03/76 Flac 16 - 0, 138643 Portland Paramount Theatre flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel" notes

1786. 06/03/76 Flac 24/96 - 0, 123608 Portland Paramount Theatre flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes

1787. 06/03/76 Shn - 0, 14263 Portland Paramount Theatre AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on notes

1788. 06/03/76 Flac 24/96 - 0, 148568 Portland Paramount Theatre flac24; Source Info: Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes

1789. 06/03/76 Flac 16/48 - 0, 148567 Portland Paramount Theatre flac16/48kHz; Source Info: Pat Lee's Master (FOB) Audience Cassettes; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

1790. 06/04/76 Shn - 0, 9797 Portland Paramount Theatre SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman notes

1791. 06/04/76 Shn - 0, 8034 Portland Paramount Theatre unknown aud > ? > DAT; via Dale Shepherd; Seeded to etree by Matt Vernon notes

1792. 06/04/76 Flac 16 - 0, 99872 Portland Paramount Theatre flac16; unknown equipment/taper; source: aud 1st gen reel; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac notes

1793. 06/04/76 Flac 16 - 0, 143136 Portland Paramount Theatre flac16; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller this files is 16 bit @ 44.1 notes

1794. 06/04/76 Flac 24 - 0, 143064 Portland Paramount Theatre flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes

1795. 06/04/76 Flac 16/48 - , 153709 Portland Paramount Theatre flac16/48 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 notes

1796. 06/04/76 Flac 24/96 - , 153710 Portland Paramount Theatre flac24/96 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 notes

1797. 06/09/76 Flac 16 - 0, 95399 Boston Boston Music Hall flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1798. 06/09/76 Flac 16 Mtx - 0, 29323 Boston Boston Music Hall flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell notes

1799. 06/09/76 Shn - 0, 5982 Boston Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes. notes

1800. 06/09/76 Shn - 0, 5426 Boston Boston Music Hall set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs notes

1801. 06/09/76 Shn - 0, 12382 Boston Boston Music Hall set 1 SBD>MR>R>D>CD>EAC>SHN with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman notes

1802. 06/09/76 Flac 16 - 0, 99064 Boston Boston Music Hall flac16; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger notes

1803. 06/09/76 Flac 24/48 - 0, 99063 Boston Boston Music Hall flac24; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger notes

1804. 06/09/76 Shn - 0, 12207 Boston Boston Music Hall set 2; SBD> RM> DAT> sonic solutions> CDR, with Beginning of "St. Stephen" spliced in from unknown audience source; Extracted with Toast Audio Extractor & Plexwriter 4/12 and converted to SHN; via Art Cohen notes

1805. 06/09/76 Flac 24/48 - 0, 152189 Boston Boston Music Hall flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK SD C90 & C120 (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021 notes

1806. 06/09/76 Flac 16 Mtx - , 156991 Boston Boston Music Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95399 & 99064. notes

1807. 06/10/76 Shn - 0, 14264 Boston Boston Music Hall SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN vai Charlie Miller notes

1808. 06/10/76 Flac 16 - 0, 82921 Boston Boston Music Hall flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell notes

1809. 06/10/76 Flac 16 Mtx - 0, 84985 Boston Boston Music Hall flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin notes

1810. 06/10/76 Shn - 0, 23370 Boston Boston Music Hall Bertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN notes

1811. 06/10/76 Shn - 0, 18426 Boston Boston Music Hall Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches. notes

1812. 06/10/76 Shn - 0, 18425 Boston Boston Music Hall Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches. notes

1813. 06/10/76 Shn - 0, 5918 Boston Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. notes

1814. 06/10/76 Flac Dts 5.1 - 0, 85004 Boston Boston Music Hall DTS Audio 5.1; SBD (shnid 82891) SBD Master Reel -> PCM -> Dat (44.1k) + AUD shnid 18425 Recorded by Jerry Moore; AKG 200Es> Sony TC-153 - dts mixing by Kevin Tobin notes

1815. 06/10/76 Flac 16 - 0, 141690 Boston Boston Music Hall flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes

1816. 06/10/76 Flac 24/96 - 0, 143ßß3 Boston Boston Music Hall flac24; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018 notes

1817. 06/10/76 Shn - 0, 237 Boston Boston Music Hall ??? > CD > EAC > SHN; via S. Dunahee, W. Stube; known flaws: clicks removed with SF: d1 2:41.707, d2 43:50.421; cut 10 seconds of silence/weird static in d1t01 starting 7:36; d/o's d1t03 2:13-2:24, d1t07 9:38-9:46, d/o into staticky fade in d2t04 5:06-5:10; upgrade in circulation notes

1818. 06/10/76 Flac 16 - 0, 145134 Boston Boston Music Hall flac16; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018; This file set is 16 bit @ 44.1 notes

1819. 06/11/76 Flac 16 Mtx - 0, 118256 Boston Boston Music Hall flac16; Matrix of SBD (shnid=22803) and AUD (shnid=18387) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes

1820. 06/11/76 Shn - 0, 22803 Boston Boston Music Hall SBD of unknown lineage, claims to be an A+ improvement over previous SBDs in circulation. Available at www.gdlive.com notes

1821. 06/11/76 Shn - 0, 18387 Boston Boston Music Hall Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches notes

1822. 06/11/76 Shn - 0, 5919 Boston Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. notes

1823. 06/11/76 Shn - 0, 238 Boston Boston Music Hall SBD> ?> liberated bootleg; via Alan McCarty notes

1824. 06/11/76 Shn - 0, 7824 Boston Boston Music Hall MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates] notes

1825. 06/11/76 Flac 16 - 0, 141709 Boston Boston Music Hall flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed numerous flaws from previous source notes

1826. 06/12/76 Flac - 0, 100328 Boston Boston Music Hall flac16; Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape; lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96>hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09 notes

1827. 06/12/76 Shn - 0, 5556 Boston Boston Music Hall SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file notes

1828. 06/12/76 Flac - 0, 110456 Boston Boston Music Hall flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger notes

1829. 06/12/76 Flac - 0, 132933 Boston Boston Music Hall flac16; Matrix Mix of Shnid 100328 (FM) and Shnid 110456 (AUD) notes

1830. 06/12/76 Shn - 0, 5983 Boston Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min. notes

1831. 06/12/76 Flac - 0, 111783 Boston Boston Music Hall flac16; Recording Info: Stereo Microphone -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes

1832. 06/14/76 Flac - 0, 82308 New York Beacon Theatre flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell notes

1833. 06/14/76 Flac Mtx - 0, 128772 New York Beacon Theatre flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:82308) Betty Board MR > PCM > DAT; Transfer: SBD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect and Audience (shnid:10917) Source: Sony TC 153 Sony SCM 99A Mikes > Cassette x 2 > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw notes

1834. 06/14/76 Shn - 0, 240 New York Beacon Theatre SBD Reels> D> CD-R ; via Leigh Orf; caution: d2 t2,4 may be switched?; note md5s here were submitted 7/2001, not sure if originals- see pub comments; upgrade in circulation notes

1835. 06/14/76 Shn - 0, 10917 New York Beacon Theatre Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon notes

1836. 06/14/76 Shn - 0, 22804 New York Beacon Theatre S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2 notes

1837. 06/14/76 Flac - 0, 78443 New York Beacon Theatre flac16; Set 2 only - source: betty > pcm x 2 > dat conversion: - M-1 > 7-pin optical > Co2 > SB Live - CDwav Record and Index - FLAC - ShnTool notes

1838. 06/14/76 Flac 16 - 0, 143026 New York Beacon Theatre flac16; Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 notes

1839. 06/15/76 Flac 16 - 0, 96088 New York Beacon Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky notes

1840. 06/15/76 Flac 16 - 0, 110148 New York Beacon Theatre flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1841. 06/15/76 Flac 16 Mtx - 0, 130335 New York Beacon Theatre flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw notes

1842. 06/15/76 Flac 16 - 0, 96088 New York Beacon Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky notes

1843. 06/15/76 Shn - 0, 10307 New York Beacon Theatre Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon notes

1844. 06/15/76 Shn - 0, 241 New York Beacon Theatre SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes notes

1845. 06/15/76 Shn - 0, 8323 New York Beacon Theatre SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG notes

1846. 06/15/76 Shn - 0, 8732 New York Beacon Theatre Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD notes

1847. 06/15/76 Flac 16 - 0, 143119 New York Beacon Theatre flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 notes

1848. 06/17/76 Flac Mtx - 0, 91861 Passaic Capitol Theater MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN) notes

1849. 06/17/76 Flac Mtx - 0, 123027 Passaic Capitol Theater flac16; Partial 3 song Matrix by Hunter Seamons; Soundboard recording by Betty Cantor-Jackson; Audience recording transferred by Dale Shepherd; note: The seeder's comments indicate that this is a different transfer than his previous matrix source notes

1850. 06/17/76 Flac - 0, 80739 Passaic Capitol Theater flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

1851. 06/17/76 Shn - 0, 10178 Passaic Capitol Theater Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon notes

1852. 06/18/76 Shn - 0, 13052 Passaic Capitol Theater Aud3> CDR> EAC> Pristine Sounds NR> SHN; SHN'd and seeded by Seth Jackson to abgd notes

1853. 06/18/76 Shn - 0, 14449 Passaic Capitol Theater Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon notes

1854. 06/18/76 Shn - 0, 9796 Passaic Capitol Theater AUDCM>C>DAT>CDR; via Raoul Duke and Dave Minor; Seeded to etree by Matt Vernon; upgrade in circulation notes

1855. 06/18/76 Flac 16 - 0, 92266 Passaic Capitol Theater flac16; Recording Info: SBD -> Master Reel Transfer Info: Apogee AD500 -> DAT -> Samplitude -> CD -> FLAC; All Transfers and Mastering By Charlie Miller (Download Series outtakes) notes

1856. 06/18/76 Flac 24/96 - , 155902 Passaic Capitol Theater flac2496 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes

1857. 06/19/76 Flac - 0, 10186 Passaic Capitol Theater PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
notes

1858. 06/19/76 Flac 16 - 0, 111852 Passaic Capitol Theater flac16; Recording Info:SBD -> Master Cassette (Nakamichi 550); Transfer Info:Master Cassette (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info:AIFF -> Samplitude Professional v10.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes

1859. 06/19/76 Flac 16 Mtx - 0, 121140 Passaic Capitol Theater flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes

1860. 06/19/76 Shn - 0, 23024 Passaic Capitol Theater Source: FM>MC>DAT>WAV>SHN via Cousinit notes

1861. 06/19/76 Flac 16 - 0, 111875 Passaic Capitol Theater flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes

1862. 06/19/76 Shn - 0, 12077 Passaic Capitol Theater PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder notes

1863. 06/19/76 Flac 16 - 0, 143174 Passaic Capitol Theater flac16; Source: Pre-FM Master Reel (WNEW) > PCM > DAT (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave >Flac 16; edited and mastered SIRMick September 2018 notes

1864. 06/19/76 Flac 24/96 - 0, 143275 Passaic Capitol Theater flac24; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018 notes

1865. 06/19/76 Flac 16 - 0, 145155 Passaic Capitol Theater flac16; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44. notes

1866. 06/21/76 Flac 16 - 0, 112191 Upper Darby The Tower Theatre flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation notes

1867. 06/21/76 Flac16 Mtx - 0, 121045 Upper Darby The Tower Theatre flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes

1868. 06/21/76 Flac 16 - 0, 124828 Upper Darby The Tower Theatre flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; This is a cleaned up version of source ID 112191 notes

1869. 06/21/76 Shn - 0, 6679 Upper Darby The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson notes

1870. 06/21/76 Flac 16 - 0, 112171 Upper Darby The Tower Theatre flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation notes

1871. 06/21/76 Flac 16 - 0, 112162 Upper Darby The Tower Theatre flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes

1872. 06/22/76 Flac 16 - 0, 112218 Upper Darby The Tower Theatre flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1873. 06/22/76 Flac 16 Mtx - 0, 112900 Upper Darby The Tower Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes

1874. 06/22/76 Flac 16 - 0, 99093 Upper Darby The Tower Theatre flac16; Source: audience 1st generation reel; AKG D1000es>sony tc-152sd cassette Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches notes

1875. 06/22/76 Flac 16 - 0, 112789 Upper Darby The Tower Theatre flac16; Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes

1876. 06/22/76 Shn - 0, 6680 Upper Darby The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson notes

1877. 06/23/76 Flac - 0, 95321 Upper Darby The Tower Theatre flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1878. 06/23/76 Shn - 0, 15534 Upper Darby The Tower Theatre AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon notes

1879. 06/23/76 Shn - 0, 6681 Upper Darby The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min notes

1880. 06/24/76 Flac Mtx - 0, 87163 Upper Darby The Tower Theatre flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin notes

1881. 06/24/76 Shn - 0, 25478 Upper Darby The Tower Theatre Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004 notes

1882. 06/24/76 Shn - 0, 26290 Upper Darby The Tower Theatre flac16; Pitch corrected version of shn id 6682 - Shure mics> Sony TC-152 master cassette > dat's > cdr's; fixed by ktobin notes

1883. 06/24/76 Shn - 0, 6682 Upper Darby The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min notes

1884. 06/24/76 Flac - 0, 135606 Upper Darby The Tower Theatre flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:011937) set 1, WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN; Soundboard 2(Shnid:14498) set 2, Source: SBD>MR>DAT>CDR, Conversion/Edit/Seeded to Etree by T. Wiley 01/14/2003; Audience (Shnid:76290), Source: [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact,eac, Cool Edit's, shns done by mvernon54@attbi.com,- Mixed by kevtobin@yahoo.com notes

1885. 06/24/76 Shn - 0, 14498 Upper Darby The Tower Theatre Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley notes

1886. 06/24/76 Flac Dts 5.1 - 0, 76286 Upper Darby The Tower Theatre DTS Audio 5.1 Mix; SBD:(Set 1)WMMR FM Broadcast > RTR > DAT > CD-R & (Set 2)SBD>MR>DAT>CDR; AUD:Shure mics> Sony TC-152 master cassette > dat's > cdr's ; mixed by ktobin notes

1887. 06/24/76 Shn - 0, 11937 Upper Darby The Tower Theatre WMMR FM Broadcast > RTR > DAT > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus notes

1888. 06/24/76 Flac - 0, 112290 Upper Darby The Tower Theatre flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; All Mastering By Charlie Miller notes

1889. 06/24/76 Flac - 0, 140031 Upper Darby The Tower Theatre flac16; Source: Soundboard > Nakamichi 350 > Cassette Master > Dat (44k); Transfer: Master Cassette > Nakamichi CR-7A > Apogee Ensemble > Peak > AIFF - Transferred By Digitalrbb; Lineage : AIFF > Samplitude Professional v10.1 > FLAC > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 notes

1890. 06/26/76 Flac 16 - 0, 95306 Chicago Auditorium Theatre flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1891. 06/26/76 Shn - 0, 7340 Chicago Auditorium Theatre Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon notes

1892. 06/26/76 Flac 16 - 0, 112790 Chicago Auditorium Theatre flac16; Set 2, Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes

1893. 06/26/76 Flac 16 - 0, 147302 Chicago Auditorium Theatre flac16; 2nd set; Source: Lo-fi mono AUD of unknown lineage > ? > cassette. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 notes

1894. 06/26/76 Flac 24/48 - , 156062 Chicago Auditorium Theatre flac2448 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes

1895. 06/27/76 Flac - 0, 112295 Chicago Auditorium Theatre flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller notes

1896. 06/27/76 Flac Mtx - 0, 123462 Chicago Auditorium Theatre flac16; 2 source matrix: Soundboard (shnid:112295) Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:98796) Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips); 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 notes

1897. 06/27/76 Shn - 0, 7341 Chicago Auditorium Theatre aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon notes

1898. 06/27/76 Flac - 0, 98796 Chicago Auditorium Theatre flac16; Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches Thanks to Joe B. Jones for pitch correction notes

1899. 06/28/76 Flac 16 Mtx - 0, 112676 Chicago Auditorium Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes

1900. 06/28/76 Flac 16 - 0, 112296 Chicago Auditorium Theatre flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller notes

1901. 06/28/76 Flac 16 - 0, 112417 Chicago Auditorium Theatre flac16;Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller notes

1902. 06/28/76 Shn - 0, 18388 Chicago Auditorium Theatre Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches. notes

1903. 06/28/76 Shn - 0, 9776 Chicago Auditorium Theatre AUDMR > ? > DAT > SHN with patches from the Weiner seed; See info file for details; via Dale Shepherd; Seeded to etree by Matt Vernon notes

1904. 06/29/76 Flac 16 - 0, 113556 Chicago Auditorium Theatre flac16; Set 2 Recording Info: SBD -> Cassette Master (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes

1905. 06/29/76 Flac 16 Mtx - 0, 112458 Chicago Auditorium Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes

1906. 06/29/76 Shn - 0, 2594 Chicago Auditorium Theatre CD (Left In The Vaults Vol. 1) -> EAC-> SHN; liberated bootleg?; note all tracks are labelled as 10/29/77, but this date is 6/29/76, as marked within info file; noted 1/01 at gdlive notes

1907. 06/29/76 Flac 16 - 0, 31144 Chicago Auditorium Theatre flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 notes

1908. 06/29/76 Flac 16 - 0, 112407 Chicago Auditorium Theatre flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller notes

1909. 06/29/76 Shn - 0, 1812 Chicago Auditorium Theatre 7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness notes

1910. 06/29/76 Flac 16 - 0, 139633 Chicago Auditorium Theatre flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM > DAT; Transfer Info: DAT(Sony PCM-R500)-> Tascam DA-3000-> Adobe Audition-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston notes

1911. 06/29/76 Flac 16 - 0, 149860 Chicago Auditorium Theatre flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 notes

1912. 07/12/76 Shn - 0, 10362 San Francisco Orpheum Theatre ncludes Soundcheck; Soundcheck, SBD>VHS Master>DAT>CDR; Disc 1 SBD>MR>R>R>R>DAT>CDR; Disc 2 SBD>MR>DAT>Sonic Solutions>CDR; Disc 3 SBD>MR>DAT>Sonic Solutions>CDR; notes

1913. 07/12/76 Flac 16 - 0, 123474 San Francisco Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller notes

1914. 07/12/76 Shn - 0, 18508 San Francisco Orpheum Theatre Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. notes

1915. 07/12/76 Flac 16 - 0, 113813 San Francisco Orpheum Theatre flac16; Sony ECM 270's => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes

1916. 07/12/76 Shn - 0, 7771 San Francisco Orpheum Theatre Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree notes

1917. 07/12/76 Flac 16 - 0, 150658 San Francisco Orpheum Theatre flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC, This file set is 16 bit @ 44.1 notes

1918. 07/13/76 Shn - 0, 18480 San Francisco Orpheum Theatre MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon notes

1919. 07/13/76 Shn - 0, 9978 San Francisco Orpheum Theatre ay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA notes

1920. 07/13/76 Flac 16 - 0, 123475 San Francisco Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller notes

1921. 07/13/76 Shn - 0, 18427 San Francisco Orpheum Theatre Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. notes

1922. 07/13/76 Flac 16 - 0, 150754 San Francisco Orpheum Theatre flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k), This file set is 16 bit @ 44.1; the original version has a dropout in s1t05 notes

1923. 07/13/76 Flac 24/96 - 0, 150753 San Francisco Orpheum Theatre flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; the original version has a dropout in s1t05 notes

1924. 07/13/76 Flac 24/96 - 0, 150847 San Francisco Orpheum Theatre flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller; This is from a different source tape than source ID 150753 notes

1925. 07/13/76 Flac 16/44 - 0, 152157 San Francisco Orpheum Theatre flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - 150867 24 -> 16 @ 44.1 notes

1926. 07/13/76 Flac 16/44 - 0, 152150 San Francisco Orpheum Theatre flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller - 150847 24 -> 16 @ 44.1 notes

1927. 07/14/76 Shn - 0, 18594 San Francisco Orpheum Theatre SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon notes

1928. 07/14/76 Shn - 0, 18159 San Francisco Orpheum Theatre MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon. notes

1929. 07/14/76 Flac 16 - 0, 123476 San Francisco Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller notes

1930. 07/14/76 Shn - 0, 11938 San Francisco Orpheum Theatre SBD MR > ??? > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus; upgrade in circulation notes

1931. 07/14/76 Flac 24/96 - , 153042 San Francisco Orpheum Theatre SBD > Cassette Master > Cassette (Maxell UD/Dolby B)
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 notes

1932. 07/14/76 Flac 16/44 - , 154388 San Francisco Orpheum Theatre flac1644; SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - This is 153042 2448 > 1644 notes

1933. 07/16/76 Flac 16 Mtx - 0, 28042 San Francisco Orpheum Theatre flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan notes

1934. 07/16/76 Shn - 0, 27488 San Francisco Orpheum Theatre Bertha remaster of Set 2 of Charlie Miller's seed; SBD> MR> DAT> SHN> DAW(Bertha)> CDA/SHN; note parens in filenames notes

1935. 07/16/76 Flac Dts 5.1 - 0, 30698 San Francisco Orpheum Theatre Set 2 DTS-Audio-CD 5.1 Mix via Dan notes

1936. 07/16/76 Shn - 0, 23569 San Francisco Orpheum Theatre Set 1 Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Dat -> CD -> EAC -> SHN (Recorded by Bob Menke)Same md5's as prior seed; Set 2 Recording Info: SBD -> Master Reel -> Master Dat (44.1k)Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Patched By Charlie Miller; See txt file for patch detail notes

1937. 07/16/76 Flac 16 - 0, 123477 San Francisco Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller notes

1938. 07/16/76 Shn - 0, 16943 San Francisco Orpheum Theatre Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs notes

1939. 07/16/76 Shn - 0, 8666 San Francisco Orpheum Theatre AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT > DAW (Bertha by Jay Ashley) > CD notes

1940. 07/16/76 Shn - 0, 10377 San Francisco Orpheum Theatre Sony ECM 280 Sony TC-152 Cm (update: taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT; via Dave Minor, Dale Shepherd; Seeded to etree by Matt Vernon notes

1941. 07/17/76 Flac 16 Mtx - 0, 95734 San Francisco Orpheum Theatre flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell. notes

1942. 07/17/76 Flac 16 Mtx - 0, 91827 San Francisco Orpheum Theatre flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008) notes

1943. 07/17/76 Shn - 0, 18389 San Francisco Orpheum Theatre Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches notes

1944. 07/17/76 Shn - 0, 243 San Francisco Orpheum Theatre SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker notes

1945. 07/17/76 Shn - 0, 34708 San Francisco Orpheum Theatre Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN) notes

1946. 07/17/76 Flac - 0, 141966 San Francisco Orpheum Theatre flac Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Recorded By Bob Menke All Transfers and Mastering By Charlie Miller notes

1947. 07/18/76 Flac 16 - 0, 107823 San Francisco Orpheum Theatre flac16; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger notes

1948. 07/18/76 Shn - 0, 14838 San Francisco Orpheum Theatre S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. notes

1949. 07/18/76 Flac 24 - 0, 107833 San Francisco Orpheum Theatre flac24; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger notes

1950. 07/18/76 Shn - 0, 244 San Francisco Orpheum Theatre SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut notes

1951. 07/18/76 Flac 16 - 0, 150187 San Francisco Orpheum Theatre flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes

1952. 07/18/76 Flac 16 - 0, 150770 San Francisco Orpheum Theatre flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; This is a remastered version of source ID 150187 (fixes previous issues) notes

1953. 07/18/76 Flac 16/44,1 - 0, 150982 San Francisco Orpheum Theatre flac16/44.1khz --This is a Flying -M- remaster reducing the buzz and hum with iZotope RX8 advanced (Oct. 29, 2020) Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio / 1 DVD FLAC) notes

1954. 08/02/76 Flac 16 - 0, 132697 Hartford Colt Park flac16; Cassette Audience Master recorded By Keith Gatto; Shure SM 94 microphones-Sony TC 152sd Cassette Recorder; Analog to Digital:Cassette Masters played back on Sony TC 152sd-DAT; Transfer by Keith Gatto; DAT-CD JW; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6); CD-WAV-FLAC(dBpoweramp music converter)-Tagging(Tag & Re-name) by Jim Wise notes

1955. 08/02/76 Shn - 0, 245 Hartford Colt Park K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T. OConnell et al; EAC, shn, upload by A. Jerugim notes

1956. 08/02/76 Flac 24/96 - 0, 81971 Hartford Colt Park flac24/96; Taper: E. Singer Source: FOB (mics ??? either Senn441s or AKG ???) Uher CR-134 > Maxell UD-XL1 C90min. Lineage: Transfer: MAC > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak (24/96 WAV) by D.McCabe. Mastering: SIRMick notes

1957. 08/02/76 Flac 16 - 0, 81456 Hartford Colt Park flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick notes

1958. 08/02/76 Flac 24/96 - 0, 141900 Hartford Colt Park flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes

1959. 08/02/76 Flac - 0, 141900 Hartford Colt Park flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; the original files were 16 bit/ 96kHz; please don't circulate those files notes

1960. 08/02/76 Flac 16 - 0, 145157 Hartford Colt Park b>flac16; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; 24 > 16 by Norm notes

1961. 08/02/76 Flac 24/48 - 0, 152092 Hartford Colt Park flac2448 ; Source: Mono Sony hand-held recorder (model unknown) > Memorex MRX-2 C90's (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021 notes

1962. 08/04/76 Flac 16 Mtx - 0, 120684 Jersey City Roosevelt Stadium flac16; 2 source matrix: Soundboard (shnid=99697) lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac transferred & seeded by Rob Berger 6/22/09 and Audience (shnid=12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore Transfer: CDR > EAC (secure) > Cool Edit (minor fixup) > mkwact(seekable) Patch Source (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN (Tape Flips Patched w/(FOB) Shure Mics>Cm>Dat>CD) (parts of set 1 patched from video soundtrack) from Charlie Miller via Patrick Clifford Matrix by dusborne using Sound Forge Pro 10.0 and Audacity 2.0 06-11-2012 notes

1963. 08/04/76 Flac 16 Mtx - 0, 127240 Jersey City Roosevelt Stadium flac16; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin notes

1964. 08/04/76 Flac 16 - 0, 127249 Jersey City Roosevelt Stadium flac16; (original shn 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford - pitch correction and patches by Kevin Tobin notes

1965. 08/04/76 Flac 16 - 0, 35171 Jersey City Roosevelt Stadium flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin notes

1966. 08/04/76 Flac 16 - 0, 99698 Jersey City Roosevelt Stadium flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac notes

1967. 08/04/76 Shn - 0, 12078 Jersey City Roosevelt Stadium Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon notes

1968. 08/04/76 Shn - 0, 12830 Jersey City Roosevelt Stadium SBD> MR> C> D> CD> EAC> SHN; with patches from AUD> MC> D> CD> EAC> SHN; see info file for details; Thanks to Chuck Gannon, Matt Vernon, and David Backus; edits/encoding by JCotsman notes

1969. 08/04/76 Flac Dts 5.1 - 0, 127254 Jersey City Roosevelt Stadium DTS-Audio-CD 5.1 Mix; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin notes

1970. 08/04/76 Flac 24/96 - 0, 99697 Jersey City Roosevelt Stadium flac24; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac notes

1971. 08/04/76 Shn - 0, 6677 Jersey City Roosevelt Stadium MSR-> C-> DAT-> CDR-> EAC-> SHN V.3; via Dave of Terrapin Station FTP; see info file for flaw notes; upgrade in circulation notes

1972. 08/04/76 Flac 16 - 0, 127248 Jersey City Roosevelt Stadium flac16; (original shnid = 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon - pitch correction and patches by Kevin Tobin notes

1973. 08/04/76 Flac 16/48 - 0, 145268 Jersey City Roosevelt Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - surround mixing by Kevin Tobin notes

1974. 08/04/76 Flac 24/48 - 0, 152165 Jersey City Roosevelt Stadium flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021 notes

1975. 08/26/76 Flac 16 - 0, 140993 San Rafael Club Front Studio flac16; source/lineage: studio reel -> ? -> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic Pro -> wav -> xAct -> flac notes

1976. 09/23/76 Shn - 0, 14687 Durham Cameron Indoor Stadium, Duke University Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR. DAE and shn encoding done by D.Backus notes

1977. 09/23/76 Flac - 0, 117651 Durham Cameron Indoor Stadium, Duke University flac16; This is a restored version of shnid=14687. It did not involve an upgrade in the source material.
A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations). notes

1978. 09/24/76 Shn - 0, 16901 Williamsburg College Of William & Mary Hall AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn notes

1979. 09/25/76 Shn - 0, 246 Landover Capital Centre SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20 notes

1980. 09/25/76 Shn - 0, 10511 Landover Capital Centre Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke notes

1981. 09/25/76 Flac 16 - 0, 147662 Landover Capital Centre flac16; AUD; Presumed source: Shure SM-57's > Sony TC-158SD, concert recording by Scott Jones, MAC > C > C (2nd Gen, c.1978) cassettes via Lee Maddex. Transfering: 2007; Maxell XLII-90's > JVC TD-W309 > Tascam CDRW-700 > CDR. 2019: CDR > EAC > Wavelab > CD-Wave > FLAC 1644 tagged. notes

1982. 09/25/76 Flac 24/96 - 0, 148827 Landover Capital Centre flac24; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496 notes

1983. 09/25/76 Flac 16/48 - 0, 148826 Landover Capital Centre flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

1984. 09/27/76 Flac - 0, 87664 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

1985. 09/27/76 Flac Dts - 0, 87665 Rochester Community War Memorial Auditorium flac16; DTS-Audio-CD 5.1 Mix of SBD -> Master Reel -> Dat (48k) (shn id 87664 + AUD Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN (shn id 3821) - Mixed by Kevin Tobin notes

1986. 09/27/76 Shn - 0, 3821 Rochester Community War Memorial Auditorium Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore notes

1987. 09/27/76 Flac Mtx. - 0, 87661 Rochester Community War Memorial Auditorium flac16; Matrix 2 source mix - SBD (shn id 87664): SBD -> Master Reel -> Dat (48k) + AUD: (shn id 3821): Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN - matrix mixing by Kevin Tobin notes

1988. 09/28/76 Shn - 0, 14355 Syracuse Onongada County War Memorial Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon notes

1989. 09/28/76 Shn - 0, 14356 Syracuse Onongada County War Memorial Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon notes

1990. 09/28/76 Flac 16 - 0, 100071 Syracuse Onongada County War Memorial flac16; Set 2 only Source: AUD of unknown lineage, Transfer: TDK SA-90 (c1979) > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew notes

1991. 09/28/76 Shn - 0, 10512 Syracuse Onongada County War Memorial Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke notes

1992. 09/30/76 Shn - 0, 18107 Columbus Mershon Auditorium, Ohio State University Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller notes

1993. 09/30/76 Shn - 0, 30225 Columbus Mershon Auditorium, Ohio State University SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107 notes

1994. 09/30/76 Shn - 0, 11939 Columbus Mershon Auditorium, Ohio State University FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus notes

1995. 09/30/76 Flac Mtx. - 0, 137537 Columbus Mershon Auditorium, Ohio State University flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:030225+018107), Disc 1 & 3 lineage: (30225) SBD > MR > DAT > CD > EAC > SHN, Disc 2 Lineage:(18107) SBD > Rm > Dat > Sonic Solutions>CD > EAC > SHN; Audience (shnid:11939) FOB - AUD master cass > Cass > DAT > CD > EAC > SHN notes

1996. 10/01/76 Flac 16 - 0, 111819 Indianapolis Market Square Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller notes

1997. 10/01/76 Flac 16 - 0, 112800 Indianapolis Market Square Arena flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

1998. 10/01/76 Flac 16 - 0, 84358 Indianapolis Market Square Arena flac16; Source: aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob taped by Jerry Moore Lineage: aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge notes

1999. 10/01/76 Flac 16 - 0, 118468 Indianapolis Market Square Arena flac16; SRC: Unknown AUD (likely FOB) > C; Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC notes

2000. 10/01/76 Flac 24/96 - 0, 118467 Indianapolis Market Square Arena flac24; SRC: Unknown AUD (likely FOB); Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC notes

2001. 10/01/76 Flac 16 Mtx - 0, 137657 Indianapolis Market Square Arena flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:112800), Recording Info: SBD -> Master Reel -> Dat -> CD,Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:118467), SRC: Unknown AUD (likely FOB),Lineage: Nakamichi DR-1 >Tascam HD-P2 > 24 bit/96 khz WAV > FLAC notes

2002. 10/01/76 Shn - 0, 14558 Indianapolis Market Square Arena AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON. notes

2003. 10/01/76 Shn - 0, 10151 Indianapolis Market Square Arena sony tc152 w/ 2 AKGD200e mics > 3C > DAT > CDWav; via Raoul Duke, Dave Minor; DAT Transfer by Marc Pujol; Seeded to etree by Matt Vernon notes

2004. 10/02/76 Shn - 0, 14560 Cincinnati Riverfront Coliseum AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner. notes

2005. 10/02/76 Flac 16 - 0, 134416 Cincinnati Riverfront Coliseum flac16; restored version of source ID 14560: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details notes

2006. 10/02/76 Shn - 0, 10152 Cincinnati Riverfront Coliseum ACM>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes

2007. 10/03/76 Flac 16 - 0, 121945 Detroit Cobo Arena flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2008. 10/03/76 Shn - 0, 248 Detroit Cobo Arena set 2 partial; FMSBD -> SBDCM -> DAT -> CD> EAC > SHN; via A. Jerugim; no known flaws; upgrade in circulation notes

2009. 10/03/76 Shn - 0, 19415 Detroit Cobo Arena SET ONE: AUD > ? > CD > EAC > SHN edits/encoding by JCotsman. Taken from this version. SET TWO: AUD > ? > CASS > DAT > WAV > SHN A > D by Noah Weiner - August, 2003. Added to etree by Noah Weiner. notes

2010. 10/03/76 Shn - 0, 12832 Detroit Cobo Arena complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman notes

2011. 10/03/76 Shn - 0, 12829 Detroit Cobo Arena set2; SBD> MR> C> DAT> CDR> WAV> SHN; EAC/SHN by jim; upgrade in circulation notes

2012. 10/09/76 Shn - 0, 12519 Oakland Oakland-Alameda County Coliseum Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller notes

2013. 10/09/76 Flac 16 Mtx - 0, 89544 Oakland Oakland-Alameda County Coliseum flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD): SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN (shn id 12519) and Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn (shn id 10179) notes

2014. 10/09/76 Flac Dts - 0, 86437 Oakland Oakland-Alameda County Coliseum DTS Audio 5.1; Set 2 only: SBD: SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN Converted to SHN By Charlie Miller (shn id 12519) and AUD: Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit (rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn SHNtool used verify track boundaries prior to wav>shn Transfer by Marc Pujol (shn id 10179) notes

2015. 10/09/76 Shn - 0, 249 Oakland Oakland-Alameda County Coliseum partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler notes

2016. 10/09/76 Flac 16 - 0, 83819 Oakland Oakland-Alameda County Coliseum flac16; Source: Unknown aud > ? > DAT; Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn Fix of shnid 10179 - tracks put back in phase and stretched to 103% by Bill Tetzeli notes

2017. 10/09/76 Flac 16 - 0, 99003 Oakland Oakland-Alameda County Coliseum flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger notes

2018. 10/09/76 Flac 24/48 - 0, 99002 Oakland Oakland-Alameda County Coliseum flac24; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac agfa reel baked/transferred/seeded by Rob Berger notes

2019. 10/09/76 Shn - 0, 10179 Oakland Oakland-Alameda County Coliseum Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon notes

2020. 10/10/76 Shn - 0, 3381 Oakland Oakland-Alameda County Coliseum Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80 notes

2021. 10/10/76 Shn - 0, 11670 Oakland Oakland-Alameda County Coliseum Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon notes

2022. 10/10/76 Flac 16 - , 155765 Oakland Oakland-Alameda County Coliseum Recording Info: (FOB) Unknown Mics > Cassette Master (Uher Deck)
Mastering Info: WAV (16-bit/44.1k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/16 notes

2023. 10/10/76 Flac 16/44 - , 155807 Oakland Oakland-Alameda County Coliseum flac16/44 Source: Sony ECM-220 + Sony ECM-280 > Sony TC-15 > Master Audio Casstte - Recorded by Reinhardt Hollwein Lineage: Master Audio Casstte > DAT > CD > EAC (secure) > Cool Edit (minor fixes) > mkwact (seekable) > shn Additional Lineage: Decoded SHN > Wav > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and remastered SIRMick February 2022 notes

2024. 10/14/76 Shn - 0, 12614 Los Angeles Shrine Auditorium composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman notes

2025. 10/14/76 Shn - 0, 12079 Los Angeles Shrine Auditorium Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon notes

2026. 10/14/76 Shn - 0, 143276 Los Angeles Shrine Auditorium SBD MR > C1 > DAT notes

2027. 10/15/76 Flac 16 - 0, 84260 Los Angeles Shrine Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

2028. 10/15/76 Flac 16 - 0, 105824 Los Angeles Shrine Auditorium flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes

2029. 10/15/76 Shn - 0, 32060 Los Angeles Shrine Auditorium MSR>DATs>CDRs>EAC>SHN Fixed SBE of shnid=251 notes

2030. 10/15/76 Shn - 0, 251 Los Angeles Shrine Auditorium MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson notes

2031. 10/15/76 Shn - 0, 11655 Los Angeles Shrine Auditorium Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon notes

2032. 12/31/76 Shn - 0, 20760 Daly City Cow Palace Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters
Check the .md5s for d3t03 to see whether you have this seed or #18524.
May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source notes

2033. 12/31/76 Shn - 0, 18524 Daly City Cow Palace PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
[Note: A de-popped version created by Dave Winters for disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.] notes

2034. 12/31/76 Shn - 0, 3863 Daly City Cow Palace FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01 notes

2035. 12/31/76 Shn - 0, 15114 Daly City Cow Palace Lineage: FM MR>SBM-1>CD>Cool Edit Pro>CD
Circulating on Furthur in Feb. 2003; upgrade in circulation notes

2036. 12/31/76 Flac 24/48 - 0, 152247 Daly City Cow Palace flac2448; Source: Mono Sony hand-held recorder (model unknown) > 3x TDK SD C90's (normal bias). Concert recording by Rich Petrunis, standing center floor about 30 feet out from the stage. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021 notes

2037. 02/17/77 Shn - 0, 16745 Van Nuys Sound City Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp notes

2038. 02/17/77 Flac 16 - 0, 145156 Van Nuys Sound City flac16; Derived from the tagged version of source ID 16745; Source:SBD> Master Reel> DAT> CDR> SHN; DAE (EAC0.9 beta 4)> tracking(CDWAV)> SHN (MKWAct.96f)> FTP via Tripp; flac files from internet > xACT > WAV > Pro Tools LE > xACT > flac notes

2039. 02/17/77 Flac 16/44 - 0, 145591 Van Nuys Sound City flac16/44.1khz Goody pitch fix of 145156. dBpoweramp (WAV) > Audition (Pitch Bender, various amounts; edits to smooth transitions) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) notes

2040. 02/20/77 Shn - 0, 9470 Van Nuys Sound City Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno notes

2041. 02/26/77 Flac 16 Mtx - 0, 110037 San Bernardino Swing Auditorium flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes

2042. 02/26/77 Shn - 0, 9752 San Bernardino Swing Auditorium SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog notes

2043. 02/26/77 Flac 16 - 0, 83283 San Bernardino Swing Auditorium flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB notes

2044. 02/26/77 Shn - 0, 23808 San Bernardino Swing Auditorium From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD. notes

2045. 02/26/77 Shn - 0, 32009 San Bernardino Swing Auditorium SBD>MR>DAT>CD; Editing and mastering by The Wizard notes

2046. 02/26/77 Flac 16 - 0, 110231 San Bernardino Swing Auditorium Sony ECM-22P's > 153SD cassette (Maxell UDXLII Dolby) > Technics 1506 reel 3.75 ips Dolby > Tascam CDR > dbPoweramp > wav > FLAC. Recording and transfer by Rob Bertrando. Pitch adjustments, tracking and FLACing by Hunter Seamons. notes

2047. 02/26/77 Shn - 0, 2519 San Bernardino Swing Auditorium EAC> seeking SHN by anonymous of previous set, with "alternate" tracking, but also with additional error- this shn set has been circulated with d1t2,t3 switched- correctly listed in info file, but with incorrect tracknames as in d1error.md5 here; d1ok.md5 here shows correct track ordering; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; upgrade in circulation notes

2048. 02/26/77 Shn - 0, 253 San Bernardino Swing Auditorium Betty Board; d1 overtime- see G. Hamilton's alternate tracking suggestions; no md5s originally- checksums here are generated from the alt tracking; a few dropouts and reel changes; via Datsit, Other1, Steve; listener Jason Palmer asserts that there may be NR applied to this version?; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; note d1 tracks are in correct order unlike later reshn of this version; upgrade in circulation notes

2049. 02/26/77 Flac 16 - 0, 152023 San Bernardino Swing Auditorium Fix Of i.d. 151834. Channels reversed on 151834. This is a remaster & partial upgrade to shnid 83283. Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24-48 DAT transferred & provided by anonymous. Edited & Mastered using Adobe Audition by Joe Noel. February 16, 2020. notes

2050. 02/26/77 Flac 16 - 0, 151834 San Bernardino Swing Auditorium flac16 This is a remaster & partial upgrade to shnid 83283 - Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 - Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24/48 DAT transferred & provided by anonymous Edited & Mastered using Adobe Audition by Joe Noel February 16, 2020 notes

2051. 02/27/77 Shn - 0, 10378 Santa Barbara Robertson Gym, U.C.S.B. Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is. notes

2052. 02/27/77 Flac 16 - 0, 143885 Santa Barbara Robertson Gym, U.C.S.B. flac16; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16; edited and mastered SIRMick November 2018 notes

2053. 02/27/77 Flac 24/96 - 0, 143884 Santa Barbara Robertson Gym, U.C.S.B. flac24; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick notes

2054. 02/27/77 Flac 16 - 0, 144912 Santa Barbara Robertson Gym, U.C.S.B. flac16; Partial Set 2 Pitch Corrected Version Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller notes

2055. 02/27/77 Flac 16 - 0, 144911 Santa Barbara Robertson Gym, U.C.S.B. flac16; Partial Set 2 Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller notes

2056. 02/27/77 Flac 24/96 - 0, 145196 Santa Barbara Robertson Gym, U.C.S.B. flac24; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

2057. 02/27/77 Flac 16/48 - 0, 145195 Santa Barbara Robertson Gym, U.C.S.B. flac16/48kHz; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2058. 03/18/77 Shn - 0, 254 San Francisco Winterland Arena SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06 notes

2059. 03/18/77 Flac 16 - 0, 123285 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2060. 03/18/77 Shn - 0, 79098 San Francisco Winterland Arena notes

2061. 03/18/77 Flac 24/96 - 0, 140916 San Francisco Winterland Arena flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018; fixed version in circulation notes

2062. 03/18/77 Flac 16 - 0, 140942 San Francisco Winterland Arena flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916 notes

2063. 03/18/77 Flac 16 Mtx - 0, 141388 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123285 & 140918. notes

2064. 03/18/77 Flac 16 - 0, 145158 San Francisco Winterland Arena flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; 141163 24 > 16 notes

2065. 03/18/77 Flac 16 - 0, 145509 San Francisco Winterland Arena flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: Source: Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v11.2.1 -> FLAC; Mastering & Matrix: Derek McCabe notes

2066. 03/18/77 Flac 24/96 - 0, 140918 San Francisco Winterland Arena flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916 notes

2067. 03/18/77 Flac 24/96 - 0, 141163 San Francisco Winterland Arena flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; pitch corrected version of the two previous fixes notes

2068. 03/19/77 Shn - 3, 255 San Francisco Winterland Arena SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel notes

2069. 03/19/77 Flac 16 - 0, 123190 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastered By Charlie Miller notes

2070. 03/19/77 Flac 16 Mtx - 0, 96856 San Francisco Winterland Arena flac16; matrix of SBD: shnid=255 and an uncirculated AUD: shnid=xxxxx by hansokolow using ProTools notes

2071. 03/19/77 Flac 16/44,1 - 0, 139354 San Francisco Winterland Arena flac16 44.1khz Sony ECM 280 ->Cassette ->DAT. Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel. notes

2072. 03/19/77 Flac 16 Mtx - 0, 140347 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123190 & 139354 notes

2073. 03/19/77 Flac 16 - 0, 145510 San Francisco Winterland Arena flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: Source: Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastering & Matrix: Derek McCabe notes

2074. 03/19/77 Flac 24/96 - , 152613 San Francisco Winterland Arena Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes

2075. 03/19/77 Flac 16/44 - , 152612 San Francisco Winterland Arena flac16/44 Recording Info: SBD > Reel Master > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC notes

2076. 03/19/77 Flac 16/44 - , 154389 San Francisco Winterland Arena flac1644; Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 152613 2496 > 1644 notes

2077. 03/20/77 Shn - 0, 25610 San Francisco Winterland Arena Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller notes

2078. 03/20/77 Shn - 0, 257 San Francisco Winterland Arena SBD > Reel(1) > ?? > DAT > WAV > SHN; Transfer via TB Fiji (S/PDIF) by J. Kempka; DAT seeded by T. Buller; no Terrapin encore on this source; some hiss. [Note: A version circulates with the sbe's fixed on set 1]; upgrade in circulation notes

2079. 03/20/77 Flac 16 - 0, 100022 San Francisco Winterland Arena flac16; Partial Second Set Audience Tape Unknown Gen TDK Cassette-> SB Audigy-> Audacity-> CD Wav-> Flac notes

2080. 03/20/77 Flac 16 - 0, 132365 San Francisco Winterland Arena flac16; Partial Recording by Gene Taback center-right balcony toward the front, deck and mics unlabeled and forgotten notes

2081. 03/20/77 Flac 16 - 0, 141691 San Francisco Winterland Arena flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes

2082. 03/20/77 Flac 16 - 0, 141710 San Francisco Winterland Arena flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Numerous flaws cleaned up notes

2083. 03/20/77 Flac 16 - 0, 145511 San Francisco Winterland Arena flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN; Mastering & Matrix: Derek McCabe notes

2084. 04/22/77 Flac - 0, 27747 Philadelphia The Spectrum flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes

2085. 04/22/77 Shn - 0, 10148 Philadelphia The Spectrum Multiple sources; AUD>MC>D>CD; SBD>MR>D>CD; SBD>MR>?>CD; See info file for details; via Matt Vernon, Raoul Duke, & Jools; Seeded to etree by J. Cotsman notes

2086. 04/22/77 Shn - 0, 8673 Philadelphia The Spectrum FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske notes

2087. 04/22/77 Flac 16/44 - 0, 152296 Philadelphia The Spectrum flac1644; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD Set 1 & TDK-SD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2021 notes

2088. 04/23/77 Flac 16 Mtx - 0, 97596 Springfield Springfield Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes

2089. 04/23/77 Flac 16 - 0, 88401 Springfield Springfield Civic Center flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

2090. 04/23/77 Shn - 0, 17178 Springfield Springfield Civic Center AUDMC(Sony ECM99A > Sony152TC) > DAT > CD taped by Steve Hopkins via David Minor encoded by Matt Vernon; upgrade in circulation notes

2091. 04/23/77 Shn - 0, 1827 Springfield Springfield Civic Center SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation notes

2092. 04/23/77 Shn - 0, 27421 Springfield Springfield Civic Center unknown provenance, but with same digisnit in Sugaree and patch in Franklin's as a previous set; however, note fewer tracks and nonstandard naming- poss reDAE/reshn of some kind?; upgrade in circulation notes

2093. 04/23/77 Flac 16 - 0, 83685 Springfield Springfield Civic Center flac16; Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding (see info file for details) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC * Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152 notes

2094. 04/23/77 Shn - 0, 18438 Springfield Springfield Civic Center Recorded by Jerry Moore; Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line. AUDMC > SHN by David Minches. notes

2095. 04/23/77 Flac 16/48 - 0, 139535 Springfield Springfield Civic Center flac16/48kHz; Recording Info: Steve Hopkins Master FOB Audience Cassette; Sony ECM-99a > Sony TC-152sd > DAT; Transfer Info: Sony PCM-500 16/48-> Tascam DA-3000 16/48 -> Adobe Audition 3.0 > TLH Flac16/48; Transfer by Charlie Miller; Mastered by Scott Clugston notes

2096. 04/23/77 Flac 16 - 0, 143265 Springfield Springfield Civic Center flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version of source ID 143220 notes

2097. 04/23/77 Flac 16 - 0, 143220 Springfield Springfield Civic Center flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version in circulation This is your collection notes

2098. 04/23/77 Shn - 0, 4334 Springfield Springfield Civic Center retrack> SHNv3 of previous SBD/AUD patch shn set, by Tony Gardner; upgrade in circulation notes

2099. 04/23/77 Flac 16/44 - , 152692 Springfield Springfield Civic Center flac16/44 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick July 2021 notes

2100. 04/23/77 Flac 24/96 - , 152639 Springfield Springfield Civic Center flac24/96 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24 edited and mastered SIRMick Jun 2021 notes

2101. 04/25/77 Flac - 0, 15879 Passaic Capitol Theater SBD:MR>?>DAT>CDR; Pitch corrected and de-clicked by Tim Symons; See info file for details notes

2102. 04/25/77 Flac 16 - 0, 130529 Passaic Capitol Theater flac16; Recording Info: SBD > R > C> C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC notes

2103. 04/25/77 Shn - 0, 259 Passaic Capitol Theater AUD, via Teddy Good Bear's tree #1; note reported "unlistenable" notes

2104. 04/25/77 Flac 24 - 0, 141715 Passaic Capitol Theater flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes

2105. 04/25/77 Flac 16 - 0, 141903 Passaic Capitol Theater flac16; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes

2106. 04/26/77 Shn - 0, 260 Passaic Capitol Theater AUD, via Teddy Good Bear's tree #1; note quality reported on a par with 4/25 from same source notes

2107. 04/27/77 Flac - 0, 98430 Passaic Capitol Theater flac16; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger notes

2108. 04/27/77 Flac - 0, 91889 Passaic Capitol Theater flac16; Lineage: FM Cast WNEW FM ->Reel Tapes -> Many Years of Playback ->Sound Forge 6.0-> +4.0DB/2.5 octave bell spread centered at 5Khz-> FLAC via Flac Frontend, level 6, sectors aligned and verified notes

2109. 04/27/77 Flac 24/48 - 0, 98429 Passaic Capitol Theater flac24; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded By Rob Berger notes

2110. 04/27/77 Shn - 0, Passaic Capitol Theater notes

2111. 04/27/77 Shn - 0, 7799 Passaic Capitol Theater notes

2112. 04/29/77 Shn - 0, 7113 New York The Palladium AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead notes

2113. 04/30/77 Shn - 0, 17952 New York The Palladium Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon notes

2114. 04/30/77 Shn - 0, 4949 New York The Palladium Sony ECM-33p mics> Sony TC-152 deck, taper Jerry Moore; Conversion: MC> DAT/1> CD> EAC> SHN (mkw with seek tables appended); SHN and upload by Matt Vernon; CDRs supplied by Noah Weiner; see info file for listening notes; upgrade in circulation notes

2115. 05/01/77 Flac 16 - 0, 81739 New York The Palladium flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

2116. 05/01/77 Flac 16 Mtx - 0, 87285 New York The Palladium flac16; A Mick Bit Matrix, Set 2 sources: 1) Recording Info: SBD > Master Reel > Dat > CD Transfer Info: CD > Samplitude Professional v7.02 > FLAC All Transfers and Mastering By Charlie Miller (shn id 81739) and 2) Source: Sony ECM-33Ps >Sony TC-152 taped by Jerry Moore from first row loge A > D Conversion: Master played back on Nak Dragon > ART D I/O > HD > Cool Edit 2000 > Feurio by David Minches (shn id 17953) notes

2117. 05/01/77 Shn - 0, 11941 New York The Palladium Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.); Ending of Samson, 25:47 filler on CD2 & 20:10 filler on CD3 supplied by "Good Bear Source": Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> cass master -> computer -> CD > EAC > .SHN; See info file for extensive 'mastering' notes; Note- This shn set may circ with the abgd sbd of set 2; via Teddy "Good Bear", Jonathan Miller; Seeded to etree by Dave Backus notes

2118. 05/01/77 Shn - 0, 17953 New York The Palladium Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon notes

2119. 05/01/77 Shn - 0, 4763 New York The Palladium Set 2; MSR> DAT> CDR> EAC> SHN; via PJ to abgd notes

2120. 05/01/77 Flac 16 - 0, 141830 New York The Palladium flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

2121. 05/01/77 Flac 24/96 - 0, 151749 New York The Palladium flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes

2122. 05/01/77 Flac 16/48 - 0, 151748 New York The Palladium flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes

2123. 05/03/77 Flac 16 - 0, 86241 New York The Palladium flac16; Source: Audience 1st Row Loge Media: TDK-SA 90 min. Lineage: Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft. Transfer: MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Derek McCabe notes

2124. 05/03/77 Shn - 0, 6710 New York The Palladium AUD> MR> DAT> CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky, with thanks to Ron Speer; d1 tracked for 80 min notes

2125. 05/03/77 Shn - 0, 17954 New York The Palladium Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon notes

2126. 05/03/77 Flac 16 - 0, 141831 New York The Palladium flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

2127. 05/03/77 Shn - 0, 21646 New York The Palladium SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller notes

2128. 05/04/77 Flac 16 - 0, 91970 New York The Palladium flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller notes

2129. 05/04/77 Flac 16 Mtx - 0, 99106 New York The Palladium flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes

2130. 05/04/77 Shn - 0, New York The Palladium notes

2131. 05/04/77 Flac 16 Mtx - 0, 92159 New York The Palladium flac16; Set 2, Matrix About 55% SBD/45% AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes

2132. 05/04/77 Shn - 0, 17967 New York The Palladium Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon notes

2133. 05/04/77 Shn - 0, 17686 New York The Palladium Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon notes

2134. 05/04/77 Flac 24/96 - 0, 141751 New York The Palladium flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes

2135. 05/04/77 Flac 16/48 - 0, 151750 New York The Palladium flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes

2136. 05/05/77 Flac 16 - 0, 123485 New Haven Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> PCM (Sony PCM501ES/44.055k); Transfer Info: PCM (Sony PCM501ES/Analog Out) -> Dat (Panasonic SV-3700/48k) -> Db 924 (96k/24bit) D/A -> Dolby 361 Module w/ DBX K9-22 Cards(DBX Decoded) -> Db 1225 (96k/24bit) A/D -> Db 3000s Noise Shaper (SBM) -> Dat (48k) -> Sound Forge -> CD Wave -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Transfer and Mastering By Rob Eaton and Dan Stephens; Remastered By Charlie Miller notes

2137. 05/05/77 Shn - 0, 8832 New Haven Veterans Memorial Coliseum Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details notes

2138. 05/05/77 Shn - 0, 7725 New Haven Veterans Memorial Coliseum notes

2139. 05/05/77 Shn - 0, 261 New Haven Veterans Memorial Coliseum Betty Board; reported flaws: d1: Small digi-snit during Sugaree at 8:53, Drop at 8:19 in T. Jed, Drop at 6:48 in Deal; d2: Snit during Bertha @ 5:29; listener Jason Palmer asserts that there may be NR applied to this version?; upgrade in circulation notes

2140. 05/05/77 Flac 16/44,1 - 0, 139355 New Haven Veterans Memorial Coliseum flac16 44.1khz Source: Audience (Mic's ?) ->Cassette ->DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel notes

2141. 05/05/77 Flac 24/48 - 0, 148735 New Haven Veterans Memorial Coliseum flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel notes

2142. 05/05/77 Flac 24/96 - 0, 152102 New Haven Veterans Memorial Coliseum flac24/96 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes

2143. 05/05/77 Flac 16/48 - 0, 152101 New Haven Veterans Memorial Coliseum flac16/48 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes

2144. 05/05/77 Flac 16/44 - 0, 152100 New Haven Veterans Memorial Coliseum flac16/44 Patched, pitch corrected and remastered version of Pete Ebel's shnid 139355 notes

2145. 05/07/77 Flac 16 - 0, 88525 Boston Boston Garden flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes

2146. 05/07/77 Flac 16 Mtx - 0, 124619 Boston Boston Garden flac16; 2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner notes

2147. 05/07/77 Shn - 0, 26085 Boston Boston Garden SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard. notes

2148. 05/07/77 Shn - 0, 6021 Boston Boston Garden Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing notes

2149. 05/07/77 Shn - 0, Boston Boston Garden notes

2150. 05/07/77 Shn - 0, 262 Boston Boston Garden SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around) notes

2151. 05/07/77 Flac 24/48 - 0, 148736 Boston Boston Garden flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel notes

2152. 05/07/77 Flac 24/96 - 0, 148755 Boston Boston Garden flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel; fix of source ID 148736 notes

2153. 05/08/77 Flac 16 - 0, 97274 Ithaca Barton Hall, Cornell University flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation notes

2154. 05/08/77 Flac - 0, 29511 Ithaca Barton Hall, Cornell University Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2" notes

2155. 05/08/77 Shn - 0, 4982 Ithaca Barton Hall, Cornell University freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin notes

2156. 05/08/77 Shn - 0, 266 Ithaca Barton Hall, Cornell University w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation notes

2157. 05/08/77 Flac 16 - 0, 117026 Ithaca Barton Hall, Cornell University flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller notes

2158. 05/08/77 Flac 24/96 Mtx - 0, 35086 Ithaca Barton Hall, Cornell University flac24/96; SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2) notes

2159. 05/08/77 Flac 16 Dts.5.1 - 0, 30756 Ithaca Barton Hall, Cornell University flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt) notes

2160. 05/08/77 Flac 24/96 - 0, 134093 Ithaca Barton Hall, Cornell University flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger notes

2161. 05/08/77 Shn - 0, 5002 Ithaca Barton Hall, Cornell University Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks notes

2162. 05/08/77 Flac 16 - 0, 28354 Ithaca Barton Hall, Cornell University b>flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation notes

2163. 05/08/77 Shn Mtx. - 0, 28857 Ithaca Barton Hall, Cornell University Matrix based on these sources: Source Info SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN notes

2164. 05/08/77 Flac 24/96 - 0, 117027 Ithaca Barton Hall, Cornell University flac24; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller notes

2165. 05/08/77 Shn - 0, 28301 Ithaca Barton Hall, Cornell University MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs notes

2166. 05/08/77 Flac 16 - 0, 87486 Ithaca Barton Hall, Cornell University flac16; Set 1 only; partial SBD (1st part of Set 1 Only) Lineage unknown, possibly RR > CD (unknown transfer) > EAC > SHN Originally posted as shn files to abgd-hs by ArtCube 2007-09-26 (The patch in Minglewood is from material performed on 5-7 and Lazy Lightning from 5-25.) Converted to flac by terrapinstation notes

2167. 05/08/77 Flac 24/96 Mtx - 0, 137569 Ithaca Barton Hall, Cornell University notes

2168. 05/08/77 Flac 16 Mtx - 0, 137570 Ithaca Barton Hall, Cornell University notes

2169. 05/08/77 Flac 24/96 Mtx - 0, 137571 Ithaca Barton Hall, Cornell University notes

2170. 05/08/77 Flac 16 Mtx - 0, 137572 Ithaca Barton Hall, Cornell University notes

2171. 05/08/77 Flac 16 - 0, 29303 Ithaca Barton Hall, Cornell University flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson notes

2172. 05/08/77 Shn Dts. - 0, 26856 Ithaca Barton Hall, Cornell University DTS Audio 5.1: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version notes

2173. 05/08/77 Flac 16 Mtx - 0, 111493 Ithaca Barton Hall, Cornell University flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from source ID 97274 notes

2174. 05/08/77 Flac 24/48 - 0, 148737 Ithaca Barton Hall, Cornell University flac24; Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48; Edited & Mastered by Joe Noel; WAV > Abobe Audition > Flac 24/48 notes

2175. 05/08/77 Flac 24/48 - 0, 152379 Ithaca Barton Hall, Cornell University flac2448; Source: Mono Sony hand-held recorder (model unknown) > Maxell-LN Set 1 & Maxell-UD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021 notes

2176. 05/09/77 Flac - 0, 98168 Buffalo Buffalo Memorial Auditorium flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC notes

2177. 05/09/77 Flac - 0, 123480 Buffalo Buffalo Memorial Auditorium flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k); Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Mastering By Charlie Connor; Remastered By Charlie Miller notes

2178. 05/09/77 Shn - 0, 8304 Buffalo Buffalo Memorial Auditorium Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston notes

2179. 05/09/77 Shn - 0, 77462 Buffalo Buffalo Memorial Auditorium SBD>REEL>PCM>DAT>CDR>EAC>SHN>Sound Forge>SHN (Seekable) notes

2180. 05/09/77 Shn - 0, 8036 Buffalo Buffalo Memorial Auditorium Sony ECM-33Ps > Nak 550>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon notes

2181. 05/09/77 - 0, 135189 Buffalo Buffalo Memorial Auditorium flac16; 2 Source Matrix by Dusborne;Soundboard(shnid:123480)SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k),Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN,Mastering Info:SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC,Original Mastering By Charlie Connor Remastered By Charlie Miller;Audience (shnid:008036)Recorded by Steve Maizner Sony ECM-33Ps > Nak 550 Lineage: MAC>R>D>CD source cdr mastering by Jack Warner notes

2182. 05/09/77 Shn - 0, 2268 Buffalo Buffalo Memorial Auditorium S:bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason; note Music d1t10 is missing from one circulating version of the shn set (md5s listed here as d1p); complete md5 with d1t10 is listed here as d1tot; thanks to Patrick Murphy for assistance; upgrade in circulation notes

2183. 05/11/77 Flac 16 - 3, 83196 St. Paul St. Paul Civic Center flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller notes

2184. 05/11/77 Flac 16 - 0, 32305 St. Paul St. Paul Civic Center flac16; FIXED SBD -> Master Reel -> Dat (44.1k) Transferred and Edited By Charlie Miller ; upgrade in circulation notes

2185. 05/11/77 Shn - 0, 8374 St. Paul St. Paul Civic Center SBD> Rm> Dat> Sonic Solutions> CD, Patched w/SBD> Rm> Dat> Cass> Dat> CD; via Charlie Miller; Seeded to etree by Steve Barbella; upgrade in circulation notes

2186. 05/11/77 Shn - 0, 6952 St. Paul St. Paul Civic Center master soundboard reel @ 7.5 IPS (baked) > DAT > Cassette > DAT > CD; via yubah, with thanks to Jools; to abgd; upgrade in circulation notes

2187. 05/11/77 Flac 24/96 - 0, 151619 St. Paul St. Paul Civic Center flac24/96 Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre (given to him by Dan Liff dec'd Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res ditor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021 notes

2188. 05/11/77 Flac 16/44 - 0, 151618 St. Paul St. Paul Civic Center flac16/44 Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre (given to him by Dan Liff dec'd Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021 notes

2189. 05/12/77 Shn - 0, 6484 Chicago Auditorium Theatre Updated lineage: Master Audience Cassette > unknown mics/deck> DAT > CDR; fresh transcription of a previously circulating copy (see notes in txt); Re-Mastering by Scott Clugston; missing Cassidy, splice in NFA; d1 tracked for 80 min notes

2190. 05/12/77 Flac 16 - 0, 110253 Chicago Auditorium Theatre flac16; Source: Master Audience cassette> DAT> CDR; Recorded by Keith Gatto; Shure 96s> Sony TC-152; Transfer information unknown notes

2191. 05/13/77 Shn - 0, 9393 Chicago Auditorium Theatre SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Mille notes

2192. 05/13/77 Shn - 0, 14942 Chicago Auditorium Theatre Bertha Remaster of the Master Reel source. SBD>>MR>>Dat>>CDA>>SS>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+ Post Drums(Disc 3): PreFM>>???>>Dat>>CDA - Sound B- notes

2193. 05/13/77 Shn - 0, 6690 Chicago Auditorium Theatre Pre-FM > Master Reel > DAT > CD; upgrade in circulation notes

2194. 05/15/77 Flac 16 - 0, 28916 St. Louis The Arena flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net notes

2195. 05/15/77 Flac 16 Mtx - 0, 91911 St. Louis The Arena flac16; Matrix, Sources: 1) Bertha Remaster of the Master Reel source sbd > mr > dat > wav > flac > daw(Bertha) > wav (24/48) > audio dvd > dvd audio ripper > wav > adobe audtion > flac, and 2) Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Matrixed by SIRMick May 2008 notes

2196. 05/15/77 Flac 24/48 - 0, 31605 St. Louis The Arena flac24/48; Bertha Remaster of the Master Reel source source: sbd > mr > dat > wav > flac > daw(Bertha) > wav > audio dvd > dvd audio ripper > wav > adobe audtion > flac Notes: This is a straight rip from the DVD. The flac files have been encoded at 24 bit/48,000 KHz and CANNOT be burned as an audio cd Original Notes with DVD: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on April 16, 2005. Although the sound of the original source is very good, the mix is a bit of a kick mix and the low bass was not able to be brought up without having an obtrusively thumping kick. Some compenstation was made in the mid bass frequencies which resulted in a nice balance between the bass and the kick. From the original text file, prior to Bertha Remastering: Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller 4/11/05 Thanks to RjHythloday for making the DVD available. SIRMICK November 2005 notes

2197. 05/15/77 Flac 16 - 0, 99099 St. Louis The Arena flac16; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>adobe 16/44>flac notes

2198. 05/15/77 Shn - 0, 7008 St. Louis The Arena Sbd MR > ? > CDR > EAC (calibrated, secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Kevin Gills; Lazy lightning beginning cut; upgrade in circulation notes

2199. 05/15/77 Shn - 0, 18333 St. Louis The Arena SBD MR>??>CDR; different text file and md5s than the other circulating SBD MR>??>CDR; upgrade in circulation notes

2200. 05/15/77 Flac 24/48 - 0, 99098 St. Louis The Arena flac24; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac notes

2201. 05/15/77 Flac 16 - 0, 84714 St. Louis The Arena flac16; Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding notes

2202. 05/17/77 Shn - 0, 18554 Tuscaloosa Memorial Coliseum, University Of Alabama flac16; 2 source matrix: Soundboard (shnid=18554): SBDMR > DAT > CD > EAC > SHN and Aud (shnid=88771): Recording by Steve Maizner: Sony ECM-990s>Sony TC153; Transfer of 1st Generation Cassette (Thanks Alan Z.) Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded notes

2203. 05/17/77 Shn - 0, 18554 Tuscaloosa Memorial Coliseum, University Of Alabama SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner notes

2204. 05/17/77 Shn - 0, 1107 Tuscaloosa Memorial Coliseum, University Of Alabama SBD>MR 7" (Baked)> DAT> Cass> DAT> CD; via Chuck Kiefe, Andy Singer, Brian Leonard; note tuning pauses have been shortened in some cases, very slight hiss, encore missing; upgrade in circulation notes

2205. 05/17/77 Flac - 0, 88771 Tuscaloosa Memorial Coliseum, University Of Alabama flac16; Recording by Steve Maizner: Sony ECM-990s>Sony TC153 Transfer of 1st Generation Cassette Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded notes

2206. 05/17/77 Shn - 0, 5420 Tuscaloosa Memorial Coliseum, University Of Alabama S:Rm (7" - baked), D, C, D - 1x90Meter (and Potentially 2x60Meter?); CDR>EAC>Shn; missing encore; stemming from 10/00 BUDD tree, via Stretch N to etree; upgrade in circulation notes

2207. 05/18/77 Flac - 0, 79012 Atlanta Fox Theatre flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC notes

2208. 05/18/77 Shn - 0, 4618 Atlanta Fox Theatre SBD > MR > DAT > CDR > WAV > SHNv3; DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo from bear g.'s seed; upgrade in circulation notes

2209. 05/18/77 Shn - 0, 5596 Atlanta Fox Theatre SBD > DAT > CDRs > EAC > WAV > SHNv3; EAC and SHNv3 encoding by Patrick Murphy, from Alan Topal seed discs; see info file for flaw notes; upgrade in circulation notes

2210. 05/19/77 Shn - 0, 2461 Atlanta Fox Theatre Master Soundboard Reel > Reel to Reel > DAT > CDR; includes patches from 2 alternate SBD sources (see info file for details); mastered by Scott Clugston; to abgd; note info file here is the updated copy; upgrade relative to previous shn set notes

2211. 05/19/77 Shn - 0, 3120 Atlanta Fox Theatre Master Reel (7-inch @ 7.5 ips) > CD > EAC > SHN; seed supplied by Jim Wise, DAE and re-tracking by DireWolf notes

2212. 05/19/77 Shn - 0, 9394 Atlanta Fox Theatre Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source. SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA notes

2213. 05/19/77 Flac - 0, 139377 Atlanta Fox Theatre flac16/48kHz; Source: sbd > master reel > dat (48k); from Dick Latvala; Transfer: dat > Sony pcm-r500 > Tascam da-3000 > wav 16/48; transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017 notes

2214. 05/21/77 Shn - 0, 271 Lakeland Lakeland Civic Center SBD>reel>DAT>CD-R; TFBT Tree #5; via D. Boyles; (reportedly there may be 2 different .shn versions of this in circulation, 12/99? notes

2215. 05/21/77 Flac - 0, 139573 Lakeland Lakeland Civic Center flac16; Source: sbd > master reel > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 notes

2216. 05/22/77 Shn - 0, 31789 Pembroke Pines The Sportatorium WBAI 99.5fm > Akai Pro Glass Head Cassette Deck(no dolby nr) > CDR Via Rosoft Audio Tools/Track Spliter at 44,100/16 Bit Stereo notes

2217. 05/22/77 Shn - 0, 18803 Pembroke Pines The Sportatorium SBD>MR>C>D>CD>Toast>SHN notes

2218. 05/22/77 Flac 24 - 0, 140278 Pembroke Pines The Sportatorium flac24; Recording Info: SBD > Master Reel > Cassette; Transfer Info: Cassette (Nakamichi BX-300) > Apogee MiniMe > Lynx One > Wavelab 8 > FLAC/24; Maastering Info: FLAC/24 > Samplitude Pro X3 Suite > FLAC/24; Transferred by Matt Smith; Mastered By Charlie Miller notes

2219. 05/22/77 Flac - 0, 140332 Pembroke Pines The Sportatorium flac16; Recording Info: SBD > Master Reel > Cassette; Transfer Info: Cassette (Nakamichi BX-300) > Apogee MiniMe > Lynx One > Wavelab 8 > FLAC/24; Maastering Info: FLAC/24 > Samplitude Pro X3 Suite > FLAC/24; Transferred by Matt Smith; Mastered By Charlie Miller notes

2220. 05/22/77 Flac 16 Mtx - 0, 152392 Pembroke Pines The Sportatorium flac16/44 Matrix created in Adobe Audition by Joe Noel notes

2221. 05/22/77 Flac 24/96 - 0, 152260 Pembroke Pines The Sportatorium flac24/96 Source: uknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flack24 Edited and mastered SIRMick notes

2222. 05/22/77 Flac 16/48 - 0, 152259 Pembroke Pines The Sportatorium flac16/48 Source: uknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nakamichi CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick April 2021 notes

2223. 05/25/77 Flac 16 - 0, 87539 Richmond The Mosque flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation notes

2224. 05/25/77 Flac 16 - 0, 89591 Richmond The Mosque flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539 notes

2225. 05/25/77 Shn - 0, 1071 Richmond The Mosque SBD MR > DAT > CDR > SHN; via Seth Kaplan, Greg Hamilton; upgrade compared to previously etreed version; note two-beat elision at d2t5-6 track break (see George Shannon's pub comment); upgrade in circulation notes

2226. 05/25/77 Flac 16 Mtx - 0, 123381 Richmond The Mosque flac16; Matrix 2 Source Mix - SBD1 (shn id 87591)Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid 107757) Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. - matrix mixing by Kevin Tobin notes

2227. 05/25/77 Flac 16 - 0, 82048 Richmond The Mosque flac16; Genealogy: MR > DAT > CDR > SHN > CDR > SHN > shntool > FLAC; SBE fix of shn id 13399; upgrade in circulation notes

2228. 05/25/77 Shn - 0, 13399 Richmond The Mosque Source: SBD Genealogy: MR > DAT > CDR > SHN > CDR > SHN ; upgrade in circulation George Shannon added 0.80 seconds of material to disk 2 track 3 at 0:05 to fill the gap in the version downloaded from etree. The material used was received in trade and was from the same show but a different source. The tracks were also re-sequenced so they now appear in original show order with the encore at the end. EAC and Soundforge were the tools used. notes

2229. 05/25/77 Flac Dts 5.1 - 0, 123385 Richmond The Mosque flac16; DTS 5.1 Mix; SBD1 (shn id 87591)Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid 107757) Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. - dts mixing by Kevin Tobin notes

2230. 05/25/77 Flac 16 - 0, 123382 Richmond The Mosque flac16; Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC - patched version of shnid 107757 by Kevin Tobin notes

2231. 05/25/77 Flac 16 - 0, 107757 Richmond The Mosque flac16; Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. This is the 16/44.1 version notes

2232. 05/25/77 Flac 24/96 - 0, 147786 Richmond The Mosque flac24; Recording Info:Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2233. 05/25/77 Flac 16/48 - 0, 147785 Richmond The Mosque flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2234. 05/26/77 Flac - 0, 97016 Baltimore Baltimore Civic Center flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell. notes

2235. 05/26/77 Shn - 0, 11614 Baltimore Baltimore Civic Center SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB; Seeded to etree by Jay Serafin notes

2236. 05/26/77 Shn - 0, 32302 Baltimore Baltimore Civic Center SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN
Source: Bettyboard 7 inch master reel @ 7 ? ips > DAT>SS>CD
Patch Source: AUD>MC>DAT>CDR (contrary to popular belief, Jerry Moore did not record this show)
Editing and Mastering by The Wizard
notes

2237. 05/26/77 Shn - 0, 31291 Baltimore Baltimore Civic Center SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN; Bertha remaster of shn id 11614 notes

2238. 05/26/77 Shn - 0, 18746 Baltimore Baltimore Civic Center AUD>MC>DAT>CDR via Raoul Duke encoded by Matt Vernon notes

2239. 05/26/77 Shn - 0, 3224 Baltimore Baltimore Civic Center Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits notes

2240. 05/26/77 Shn - 0, 32092 Baltimore Baltimore Civic Center AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV Unknown microphones Patch Source: SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN notes

2241. 05/28/77 Shn - 0, 12827 Hartford Hartford Civic Center SBD> DAT> CDA> WAV> DAW (Bertha)> CDA; Seeded by Jay Ashley; despite notes in info file, this is apparently not directly from Seth's shn set- Jay comments, "I extracted the wavs from CDs I received from Charlie Miller, and reassembled them prior to processing." (A flac version of this source was also distributed via bt.etree on 10/18/05 with the following lineage: SBD>MSR>DAT>CD>>SHN>>DAW(Bertha)>>CDA > SHN(non-seekable) > WAV(mkwACT v0.97 beta 1) > FLAC(frontend v1.7.1 at Level 8 with Align on sector boundaries enabled). flac done by Thomas Festa notes

2242. 05/28/77 Shn - 0, 4983 Hartford Hartford Civic Center Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74 notes

2243. 05/28/77 Shn - 0, Hartford Hartford Civic Center SBD>MSR>DAT>CD>EAC>SHN>DC6>SHN notes

2244. 05/28/77 Flac 16 Mtx - 0, 97017 Hartford Hartford Civic Center flac 16; Sick Bits Vol. 30b - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=4983) + AUD (shnid=18439). Matrixed by Chris Chappell notes

2245. 05/28/77 Flac 16 - 0, 77267 Hartford Hartford Civic Center flac16; For all of Set 1 & from "NFA" to the end of Set 2: Jim Wise used: 2 Sony 54P mics w/ Sennheiser 441 blend mic > Nakamichi 550 cassette deck FOB > reel @ 3 3/4 ips > DAT @ 48kHz > my computer > DAT @ 44.1kHz or CD. For Set 2, "Samson" through "Drums": (Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> CM (Cassette Masters) -> my computer* -> CD or DAT @ 44.1kHz 1) Sony 3-head cassette deck (TC-K615S) > 10 band equalizer > My computer using "CoolEdit96" see info file for details (note: The originally seeded shn files were seeded c. 1999; those checksums added to this listing June, 2007.) notes

2246. 05/28/77 Shn - 0, 18439 Hartford Hartford Civic Center Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor. AUDMC > SHN by David Minches. notes

2247. 05/28/77 Flac 16 - 0, 141832 Hartford Hartford Civic Center flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

2248. 05/28/77 Flac 24/96 - 0, 152477 Hartford Hartford Civic Center flac24/96 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick May 2021 notes

2249. 05/28/77 Flac 16/44 - 0, 152476 Hartford Hartford Civic Center flac16/44 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton from about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick May 2021 notes

2250. 05/28/77 Flac 24/48 - 0, 152419 Hartford Hartford Civic Center flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD/AD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021 notes

2251. 06/04/77 Flac - 0, 97183 Inglewood The Forum flac16; 2 x AKG 224E => Sony TC-158SD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096 notes

2252. 06/04/77 Shn - 0, 3417 Inglewood The Forum Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some notes

2253. 06/04/77 Flac 24 - 0, 97140 Inglewood The Forum flac24; 2 x AKG 224E => Sony TC-15XSD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096 notes

2254. 06/07/77 Flac - 0, 99001 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes

2255. 06/07/77 Shn - 0, 1861 San Francisco Winterland Arena Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN> unknown steps > shn; note the txt file lists Darrin Sacks as seeder, but md5s do not match his already-circulating shn set; the provenance of this set is therefore unconfirmed- info file and lineage shown here may or may not be correct; upgrade in circulation notes

2256. 06/07/77 Shn - 0, 24291 San Francisco Winterland Arena SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode notes

2257. 06/07/77 Flac - 0, 31951 San Francisco Winterland Arena flac16; AUD, Likely: MAR > Reel > DAT > CDs (See note below) notes

2258. 06/07/77 Flac 24/96 - 0, 141358 San Francisco Winterland Arena flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes

2259. 06/07/77 Flac 16 - 0, 144910 San Francisco Winterland Arena flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1 notes

2260. 06/08/77 Flac 16 Mtx - 0, 95361 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes

2261. 06/08/77 Shn - 0, 25621 San Francisco Winterland Arena Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller notes

2262. 06/08/77 Shn - 0, 26342 San Francisco Winterland Arena AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Bob Menke/Reinhardt Hollwein with AKG D224s> Tandberg 10XD; DAT transfer info unknown; EAC (secure, offset corrected)> SHN by D. Winters notes

2263. 06/08/77 Shn - 0, 4184 San Francisco Winterland Arena SBDMR > PCM > DAT > CDR > EAC > SHN> wav> retrack> seeking shn; initial EAC > SHN by Jason Parmer; retracking> seekable shn by Tony Gardner; upgrade in circulation notes

2264. 06/08/77 Flac 24/96 - 0, 141359 San Francisco Winterland Arena flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick 2018 notes

2265. 06/08/77 Shn - 0, 15421 San Francisco Winterland Arena Master Soundboard Reel > Reel to Reel > PCM> DAT > CDR; Master Audience Cassette > Reel to Reel source supplies various patches see info file for details; Patching/CD Mastering and shn'ed by Scott Clugston; to abgd via Charlie Connor; upgrade in circulation notes

2266. 06/08/77 Flac 16 - 0, 144923 San Francisco Winterland Arena flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick 2018; This file set is 16 bit @ 44.1 notes

2267. 06/09/77 Flac 16 Mtx - 0, 98801 San Francisco Winterland Arena flac16; flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes

2268. 06/09/77 Flac 16 - 0, 125857 San Francisco Winterland Arena flac16; Recording Info: Sbd -> Master Reel -> Dat -> Cd; Patch Source: AKG D224 -> Master Reel -> Reel -> DAT -> CD (shnid 26450); Transfer Info - Most Tracks: CD -> EAC -> Samplitude Profesional -> FLAC (shnid 28614); Transfer Info - d2t05: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> Peak Dv4 -> WAV -> FLAC; Transfer Info - d3t02 and d3t07: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> ProTools LE -> WAV -> FLAC; This is a partial upgrade to shnid 28614 (Charlie Miller's 2005 remaster) with three tracks repaired by Duane Day notes

2269. 06/09/77 Flac 16 - 0, 28614 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD notes

2270. 06/09/77 Shn - 0, 26450 San Francisco Winterland Arena AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Dr. Rob Bertrando with AKG D220s>Tandberg 10XD; DAT transfer info unknown; EAC> SHN by D. Winters notes

2271. 06/09/77 Shn - 0, 3869 San Francisco Winterland Arena SBD> Reel> PCM> DAT> DAT> CD; transfer: Fostex D10> hhb 800 professional stand-alone player; no editing; via Jeff Fishman; reportedly fuller-sounding than previously etreed copies; see flaw notes in info file; no Sunrise; upgrade in circulation notes

2272. 06/09/77 Shn - 0, 5597 San Francisco Winterland Arena SBD hybrid source, including encore: retracking of previous shn set with encore patched in from another previous shn set; Patching, retracking, and SHNv3 conversion by Patrick Murphy; see info file for details and flaw notes; upgrade in circulation notes

2273. 06/09/77 Shn - 0, 1409 San Francisco Winterland Arena Master Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; transfer/shn by John D'Auria; phasing problems from transfer DAT; ; upgrade in circulation notes

2274. 06/09/77 Flac 24/96 - 0, 141360 San Francisco Winterland Arena flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes

2275. 06/09/77 Flac 16 - 0, 144956 San Francisco Winterland Arena flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1 notes

2276. 06/09/77 Shn - 0, 3372 San Francisco Winterland Arena aster Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; no phasing probs; via John D'Auria; upgrade in circulation notes

2277. 09/03/77 Flac - 0, 276 Englishtown Raceway Park Two-track Pre-FM reel > DAT > CD-R, except for encore, which is unknown AUD; note d1t1,2 (intro and Promised) are apparently really from 4/27/77!; this show is now released as Dick's Picks 15- go buy it [Note: An sbe-fixed version circulates.] notes

2278. 09/03/77 Flac 16 Mtx - 0, 131317 Englishtown Raceway Park flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000276) Source: Two-track Pre-FM reel > DAT > CD-R, except for (terrapin), which is unknown AUD and Audience (shnid:91650) 2 Sony ECM 270s> Sony TC-158; Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding notes

2279. 09/03/77 Flac 16 - 0, 102410 Englishtown Raceway Park flac16; aud cassette master, tc-153, taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels/resample 16/44.1)>cd wave(tracking)>flactransferred by Rob Berger notes

2280. 09/03/77 Flac 16 - 0, 91230 Englishtown Raceway Park flac16; AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's. Recording Location: "I was right in front of a delay stack in center field." Transfer: MAC > unknown playback > Soundforge > CD-Wave > CDR. Concert recording and transfer to CDR by Tim "Sounddawg" Stiegler. CDR > EAC > TLH > FLAC by Andrew F. notes

2281. 09/03/77 Flac 16 - 0, 91650 Englishtown Raceway Park flac16; Recording by Bob Wagner: 2 Sony ECM 270s> Sony TC-158 Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Patch source used: SHNID 91230 AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's notes

2282. 09/03/77 Flac 24/96 - 0, 102409 Englishtown Raceway Park flac24; aud cassette master, tc-153 taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels)>cd wave (tracking)>flactransfer by Rob Berger notes

2283. 09/28/77 Shn - 0, 10482 Seattle Paramount Theatre Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII (playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT) Source DAT via Joe Samaritano DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor notes

2284. 09/28/77 Flac 16 - 0, 95952 Seattle Paramount Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky notes

2285. 09/29/77 Flac 16 - 0, 96027 Seattle Paramount Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008 notes

2286. 09/29/77 Shn - 0, 7289 Seattle Paramount Theatre Betty's Master Soundboard Reels > PCM x2> DAT > CDR; numerous blips, ticks, crackles, glitches believed to be on the master reels; via Scott Clugston notes

2287. 09/29/77 Shn - 0, 9003 Seattle Paramount Theatre SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.] notes

2288. 09/29/77 Flac 24/96 - 0, 142839 Seattle Paramount Theatre flac24; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496 notes

2289. 09/29/77 Flac 16/48 - 0, 142840 Seattle Paramount Theatre flac16/48kHz; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2290. 10/01/77 Flac 16 - 0, 86234 Portland Paramount Theatre flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0 notes

2291. 10/01/77 Flac 16 - 0, 123090 Portland Paramount Theatre flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes

2292. 10/01/77 Flac 16 - 0, 123211 Portland Paramount Theatre b>flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2293. 10/01/77 Shn - 0, 277 Portland Paramount Theatre Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation notes

2294. 10/01/77 Shn - 0, Portland Paramount Theatre notes

2295. 10/01/77 Flac 16 - 0, 140578 Portland Paramount Theatre flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston notes

2296. 10/01/77 Flac 16 - 0, 140589 Portland Paramount Theatre flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available notes

2297. 10/02/77 Flac 16 - 0, 123102 Portland Paramount Theatre flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2298. 10/02/77 Flac 16 - 0, 96354 Portland Paramount Theatre flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). notes

2299. 10/02/77 Shn - 0, 278 Portland Paramount Theatre WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation notes

2300. 10/02/77 Flac 24/96 - 0, 142120 Portland Paramount Theatre flac24; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496 notes

2301. 10/02/77 Flac 16/48 - 0, 142121 Portland Paramount Theatre flac16/48kHz; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp notes

2302. 10/02/77 Flac 16/44,1 - 0, 142122 Portland Paramount Theatre flac16/44.1khz Patched soundboard. Recording Info: SBD > Master Reel > PCM > Dat. Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC. Patch source Sandy Troy AKG D224E. notes

2303. 10/06/77 Flac 16 - , 164355 Tempe Activity Center, Arizona State University Recording Info: SBD > Cassette Master > DAT (48k) > WAV
Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16 notes

2304. 10/06/77 Flac 16 - 0, 77476 Tempe Activity Center, Arizona State University flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC notes

2305. 10/06/77 Flac 16 - 0, 113808 Tempe Activity Center, Arizona State University flac16; King Biscuit Flower Hour > WNEW-FM Broadcast > Off The Air Reel Master > M-Audio Transit > Cool Edit @ 24/96 > CD Wave Editor > Cool Edit Dithered To 16/44 > Traders Little Helper > Flac notes

2306. 10/06/77 Flac 24/96 - 0, 113809 Tempe Activity Center, Arizona State University flac24; King Biscuit Flower Hour > WNEW-FM Broadcast > Off The Air Reel Master > M-Audio Transit > Cool Edit @ 24/96 > CD Wave Editor > Traders Little Helper > Flac notes

2307. 10/06/77 Flac 16 - , 164815 Tempe Activity Center, Arizona State University Recording Info: SBD > Cassette Master > DAT (48k) > WAV Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16 Patch Info: FM (KBFH) > Reel Master > FLAC (shnid=113809) supplies: Promised Land (0:00 - 0:13) AUD > ? > Cassette supplies: They Love Each Other (3:35 - 4:38) Eyes Of The World (9:36 - 10:35) Uncle John's Band (0:00 - 1:26) (7:46 - end of track) All Mastering by Charlie Miller. charliemiller87@earthlink.net. July 27, 2018 (original mastering) April 10, 2023 (dozens of clicks cleaned up) May 22, 2023 (patched tape flips) notes

2308. 10/06/77 Flac 16 - 0, 150656 Tempe Activity Center, Arizona State University flac16; lineage: King Biscuit Flower Hour FM broadcast > Sansui 8 receiver > unknown reel recorder @ 3.3/4 ips > Maxell UD 35-90 7" reel > Teax X-700R > soundforge (16 bit 44.1 khz wav) > flac (sb's aligned) notes

2309. 10/07/77 Flac - 0, 80753 Albuquerque University Arena, University Of New Mexico flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

2310. 10/07/77 Flac - 0, 79020 Albuquerque University Arena, University Of New Mexico flac16; Set 2 only: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC; upgrade in circulati notes

2311. 10/07/77 Shn - 0, 1191 Albuquerque University Arena, University Of New Mexico partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans; via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation notes

2312. 10/09/77 Flac 16 - 0, 88961 Denver McNichols Sports Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes

2313. 10/09/77 Flac 16 - 0, 109972 Denver McNichols Sports Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2314. 10/09/77 Shn - 0, 6954 Denver McNichols Sports Arena Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see flaw notes in info file; upgrade in circulation notes

2315. 10/09/77 Shn - 0, 3918 Denver McNichols Sports Arena SBD> ?> CDR> EAC> SHN; via Doug Moog?; missing Casey Jones; upgrade in circulation notes

2316. 10/09/77 Flac 16/48 - 0, 144480 Denver McNichols Sports Arena flac16/48kHz; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 notes

2317. 10/09/77 Flac 24/96 - 0, 144481 Denver McNichols Sports Arena flac24; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 notes

2318. 10/11/77 Flac 16 - 0, 87514 Norman Lloyd Noble Center, University Of Oklahoma flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

2319. 10/11/77 Shn - 0, 32796 Norman Lloyd Noble Center, University Of Oklahoma Source: SBD>MR>DAT>WAV>.shn transfer by: Jake Clemens; upgrade in circulation notes

2320. 10/11/77 Shn - 0, 279 Norman Lloyd Noble Center, University Of Oklahoma SBD; poss genealogy: Betty MR> D> C1> D> CD> SHN; some hiss or static, poss partly from MR (though note MR>D copies do circ); Dat > wav > shn> orig upload by S. Anderson; post-processing (minor cuts/fades) by L. Orf ; diginoise in NFA; upgrade in circul notes

2321. 10/11/77 Shn - 0, 19290 Norman Lloyd Noble Center, University Of Oklahoma SBD>MR>D>C>D>CD>EAC>SHN; with aud patches; via J. Cotsman see info file for flaw notes; Thanks to S. Milewski for updated aud patch; upgrade in circulation notes

2322. 10/11/77 Shn - 0, 19239 Norman Lloyd Noble Center, University Of Oklahoma Soundboard Betty MR> D> C> D> CD> SHN DAE[EAC secure mode], SHN encoding[mkw], and upload by Brian Heath; upgrade in circulation notes

2323. 10/11/77 Flac 24/96 - , 152639 Norman Lloyd Noble Center, University Of Oklahoma flac24/96 Source: Unknown udience cassettes from the collection of Doug Lamarre. Each set is from a difference source. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021 notes

2324. 10/11/77 Flac 16/44 - , 152638 Norman Lloyd Noble Center, University Of Oklahoma flac16/44 Source: Unknown audience cassettes from the collection of by Doug Lamarre. Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021 notes

2325. 10/11/77 Flac 16/44 - , 152829 Norman Lloyd Noble Center, University Of Oklahoma flac16/44 Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 1, 2007 notes

2326. 10/12/77 Shn - 0, 19291 Austin Manor Downs SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches notes

2327. 10/12/77 Shn - 0, 3919 Austin Manor Downs no source listed; "Compendium Crew release"; d2 tracked for 80 min; via Teddy Goodbear to abgd, 5/01 to etree; upgrade in circulation notes

2328. 10/12/77 Flac - 0, 121616 Austin Manor Downs flac16/48kHz; Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/48kHz; All Transfers and Mastering By Charlie Miller notes

2329. 10/12/77 Flac - 0, 121618 Austin Manor Downs flac16; Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/44.1K; All Transfers and Mastering By Charlie Miller notes

2330. 10/14/77 Flac - 0, 110419 Houston Hofheinz Pavilion flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Fix of shnid 110400 notes

2331. 10/14/77 Shn - 0, 34260 Houston Hofheinz Pavilion Fix of shnid 6693 (sbd) by Bill Tetzeli - see info file for details notes

2332. 10/14/77 Flac - 0, 110400 Houston Hofheinz Pavilion flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes

2333. 10/14/77 Shn - 0, 6693 Houston Hofheinz Pavilion SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; woth thanks to Bill Golden notes

2334. 10/15/77 Shn & Flac - 0, 19154 Dallas Moody Coliseum, S.M.U SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected notes

2335. 10/15/77 Flac 16 - 0, 129898 Dallas Moody Coliseum, S.M.U flac16; Recording Info: SBD > mc > r > d > CD; Transfer Info: CD > wav > Sound Forge 10 > TLH > flac notes

2336. 10/15/77 Shn - 0, 6664 Dallas Moody Coliseum, S.M.U SBD : MC > R > DAT > CD; via Steve Tobani, Alan J. Fink; upgrade in circulation notes

2337. 10/15/77 Flac 16 - 0, 125642 Dallas Moody Coliseum, S.M.U flac16; Master AUD -> 1st gen Hi-Fi VHS -> wav ->flac notes

2338. 10/15/77 Flac 16 Mtx - 0, 137270 Dallas Moody Coliseum, S.M.U flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:19154), SBD>MC>R>D>CD>EAC>SHN and Audience (shnid:125642),Master AUD -> 1st gen Hi-Fi VHS -> wav -> flac notes

2339. 10/15/77 Flac 24/48 - 0, 144158 Dallas Moody Coliseum, S.M.U flac24; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018 notes

2340. 10/15/77 Flac 16 - 0, 145159 Dallas Moody Coliseum, S.M.U flac16; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F.; This file set is 16 bit @ 44.1 notes

2341. 10/16/77 Shn - 0, 3350 Baton Rouge Assembly Center, Lousiana State University sdb> MR> C> D> CD; via Mike Lai notes

2342. 10/16/77 Flac 16 - 0, 86712 Baton Rouge Assembly Center, Lousiana State University flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr notes

2343. 10/16/77 Flac 24/48 - 0, 151786 Baton Rouge Assembly Center, Lousiana State University Flac 24 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes
Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48 notes

2344. 10/16/77 Flac 16 - 0, 151787 Baton Rouge Assembly Center, Lousiana State University Master Soundboard Reels > Cassette > DAT > CDR
Patched version of SHNID 3350 notes

2345. 10/16/77 Flac 16/48 - 0, 151785 Baton Rouge Assembly Center, Lousiana State University Flac 1648 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes
Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48
notes

2346. 10/28/77 Flac - 0, 96159 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2347. 10/28/77 Flac - 0, 101196 Kansas City Soldiers & Sailors Memorial Hall flac16; Matrix 2 Source Mix - SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - matrix mixing by Kevin Tobin notes

2348. 10/28/77 Shn - 0, 8520 Kansas City Soldiers & Sailors Memorial Hall Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy notes

2349. 10/28/77 Flac Dts 5.1 - 0, 101243 Kansas City Soldiers & Sailors Memorial Hall DTS-Audio-CD 5.1 Mix; SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - dts mixing by Kevin Tobin notes

2350. 10/28/77 Flac - 0, 96569 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info: Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding notes

2351. 10/28/77 Flac 16 - 0, 148907 Kansas City Soldiers & Sailors Memorial Hall flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 notes

2352. 10/29/77 Flac - 0, 98032 DeKalb Evans Field House, Northern Illinois University flac16; matrix of SBD: shnid=92085 and AUD: shnid=8035 by hansokolow using ProTools notes

2353. 10/29/77 Flac - 0, 92085 DeKalb Evans Field House, Northern Illinois University flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2354. 10/29/77 Shn - 0, 8035 DeKalb Evans Field House, Northern Illinois University Sony ECM-990s>Sony TC-158>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon notes

2355. 10/29/77 Flac - 0, 108010 DeKalb Evans Field House, Northern Illinois University flac16; Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF; Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; Recorded By Steve Maizner; All Transfers and Mastering By Charlie Miller notes

2356. 10/29/77 Flac - 0, 28613 DeKalb Evans Field House, Northern Illinois University flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05 notes

2357. 10/29/77 Shn - 0, 280 DeKalb Evans Field House, Northern Illinois University SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka notes

2358. 10/29/77 Flac Mtx. - 0, 137373 DeKalb Evans Field House, Northern Illinois University flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:92085) Recording Info: SBD -> Master Reel -> PCM -> Dat -> CDTransfer Info:CD -> Samplitude Professional v10.02 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:108010), Recorded By Steve Maizner, Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF, Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2359. 10/29/77 Flac 16 - 0, 148908 DeKalb Evans Field House, Northern Illinois University flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; the original source had a "nearly undetectable" flaw in d2t06 which had to be fixed for nearly undetectable reasons notes

2360. 10/30/77 Flac - 0, 99838 Bloomington Assembly Hall flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 99765 notes

2361. 10/30/77 Shn - 0, 7564 Bloomington Assembly Hall sbd> mr> pcm> dat> cdr> eac >shn via mkwAct 0.97 beta 1; via Bob Allred GDH-Trading tree; see flaw notes in info file; upgrade in circulation notes

2362. 10/30/77 Flac - 0, 99765 Bloomington Assembly Hall flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version now in circulation notes

2363. 10/30/77 Shn - 0, 14946 Bloomington Assembly Hall Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki notes

2364. 10/30/77 Flac - 0, 99939 Bloomington Assembly Hall flac16; source: aud 1st gen reel taped by Steve Maizner sony ecm 990s>sony tc-158sd; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac notes

2365. 10/30/77 Flac - 0, 100165 Bloomington Assembly Hall flac16; Recorded by Steve Maizner Sony ECM-990> Master Cassette; Master cassette> reel> FLAC 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC Transfer and FLAC encoding by David Minches Pitch correction by Joe B. Jones notes

2366. 10/30/77 Flac Mtx. - 0, 137374 Bloomington Assembly Hall flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:99838), Recording Info: SBD -> Master Reel -> PCM -> Dat,Transfer Info:Dat -> Samplitude Professional v10.21 -> FLAC, All Transfers and Mastering By Charlie Miller,Audience (shnid:100165), Recorded by Steve Maizner,Sony ECM-990> Master Cassette; Transfer and FLAC encoding by David Minches:Master cassette> reel> FLAC; 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC notes

2367. 11/01/77 Flac - 0, 82574 Detroit Cobo Arena flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

2368. 11/01/77 Shn - 0, 2485 Detroit Cobo Arena SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation notes

2369. 11/02/77 Flac - 0, 86233 Toronto Field House, Seneca College flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell. notes

2370. 11/02/77 Shn - 0, 86546 Toronto Field House, Seneca College flac16; SBD/AUD Matrix by SIRMick; Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN (shn id 14743) and Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Recorded by Alan Zimmerman (shn id 81012) notes

2371. 11/02/77 Shn - 0, 14743 Toronto Field House, Seneca College Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy notes

2372. 11/02/77 Flac - 0, 81012 Toronto Field House, Seneca College flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC notes

2373. 11/04/77 Flac - 0, 29091 Hamilton Cotterell Gym, Colgate University flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell notes

2374. 11/04/77 Shn - 0, 3739 Hamilton Cotterell Gym, Colgate University SBD:MR > DAT > CD-R; material from previous shn set, plus patched intro from AUD (see notes in info file); seeded by Peter Braverman notes

2375. 11/04/77 Shn - 0, 15208 Hamilton Cotterell Gym, Colgate University MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner. notes

2376. 11/04/77 Flac 16 - 0, 130927 Hamilton Cotterell Gym, Colgate University flac16; Source ID 3739 Adjusted amplitudes and equalization with Cool Edit 2000; shn > wav > flac notes

2377. 11/04/77 Shn - 0, 2595 Hamilton Cotterell Gym, Colgate University SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?); upgrade in circulation notes

2378. 11/04/77 Flac 16 - 0, 81110 Hamilton Cotterell Gym, Colgate University flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC notes

2379. 11/04/77 Flac 16 - 0, 141005 Hamilton Cotterell Gym, Colgate University flac16; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018 notes

2380. 11/04/77 Flac 24/96 - 0, 141004 Hamilton Cotterell Gym, Colgate University flac24; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018 notes

2381. 11/04/77 Flac 16 - 0, 141833 Hamilton Cotterell Gym, Colgate University flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

2382. 11/04/77 Flac 16 - 0, 139656 Hamilton Cotterell Gym, Colgate University flac16; This source is a DAE of the GDLive material listed as source ID 2595; Source/Lineage: SBD Master > DAT > dl gd server > CD-R (15+ yrs) > xACT 2.41 (ffp’s, sector boundaries) > Flac 6 notes

2383. 11/05/77 Shn - 0, 6934 Rochester Community War Memorial Auditorium Master Soundboard Cassette > 1 Reel to Reel gen > DAT, with AUD patches (see info file); Patching, CD Mastering, EAC'ed, SHN'ed by Scott Clugston; to abgd notes

2384. 11/05/77 Shn - 0, 16757 Rochester Community War Memorial Auditorium A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs notes

2385. 11/05/77 Flac 16 - 0, 81180 Rochester Community War Memorial Auditorium flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC notes

2386. 11/05/77 Shn - 0, 3293 Rochester Community War Memorial Auditorium Master Audience Cassette > possible analog gen> DAT > CDR; Mastered to disc> EAC> SHN by Scott Clugston. [Note: An alternate shn set differeing only in disks 2 and 3 also circulates. This might have an additional EAC generation.] notes

2387. 11/05/77 Flac 16/48 - 0, 152193 Rochester Community War Memorial Auditorium flac16/48 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes

2388. 11/05/77 Flac 24/96 - 0, 152194 Rochester Community War Memorial Auditorium flac24/96 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes

2389. 11/06/77 Flac 16 Mtx - 0, 92273 Binghamton Broome County Arena flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008 notes

2390. 11/06/77 Flac 16 - 0, 122296 Binghamton Broome County Arena flac16; MR>PCM>DAT>HD>CDR>EAC>Flac level 8 via TLH notes

2391. 11/06/77 Shn - 0, 283 Binghamton Broome County Arena Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki notes

2392. 11/06/77 Shn - 0, 16758 Binghamton Broome County Arena A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs notes

2393. 11/06/77 Flac 16 - 0, 139055 Binghamton Broome County Arena b>flac16; Soundboard Master Reels > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44 notes

2394. 11/06/77 Flac 24/96 - 0, 148412 Binghamton Broome County Arena flac24; 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2395. 11/06/77 Flac 16/48 - 0, 148411 Binghamton Broome County Arena flac1648 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2396. 12/27/77 Shn - 0, 24069 San Francisco Winterland Arena Bertha Remaster of the Master Reel source. SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN notes

2397. 12/27/77 Shn - 0, 19288 San Francisco Winterland Arena SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches notes

2398. 12/27/77 - 0, San Francisco Winterland Arena notes

2399. 12/27/77 Flac - 0, 137166 San Francisco Winterland Arena flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC; All Transfers and Mastering By Charlie Miller notes

2400. 12/29/77 Shn - 0, 20370 San Francisco Winterland Arena Set I & Encore MSR>R>R>R>C>DAT>WAV>SHN Set II MSR>R>C>DAT>WAV>SHN C>SHN Conversions by Cousinit notes

2401. 12/29/77 Shn - 0, 18675 San Francisco Winterland Arena Dick's Picks 10 outtakes SBD>?>SHN via Terrapin Station notes

2402. 12/29/77 Flac 24/96 - 0, 133041 San Francisco Winterland Arena flac24; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes

2403. 12/29/77 Flac 16 - 0, 133042 San Francisco Winterland Arena flac16; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes

2404. 12/29/77 Flac 16 - 0, 92374 San Francisco Winterland Arena flac16; Partial set 2 only, unknown generation maxell cassette-> sb audigy-> audacity-> cd wav-> flac notes

2405. 12/29/77 Flac 16 - 0, 108432 San Francisco Winterland Arena flac16; Reinhardt Holwein Audience Reel > ???? > DAT > CDR > EAC Secure Mode > WAV > FLAC notes

2406. 12/29/77 Flac 16/48 - 0, 137198 San Francisco Winterland Arena flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller notes

2407. 12/29/77 Flac 16 - 0, 137650 San Francisco Winterland Arena flac16; Source: Audience recording (Sennheiser 421s) > ??? > cdr > eac > wav 16/44.1; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wav TLH > Flac16; edited and mastered SIRMick notes

2408. 12/29/77 Flac 16 - 0, 141740 San Francisco Winterland Arena flac16; Source Info: Analog Soundboard > Cassette > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

2409. 12/30/77 Shn - 0, 20009 San Francisco Winterland Arena SBDMR>DAT>Sonic Solutions>CD>EAC>SHN notes

2410. 12/30/77 Flac 16 - 0, 132379 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Pro X2 Suite -> FLAC; All Transfers and Mastering By Charlie Miller notes

2411. 12/30/77 Flac 16 - 0, 112745 San Francisco Winterland Arena flac16; Audience Recording by Gene Taback; One Casette Master Transferred by Jim Blackwood at 24bit 96 kHz Edited and Mastered by Jamie Waddell Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 Tag&Rename for MetaData notes

2412. 12/30/77 Shn - 0, 20009 San Francisco Winterland Arena partial; SBD> MR> DAT> CD; via Candyman notes

2413. 12/30/77 Flac 16 - 0, 139536 San Francisco Winterland Arena flac16; Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; This is a patched version of shnid=132379 notes

2414. 12/30/77 Flac 24/96 - 0, 139533 San Francisco Winterland Arena flac24; Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 notes

2415. 12/30/77 Flac 16/48 - 0, 142698 San Francisco Winterland Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - surround mixing by Kevin Tobin notes

2416. 12/30/77 Flac Dts 5.1 - 0, 142697 San Francisco Winterland Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - dts mixing by Kevin Tobin notes

2417. 12/30/77 Flac 16 Mtx - 0, 142696 San Francisco Winterland Arena flac16; Matrix 2 Source Mix - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - matrix mixing by Kevin Tobin notes

2418. 12/31/77 Shn - 0, 35291 San Francisco Winterland Arena Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN notes

2419. 12/31/77 Flac - 0, 20596 San Francisco Winterland Arena Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) notes

2420. 12/31/77 Shn - 0, 286 San Francisco Winterland Arena SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim notes

2421. 12/31/77 Flac 24/96 - 0, 140952 San Francisco Winterland Arena flac24; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes

2422. 12/31/77 Flac 16 - 0, 140951 San Francisco Winterland Arena flac16; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24 bit > 16 bit via dBpoweramp notes

2423. 12/31/77 Flac 16/48 - 0, 141127 San Francisco Winterland Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - mixing by Kevin Tobin notes

2424. 12/31/77 Flac Dts 5.1 - 0, 141126 San Francisco Winterland Arena notes

2425. 12/31/77 Flac 16 Mtx - 0, 141125 San Francisco Winterland Arena flac16; Matrix 2 Source Mix - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - matrix mixing by Kevin Tobin notes

2426. 12/31/77 Flac 16 - 0, 141124 San Francisco Winterland Arena flac16; Patched/Pitch Corrected Soundboard (original shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) - pitch correction and patches by Kevin Tobin notes

2427. 12/31/77 Flac 16 - 0, 141799 San Francisco Winterland Arena flac16; Source: SBD > Umatic videotape masters (noted as "remote") - From Bob Gurman; Transfer: Umatic masters > Sony VO-2600 > Tascam CDRW-700 > CDR - Transfered by Alan Bershaw November 26, 2002; Lineage: CDR > wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and master SIRMick April 2018 notes

2428. 12/31/77 Shn - 0, 20596 San Francisco Winterland Arena Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) notes

2429. 12/31/77 Flac 24/96 - 0, 151333 San Francisco Winterland Arena flac2496 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596
This updated "version three" was created on January 1, 2021.
...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151251 + 151298), please don't continue to share them elsewhere. 24 Bit 96 kHz FLAC Level 8 notes

2430. 12/31/77 Flac 16/48 - 0, 151332 San Francisco Winterland Arena flac1648 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596.
This updated "version three" was created on January 1, 2021.
...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere. 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither notes

2431. 01/06/78 Shn - 0, 6953 San Bernardino Swing Auditorium Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation notes

2432. 01/06/78 Shn - 0, 24629 San Bernardino Swing Auditorium SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com. notes

2433. 01/06/78 Flac 24/96 - , 152855 San Bernardino Swing Auditorium flac24/96 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > CD Wave > Flac24 edited and mastered SIRMick July 2021 notes

2434. 01/06/78 Flac 16/44 - , 152854 San Bernardino Swing Auditorium flac16/44 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick July 2021 notes

2435. 01/06/78 Flac 16/44 - , 153175 San Bernardino Swing Auditorium flac16/44 Source: Sbd > Cassette Master > Cassette (1st gen) Transfer: Cassette (1st gen) > Nakamichi CR7A > PCM > wav 16/44.1 via: Bob Menke Lineage: wav > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > Cd Wave > Flac16 edited and mastered SIRMick August 2021 notes

2436. 01/07/78 Shn - 0, 7204 San Diego Golden Hall, Community Concourse Master Soundboard Cassette > Reel to Reel > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; beginning and end cuts; low volume digiwhiz in mingle @ ~2:10; upgrade in circulation notes

2437. 01/07/78 Flac 16 Mtx - 0, 127345 San Diego Golden Hall, Community Concourse flac16; 2 Source Matrix by dusborne; Soundboard (shnid:17806) SBD>MC>R>D>CD>EAC>SHN patched with: AUD>?>CD>EAC>SHN final edits/encoding by JCotsman and Audience (shnid:89474) Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac; Transfer by: Pantagruel notes

2438. 01/07/78 Shn - 0, 17806 San Diego Golden Hall, Community Concourse SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman notes

2439. 01/07/78 Flac 16 - 0, 89474 San Diego Golden Hall, Community Concourse flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac notes

2440. 01/07/78 Flac - , 152609 San Diego Golden Hall, Community Concourse Recording Info: SBD > Cassette Master > DAT > CD
Transfer Info: CD > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC
notes

2441. 01/08/78 Shn - 0, 7201 San Diego Golden Hall, Community Concourse Master Soundboard Cassette > Cassette > DAT> CDR, with AUD patch in Other One; CD Mastering / Patching, EAC'ed / SHN'ed by Scott Clugston; with thanks to Lawrence Peryer, Charlie Connor; d1 tracked for 80 min; upgrade in circulation notes

2442. 01/08/78 Shn - 0, 14670 San Diego Golden Hall, Community Concourse SBDMR > R > PCM > DAT > CD > EAC > SHN note: Jerry had laryngitis on this night and therefore he did not sing. d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54 d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12 EAC, SHN and cross fades by Noah Weiner - November, 2002 notes

2443. 01/08/78 Flac 16 - 0, 102500 San Diego Golden Hall, Community Concourse flac16; Analog Audience Source: Master Audience Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UDXL II; Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; MOTB Release: 0109 notes

2444. 01/08/78 Flac 24/96 - 0, 102349 San Diego Golden Hall, Community Concourse flac24; Analog Audience Source: Master Audience Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0109 24/96 (The original release of this source from 2009-11-03 had errors in the tags.) notes

2445. 01/08/78 Shn - 0, 34854 San Diego Golden Hall, Community Concourse Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer notes

2446. 01/08/78 Flac 16/44 - , 153085 San Diego Golden Hall, Community Concourse flac16/44 Recording Info: SBD -> Cassette Master -> AIFF
Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC notes

2447. 01/10/78 Shn - 0, 14523 Los Angeles Shrine Auditorium SBD>MC>?>CD>EAC>SHN; (see lineage info); Thanks to Raoul Duke & Hanno Bunjes; edits/encoding by JCotsman notes

2448. 01/10/78 Flac 16 Mtx - 0, 95134 Los Angeles Shrine Auditorium flac16 Matrix: MAC = 3 x Maxell UDXL II A2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] and SBD>MC>?>CD>EAC>SHN (Source ID 14523) notes

2449. 01/10/78 Flac 16 - 0, 95068 Los Angeles Shrine Auditorium flac16; Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] notes

2450. 01/10/78 Flac 16 - 0, 133618 Los Angeles Shrine Auditorium flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02) notes

2451. 01/10/78 Flac 24 - 0, 133619 Los Angeles Shrine Auditorium flac24; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02) notes

2452. 01/10/78 Flac 24 - 0, 95069 Los Angeles Shrine Auditorium flac24; MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] notes

2453. 01/11/78 Flac Mtx - 0, 110959 Los Angeles Shrine Auditorium flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16 notes

2454. 01/11/78 Shn - 0, 13190 Los Angeles Shrine Auditorium SBD>MC>R>PCM>D>CD>EAC>SHN (??); see comments on lineage; Thanks to Raoul Duke edits/encoding by Matt Vernon & JCotsman notes

2455. 01/11/78 Flac - 0, 92086 Los Angeles Shrine Auditorium flac16; Matrix, Sources used: 1) SBD > MC > R > PCM > D > CD > EAC > SHN and 2) audience recording on a Marantz pro cassette deck, don't recall the model & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Matrixed by SIRMick notes

2456. 01/11/78 Shn - 0, 12894 Los Angeles Shrine Auditorium SBD master reel > Cass > DAT > CD-R > EAC > .SHN ; upgrade in circulation notes

2457. 01/11/78 Flac - 0, 135498 Los Angeles Shrine Auditorium flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller; the original version had errors in the tracking; [lease don't circulate the original (19 track) version notes

2458. 01/11/78 Flac 24 - 0, 135499 Los Angeles Shrine Auditorium flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller notes

2459. 01/11/78 Flac - 0, 89475 Los Angeles Shrine Auditorium flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac notes

2460. 01/13/78 Shn - 0, 4629 Santa Barbara Arlington Theater Master Soundboard Cassette> Cassette> DAT> CDR> EAC> SHN notes

2461. 01/13/78 Flac 24 - 0, 135501 Santa Barbara Arlington Theater flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller notes

2462. 01/13/78 Flac - 0, 135500 Santa Barbara Arlington Theater flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller notes

2463. 01/13/78 Flac - 0, 105208 Santa Barbara Arlington Theater flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes

2464. 01/14/78 Flac Mtx - 0, 105811 Bakersfield Bakersfield Memorial Auditorium flac16; MTX 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Soundboard Source: gd78-01-14.sbd.vernon.16114.sbeok.shnf notes

2465. 01/14/78 Flac - 0, 105758 Bakersfield Bakersfield Memorial Auditorium flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes

2466. 01/14/78 Shn - 0, 16114 Bakersfield Bakersfield Memorial Auditorium SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon notes

2467. 01/14/78 Flac - 0, 88091 Bakersfield Bakersfield Memorial Auditorium flac16; source: aud > ??? > cdr > eac > wav > flac notes

2468. 01/14/78 Flac - 0, 135521 Bakersfield Bakersfield Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller notes

2469. 01/14/78 Flac 24 - 0, 135522 Bakersfield Bakersfield Memorial Auditorium flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller notes

2470. 01/14/78 Flac - 0, 99092 Bakersfield Bakersfield Memorial Auditorium flac16; Source: Unknown Audience recording, believed to be a 3rd gen cass Transfer: cass > Nakamichi DR-1 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab(with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16 notes

2471. 01/15/78 Shn - 0, 13252 Fresno Selland Arena mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here. notes

2472. 01/15/78 Flac - 0, 106182 Fresno Selland Arena flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein notes

2473. 01/15/78 Flac - 0, 80954 Fresno Selland Arena flac16; AUD>MC>C>D>CD>EAC>SHN>?>FLAC; These are from the same source as the audience portion of shn id 13252. This completes what circulates from that aud. notes

2474. 01/17/78 Shn - 0, 14555 Sacramento Sacramento Memorial Auditorium SBD>MR>C>D>CD>SHN; missing Around & US Blues; Thanks to Raoul Duke; edits/encoding by Matt Vernon & JCotsman notes

2475. 01/17/78 Flac 24/96 - 0, 141145 Sacramento Sacramento Memorial Auditorium flac24; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes

2476. 01/17/78 Flac 16 - 0, 141144 Sacramento Sacramento Memorial Auditorium flac16; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit to 16-bit via dBpoweramp notes

2477. 01/17/78 Flac 16 - 0, 141146 Sacramento Sacramento Memorial Auditorium flac16; Source Info: Master Soundboard Reels > Cassette > Dat > CD > EAC > SHN (shnid 14555); This is a patched and re-mastered version of the shnid14555 soundboard source from Matt Vernon & JCotsman notes

2478. 01/18/78 Shn - 0, 13101 Stockton Stockton Civic Auditorium SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman notes

2479. 01/18/78 Shn - 0, 18656 Stockton Stockton Civic Auditorium Set Two AUD>MC>??>DAT>CDR via Raoul Duke encoded by Matt Vernon notes

2480. 01/22/78 Flac 16 - 0, 110632 Eugene McArthur Court, University Of Oregon flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> FLAC; Set 2: (1st 4 songs) (FOB) AKG D224E -> Cassette Master -> FLAC (shnid=101436); Set 2: (Terrapin through Saint Stephen) SBD -> Cassette Master > FLAC; Set 2: (Not Fade Away through U.S. Blues) SBD -> Reel Master > FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2481. 01/22/78 Flac 16 - 0, 28846 Eugene McArthur Court, University Of Oregon flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell notes

2482. 01/22/78 Shn - 0, 4974 Eugene McArthur Court, University Of Oregon d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi notes

2483. 01/22/78 Flac 16 - 0, 31940 Eugene McArthur Court, University Of Oregon flac16; SBD, 1st 4 songs in 2nd set AUD notes

2484. 01/22/78 Shn - 0, 2014 Eugene McArthur Court, University Of Oregon Source: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria notes

2485. 01/22/78 Flac 16 - 0, 101436 Eugene McArthur Court, University Of Oregon flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert notes

2486. 01/22/78 Shn - 0, 287 Eugene McArthur Court, University Of Oregon Source: DNC Close Encounters Tree; SBD> M?> C> PCM> Sound Forge> CD-R> SHN; show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD notes

2487. 01/22/78 Flac 24 - 0, 101437 Eugene McArthur Court, University Of Oregon flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert notes

2488. 01/30/78 Flac 16 - 0, 32255 Chicago Uptown Theatre flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller notes

2489. 01/30/78 Shn - 0, 12437 Chicago Uptown Theatre Tim Powell recording (Sony ECM-99/Sony TC-152) AUD>MC>R>DAT>CDR via Raoul Duke notes

2490. 01/30/78 Flac 16 - 0, 148564 Chicago Uptown Theatre flac16; Source Info: Master Soundboard Reel > Dick Latvala's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> 16/44.1 .wav > Adobe Audition CC 2019 > TLH flac16 notes

2491. 01/31/78 Flac - 0, 32256 Chicago Uptown Theater flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller notes

2492. 01/31/78 Flac - 0, 123059 Chicago Uptown Theater flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller notes

2493. 01/31/78 Flac - 0, 101556 Chicago Uptown Theater flac16; Matrix: 60 sbd/40 aud. In addition the gain on the sbd was increased by 1 decibel and for the aud reduced by the same amount sbd: SBD > Master Reel > Dat > CD > FLAC (shnid 32256) and aud: AUD > MC > R > CD > EAC > SHN (shnid 17807) notes

2494. 01/31/78 Shn - 0, 1807 Chicago Uptown Theater set 2; SBDMR> Cass> DAT> CDR> EAC> SHN; via Mike (Dank Star) Parrillo; upgrade in circulation notes

2495. 01/31/78 Shn - 0, 17074 Chicago Uptown Theater set 1 mostly AUD>MC>R>CD>EAC>SHN, set 2 SBD>MR>C>D>CD>EAC>SHN with aud patches via Jack Warner and Mike Parrillo encoded/edits by Jeff Cotsman and Matt Vernon; upgrade in circulation notes

2496. 01/31/78 Shn - 0, 17807 Chicago Uptown Theater AUD> MC> R> CD> EAC> SHN; patched with SBD> MR> C> D> CD> EAC> SHN; Thanks to Jack Warner; edits/encoding by Matt Vernon & JCotsman; note d1t1-7 md5s same as in previous seed, others differ notes

2497. 02/01/78 Shn - 0, 1017 Chicago Uptown Theater MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks notes

2498. 02/01/78 Flac 16 - 0, 97744 Chicago Uptown Theater flac16; MAC>R>C>WAV>FLAC notes

2499. 02/01/78 Flac 16 - 0, 138451 Chicago Uptown Theater flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1 notes

2500. 02/03/78 Shn - 0, 19464 Madison Dane County Coliseum Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano. notes

2501. 02/03/78 Flac 16 - 0, 132731 Madison Dane County Coliseum flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHz; DAT Zero-(DL) > DAT#1 > DAT#2; 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise notes

2502. 02/03/78 Shn - 0, 19465 Madison Dane County Coliseum Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

2503. 02/03/78 Flac 16 - 0, 139370 Madison Dane County Coliseum flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; Six songs from Set 1 are .mp3 sourced notes

2504. 02/04/78 Flac 16 Mtx - 0, 123949 Milwaukee Milwaukee Auditorium flac16; Partial 1 song Matrix by Hunter Seamons; Soundboard recording by Dan Healy; Audience recording transferred by Raoul Duke notes

2505. 02/04/78 Flac - 0, 132719 Milwaukee Milwaukee Auditorium flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS; Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHZ; DAT Zero-DAT#1 (Rob Bertrando); 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise notes

2506. 02/04/78 Shn - 0, 12199 Milwaukee Milwaukee Auditorium AUD> MC> R> C> DAT> CDR> EAC> CD; Re-mastered via the Owens?s Brothers Vault. ; via Raoul Duke; Seeded to etree by Matt Vernon notes

2507. 02/05/78 Flac 16 Mtx - 0, 123360 Cedar Falls Uni Dome, University Of Northern Iowa flac16; Set 2 only; Two source matrix: Soundboard (shnid:19471) Soundboard->Master Reel->DAT->DAT->ZA2->Soundforge->.wav->mkw->SHN and Audience (shnid:19466) Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

2508. 02/05/78 Shn - 0, 19471 Cedar Falls Uni Dome, University Of Northern Iowa Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Dat seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano. notes

2509. 02/05/78 Shn - 0, 19466 Cedar Falls Uni Dome, University Of Northern Iowa Set Two only Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

2510. 02/05/78 Flac 16 - 0, 138311 Cedar Falls Uni Dome, University Of Northern Iowa flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1 notes

2511. 02/05/78 Flac 16 - 0, 138384 Cedar Falls Uni Dome, University Of Northern Iowa flac16; Set 2; Source: Unknown FOB AUD (mono) from Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2017 notes

2512. 02/05/78 Flac 24/96 - 0, 151838 Cedar Falls Uni Dome, University Of Northern Iowa flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021 notes

2513. 02/05/78 Flac 16/44 - 0, 151837 Cedar Falls Uni Dome, University Of Northern Iowa flac16/44 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021 notes

2514. 02/05/78 Flac 24/96 - 0, 151622 Cedar Falls Uni Dome, University Of Northern Iowa flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick notes

2515. 02/05/78 Flac 16 - 0, 151821 Cedar Falls Uni Dome, University Of Northern Iowa flac16 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and mastered SIRMick February 2021 notes

2516. 02/05/78 Flac 16/44 - 0, 151646 Cedar Falls Uni Dome, University Of Northern Iowa flac16/44khz; Sick Bits Vol. 34
Matrix: SBD (Shnid=19471) + AUD1 (Shnid=19466) - primary and AUD2 (Shnid=138384) - patches
Matrixed (edited, mixed and converted) by Chris Chappell notes

2517. 04/06/78 Flac 16 - 0, 81307 Tampa Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

2518. 04/06/78 Shn - 0, 290 Tampa Curtis Hixon Convention Hall mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR; upgrade in circulation notes

2519. 04/06/78 Flac 16 Mtx - 0, 81508 Tampa Curtis Hixon Convention Hall flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494 notes

2520. 04/06/78 Shn - 0, 18510 Tampa Curtis Hixon Convention Hall Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; upgrade in circulation notes

2521. 04/06/78 Flac 16 - 0, 81494 Tampa Curtis Hixon Convention Hall flac16; Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; patches and speed correction by Kevin Tobin notes

2522. 04/06/78 Flac Dts 5.1 - 0, 81767 Tampa Curtis Hixon Convention Hall DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158; mixed by Kevin Tobin notes

2523. 04/06/78 Flac 16 - 0, 140694 Tampa Curtis Hixon Convention Hall flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018 notes

2524. 04/06/78 Flac 16 - 0, 147759 Tampa Curtis Hixon Convention Hall flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2019 notes

2525. 04/06/78 Flac 24/96 - 0, 148069 Tampa Curtis Hixon Convention Hall flac24; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 notes

2526. 04/06/78 Flac 16/48 - 0, 148068 Tampa Curtis Hixon Convention Hall flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2527. 04/07/78 Flac 16 - 0, 83715 Pembroke Pines The Sportatorium flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

2528. 04/07/78 Shn - 0, 10208 Pembroke Pines The Sportatorium 7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor notes

2529. 04/07/78 Flac 16 - 0, 140736 Pembroke Pines The Sportatorium flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018 notes

2530. 04/08/78 Shn - 0, 4088 Jacksonville Veterans Memorial Coliseum SBD> Bettyboard 7" reels @ 7.5ips> PCM> DAT> CDR> SHN; seeded by Katy Miller; upgrade in circulation notes

2531. 04/08/78 Flac 16 - 0, 83716 Jacksonville Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

2532. 04/08/78 Flac 16 - 0, 834404 Jacksonville Veterans Memorial Coliseum flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk WBOTB Transferred by Tim Deibert 3-10-02 notes

2533. 04/08/78 Shn - 0, 4144 Jacksonville Veterans Memorial Coliseum SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; upgrade in circulation notes

2534. 04/08/78 Flac 24 - 0, 140789 Jacksonville Veterans Memorial Coliseum flac24; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes

2535. 04/08/78 Flac 16 - 0, 140922 Jacksonville Veterans Memorial Coliseum flac16; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes

2536. 04/08/78 Flac 24/96 - 0, 147788 Jacksonville Veterans Memorial Coliseum flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2537. 04/08/78 Flac 16/48 - 0, 147787 Jacksonville Veterans Memorial Coliseum flac16/48kHz; Recording Info:Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2538. 04/08/78 Flac 16 - 0, 148006 Jacksonville Veterans Memorial Coliseum flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019 notes

2539. 04/08/78 Flac 16 Mtx - 0, 148615 Jacksonville Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 148006 & 147787. notes

2540. 04/10/78 Flac 16 - 0, 108665 Atlanta Fox Theater flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2541. 04/10/78 Shn - 0, 15782 Atlanta Fox Theater Betty Board>?>CD; Unknown seeder; upgrade in circulation notes

2542. 04/10/78 Shn - 0, 5259 Atlanta Fox Theater Sbd > MR > PCM >Dat > cdr > Eac > wav > shn; Eac > Shnv3 by Ernie Dodd, from Paul B seed discs; see info file for flaw notes; upgrade in circulation notes

2543. 04/10/78 Shn - 0, 18098 Atlanta Fox Theater SBD -> Rm -> PCM -> Dat via Charlie Miller notes

2544. 04/10/78 Flac 16 - 0, 81262 Atlanta Fox Theater flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (or 441s) + Sony 54P> passed through Nakamichi 550> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC * Patches supplied by SB>MR>PCM>DAT>CD (Note: On 12/28/2006 David Minches circulated a fixed version of d3t04 through d3t07) notes

2545. 04/10/78 Flac 16 - 0, 140836 Atlanta Fox Theater flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMickJanuary 2018 notes

2546. 04/10/78 Flac 16 - 0, 148538 Atlanta Fox Theater flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019 notes

2547. 04/10/78 Flac 16 - 0, 150608 Atlanta Fox Theater flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 16, 2020 notes

2548. 04/11/78 Flac - 0, 108666 Atlanta Fox Theater flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2549. 04/11/78 Shn - 0, 291 Atlanta Fox Theater SBD> Reel > PCM> DAT> CDR> SHN; note missing last 2 songs- Sugar Magnolia, encore JGB; known flaws: noticable clicking on d1t8, possibly from bad DAE; reel Glitch d/o d2t3 10:56 - 11:00; via M. Lai, C. Vinci; upgrade in circulation notes

2550. 04/11/78 Shn - 0, 18099 Atlanta Fox Theater SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation notes

2551. 04/11/78 Flac - 0, 81257 Atlanta Fox Theater flac16; SBD -> Rm -> PCM -> Dat - Seamless fix of shn id 18099 via Bill Tetzeli notes

2552. 04/11/78 Flac 16 - 0, 141775 Atlanta Fox Theater flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018 notes

2553. 04/11/78 Flac 16 - 0, 150607 Atlanta Fox Theater flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 17, 2020 notes

2554. 04/12/78 Flac 16 - 0, 106985 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes

2555. 04/12/78 Flac 16 - 0, 107156 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985 notes

2556. 04/12/78 Flac Dts 5.1 - 0, 134567 Durham Cameron Indoor Stadium, Duke University DTS-Audio-CD 5.1 Mix; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin notes

2557. 04/12/78 Flac 16 Mtx - 0, 134566 Durham Cameron Indoor Stadium, Duke University flac16; Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes

2558. 04/12/78 Shn - 0, 11476 Durham Cameron Indoor Stadium, Duke University SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry notes

2559. 04/12/78 Shn - 0, 95673 Durham Cameron Indoor Stadium, Duke University SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN notes

2560. 04/12/78 Flac 16 - 0, 105875 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller notes

2561. 04/12/78 Shn - 0, 18805 Durham Cameron Indoor Stadium, Duke University SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified) notes

2562. 04/12/78 Flac 16/48 - 0, 134820 Durham Cameron Indoor Stadium, Duke University flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin notes

2563. 04/12/78 Flac 16 - 0, 141776 Durham Cameron Indoor Stadium, Duke University flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018 notes

2564. 04/12/78 Shn - 0, 14085 Durham Cameron Indoor Stadium, Duke University Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ notes

2565. 04/12/78 Flac 16/48 - 0, 148070 Durham Cameron Indoor Stadium, Duke University flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2566. 04/12/78 Flac 24/96 - 0, 148071 Durham Cameron Indoor Stadium, Duke University flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 notes

2567. 04/12/78 Flac 16 - 0, 149531 Durham Cameron Indoor Stadium, Duke University flac16; Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; this is a corrected version of source ID 149339 notes

2568. 04/12/78 Flac 16/48 - , 155360 Durham Cameron Indoor Stadium, Duke University flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes

2569. 04/14/78 Flac 16 - 0, 83717 Blacksburg Cassell Coliseum, Virginia Polytechnic flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

2570. 04/14/78 Shn - 0, 7251 Blacksburg Cassell Coliseum, Virginia Polytechnic Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28 notes

2571. 04/14/78 Flac 24/96 - 0, 147790 Blacksburg Cassell Coliseum, Virginia Polytechnic flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2572. 04/14/78 Flac 16/48 - 0, 147789 Blacksburg Cassell Coliseum, Virginia Polytechnic flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2573. 04/14/78 Flac 16 - 0, 148291 Blacksburg Cassell Coliseum, Virginia Polytechnic flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2019 notes

2574. 04/14/78 Flac 16 - 0, 149542 Blacksburg Cassell Coliseum, Virginia Polytechnic flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel notes

2575. 04/15/78 Flac 16 Mtx - 0, 86412 Williamsburg William & Mary Hall flac 16; Sick Bits Vol. 24 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=33683) + AUD (shnid=18556). Matrixed by Chris Chappell. notes

2576. 04/15/78 Flac 16 - 0, 33683 Williamsburg William & Mary Hall flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC notes

2577. 04/15/78 Flac 16 - 0, 116981 Williamsburg William & Mary Hall flac16 Source: (single) Nakamichi CM300 with CP1 cardioid capsule front of board> Nakamichi 550 deck with dolby B on; Transfer: (original) Nak 550 Dolby B on> Apogee Mini-Me @ 16/44> wav; Assembly: AA3 for fades and edits, CDWav for tracks, TLH for Flac7, Foobar for tags; Recorded by Mark Olkon; Transferred and Assembled by Mike Schuncke notes

2578. 04/15/78 Flac 16 - 0, 34932 Williamsburg William & Mary Hall flac16; SBD > MR > PCM > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 33638 notes

2579. 04/15/78 Shn - 0, 7047 Williamsburg William & Mary Hall SBD> MR> PCM> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; missing encore, splice in NFA; upgrade in circulation notes

2580. 04/15/78 Shn - 0, 18556 Williamsburg William & Mary Hall Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches notes

2581. 04/15/78 Flac 24/96 - 0, 137402 Williamsburg William & Mary Hall flac24; Set 2 Source: sbd; All Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6] notes

2582. 04/15/78 Flac 16 - 0, 137403 Williamsburg William & Mary Hall flac16; Set 2 Source: sbd; Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor to Split Tracks & covert to Flac16 [Level 6]; TLH to fix SBE notes

2583. 04/15/78 Flac 24/96 - 0, 147792 Williamsburg William & Mary Hall flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2584. 04/15/78 Flac 16/48 - 0, 147791 Williamsburg William & Mary Hall flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2585. 04/15/78 Flac 16 - 0, 148422 Williamsburg William & Mary Hall flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick December 2019 notes

2586. 04/15/78 Flac 24/96 - 0, 148572 Williamsburg William & Mary Hall flac24; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2587. 04/15/78 Flac 16/48 - 0, 148571 Williamsburg William & Mary Hall flac16/48kHz; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2588. 04/15/78 Flac 16 - 0, 149543 Williamsburg William & Mary Hall flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel notes

2589. 04/15/78 Flac 24/48 - , 152890 Williamsburg William & Mary Hall flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021 notes

2590. 04/16/78 Flac 16 Mtx - 0, 98535 Huntington Huntington Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes

2591. 04/16/78 Flac 16 - 0, 822273 Huntington Huntington Civic Center flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller notes

2592. 04/16/78 Flac 16 - 0, 81457 Huntington Huntington Civic Center flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman notes

2593. 04/16/78 Shn - 0, 292 Huntington Huntington Civic Center SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream; upgrade in circulation notes

2594. 04/16/78 Shn - 0, 34971 Huntington Huntington Civic Center Source: SBD>R2R>PCM>DAT>CDR>SHN ; Fix of shn id 292: SBE fixed on D1t12. Processed by xACT 1.55 to make WAVE headers canonical (44 bytes) on all SHN files.; upgrade in circulation notes

2595. 04/16/78 Shn - 0, 20085 Huntington Huntington Civic Center Possible lineage Master reel> PCM>??> DAT> Sonic Solutions>CD via David Gans, encoded by Brooke Hessel for GDH-Trading Tree; upgrade in circulation notes

2596. 04/16/78 Shn - 0, 16619 Huntington Huntington Civic Center another version of previous shn set(s) with unknown relationship to either (parent, reshn, fix?); md5s differ from previous; upgrade in circulation notes

2597. 04/16/78 Flac 16 - 0, 98510 Huntington Huntington Civic Center flac16; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac transferred & seeded by Rob Berger notes

2598. 04/16/78 Flac 16 - 0, 98791 Huntington Huntington Civic Center flac16; Recording by Bob Wagner: 3 Sony ECM-54 Ps> Sony 158 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version notes

2599. 04/16/78 Flac 24 - 0, 89509 Huntington Huntington Civic Center flac24; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded by Rob Berger notes

2600. 04/16/78 Flac 16 44,1khz - 0, 139240 Huntington Huntington Civic Center flac16 44.1khz Commercial bootleg release; "For The Faithful" Soundboard; Kiss The Stone records KTS 528/529 released 1996 EAC (secure) > Flacfrontend (level 8) 2/2008 by deadtrader notes

2601. 04/16/78 Flac 24/96 - 0, 147802 Huntington Huntington Civic Center flac24; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2602. 04/16/78 Flac 16/48 - 0, 147801 Huntington Huntington Civic Center flac16/48kHz; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2603. 04/16/78 Flac 16 - 0, 148386 Huntington Huntington Civic Center flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019 notes

2604. 04/16/78 Flac 24/96 - 0, 148566 Huntington Huntington Civic Center flac24; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes

2605. 04/16/78 Flac 16/48 - 0, 148565 Huntington Huntington Civic Center flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2606. 04/16/78 Flac 16 - 0, 149552 Huntington Huntington Civic Center flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel notes

2607. 04/18/78 Shn - 0, 14036 Pittsburgh Civic Arena SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman notes

2608. 04/18/78 Shn - 0, 12383 Pittsburgh Civic Arena Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon notes

2609. 04/18/78 Flac 16 - 0, 132410 Pittsburgh Civic Arena flac16; Set 2 Source: MAC>XL-IIS>XL-IIS (FOB,2); Transfer: Maxell XL-IIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged notes

2610. 04/18/78 Flac 16 - 0, 81315 Pittsburgh Civic Arena flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Shure SM57s> Sony TC-158 notes

2611. 04/19/78 Flac 16 Mtx - 0, 94522 Columbus Veterans Memorial Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes

2612. 04/19/78 Shn - 0, 9121 Columbus Veterans Memorial Hall SBD>Rm>CD>David Gans Sonic Solutions>CD; via Charlie Miller; Seeded to etree by Sean Cheadle notes

2613. 04/19/78 Shn - 0, 7286 Columbus Veterans Memorial Hall SBD > Master Reel > CD > Sonic Solutions > CD mastered by David Gans; Source shns from Bob Murphy; partial retrack by Darrin Sacks notes

2614. 04/19/78 Flac 16 - 0, 94494 Columbus Veterans Memorial Hall flac16; Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller notes

2615. 04/21/78 Flac 16 - 0, 97501 Lexington Rupp Arena, University Of Kentucky flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2616. 04/21/78 Flac 16 - 0, 123212 Lexington Rupp Arena, University Of Kentucky flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2617. 04/21/78 Shn - 0, 10149 Lexington Rupp Arena, University Of Kentucky SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf; See info file for details; via Jim Ballinger & Jeff Cook; Seeded to etree by J. Cotsman notes

2618. 04/21/78 Flac 16/48 - 0, 151823 Lexington Rupp Arena, University Of Kentucky flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2619. 04/21/78 Flac 24/96 - 0, 151924 Lexington Rupp Arena, University Of Kentucky flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2620. 04/22/78 Flac 16 - 0, 97508 Nashville Nashville Municipal Auditorium flac16; Set 1 Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2621. 04/22/78 Flac 16 - 0, 92808 Nashville Nashville Municipal Auditorium flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller notes

2622. 04/22/78 Flac 16 - 0, 133792 Nashville Nashville Municipal Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2623. 04/22/78 Flac 16 - 0, 133786 Nashville Nashville Municipal Auditorium flac16; Recording Info: Set 1: SBD -> Master Cassette -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Set 1: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Set 2: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes

2624. 04/22/78 Shn - 0, 12384 Nashville Nashville Municipal Auditorium Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon notes

2625. 04/24/78 Flac 16 - 0, 97543 Normal Horton Field House, Illinois State University flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2626. 04/24/78 Shn - 0, 20598 Normal Horton Field House, Illinois State University sbd attributed to Alan Thompson submitted by okcomputerboy (dkonrad99@hotmail.com); upgrade in circulation notes

2627. 04/24/78 Flac 16 - 0, 32899 Normal Horton Field House, Illinois State University flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller notes

2628. 04/24/78 Shn - 0, 3296 Normal Horton Field House, Illinois State University MR> ?> R> D> Digi96> Soundforge> CDWAV> SHN; Mike McCaw; see info file for lineage notes; upgrade in circulation notes

2629. 04/24/78 Shn - 0, 20605 Normal Horton Field House, Illinois State University SBD Master Cass>DAT>Cass>DAT>CD>EAC>SHN. Remastered by Mattman from source discs supplied by David Hollister. ; upgrade in circulation notes

2630. 04/24/78 Flac 16 - 0, 109177 Normal Horton Field House, Illinois State University flac16; Recorded on a small mono cassette recorder with built-in Wollensak 402 mic; First Generation Cassette>Tascam130>Pro Tools LE>wav>flac notes

2631. 05/05/78 Flac 16 - 0, 114348 Hanover Thompson Arena, Dartmouth College flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; This is a remaster of shnid=112180; All Transfers and Mastering By Charlie Miller notes

2632. 05/05/78 Flac 16 - 0, 112180 Hanover Thompson Arena, Dartmouth College flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2633. 05/05/78 Shn - 0, 6149 Hanover Thompson Arena, Dartmouth College Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's; Taper: Steve Rolfe; dat> sek'd prodif+ card> hard drive> cdwav > shntool (pad zeros @ end of sets to have complete sectors) >mkw (seekable); dat>shn transfer by dale shepherd, from Matt Vernon DAT; see info file for flaw notes notes

2634. 05/05/78 Shn - 0, 18655 Hanover Thompson Arena, Dartmouth College Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation notes

2635. 05/05/78 Flac 16 - 0, 82962 Hanover Thompson Arena, Dartmouth College flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe notes

2636. 05/06/78 Flac 16 - 0, 92356 Burlington Patrick Gymnasium, University Of Vermont flac16; set two partial, Undocumented audience cassette of unknown generations transfered at 24/96 on a tascam112 MKII deck>apogee minime>aes-ebu xlr>Lynx2>wavelab6.0 Mastered on the GEMS Edit Station In Wavelab 6.0 Weiss Saracon Dither to 16/44.1 by Jamie Waddell Trac'ed cdwave,flac'ed flac frontend level 8 Tagged in tag and rename notes

2637. 05/06/78 Shn - 0, 13726 Burlington Patrick Gymnasium, University Of Vermont 1st set: SBD>MC>?>CD>EAC>SHN; 2nd set: AUD>MC>D>SHN; probably not more than one analog gen for the sbd portion; Thanks to Alex MacDonald, Dale Shepherd, and Matt Vernon; edits/encoding by JCotsman notes

2638. 05/06/78 Flac 16 - 0, 96896 Burlington Patrick Gymnasium, University Of Vermont flac16; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>adobe 16/44>flac notes

2639. 05/06/78 Shn - 0, 18657 Burlington Patrick Gymnasium, University Of Vermont Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation notes

2640. 05/06/78 Flac 16 - 0, 97070 Burlington Patrick Gymnasium, University Of Vermont flac16; partial; Source: fm > tandberg (probably TCD 310 MkII) with dolby > tdk sa C90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac notes

2641. 05/06/78 Flac 24/48 - 0, 86897 Burlington Patrick Gymnasium, University Of Vermont flac24; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>flac notes

2642. 05/06/78 Flac 16 - 0, 97071 Burlington Patrick Gymnasium, University Of Vermont flac16; Source: aud > unknown gens cassettes playback > pioneer ct-f1000 with dolby > maxell xlII c90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac (updated source info; had been marked as sbd notes

2643. 05/06/78 Shn - 0, 6711 Burlington Patrick Gymnasium, University Of Vermont Sony ECM-99A's> Sony TC-152 > Master Audience Cass > DAT's; Dat Tascam DA-P1 > Sek'd Prodif+ card > Sek'd Red Roaster (edits, fades- see txt) > Cdwav (splits) > mkw; Boundaries verified with Shntool; No dae, no eq, no signal processing; Recorded by Steve Rolfe; Dat > shn transfer by Dale Shepherd; Source Dats from Matt Vernon notes

2644. 05/06/78 Flac 16 - 0, 82963 Burlington Patrick Gymnasium, University Of Vermont flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe notes

2645. 05/07/78 Shn - 0, 80126 Troy Field House, Rensselaer Polytechnic Institute SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD (shn id 8327) patched with MAC (1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT (shn id 8763) notes

2646. 05/07/78 Flac 16 Mtx - 0, 130513 Troy Field House, Rensselaer Polytechnic Institute flac16; Fresh Legs Matrix using shnid=80126 and shnid=91347 notes

2647. 05/07/78 Shn - 0, 8763 Troy Field House, Rensselaer Polytechnic Institute MAC(1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT; with SBD patches; via Dale Shepherd; seeded to etree by Matt Vernon notes

2648. 05/07/78 Shn - 0, 18672 Troy Field House, Rensselaer Polytechnic Institute Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal via Mark Cohen SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon; upgrade in circulation notes

2649. 05/07/78 Flac 16 - 0, 83498 Troy Field House, Rensselaer Polytechnic Institute flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe notes

2650. 05/07/78 Shn - 0, 8327 Troy Field House, Rensselaer Polytechnic Institute SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD; via Jeff Cook; Seeded to etree by Matt Vernon notes

2651. 05/07/78 Flac 16/44 - 0, 152545 Troy Field House, Rensselaer Polytechnic Institute flac1644; Source: Stereo mic & recorder (models unknown) > TDK AD-90's (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2021 notes

2652. 05/09/78 Flac 16/48 - 0, 132774 Syracuse Onongada County War Memorial flac16/48kHz; Cassette Audience Master recorded By Eddie Claridge; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Cassette Masters played back on Nakamichi Dragon-Sony PCM R-700 DAT (original A-D by J.W.); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz WAV; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise notes

2653. 05/09/78 Shn - 0, 12184 Syracuse Onongada County War Memorial AUD (Sony 54P's) > MC > DAT > CDR or AUD (Sony 54P's) > MC > C > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes

2654. 05/09/78 Flac 16/48 - 0, 147971 Syracuse Onongada County War Memorial flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2655. 05/09/78 Flac 24/96 - 0, 147972 Syracuse Onongada County War Memorial flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2656. 05/10/78 Shn - 0, 3899 New Haven Veterans Memorial Coliseum SBD; via Mike Lai notes

2657. 05/10/78 Flac 16 Mtx - 0, 127408 New Haven Veterans Memorial Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03899) seeded by Mike Lai and Audience (shnid:18753) Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN; Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN; Transcribed by JR Fishman notes

2658. 05/10/78 Shn - 0, 18753 New Haven Veterans Memorial Coliseum Aud, Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN Via JR Fishman notes

2659. 05/10/78 Flac 16 - 0, 127486 New Haven Veterans Memorial Coliseum flac16; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger notes

2660. 05/10/78 Flac 24 - 0, 127485 New Haven Veterans Memorial Coliseum flac24; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 > flac; transferred & seeded by Rob Berger notes

2661. 05/11/78 Shn - 0, 16333 Springfield Springfield Civic Center SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD via Charlie Miller notes

2662. 05/11/78 Flac 16 Mtx - 0, 127386 Springfield Springfield Civic Center flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:16333) SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD; Audience (shnid:06317) fob audience recording with a sbd patch nak mics > sony d5 > master audience cass > dat's; dat@48>sek'd prodif+ card (resampled to 44.1)>cd wave>mkw; and Audience (shnid:18658) **This source was used for Drums -> Space only Source: Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT notes

2663. 05/11/78 Shn - 0, 18658 Springfield Springfield Civic Center Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches notes

2664. 05/11/78 Shn - 0, 1187 Springfield Springfield Civic Center sdb> reel master> cassette> dat> cdr; via Mike Lai; upgrade in circulation notes

2665. 05/11/78 Shn - 0, 6317 Springfield Springfield Civic Center FOB Nak mics > sony d5 > master audience cass > dat's; patches added (see info); dat@48> sek'd prodif+ card (resampled to 44.1)> cd wave> mkw; d1 tracked for 80 min; dat>shn transfer by Dale Shepherd, from Matt Vernon source DATs notes

2666. 05/11/78 Flac 24/96 - 0, 147804 Springfield Springfield Civic Center flac24; 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2667. 05/11/78 Flac 16/48 - 0, 147803 Springfield Springfield Civic Center flac16/48kHz 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2668. 05/13/78 Flac 16 - 0, 116978 Philadelphia The Spectrum flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2669. 05/13/78 Shn - 0, 17406 Philadelphia The Spectrum AudMC > DAT > WAV > SHN. Recorded by Steve Rolfe with two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row. A > D and encoding by Noah Weiner. notes

2670. 05/13/78 Shn - 0, 7207 Philadelphia The Spectrum Sony ECM33P7 + AKGD1000E > Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits) > Cdwav > Mkw; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd; see info file for editing and flaw notes; d1 tracked for 80 min; upgrade in circulation notes

2671. 05/13/78 Flac 24/48 - , 152885 Philadelphia The Spectrum flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-Audua (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021 notes

2672. 05/14/78 Flac 16 - 0, 108996 Providence Providence Civic Center flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2673. 05/14/78 Flac 16 Mtx - 0, 124932 Providence Providence Civic Center flac16; 2 source matrix by dusborne; Soundboard (shinid:108996) SBD -> Cassette Master -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:7639) Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav > Mkw; Boundaries verified with Shntool; No dae, no normalizing, no eq or processing of any kind; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd notes

2674. 05/14/78 Shn - 0, 7639 Providence Providence Civic Center Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav; via Matt Vernon; Dale Shepherd notes

2675. 05/14/78 Flac 16 - 0, 108840 Providence Providence Civic Center flac16;AUD: 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell UD-XLII 90's. Recorded from lower arena riser, first section to left of stage, Section 110 Row G. Taped by Tim Friend. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 07/2010 notes

2676. 05/14/78 Flac 24/48 - 0, 152506 Providence Providence Civic Center flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021 notes

2677. 05/16/78 Flac 16 - 0, 128280 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes

2678. 05/16/78 Flac 16 - 0, 117206 Chicago Uptown Theater flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2679. 05/16/78 Shn - 0, 8333 Chicago Uptown Theater AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner notes

2680. 05/16/78 Flac 16 - 0, 106548 Chicago Uptown Theater flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding Pitch Correction by Joe B. Jones notes

2681. 05/17/78 Flac 16 Mtx - 0, 109101 Chicago Uptown Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes

2682. 05/17/78 Flac 16 - 0, 109000 Chicago Uptown Theater flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2683. 05/17/78 Flac 16 - 0, 128393 Chicago Uptown Theater flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes

2684. 05/17/78 Flac 16 - 0, 131740 Chicago Uptown Theater flac16; Complete Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi 300 microphones notes

2685. 05/17/78 Shn - 0, 8334 Chicago Uptown Theater AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner notes

2686. 05/17/78 Flac 16 - 0, 107950 Chicago Uptown Theater flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. The beginning of many songs were clipped and patched with SHNID 8334. notes

2687. 06/04/78 Shn - 2, 10530 Goleta Campus Stadium, UC Santa Barbara SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman notes

2688. 06/04/78 Flac 16 - 0, 94407 Goleta Campus Stadium, UC Santa Barbara flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2689. 06/04/78 Flac 16 - 0, 87090 Goleta Campus Stadium, UC Santa Barbara flac16; Master audience cassettes> Open Reel (Sony 153>Tandberg 9141) > DAT (Tandberg 9141>Tascam DA-20 @ 44.1kHz) notes

2690. 06/04/78 Flac 16 - 0, 137295 Goleta Campus Stadium, UC Santa Barbara flac16; Set One & Set Two Partial; Source: FOB AUD unknown lineage, from Brian Schley tape collection. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016 notes

2691. 06/04/78 Flac 16/44 - , 156757 Goleta Campus Stadium, UC Santa Barbara flac1644; Source: Lo-Fi mono AUD from the tape collection of Rich Petrunis. Transfer: Old TDK's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2022 notes

2692. 06/25/78 Shn - 0, 7048 Eugene Autzen Stadium, University Of Oregon SBD> MC> ?> D> CD> EAC> SHN; ; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file; d2 tracked for 80 min notes

2693. 06/25/78 Flac 16 - 0, 130649 Eugene Autzen Stadium, University Of Oregon flac16; Recording Info: SBD > MC? > ? > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked upgrade of shnid 7048. notes

2694. 06/25/78 Flac 24/96 - 0, 145144 Eugene Autzen Stadium, University Of Oregon flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

2695. 06/25/78 Flac 16/48 - 0, 145143 Eugene Autzen Stadium, University Of Oregon flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2696. 06/25/78 Flac 16/48 - , 152977 Eugene Autzen Stadium, University Of Oregon flac1648 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 > RX8 > Flac16
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain notes

2697. 06/25/78 Flac 24/96 - , 152976 Eugene Autzen Stadium, University Of Oregon flac2496 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain notes

2698. 07/01/78 Flac 16 - 0, 97424 Kansas City Arrowhead Stadium flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

2699. 07/01/78 Shn - 0, 7355 Kansas City Arrowhead Stadium Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr notes

2700. 07/03/78 Flac 16 - 0, 120130 St. Paul St. Paul Civic Center flac16; Low-gen Audience Cassette (Set 1: TDK SA-90; Set 2: Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (DFF 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 (pitch, edit) > CD Wave Editor (track) > Trader's Little Helper (wav > flac) > Flac16; Transfer, edit/patch, pitch correction by Bob Morris, May 2012 notes

2701. 07/03/78 Flac 16 - 0, 97601 St. Paul St. Paul Civic Center flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

2702. 07/03/78 Shn - 0, 7356 St. Paul St. Paul Civic Center Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr notes

2703. 07/05/78 Flac 16 - 0, 91785 Omaha Omaha Civic Auditorium flac16; MOTB Release: 0070 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe notes

2704. 07/05/78 Shn - 0, 11481 Omaha Omaha Civic Auditorium AUD(Sony 54P?s>Sony TC-158)>MC>C>DAT>CD; via Paul B; Seeded to Etree by T. Wiley notes

2705. 07/05/78 Flac 16 - 0, 97229 Omaha Omaha Civic Auditorium flac16; Recorded by Bob Wagner Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

2706. 07/05/78 Flac 24/96 - 0, 91786 Omaha Omaha Civic Auditorium flac24; MOTB Release: 0070 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe notes

2707. 07/07/78 Flac 16 Mtx - 0, 98817 Morrison Red Rocks Amphitheatre flac16; 3-Source SBD/AUD Matrix Mix by OctopusRider notes

2708. 07/07/78 Flac 16 - 0, 91793 Morrison Red Rocks Amphitheatre flac16; MOTB Release: 0071 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe notes

2709. 07/07/78 Shn - 0, 33817 Morrison Red Rocks Amphitheatre Fix of shnid 293 - SBD> MR> PCM > DAT; DAT> CD> EAC> SHN by Bill Tetzeli notes

2710. 07/07/78 Shn - 0, 293 Morrison Red Rocks Amphitheatre SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]. ; upgrade in circulation notes

2711. 07/07/78 Shn - 0, 18700 Morrison Red Rocks Amphitheatre Source: FOB-MAR>C>C>DAT>WAV>SHN SBD Patch MSR>R>C>C>DAT>WAV>SHN Source C>SHN Conversion By Cousinit SBD Patch C>SHN Conversion By Cousinit notes

2712. 07/07/78 Flac 16 - 0, 134374 Morrison Red Rocks Amphitheatre flac16; Mono Soundboard; lineage from shnid 293 listed as SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN; This is a flac encoded & tagged version of reworked shnid 33817 notes

2713. 07/07/78 Flac 16 - 0, 82931 Morrison Red Rocks Amphitheatre flac16; AUD Source: Recording by Bob Wagner. Sony ECM-54P's > Sony TC-158. Transfer: MAC > Teac AN-180 outboard Dolby unit > Sony TC 755 open reel deck > Scotch Classic reels at 7.5 IPS, Dolby-B, by Jerry Moore. Reels > Sony TC 850 open reel deck > Teac AN-180 Dolby unit > Sony SBM-1 (super bit mapper) > Tascam CD-Rw4U stand alone burner, by Rob Berger. CDR > EAC > WavMerge > CD-Wave (new track ID's) > TLH (SBE-OK, lossless compression, and checksums) > FLAC, Feb 2007 notes

2714. 07/08/78 Flac 16 - 0, 106070 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2715. 07/08/78 Flac 16 Mtx - 0, 125797 Morrison Red Rocks Amphitheatre flac16; Matrix from Source 1: SBD (shnid=106070) Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC and Source 2: AUD (shnid=91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight; matrix by Roger Eichorn; Upgrade in circulation; the seeder has requested that this version be removed from circulation notes

2716. 07/08/78 Flac 16 Mtx - 0, 126239 Morrison Red Rocks Amphitheatre flac16; 2 Source Matrix from Source 1: SBD (shnid=106070) Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC and Source 2: AUD (shnid=91766) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UD XL II C90; Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Timothy Knight notes

2717. 07/08/78 Shn - 0, 294 Morrison Red Rocks Amphitheatre SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation notes

2718. 07/08/78 Flac 16 Mtx - 0, 91777 Morrison Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shn id 294) SBD> [?]> DAT> CDR; via Jeff Hoelter + AUD (shn id 91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight - matrix mixing by Kevin Tobin notes

2719. 07/08/78 Flac 16 - 0, 88551 Morrison Red Rocks Amphitheatre flac16; Source: SBD -> ? -> Bootleg CD "The Great Red Rocks" Transfer: EAC (in secure mode w/proper offsets) -> FLAC Seeded by Matt Carney on 11-17-07 ; upgrade in circulation notes

2720. 07/08/78 Flac 16 - 0, 91766 Morrison Red Rocks Amphitheatre flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight notes

2721. 07/08/78 Flac 16 - 0, 91871 Morrison Red Rocks Amphitheatre flac16; SBD> [?]> DAT> CDR; via Jeff Hoelter - patched and pitch correction by Kevin Tobin notes

2722. 07/08/78 Shn - 0, 33818 Morrison Red Rocks Amphitheatre Seamless fix of shn id 294 - SBD> [?]> DAT>CDR by Bill Tetzeli notes

2723. 07/08/78 Flac Dts 5.1 - 0, 91875 Morrison Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix; SBD (shn id 294) SBD> [?]> DAT> CDR; via Jeff Hoelter + AUD (shn id 91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight - dts mixing by Kevin Tobin notes

2724. 07/08/78 Flac 16 - 0, 88656 Morrison Red Rocks Amphitheatre flac16; Source: SBD -> ? -> Bootleg CD "The Great Red Rocks". Transfer: EAC (in secure mode w/proper offsets) -> FLAC. Seeded by Matt Carney on 11-17-07. Fixed version of shn id 88551. notes

2725. 08/18/78 Shn - 0, 11692 San Rafael Club Front SBD> MR> ??> DAT> CDR> EAC (secure)> CD WAV> SHN (seekable); EAC> etree by Tim Wiley; with thanks to Paul B. for source discs notes

2726. 08/18/78 Shn - 0, 11504 San Rafael Club Front Shakedown Street sessions with Lowell George (Sbd>??>Cdr); Seeded to etree by Tzuriel notes

2727. 08/30/78 Flac 16 - 0, 110151 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI) -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2728. 08/30/78 Shn - 0, 11479 Morrison Red Rocks Amphitheatre AUD>MC>DAT>CD; Seeded to Etree by T. Wiley notes

2729. 08/30/78 Shn - 0, 8038 Morrison Red Rocks Amphitheatre set 2; SBD> MC> DAT> CDR; via Charlie Miller; Cozmcchuck; Steve Barbella notes

2730. 08/30/78 Flac 24/96 - 0, 145136 Morrison Red Rocks Amphitheatre flac24 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

2731. 08/30/78 Flac 16/48 - 0, 145135 Morrison Red Rocks Amphitheatre flac16/48kHz; 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp This is your collection notes

2732. 08/31/78 Shn - 0, 20726 Morrison Red Rocks Amphitheatre Lineage: Source 1: AUD>Cm>Dat>CD>EAC>Samplitude v7.02>SHN Source 2: SBD>Rm>PCM>Dat>Samplitude v7.02>SHN All edits and conversions done by Charlie Miller charliemiller87@earthlink.net 11/12/03 notes

2733. 08/31/78 Flac 16 - 0, 125882 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes

2734. 08/31/78 Shn - 0, 11477 Morrison Red Rocks Amphitheatre Partial 2nd set; See info file for details; SBD>MR>DAT>CDR; Seeded to Etree by T. Wiley ; upgrade in circulation notes

2735. 08/31/78 Shn - 0, 11480 Morrison Red Rocks Amphitheatre AUD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley notes

2736. 08/31/78 Flac 24/96 - 0, 145138 Morrison Red Rocks Amphitheatre flac24; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

2737. 08/31/78 Flac 16/48 - 0, 145137 Morrison Red Rocks Amphitheatre flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2738. 09/02/78 Flac 16 - 0, 106818 East Rutherford Giants Stadium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2739. 09/02/78 Flac 16 - 0, 124588 East Rutherford Giants Stadium flac16; Set 2 Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by: Bob Wagner; All Transfers and Mastering By Charlie Miller notes

2740. 09/02/78 Flac 16 Mtx - 0, 131868 East Rutherford Giants Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:106818) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC and Audience (shnid:015822) AUDMC > DAT > WAV > SHN; Recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage notes

2741. 09/02/78 Shn - 0, 5986 East Rutherford Giants Stadium mixed source: set 1 et al: Master Audience Cassette; Shure SM-57 mics> Sony TC-158; bulk of set 2: Master Soundboard Cassette > Cassette > DAT; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes

2742. 09/02/78 Shn - 0, 7925 East Rutherford Giants Stadium 1st Set unknown gen reel>CD with some aud patches, see info file for details; 2nd Set SBD:MC>Cas>DAT>CD; via Yubah with thanks to Jools notes

2743. 09/02/78 Shn - 0, 15822 East Rutherford Giants Stadium AUDMC > DAT > WAV > SHN recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage, converted and encoded by Noah Weiner notes

2744. 09/02/78 Flac 24/96 - 0, 139367 East Rutherford Giants Stadium flac24; Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017 notes

2745. 09/02/78 Flac 16 - 0, 140476 East Rutherford Giants Stadium flac16; Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017 notes

2746. 09/02/78 Flac 16/48 - 0, 142988 East Rutherford Giants Stadium flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette (Maxell UDXLII)> Cassette (TDK) > Dat 16/48(Panasonic SV-3700)> Dat x3; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.01 > TLH flac1648 notes

2747. 09/13/78 Shn - 0, 11482 Cairo Gizah Sound and Light Theater Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley notes

2748. 09/13/78 Flac 16 - 0, 87779 Cairo Gizah Sound and Light Theater flac16; Soundcheck - Recording Info: Unknown Mics -> Cassette Master -> ? -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

2749. 09/13/78 Shn - 0, 10155 Cairo Gizah Sound and Light Theater soundcheck; Aud Cassette Master -> ?? -> CD; via Jim Bennett notes

2750. 09/13/78 Flac 16 - 0, 136808 Cairo Gizah Sound and Light Theater flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall notes

2751. 09/14/78 Flac 16 - 0, 88171 Cairo Gizah Sound and Light Theater flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller notes

2752. 09/14/78 Flac 16 - 0, 103625 Cairo Gizah Sound and Light Theater flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green notes

2753. 09/14/78 Flac 16 - 0, 94536 Cairo Gizah Sound and Light Theater flac16; 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > plugins > flac lvl 8 (tlh) notes

2754. 09/14/78 Shn - 0, 22169 Cairo Gizah Sound and Light Theater Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation notes

2755. 09/14/78 Shn - 0, 2054 Cairo Gizah Sound and Light Theater Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder > Sony TC-640 reel to reel; Transfer: TC-640 > Apogee AD1000 > Soundforge 4.5 @48Khz > resampled to 44.1> CDWAV > SHNv3 via John D'Auria; note upgrade now in circulation notes

2756. 09/14/78 Flac 24/96 - 0, 103626 Cairo Gizah Sound and Light Theater flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green notes

2757. 09/14/78 Shn - 0, 6032 Cairo Gizah Sound and Light Theater Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; via John D'Auria; note one less reel gen than previous version notes

2758. 09/15/78 Flac 16 - 0, 87782 Cairo Gizah Sound and Light Theater flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

2759. 09/15/78 Flac 16 Mtx - 0, 88923 Cairo Gizah Sound and Light Theater flac16; Matrix 2 Source Mix - SBD (shn id 87782) Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC + AUD (shn id 4160) Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 - matrix mixing by Kevin Tobin notes

2760. 09/15/78 Shn - 0, 295 Cairo Gizah Sound and Light Theater set 2; Source: Probably the SBD 90/2nd listed in the Deadlists project which would be - Master 10" reel @ 15ips 1/2trk-> PCM x1-> DAT -> CD-R -> WAV via EAC ->SHN; tracked for 2x74, will fit 1x80; via M. Lai, B. Walker; Known flaws: Jack Straw 0:00 - 1:39 very low vocals, 1:39 - levels being adjusted and left channel boosted, 2:26 - vocals are boosted, 5:26 - vocals drop temporarily;Occasional low level "crackling" throughout; upgrade in circulation notes

2761. 09/15/78 Shn - 0, 5933 Cairo Gizah Sound and Light Theater et 2; SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed; upgrade in circulation notes

2762. 09/15/78 Flac 16 - 0, 94537 Cairo Gizah Sound and Light Theater flac16; Source: Audience Recording Lineage: 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave >Edited in Adobe Audition, mastered with iZotope Ozone, noise reduction with iZotope RX Advanced, tracked with CD Wave and flac'd with TLH notes

2763. 09/15/78 Flac 16 - 0, 107304 Cairo Gizah Sound and Light Theater flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray notes

2764. 09/15/78 Flac Dts 5.1 - 0, 88924 Cairo Gizah Sound and Light Theater DTS Audio 5.1; SBD (shn id 87782) Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC + AUD (shn id 4160) Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 - dts mixing by Kevin Tobin notes

2765. 09/15/78 Shn - 0, 4160 Cairo Gizah Sound and Light Theater Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; Transferred and seeded by John D'Auria; d2 tracked for 80 min;see info file for flaw notes notes

2766. 09/15/78 Shn - 0, 21781 Cairo Gizah Sound and Light Theater Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation notes

2767. 09/16/78 Flac 16 - 0, 88314 Cairo Gizah Sound and Light Theater flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

2768. 09/16/78 Flac 16 Mtx - 0, 95316 Cairo Gizah Sound and Light Theater flac16; Matrix 3 Source Mix - SBD: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (shnid 88314) AUD1: Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (shnid 94548) AUD2: Unknown Mics -> Cassette Master -> ? -> Cassette > CR-5A > HD-p2 > 24/96 wave (no shnid) - matrix mixing by Kevin Tobin notes

2769. 09/16/78 Flac 16 - 0, 107305 Cairo Gizah Sound and Light Theater flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray notes

2770. 09/16/78 Flac 16 - 0, 94548 Cairo Gizah Sound and Light Theater flac16; Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) notes

2771. 09/16/78 Flac 16 - 0, 95292 Cairo Gizah Sound and Light Theater flac16; Original Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (source id 94548) - Patched and Speed Corrected by Kevin Tobin notes

2772. 09/16/78 Flac 24 - 0, 108845 Cairo Gizah Sound and Light Theater flac24;Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell notes

2773. 09/16/78 Flac 16 - 0, 136809 Cairo Gizah Sound and Light Theater flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall notes

2774. 09/16/78 Flac Dts 5.1 - 0, 95327 Cairo Gizah Sound and Light Theater DTS-Audio-CD 5.1 Mix; SBD: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (shnid 88314) AUD1: Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (shnid 94548) AUD2: Unknown Mics -> Cassette Master -> ? -> Cassette > CR-5A > HD-p2 > 24/96 wave (no shnid) - matrix mixing by Kevin Tobin notes

2775. 09/16/78 Flac 24 - 0, 140932 Cairo Gizah Sound and Light Theater flac24; Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted; fixed version of source ID 108845 notes

2776. 09/16/78 Flac 16 - 0, 140935 Cairo Gizah Sound and Light Theater flac16; Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON; Maxell UDXLII from Nagra Dolby CRo2 NI-356; Transfer and Masterig By Jim Blackwood; fixed version of source ID 140477 notes

2777. 09/16/78 Flac 16 Mtx - 0, 143122 Cairo Gizah Sound and Light Theater flac16; Matrix 3 Source Mix - SBD (shnid = 88314) Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140932) Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted - matrix mixing by Kevin Tobin notes

2778. 09/16/78 Flac 16 Dts 5.1 - 0, 143123 Cairo Gizah Sound and Light Theater DTS-Audio-CD 5.1 Mix; - SBD (shnid = 88314) Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 140932) Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted - dts mixing by Kevin Tobin notes

2779. 09/16/78 Flac16/48 LPCM - 0, 143124 Cairo Gizah Sound and Light Theater flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 88314) Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 140932) Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted - surround mixing by Kevin Tobin notes

2780. 09/16/78 Shn - 0, 2319 Cairo Gizah Sound and Light Theater SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN; no Sunrise; via Leigh Orf- reextraction from CDR copy; upgrade in circulation notes

2781. 10/17/78 Flac 16 - 0, 89257 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes

2782. 10/17/78 Shn - 0, 21243 San Francisco Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation notes

2783. 10/17/78 Shn - 0, 1078 San Francisco Winterland Arena SBD: Master Reel> PCM> DAT> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy; notes: one splice in Eyes, U.S. Blues cuts off missing ~45 seconds; see pub comments for additional notes; upgrade in circulation notes

2784. 10/17/78 Flac 16 Mtx - 0, 100699 San Francisco Winterland Arena flac16; Matrix: Aud 55% Sbd 45%; see info file for details notes

2785. 10/17/78 Flac - 0, 32906 San Francisco Winterland Arena SBD>Master Reel>Cassette>DAT>WAV>FLAC>WAV>SHN; upgrade in circulation notes

2786. 10/17/78 Flac 16 Mtx - 0, 135503 San Francisco Winterland Arena flac16; 2 source matrix by Dusborne;Soundboard (Shnid:89257), Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100692),Analog Audience Source: AUD Master Cassettes, Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]Taped By: Reinhart Holwein,Transfer By: Bob Menke, Mastering By: Derek McCabe notes

2787. 10/17/78 Flac 16 - 0, 100687 San Francisco Winterland Arena flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes

2788. 10/17/78 Flac 24/96 - 0, 100692 San Francisco Winterland Arena flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes

2789. 10/17/78 Flac 24 Mtx - 0, 100703 San Francisco Winterland Arena flac24; Matrix: Aud 55% Sbd 45%; see info file for details notes

2790. 10/17/78 Flac 16 - 0, 138919 San Francisco Winterland Arena flac16; Source: Soundboard > Master Reel > PCM > Dat (44k); Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1; Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 notes

2791. 10/18/78 Flac 16 - 0, 89335 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

2792. 10/18/78 Flac 24/96 - 0, 100701 San Francisco Winterland Arena flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Adam Egert notes

2793. 10/18/78 Shn - 0, 298 San Francisco Winterland Arena SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via shakedown@canada.com; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced; upgrade in circulation notes

2794. 10/18/78 Shn - 0, 21244 San Francisco Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation notes

2795. 10/18/78 Flac 16 Mtx - 0, 135504 San Francisco Winterland Arena flac16; 2 source matrix by Dusborne;Soundboard (Shnid:89335)Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100701)Analog Audience Source: AUD Master Cassettes (MAC)Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96],Taped By: Reinhart Holwein,Transfer By: Bob Menke Mastering By: Adam Egert notes

2796. 10/18/78 Flac 16 - 0, 100702 San Francisco Winterland Arena flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Adam Egert notes

2797. 10/20/78 Flac 16 - 0, 92542 San Francisco Winterland Arena flac16; Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2798. 10/20/78 Flac 24/96 - 0, 100700 San Francisco Winterland Arena flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes

2799. 10/20/78 Flac - 0, 21245 San Francisco Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step notes

2800. 10/20/78 Shn - 0, 4159 San Francisco Winterland Arena SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT notes

2801. 10/20/78 Flac 24/44,1 - 0, 102073 San Francisco Winterland Arena flac24; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave notes

2802. 10/20/78 Flac 16 Mtx - 0, 135505 San Francisco Winterland Arena flac16; 2 source matrix by Dusborne;Soundboard (Shnid:92542)Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFFTransfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience(shnid:100700) Analog Audience Source: AUD Master Cassettes,Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC,Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein,Transfer By: Bob Menke,Mastering By: Derek McCabe notes

2803. 10/20/78 Flac 16 - 0, 100698 San Francisco Winterland Arena flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes

2804. 10/20/78 Flac 16 - 0, 102072 San Francisco Winterland Arena flac16; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8) notes

2805. 10/20/78 Flac 24/96 - 0, 148357 San Francisco Winterland Arena flac24; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

2806. 10/20/78 Flac 16/48 - 0, 148356 San Francisco Winterland Arena flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2807. 10/20/78 Flac 24/96 - 0, 150752 San Francisco Winterland Arena flac24; Set 1 & partial Set 2 Recording Info: AKG C12A > Cassette Master (Nakamichi 550) > Cassette (Nakamichi 1000/Maxell UDXLI); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes

2808. 10/20/78 Flac 16 - 0, 150755 San Francisco Winterland Arena notes

2809. 10/21/78 Flac 16 Mtx - 0, 94852 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes

2810. 10/21/78 Flac 16 - 0, 89721 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes

2811. 10/21/78 Flac - 0, 21248 San Francisco Winterland Arena flac16; SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation notes

2812. 10/21/78 Flac 16 - 0, 94599 San Francisco Winterland Arena flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 notes

2813. 10/21/78 Shn - 0, 6100 San Francisco Winterland Arena sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes; upgrade in circulation notes

2814. 10/21/78 Flac 24 - 0, 102075 San Francisco Winterland Arena flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8) notes

2815. 10/21/78 Flac 16 - 0, 102074 San Francisco Winterland Arena flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8) notes

2816. 10/21/78 Flac 24/96 - 0, 94600 San Francisco Winterland Arena flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 notes

2817. 10/21/78 Flac 24/96 - 0, 148355 San Francisco Winterland Arena flac24; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

2818. 10/21/78 Flac 16/48 - 0, 148354 San Francisco Winterland Arena flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2819. 10/22/78 Flac 16 - 0, 92567 San Francisco Winterland Arena flac16;Recording Info:SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2820. 10/22/78 Flac16 Mtx - 0, 99496 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes

2821. 10/22/78 Flac 16 - 0, 94605 San Francisco Winterland Arena flac16; MOTB0018 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastered By: Derek McCabe Tagged By: Jeff Thomas notes

2822. 10/22/78 Flac 24/44 - 0, 102077 San Francisco Winterland Arena flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8). notes

2823. 10/22/78 Flac - 0, 96700 San Francisco Winterland Arena Source: audience recording on a Marantz pro cassette deck (don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Recorded by: a friend of a friend Transfer by: Pantagruel notes

2824. 10/22/78 Shn - 0, 299 San Francisco Winterland Arena Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3 notes

2825. 10/22/78 Flac 16 - 0, 102076 San Francisco Winterland Arena flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8). notes

2826. 10/22/78 Flac 24/96 - 0, 94604 San Francisco Winterland Arena flac24; MOTB0018 Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG s224e => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 notes

2827. 10/22/78 Flac - 0, 21247 San Francisco Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step notes

2828. 11/13/78 Shn - 0, 11483 Boston Music Hall AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley notes

2829. 11/13/78 Flac - 0, 119996 Boston Music Hall flac16; Low-generation Audience Cassette (C2?) (Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Trader's Little Helper > Flac16; Transfer & edits (patched via Soundforge 9.0) by Bob Morris, April 2012. notes

2830. 11/14/78 Flac - 0, 100205 Boston Music Hall flac16; Recording Info: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; Taped By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes

2831. 11/14/78 Shn - 0, 11485 Boston Music Hall AUD(Sony ECM-280?s)>MC>DAT>CDR; Seeded to etree by T. Wiley notes

2832. 11/16/78 Shn - 0, 11486 Chicago Uptown Theater Partial; See info file for details; SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley notes

2833. 11/16/78 Flac 16 - 0, 128612 Chicago Uptown Theater flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes

2834. 11/16/78 Shn - 0, 11487 Chicago Uptown Theater AUD(Nak CM-300's>Sony TC-158)>MC>R>CoolEdit>CDR; Seeded to etree by T. Wiley notes

2835. 11/16/78 Flac 16 - 0, 136718 Chicago Uptown Theater flac16; Source: SBD > ? > Cassette, from the Brian Schley tape collection. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2016 notes

2836. 11/16/78 Flac 16 - 0, 150409 Chicago Uptown Theater flac16; Partial 2nd Set; Source: SBD (mono) unknown lineage > Cassette rescued from ebay. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2020 notes

2837. 11/17/78 Flac 16 - 0, 90110 Chicago Rambler Room, Loyola College flac16; sbd > ?? > shn > Wav > remaster > Flac; All editing done on Cool Edit Pro 2.1 by Audiohead22 notes

2838. 11/17/78 Flac - 0, 32879 Chicago Rambler Room, Loyola College Lineage: Soundboard->Master Cassette->DAT->Sonic Solutions->CD Transfer: CD->EAC->FLAC EAC, Re-track, and FLAC by Joe Samaritano notes

2839. 11/17/78 Shn - 0, 7687 Chicago Rambler Room, Loyola College sbd > ?? > shn; via Ernie Dodd; upgrade in circulation notes

2840. 11/17/78 Flac 16/44 - 0, 135718 Chicago Uptown Theater flac16; Partial Source: SBD > ? > Cassette, from the Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. notes

2841. 11/17/78 Shn - 0, 11488 Chicago Uptown Theater 2nd set plus Shakedown opener; See info file for details; AUD>MC>??>DAT>CDR; Seeded to etree by T. Wiley notes

2842. 11/18/78 Flac 16 - 0, 81131 Chicago Uptown Theater flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

2843. 11/18/78 Shn - 0, 12080 Chicago Uptown Theater SBD>MC>C>D>CD>EAC>SHN patched with AUD>MC>R>CD>EAC>SHN; Normalized and pitch corrected; See info file for details; via Mike Tausig and Tim Wiley; Seeded to etree by JCotsman; upgrade in circulation notes

2844. 11/18/78 Shn - 0, 11490 Chicago Uptown Theater AUD(Sony ECM-900's>Nak 550)>MC>R>Cool Edit>CDR; Seeded to etree by T. Wiley notes

2845. 11/18/78 Shn - 0, 11489 Chicago Uptown Theater SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley; upgrade in circulation notes

2846. 11/20/78 Flac 16 - 0, 95660 Cleveland Cleveland Music Hall flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude Source 2: SBD -> Master Cassette -> Dat -> CD Source 3: Nakamichi 300 -> Reels? -> Dat -> CD Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is an upgrade to source id 95244) notes

2847. 11/20/78 Flac 16 Mtx - 0, 32489 Cleveland Cleveland Music Hall flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell notes

2848. 11/20/78 Shn - 0, 12947 Cleveland Cleveland Music Hall complete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?; upgrade in circulation notes

2849. 11/20/78 Shn - 0, 301 Cleveland Cleveland Music Hall partial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer; upgrade in circulation notes

2850. 11/20/78 Flac 16 - 0, 95244 Cleveland Cleveland Music Hall flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> CD; Source 2: SBD -> Master Cassette -> Dat -> CD; Source 3: Nakamichi 300 -> Reels? -> Dat -> CD; Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (Upgrade now in circulation notes

2851. 11/20/78 Shn - 0, 21727 Cleveland Cleveland Music Hall Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws notes

2852. 11/20/78 Flac 16 - 0, 117661 Cleveland Cleveland Music Hall flac16; Source: Unknown AUD (marked 4th gen) kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011 notes

2853. 11/20/78 Shn - 0, 302 Cleveland Cleveland Music Hall complete set 2; AUD, precise source is unknown? (but thought to be Nak 300s), lineage? MAC> Reel> Reel (>Possible 3rd Reel Generation>) DATs> CDRs> EAC> SHN; via Rob Bertrando, Darrin Sacks notes

2854. 11/20/78 Flac 16/48 - 0, 148951 Cleveland Cleveland Music Hall flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2855. 11/20/78 Flac 24/96 - 0, 148952 Cleveland Cleveland Music Hall flac24; 2nd Set Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496 notes

2856. 11/21/78 Flac - 0, 87023 Rochester Community War Memorial Auditorium flac16; Lineage: SBD > ? > Cassettes Transfer: Maxell XL-II's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC notes

2857. 11/21/78 Shn - 0, 11667 Rochester Community War Memorial Auditorium AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley notes

2858. 11/21/78 Flac - 0, 30116 Rochester Community War Memorial Auditorium flac16; Partial SBD > ? > Cassette Transfer: Cassette > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC. Soundforge for fades & edits, CD-Wave for tracking, Trader's Little Helper for SBE-OK and checksums, FLAC Frontend for lossless compression.; upgrade in circulation notes

2859. 11/21/78 Flac - 0, 119997 Rochester Community War Memorial Auditorium flac16; Partial Set 2 Source: Low-generation (C2?) Audience Cassette (Maxell UDXL-I C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9.0 > CD Wave Editor > Trader's Little Helper > Flac16; Transfer & edits by Bob Morris, April 2012 notes

2860. 11/23/78 Shn - 0, 9846 Landover Capital Centre Master Soundboard Reel > Reel to Reel > Cassette > DAT> CDR; Aud patch for 4 songs; Missing 4 songs; See info file for details; Seeded to etree by Jools; upgrade in circulation notes

2861. 11/23/78 Flac 16 - 0, 96031 Landover Capital Centre flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller notes

2862. 11/23/78 Shn - 0, 19155 Landover Capital Centre SBD>MR>R>C>D>CD>EAC>SHN; patched with: AUD>MC>D>CD>EAC>SHN; composite compiled from previous SBD & AUD sources notes

2863. 11/23/78 Shn - 0, 11668 Landover Capital Centre AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley notes

2864. 11/23/78 Flac 16 - 0, 151841 Landover Capital Centre flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (circa 1984) Transfer/Flac Conversion Brian Mandel gdplusmore@aol.com 02-23-21 Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLP->Flac notes

2865. 11/24/78 Flac 16 - 0, 87643 Passaic Capitol Theatre flac16; Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

2866. 11/24/78 Flac 16 - 0, 32876 Passaic Capitol Theatre flac16; SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 notes

2867. 11/24/78 Flac 24 - 0, 101694 Passaic Capitol Theatre flac24; Source: Pre-fm master reel (The Best Of The Biscuit) Lineage: Reel > Teac-X2000R > Korg MR1 1bit/2.8mhz > AudioGate > wav 24/96 > flac 24 notes

2868. 11/24/78 Flac 16 - 0, 77177 Passaic Capitol Theatre flac16; Source: PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC. DAT > WAV transfer: Playback on Sony PCM-R500 > Neutrik input on Presonus Firebox preamp/A:D > firewire/XP Pro PC > Wavelab 5, recorded as 24 bit/96 KHz WAV > Waves L3 Multimaximizer (mastered to 16 bit/44.1 KHz WAV using hi res CD dither settings) > CDWAV 1.9 (tracking and FLAC encoding) > FLAC (level 8). notes

2869. 11/24/78 Shn - 0, 8364 Passaic Capitol Theatre FM> Reel> CD; via Fred Dalrymple; Seeded to etree by Peter Braverman. [Note: A shntool-fixed-by-set version circulates.]; upgrade in circulation notes

2870. 11/24/78 Shn - 0, 304 Passaic Capitol Theatre SBD (2- or more?- songs from FM source)> MR> DAT> CDA; reportedly has been in abgd, 5/21 to etree; upgrade in circulation notes

2871. 11/24/78 Shn - 0, 13948 Passaic Capitol Theatre Pre-FM MR > DAT > CD > EAC > WAV > SHN ; upgrade in circulation notes

2872. 11/24/78 Shn - 0, 303 Passaic Capitol Theatre SBD-> FM-> ?; via Doug Horning; Note- md5s and updated txt submitted by user Chris Jones 12/02/02; upgrade in circulation notes

2873. 11/24/78 Flac Dts 5.1 - 0, 127332 Passaic Capitol Theatre DTS-Audio-CD 5.1 Mix; SBD1 (shnid=87642) Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + SBD2 (shn id 32876) SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 + VID (no shn id) low generation video supplied in dvd format for video project - dts mixing by Kevin Tobin notes

2874. 11/24/78 Flac 24 - 0, 137389 Passaic Capitol Theatre flac24; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8) notes

2875. 11/24/78 Flac 24 - 0, 137387 Passaic Capitol Theatre flac24; Partial Sets 1 & 2; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8) notes

2876. 11/24/78 Flac 16 - 0, 137390 Passaic Capitol Theatre flac16; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/44.1> TLH FLAC (LEVEL 8) notes

2877. 11/24/78 Flac 16 - 0, 137575 Passaic Capitol Theatre flac16:; Live FM broadcast > Sony receiver > Sony cassette deck > Maxell 110 XLII, FM Master cassette > CDR's > EAC > wav > Wavelab > CD-Wave > TLH > FLAC 1644, Recorded by Joey Browning. notes

2878. 11/24/78 Flac 16 - 0, 140483 Passaic Capitol Theatre flac16; Source: Pre-fm master reel (The Best Of The Biscuit) Lineage: Reel > Teac-X2000R > Korg MR1 1bit/2.8mhz > AudioGate > wav 24/96 > flac 24 notes

2879. 11/24/78 Flac 16 - 0, 137388 Passaic Capitol Theatre flac16; Partial Sets 1 & 2; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/44.1> TLH FLAC (LEVEL 8) notes

2880. 11/24/78 Flac 24/96 - 0, 150970 Passaic Capitol Theatre Recording Info: PRE FM > WBUF Reel Master engineered by David LaRussa Fresh master reel transfer and mastering for broadcast by Jim Blackwood Studer A807 playback of Pre-FM Master Reel (10in 7.5ips) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Speed Correction by Jason Chastain Track, FLAC and Pack by Jamie Waddell notes

2881. 11/24/78 Flac 16/44 - 0, 151616 Passaic Capitol Theatre flac16/44khz , Recording Info: PRE FM > WBUF Reel Master engineered by David LaRussa Fresh master reel transfer and mastering for broadcast by Jim Blackwood Studer A807 playback of Pre-FM Master Reel (10in 7.5ips) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Speed Correction by Jason Chastain Track, FLAC and Pack by Jamie Waddell - 150970 24 -> 16 @ 48 notes

2882. 11/24/78 Flac 16/48 - , 154194 Passaic Capitol Theatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid=87642) Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + SBD2 (shn id 32876) SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 + VID (no shn id) low generation video supplied in dvd format for video project - surround mixing by Kevin Tobin notes

2883. 11/25/78 Flac 16 - 0, 85058 New Haven Veterans Memorial Coliseum flac16; source: aud 1st gen cassette (mastered: akg d200e's> Sony TC-158) taped by Jim Anderson lineage: aud c.m.>cassette>cdr>eac>flac transfer by Rob Berger notes

2884. 12/12/78 Flac 16 - 0, 123741 Miami Jai-Alai Fronton flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2885. 12/12/78 Shn - 0, 19895 Miami Jai-Alai Fronton SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>SHN; pitch corrected notes

2886. 12/12/78 Shn - 0, 18511 Miami Jai-Alai Fronton Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches notes

2887. 12/12/78 Shn - 0, 4859 Miami Jai-Alai Fronton Master Soundboard Reel> Cassette> DAT> CDR> EAC> SHN; d1 tracked for 80 min; Mastered, EAC'ed / SHN'ed by Scott Clugston; to abgd ; upgrade in circulation notes

2888. 12/13/78 Shn - 0, 25717 Tampa Curtis Hixon Convention Hall Source: SBD -> Cassette Master > Cassette > Reel > Dat > CD -> EAC -> WAV Transfer Info:WAV -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller notes

2889. 12/13/78 Shn - 0, 22145 Tampa Curtis Hixon Convention Hall SBD > MC > C > Reel > DAT > CD > EAC > SHN; Patched with: AUD>MC>DAT>CDR; Hiss Reduction applied; EAC/SHN by Darryl Hinko; upgrade in circulation notes

2890. 12/13/78 Shn - 0, 9478 Tampa Curtis Hixon Convention Hall AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley notes

2891. 12/15/78 Shn - 0, 9479 Birmingham Boutwell Auditorium AUD(Sony 54P?s)>MC>DAT>CDR; Seeded to etree by Tim W notes

2892. 12/15/78 Flac 16 - 0, 143923 Birmingham Boutwell Auditorium flac16; Source: unknown aud Master Cassette > 10” Reels > PCM; Transfer: PCM > Sony SL-HF360 >Modified Sony 601 > Marantz PMD 661 > wav 16/44.1 - Transferred by the late Kris Westcott; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave > Flac 16; edited and mastered SIRMick November 2018 notes

2893. 12/16/78 Flac - 0, 82212 Nashville Nashville Municipal Auditorium flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) notes

2894. 12/16/78 Shn - 0, 8841 Nashville Nashville Municipal Auditorium Source: AUD, unknown mics: CM > 1C > DAT; Seeded to etree by Dan Stephens notes

2895. 12/16/78 Flac - 0, 82211 Nashville Nashville Municipal Auditorium flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) notes

2896. 12/16/78 Shn - 0, 9482 Nashville Nashville Municipal Auditorium Robert Wagner Nak 300?s>Sony TC-158>MC>DAT>CDR; Seeded to Etree by Tim W notes

2897. 12/17/78 Shn - 0, 13408 Atlanta Fox Theater SBD>MR>R>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; the SBD is slightly degraded; Thanks to Mike Tausig & Chuck Kiefe; edits/encoding by JCotsman notes

2898. 12/17/78 Flac 16 - 0, 92528 Atlanta Fox Theater flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes

2899. 12/17/78 Shn - 0, 9483 Atlanta Fox Theater ACM(Sony 54P's)>DAT>CDR; Seeded to etree by Tim W notes

2900. 12/17/78 Flac 16 - , 156927 Atlanta Fox Theater notes

2901. 12/19/78 Flac 16 - 0, 102429 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac16; Set 1 Only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller notes

2902. 12/19/78 Flac 16 - 0, 121941 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac16; Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes

2903. 12/19/78 Flac 16 - 0, 19507 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac16; Sony 54-P/Sony TC-158; Master AUD Cass> DAT> CD> DAE> FLAC; taped by Bob Wagner; reported retransfer of the same original source as previous seed, with different flaws- see pub comments notes

2904. 12/19/78 Shn - 0, 305 Jackson Memorial Coliseum, Mississippi State Fairgrounds FOB AUD Sony 540> Sony TC158> DAT> SoundForge> CD-R> EAC> SHN; via D. Barrick notes

2905. 12/19/78 Flac 16 - 0, 121963 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac16; Rob Bertrando remaster of source ID 121941 (Bob Wagner's Sony 54P -> Cassette Master notes

2906. 12/19/78 Flac 24 - 0, 121940 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac24; Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes

2907. 12/19/78 Flac 16/44 - , 157160 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac1644 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2021 > Samplitude Pro X6 Suite > FLAC/24 This is 156949 2496 -> 1644 notes

2908. 12/19/78 Flac 24/96 - , 156949 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac2496 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2021 > Samplitude Pro X6 Suite > FLAC/24 notes

2909. 12/21/78 Shn - 0, 15209 Houston The Summit AUD>MC>?>D>CD>EAC>SHN; pitch corrected, normalized; Thanks to Chuck Kiefe; edits/encoding by JCotsman notes

2910. 12/21/78 Flac 24/96 - , 152900 Houston The Summit flac24/96 Source: unknown sbd cassette (low gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick July 2021 notes

2911. 12/21/78 Flac 16/44 - , 152899 Houston The Summit flac16/44 Source: unknown sbd cassette (low gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick July 2021 notes

2912. 12/22/78 Shn - 0, 14562 Dallas Dallas County Convention Center Arena AUD>MC>?>D>CD>EAC>SHN most set 1 & 2 via Chuck Kiefe, encoding Jeff Cotsman notes

2913. 12/27/78 Shn - 0, 9480 San Diego Golden Hall, Community Concourse Mixed sources; SBD>MR>??>DAT>CDR; AUD(Unknown)>?>CDR; Post Drums missing; See info file for details; Seeded to etree by Tim W notes

2914. 12/27/78 Flac 16 - 0, 13605 San Diego Golden Hall, Community Concourse flac16; Source 1: speed corrected version of shnid 9480: SBD>MR>??>DAT>CDR; Source 2: AUD MR Taped by Greg Schug, 2 Neumann SM69 mics (shnid 21480); Source 3: AUD(Unknown)>?>CDR (shnid 9480) notes

2915. 12/27/78 Shn - 0, 21480 San Diego Golden Hall, Community Concourse MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

2916. 12/27/78 Flac 24/96 - 0, 145347 San Diego Golden Hall, Community Concourse flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

2917. 12/27/78 Flac 16/48 - 0, 145346 San Diego Golden Hall, Community Concourse flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2918. 12/28/78 Shn - 0, 7487 San Diego Golden Hall, Community Concourse Master Soundboard Reel > Cassette > CDR; via Dave Cohen; Scott Clugston notes

2919. 12/28/78 Flac 16 - 0, 35159 San Diego Golden Hall, Community Concourse flac16; Fix of shn id 7487 - Cassette to CDR transfer by Dave Cohen via a LynxOne 24 bit A/D card > Wave Lab3 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes

2920. 12/28/78 Shn - 0, 19506 San Diego Golden Hall, Community Concourse MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1 notes

2921. 12/28/78 Flac 16/44,1 - 0, 142807 San Diego Golden Hall, Community Concourse flac16/44.1kHz & 48kHz; Source Info: 1st Set: Master Soundboard Cassettes > Cassette > Dat (16-bit/44.1k); 2nd Set: Master Soundboard Cassettes > Dat (16-bit/48k); Transfer Info: 1st Set: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16; 2nd Set: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k)> Adobe Audition 3.01 > TLH flac1648 notes

2922. 12/28/78 Flac 24/96 - 0, 145349 San Diego Golden Hall, Community Concourse flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

2923. 12/28/78 Flac 16/48 - 0, 145348 San Diego Golden Hall, Community Concourse flac16/48kHz Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2924. 12/30/78 Shn - 0, 18092 Los Angeles Pauley Pavilion, UCLA SBD>Rm>Reel>Cass>Dat with aud patches via Charlie Miller notes

2925. 12/30/78 Flac 16 - 0, 123103 Los Angeles Pauley Pavilion, UCLA flac16; Recording Info: SBD -> Master Reel -> Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

2926. 12/30/78 Flac 16 Mtx - 0, 123100 Los Angeles Pauley Pavilion, UCLA flac16; Matrix from: Soundboard (shnid:34261) Recording Info: SBD>Rm>Reel>Cass>Dat; Transfer Info: Dat(Sony R500)>Prodif Plus>Samplitude v6.0>SHN and Audience (shnid:19417) MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

2927. 12/30/78 Shn - 0, 8826 Los Angeles Pauley Pavilion, UCLA SBD> MR> PCM> DAT> CDR; Seeded to etree by Tony G; upgrade in circulation notes

2928. 12/30/78 Shn - 0, 19417 Los Angeles Pauley Pavilion, UCLA MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

2929. 12/30/78 Flac 16 - 0, 34216 Los Angeles Pauley Pavilion, UCLA flac16; SBD>Rm>Reel>Cass>Dat - Fix of shn id 18092 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes

2930. 12/30/78 Flac 24/96 - 0, 137675 Los Angeles Pauley Pavilion, UCLA flac24; Source: Audience recording > Neumann KM 88's > Nagra > reel master; taped by Sandy Troy; Transfer: reel master > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac> wav 24/96); transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3.0.01 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick notes

2931. 12/30/78 Flac 16 - 0, 137674 Los Angeles Pauley Pavilion, UCLA flac16; Source: Audience recording > Neumann KM 88's > Nagra > reel master; taped by Sandy Troy; Transfer: reel master > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac> wav 24/96); transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3.0.01 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick notes

2932. 12/30/78 Flac 16 - 0, 142711 Los Angeles Pauley Pavilion, UCLA flac16; Set 1 Source Info: Master Soundboard Cassette (dbx) > Dat (Panasonic SV-3700) (16-bit/48k) > Dat (Panasonic SV-3800) (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes

2933. 12/30/78 Flac 24/96 - 0, 145351 Los Angeles Pauley Pavilion, UCLA flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (left side, first row of seats above bleachers next to railing, even with the soundboard) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

2934. 12/30/78 Flac 16/48 - 0, 145350 Los Angeles Pauley Pavilion, UCLA flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (left side, first row of seats above bleachers next to railing, even with the soundboard) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2935. 12/31/78 Flac 16 Mtx - 0, 106374 San Francisco Winterland Arena b>flac16; SBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and SBD>>MR>>PCM>>DAT>>CDA; First Three Tracks and Patches Are: FMMR(TANDBERG-TD20ASE)>>SONY(SBM-1)>>CDA(TASCAM-CDRW700) Note: This source was originally seeded with errors, a fixed version now circulates. notes

2936. 12/31/78 Flac 16 - 0, 106102 San Francisco Winterland Arena flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein notes

2937. 12/31/78 Shn - 0, 1791 San Francisco Winterland Arena via Jay Ashley; third and final EAC/SHN (this one 4x-verified bit-identical) of same seed CDs as other 2 previous shn sets notes

2938. 12/31/78 Flac 24/96 - 0, 133281 San Francisco Winterland Arena flac24; Recording Info: First set: FMMR> R @3.75 ips Pat Lee reel; Second set on: FMMR> R @7.5 ips Sandy Troy 10" reel; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes

2939. 12/31/78 Flac 16 - 0, 133282 San Francisco Winterland Arena flac16; Recording Info: First set: FMMR> R @3.75 ips Pat Lee reel; Second set on: FMMR> R @7.5 ips Sandy Troy 10" reel; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes

2940. 12/31/78 Shn - 0, 1667 San Francisco Winterland Arena SBD> MR> PCM> DAT> CDA, except first 3 tracks plus patches FMMR (Tandberg TD20ASE)> Sony (SBM-1)> CDA (Tascam CDRW700); via Jay Ashley; upgrade in circulation notes

2941. 12/31/78 Flac Dts 5.1 - 0, 106419 San Francisco Winterland Arena DTS-Audio-CD 5.1 Mix; SBD (shn id 1791) SBD> MR> PCM> DAT> CDA via Jay Ashley + AUD1 (shn id 106102) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein - dts mixing by Kevin Tobin notes

2942. 12/31/78 Flac 16 - 0, 139554 San Francisco Winterland Arena flac16; Source: sbd > master reel (15ips half track) > pcm > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000; wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick notes

2943. 12/31/78 Flac 24/96 - 0, 145356 San Francisco Winterland Arena flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (mounted on railing, right balcony, even with the soundboard)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

2944. 12/31/78 Flac 16/48 - 0, 145355 San Francisco Winterland Arena flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (mounted on railing, right balcony, even with the soundboard)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2945. 12/31/78 Flac 16/44 - , 154898 San Francisco Winterland Arena flac16/44 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24 notes

2946. 12/31/78 Flac 24/96 - , 154899 San Francisco Winterland Arena flac24/96 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24 notes

2947. 12/31/78 Flac 16 - 0, 151330 San Francisco Winterland Arena flac16/44.1khz Source: SBD Reel Master > Beta tape > Beta VCR > PCM. Transfer: PCM > Sony PCM601esd (spdif out) > Digigram VX Pocket Sound Card > laptop (spdif in) > Steinberg Nuendo > Waves q10 > WAV 1644. Recording by Betty Cantor Jackson. PCM source & transfer by anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. November 02, 2020. notes

2948. 12/31/78 Flac 16/44 - , 155425 San Francisco Winterland Arena flac16/44 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24 - This is 154899 2496 > 1644 notes

2949. ??/??/78 Flac 16 - 0, 151653 unknown unknown flac16 Studio Recording-> ?-> Cassette Maxell UDXL1 C-60 with Dolby B (playback on Nakamichi )-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac notes

2950. 01/05/79 Shn - 0, 17342 Philadelphia The Spectrum Taper Unknown: Nakamichi 300/CP1 -> Cm -> Cass -> Dat(48k)Dat (Sony R500) -> Prodif plus -> Samplitude v6.0 -> SHN ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(Check/fix)>SHN(seekable)-NO DAE ; Via Charlie Miller ; remastered and seeded by T. Wiley notes

2951. 01/05/79 Flac 24/96 - , 156053 Philadelphia The Spectrum flac2406 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes

2952. 01/07/79 Flac 16 - 0, 87739 New York Madison Square Garden flac16; Recording by Bob Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) (Set 2 has a Sennheiser 441 mixed in) All Transfers and Mastering By Charlie Miller notes

2953. 01/07/79 Shn - 0, 16467 New York Madison Square Garden AUD> MC> DAT> CDR; via Raoul Duke, encoded by Matt Vernon notes

2954. 01/08/79 Flac 16 - 0, 87657 New York Madison Square Garden flac16; Recording by Robert Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

2955. 01/08/79 Shn - 0, 10283 New York Madison Square Garden Recording by Keith Gatto: Nak 300's>MC>DAT>CD; via Paul; Seeded to etree by Glyde (updated lineage; had been marked Shure SM57's) notes

2956. 01/10/79 Flac 16/44 - , 157175 Uniondale Nassau Veterans Memorial Coliseum flac1644; Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 157156 2496 -> 1644.1 notes

2957. 01/10/79 Flac 24/96 - , 157156 Uniondale Nassau Veterans Memorial Coliseum flac2496 Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes

2958. 01/10/79 Flac 16/48 - 0, 132263 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder; Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz; Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW; This is a dithered 16 bit 48KHz file set notes

2959. 01/10/79 Flac 16 - 0, 113114 Uniondale Nassau Veterans Memorial Coliseum flac16;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner. upgrade of shnid# 77328 notes

2960. 01/10/79 Flac 16 - 0, 125490 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby bset I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > 16/44.1 > flac; transferred & seeded by Rob Berger 2013 notes

2961. 01/10/79 Shn - 0, 35023 Uniondale Nassau Veterans Memorial Coliseum Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN Note: d3t02 is will not play or decompress to .wav; d3t03 is missing. upgrade now in circulation notes

2962. 01/10/79 Flac 16 - 0, 77328 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN > FLAC notes

2963. 01/10/79 Flac 24/44,1 - 0, 113446 Uniondale Nassau Veterans Memorial Coliseum flac24;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner notes

2964. 01/10/79 Shn - 0, 307 Uniondale Nassau Veterans Memorial Coliseum Recording by Keith Gatto: FOB made with Nak 300's and Sony TC-158 > DAT > Soundforge > CDR > Cdparanoia > SHN; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly, J. Kempka. notes

2965. 01/10/79 Flac 24/96 - 0, 125491 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > flac; transferred & seeded by Rob Berger 2013 notes

2966. 01/11/79 Flac 16 - 0, 102446 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; This version has a fixed He's Gone; All Mastering By Charlie Miller notes

2967. 01/11/79 Flac 16/48 - 0, 132250 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz (circa 1991); Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW notes

2968. 01/11/79 Shn - 0, 308 Uniondale Nassau Veterans Memorial Coliseum Recording by Keith Gatto: FOB (Nak 300's > Sony TC-158 )Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly for, J. Kempka notes

2969. 01/11/79 Flac 16 - 0, 102430 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation notes

2970. 01/11/79 Flac 16 - 0, 125492 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger 2013 notes

2971. 01/11/79 Flac 24/96 - 0, 125493 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > flac; transferred & seeded by Rob Berger 2013 notes

2972. 01/12/79 Flac 16/48 - 0, 132217 Philadelphia The Spectrum flac16; Cassette Audience Master Recorded 12'th Row FOB Dead Center by Eddie Claridge & Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Analog-Digital Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Sony PCM R-700 DAT @ 48 kHz (original A-D by J.W. circa 1991); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-16 bit 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-tagging(Tag & Re-name)By J.W. :November 2014 notes

2973. 01/12/79 Shn - 0, 309 Philadelphia The Spectrum Recording by E. Claridge: Split 30' on the balcony with Sony ECM-280 mics > Sony TC158: Transfer: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by J. Wise; via R. Donnelly, J. Kempka notes

2974. 01/12/79 Shn - 0, 152537 Philadelphia The Spectrum Unknown audience recording - set 2 only; downloaded from a.b.gd 01/03; notes

2975. 01/14/79 Shn - 0, 18460 Utica Utica Memorial Coliseum Taper unknown: (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN > WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Charlie Miller ; Remastered by T. Wiley 07/16/2003. notes

2976. 01/15/79 Flac 16 - 0, 102389 Springfield Springfield Civic Center flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller notes

2977. 01/15/79 Flac 16 Mtx - 0, 111582 Springfield Springfield Civic Center flac16; Sick Bits Vol. 32 - matrix by Chris Chappell; Source: SBD: (shnid 102389) via Charlie Miller; AUD: (shnid 90095) recorded by Steve Rolfe via Charlie Miller notes

2978. 01/15/79 Flac 16 - 0, 127556 Springfield Springfield Civic Center flac16; Recorded by Steve Rolfe: Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B); Section 61 Row S Seat 7; Transfer and masteringg by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding notes

2979. 01/15/79 Shn - 0, 4669 Springfield Springfield Civic Center Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules > Master Audience Cassette > Sony TC158; Played back on a Nak DR1 > Sony PCMR500 DAT with SBM ON @ 48KHz > (done by Rango Keshavan); Soundforge (noise reduction, bass boost) > CDR (done by Jim Wise) > EAC > SHN; see info file for additional details;; upgrade now in circulation. notes

2980. 01/15/79 Flac 24/96 - 0, 90100 Springfield Springfield Civic Center flac24; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/24 All Transfers and Mastering By Charlie Miller notes

2981. 01/15/79 Shn - 0, 310 Springfield Springfield Civic Center Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules (one mic was pointed at the PA (left or right) and the other at the drums)> Master Audience Cassette > Sony TC158 > DAT > (J. Wise's 10dB noise reduction, bass boost @ 125Hz)> Tascam DA302 > HHB 850> Soundforge > CDR> 1 CD> Mac Plextor/ Toast> SHN; via A. Cohen; ; upgrade now in circulation. notes

2982. 01/15/79 Flac 16 - 0, 90095 Springfield Springfield Civic Center flac16; Recording by Steve Rolfe :(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

2983. 01/15/79 Flac 24/96 - 0, 147806 Springfield Springfield Civic Center b>flac24; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

2984. 01/15/79 Flac 16/48 - 0, 147805 Springfield Springfield Civic Center flac16/48kHz; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

2985. 01/15/79 Flac 24/96 - 0, 127570 Springfield Springfield Civic Center flac24; Recorded by Steve Rolfe: Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B); Section 61 Row S Seat 7; Transfer and masteringg by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding notes

2986. 01/17/79 Flac 16 - 0, 102443 New Haven Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller notes

2987. 01/17/79 Flac 16 Mtx - 0, 91783 New Haven Veterans Memorial Coliseum flac16; Matrix mix of new SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV and AUD Source Recording by Barry Glassberg FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav (Source ID 85101) Mastered by: D. McCabe Mastering Tools: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend notes

2988. 01/17/79 Flac 24 - 0, 91784 New Haven Veterans Memorial Coliseum flac24; Matrix mix of new SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV and AUD Source Recording by Barry Glassberg FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav (Source ID 85101) Mastered by: D. McCabe Mastering Tools: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend notes

2989. 01/17/79 Flac 24 - 0, 91788 New Haven Veterans Memorial Coliseum flac24; Lineage: SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > 24/96 WAV > FLAC Transfer & Mastering by: D. McCabe Mastering Tools: Plugins included Nomad Factory and Izotope notes

2990. 01/17/79 Shn - 0, 12200 New Haven Veterans Memorial Coliseum Updated lineage: Recording by Steve Rolfe:TEAC PC-10 with nak 300 mic's pole-mounted fob; via Dave Minor; seeded to etree by Marc Pujol & Matt Vernon (had been marked as Nak 700 mics); upgrade now in circulation. notes

2991. 01/17/79 Flac 16 - 0, 77208 New Haven Veterans Memorial Coliseum flac16; SBD: MC > EQ > CDR > EAC > SHN > > FLAC patched w/ shn id 1220;; upgrade now in circulation. notes

2992. 01/17/79 Flac 16 - 0, 99009 New Haven Veterans Memorial Coliseum flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe (Left Center 17th Row); All Transfers and Mastering By Charlie Miller notes

2993. 01/17/79 Flac 16 - 0, 83831 New Haven Veterans Memorial Coliseum flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes

2994. 01/17/79 Flac 16 - 0, 91787 New Haven Veterans Memorial Coliseum flac16; Lineage: SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV > FLAC Transfer & Mastering by: D. McCabe Mastering Tools: Plugins included Nomad Factory and Izotope notes

2995. 01/17/79 Flac 24 - 0, 85101 New Haven Veterans Memorial Coliseum flac24; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes

2996. 01/18/79 Flac 16 - 0, 102444 Providence Providence Civic Center flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller notes

2997. 01/18/79 Flac 16 - 0, 103186 Providence Providence Civic Center flac16; SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102444 notes

2998. 01/18/79 Shn - 0, 17175 Providence Providence Civic Center Updated lineage: Recording by Steve Rolfe: TEAC PC-10 with nak 300 mic's fob encoded by Matt Vernon (had been marked nak 700 mics) notes

2999. 01/18/79 Flac 16 - 0, 100209 Providence Providence Civic Center flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe notes

3000. 01/18/79 Flac 24/96 - 0, 106899 Providence Providence Civic Center flac24; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010 notes

3001. 01/18/79 Shn - 0, 13058 Providence Providence Civic Center Source: FOB AUD Master Cassette > DAT >CD-R > SHN. Mikes are allegedly Sennheiser 441's via Fishman notes

3002. 01/18/79 Flac 24 - 0, 202210 Providence Providence Civic Center flac24; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe notes

3003. 01/18/79 Flac 16/44 - 0, 106900 Providence Providence Civic Center flac16; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010 notes

3004. 01/20/79 Flac 16 - 0, 99385 Buffalo Shea's Buffalo Theater flac16; Recording Info: (FOB/6th Row) Nakamichi 700 (Sony D5/Dolby B) -> Cassette Master -> Dat -> CD -> FLAC Transfer Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; Recorded By Jerry Moore; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 86374 notes

3005. 01/20/79 Flac 24 - 0, 110977 Buffalo Shea's Buffalo Theater flac24; source: aud cassette master taped by Jerry Moore from 6th row center; lineage: aud>nak 700's>sony d5 or tc-153; tdk sa-90's, dolby b; transfer: nak dragon/b>hd-p2 24/96>hard drive> adobe audition 2.0 (levels, edits)>cd wave>tlh flac level 8; transferred & seeded by Rob Berger notes

3006. 01/20/79 Shn - 0, 12575 Buffalo Shea's Buffalo Theater AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole. A > D by Mark Cohen - EAC > SHN by Noah Weiner. A previous digitization of this show was found to have digital errors (clicks and ticks), thus the redo;; upgrade now in circulation. notes

3007. 01/20/79 Flac 16 - 0, 124861 Buffalo Shea's Buffalo Theater flac16; Source: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; Recorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; EQ'd and turned up the volume with hard limiting, balancing the channels; noise reduction using the hiss from the beginning of disc 1 as a sample; numerous cuts between songs crossfaded to smooth out the flow notes

3008. 01/20/79 Flac 16 - 0, 100025 Buffalo Shea's Buffalo Theater flac16; AUD>>MC>>DAT>>CDA>>FLAC>>DAW(Bertha)>>FLAC; Bertha Remaster of Jerry Moore's Master Cassette source (shn ID 99385) notes

3009. 01/20/79 Shn - 0, 312 Buffalo Shea's Buffalo Theater Recording by Eddie Claridge: FOB (Split 30' on the balcony with Sony ECM-280 mics > Sony tc158) Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by Jim Wise; via Robert Donnelly, Jeff Kempka notes

3010. 01/20/79 Flac 16 - 0, 86374 Buffalo Shea's Buffalo Theater flac16; source: aud cassette master Nak 700's>Sony d5 w/dolby, 6th row center taped by Jerry Moore lineage: c.m.>dat>cdr>eac>cd wave>flac (c.m. played back w/correct eq setting...) transfered '99/encoded by Rob Berger tracked by Johnny(rider) Tallmadge notes

3011. 01/20/79 Shn - 0, 19413 Buffalo Shea's Buffalo Theater pdated source info: AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole>PCM>Dat>Samplitude>Cool Edit Pro>CD Transfer Info: Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN via Charlie Miller : upgrade now in circulation . notes

3012. 01/21/79 Shn - 0, 19083 Detroit Masonic Temple Source: Unknown AUD>?>SHN. Editing: SHN>WAV>CE2K>CDWAVE>shntool>mkwACT. Edited & seeded to etree by MattMan. notes

3013. 02/03/79 Flac 16 - 0, 102445 Indianapolis Market Square Arena flac16; Set 1 only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation notes

3014. 02/03/79 Flac 16 - 0, 102976 Indianapolis Market Square Arena flac16; **set 1 Only** Recording Info:SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102851 notes

3015. 02/03/79 Shn - 0, 7116 Indianapolis Market Square Arena set 2; Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR; CD Mastering, EAC\'ed / SHN\'ed by Scott Clugston notes

3016. 02/03/79 Shn - 0, 19414 Indianapolis Market Square Arena Set One only MAC (Unknown equipment) > Unknown analog generations > Cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

3017. 02/03/79 Flac 16 - , 154522 Indianapolis Market Square Arena Source: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 1644
Transfer Info: Unknown notes

3018. 02/04/79 Shn - 0, 18888 Madison Dane County Coliseum Set 2 Nak 700's>MC>DAT>CDR>EAC>SHN notes

3019. 02/04/79 Flac 16 - 0, 32016 Madison Dane County Coliseum flac16; Set 1 only: Recording Info: (FOB) Nakamichi 700 -> Cassette Master -> 4th Gen Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC notes

3020. 02/04/79 Flac 24/96 - , 154717 Madison Dane County Coliseum flac24/96 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown notes

3021. 02/04/79 Flac 16/48 - , 154716 Madison Dane County Coliseum flac16/48 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown notes

3022. 02/07/79 Shn - 0, 13879 Carbondale SIU Arena, Southern Illinois University SBD>??>C>CD>EAC>SHN (low gen); incomplete; portions of both sets; Thanks to Joey Browning; edits/encoding by JCotsman notes

3023. 02/07/79 Flac 16 - 0, 86941 Carbondale SIU Arena, Southern Illinois University flac16; Set 1 only, Lineage: SBD > ? > Cassette Transfer: Maxell XL-II > Nakamichi BX-125 > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Aug 2007, by Andrew F. notes

3024. 02/09/79 Shn - 0, 13848 Kansas City Soldiers & Sailors Memorial Hall 3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN; Seeded to etree by Glyde notes

3025. 02/09/79 Flac 16/48 - 0, 144050 Kansas City Soldiers & Sailors Memorial Hall b>flac16/48kHz; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3026. 02/09/79 Flac 24/96 - 0, 144051 Kansas City Soldiers & Sailors Memorial Hall flac24; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 notes

3027. 02/10/79 Flac - 0, 97362 Kansas City Soldiers & Sailors Memorial Hall flac16; **Set 2 Only-Soundboard** Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3028. 02/10/79 Flac - 0, 97354 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> Adobe Audition v1.5 -> FLAC/16; Recording by Joani Walker; All Transfers and Mastering By Charlie Miller notes

3029. 02/10/79 Shn - 0, 13849 Kansas City Soldiers & Sailors Memorial Hall AUD>MC>DAT>CDR>EAC>SHN; Seeded to etree by Glyde notes

3030. 02/10/79 Flac - 0, 82238 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) notes

3031. 02/10/79 - 0, 82239 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source notes

3032. 02/11/79 Shn - 0, 16468 St. Louis Kiel Auditorium AUD (3 Nak CM-300?s >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon notes

3033. 02/11/79 Flac 16/44 - , 155704 St. Louis Kiel Auditorium flac16/44 remaster was created from the shn #16468 by acetboy notes

3034. 02/17/79 Flac 16 - 0, 88123 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

3035. 02/17/79 Flac 16 - 0, 105606 Oakland Oakland-Alameda County Coliseum flac16; SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC - pitch correction and patches by Kevin Tobin (update of source ID 88123) notes

3036. 02/17/79 Shn - 0, 313 Oakland Oakland-Alameda County Coliseum SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN; Source DAT via T. Buller from Family Tree Batch #6; transfer by J. Kempka; some splices from source DAT cleaned up : upgrade now in circulation. notes

3037. 02/17/79 Flac 16 Mtx - 0, 105619 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin notes

3038. 02/17/79 Flac 16 Dts.5.1 - 0, 105608 Oakland Oakland-Alameda County Coliseum flac16; DTS-Audio-CD 5.1 Mix; SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin notes

3039. 02/17/79 Flac 16 - 0, 105240 Oakland Oakland-Alameda County Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes

3040. 02/17/79 Flac 24/96 - 0, 145263 Oakland Oakland-Alameda County Coliseum flac24; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496 notes

3041. 02/17/79 Flac 16/48 - 0, 145262 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496; 24-bit > 16-bit via dBpweramp notes

3042. 02/17/79 Flac 16 Mtx - 0, 150800 Oakland Oakland-Alameda County Coliseum flac16; 2 Source Matrix of Soundboard shnid: 88123 Recording Info: SBD -> Master Reel -> ? -> Dat -> CD and Audience shnid:105240 FOB Master Cassettes (MAC); Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC; Matrix by dusborne notes

3043. 04/16/79 Flac 16/48 - , 157228 San Rafael Studio Rehersal, Club Front flac1648 Source: Master Cassette > DAT at 16/48 (with possible extra cassette generation)
Speed Correction by Jason Chastain
2022 DAT Transfer and Mastering by Jim Blackwood
Track, FLAC, and Pack by Steve Gravel notes

3044. 04/16/79 Shn - 0, 4163 San Rafael Studio Rehersal, Club Front sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol notes

3045. 04/16/79 Shn - 0, 3121 San Rafael Studio Rehersal, Club Front Master Soundboard Cassette > ?Cassette? > DAT > CDR; see info file for source speculation and listening notes; cuts smoothed; CD Mastering, EAC> SHN by Scott Clugston notes

3046. 04/22/79 Shn - 0, 12001 San Jose Spartan Stadium, San Jose State University Complete; Mixed sbd sources; Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith; Seeded to etree by Jim Bennett notes

3047. 04/22/79 Shn - 0, 12895 San Jose Spartan Stadium, San Jose State University Partial Set 2; WBOTB-CD Source: master reel > PCM-1 > DAT-1 > SHN; See info file for further details; Seeded to etree by Tim Deibert notes

3048. 04/22/79 Flac 16 - 0, 134401 San Jose Spartan Stadium, San Jose State University flac16; 1st Set, Source: SBD > ? > Cassette, from the Brian Schley tape collection. Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. 09/2015 notes

3049. 04/22/79 Flac 16 - 0, 105309 San Jose Spartan Stadium, San Jose State University flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rhineheart Holwein notes

3050. 04/22/79 Flac 16 - 0, 91346 San Jose Spartan Stadium, San Jose State University flac16; Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90) Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

3051. 04/22/79 Shn - 0, 9424 San Jose Spartan Stadium, San Jose State University 2nd set; SBD>MR>??>DAT>CDR; via Paul B; Seeded to etree by Willy notes

3052. 04/22/79 Flac 16 Mtx - 0, 137822 San Jose Spartan Stadium, San Jose State University flac16; 4 source matrix by dusborne; Soundboard Set 1 (shnid:134401) Source: SBD > ? > Cassette,Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644; Soundboard Set 2 (shnid:12001) SBD MC> C> DAT> CDR> WAV> SHN; Audience 1 (shnid:91346), Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board, Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0>(dither/downsample)> FLAC; Audience 2 (shnid:105309),Taped By: Rhineheart Holwein, Transfer By: Bob Menke; Mastering By: Derek McCabe,Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes

3053. 04/22/79 Flac 24/96 - 0, 145140 San Jose Spartan Stadium, San Jose State University flac24; Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3054. 04/22/79 Flac 16/48 - 0, 145139 San Jose Spartan Stadium, San Jose State University flac16/48kHz; Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3055. 04/22/79 Flac 16 - 0, 148708 San Jose Spartan Stadium, San Jose State University flac16; Source Info: Betty's 7" Master Soundboard Ree1s > PCM > PCM; Transfer Info: Tim Dalton's PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe CC 2019 > TLH flac16 notes

3056. 05/03/79 Flac - 0, 83674 Charlotte Charlotte Coliseum flac16; Recording by Barry Glassberg: MOTB 0024:Source: Audience FOB Recording, 60 Feet back, DFC, 9 foot pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky notes

3057. 05/03/79 Shn - 0, 18870 Charlotte Charlotte Coliseum Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation. notes

3058. 05/03/79 Flac - 0, 88851 Charlotte Charlotte Coliseum flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

3059. 05/04/79 Flac 16 - 0, 84825 Hampton Hampton Coliseum flac16; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes

3060. 05/04/79 Shn - 0, 18878 Hampton Hampton Coliseum Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation. notes

3061. 05/04/79 Shn - 0, 3824 Hampton Hampton Coliseum Recording by Barry Glassberg: FOB Nakamichi 700's> Sony D5> Master Cassette> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding by Jeff M.: upgrade now in circulation. notes

3062. 05/04/79 Flac 16 - 0, 89120 Hampton Hampton Coliseum flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

3063. 05/04/79 Flac 24 - 0, 86389 Hampton Hampton Coliseum flac24; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes

3064. 05/04/79 Flac 16/44 - 0, 147822 Hampton Hampton Coliseum flac16; Source: AKG-222E x2 > Nakamichi 550, FOB recording by Richie Stankiewicz. Transfer: Back-up tapes (1st or 2nd gen) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2019 notes

3065. 05/05/79 Flac 16 Mtx - 0, 123001 Baltimore Baltimore Civic Center flac16; Matrix with Soundboard (shnid:78748): Original Miller FLACs>WAV>Cool Edit 2k (using Pitch->Stretch functions correcting speed by 3%. Used Glassberg audience as baseline)>FLAC and Audience (shnid:89056): Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 notes

3066. 05/05/79 Flac 16 - 0, 34557 Baltimore Baltimore Civic Center flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC: upgrade now in circulation. notes

3067. 05/05/79 Flac 16 Mtx - 0, 123001 Baltimore Baltimore Civic Center flac16; Matrix with Soundboard (shnid:78748): Original Miller FLACs>WAV>Cool Edit 2k (using Pitch->Stretch functions correcting speed by 3%. Used Glassberg audience as baseline)>FLAC and Audience (shnid:89056): Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 notes

3068. 05/05/79 Shn - 0, 18871 Baltimore Baltimore Civic Center Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon notes

3069. 05/05/79 Flac 16 - 0, 78748 Baltimore Baltimore Civic Center flac16; Pitch and tempo adjusted version of soundboard shn id 34577 by fishmanj using Cool Edit 2000 and Adobe Audition correcting speed by 3% notes

3070. 05/05/79 Shn - 0, 12377 Baltimore Baltimore Civic Center presumed to be:SBD:MC>Cas>DAT>CD via Jools from GANS GDH Disc : upgrade now in circulation. notes

3071. 05/05/79 Flac 16 - 0, 89056 Baltimore Baltimore Civic Center flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

3072. 05/07/79 Shn - 0, 8216 Easton Allan Kirby Field House, Lafayette College Recording by Barry Glassberg: Master Audience Cassette; Nakamichi CM700 mics>Sony TC-158> DAT> CDR; Seeded to etree by Scott Clugston : upgrade now in circulation. notes

3073. 05/07/79 Shn - 0, 3900 Easton Allan Kirby Field House, Lafayette College set 1; aud> mics?> master cassette> dat> cdr; via Mike Lai notes

3074. 05/07/79 Shn - 0, 18877 Easton Allan Kirby Field House, Lafayette College Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon notes

3075. 05/07/79 Flac - 0, 139635 Easton Allan Kirby Field House, Lafayette College flac16; AUD: Unknown taper & gear > Low-gen tapes, kindly provided from the collection of Craig L. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017 notes

3076. 05/07/79 Flac - 0, 139631 Easton Allan Kirby Field House, Lafayette College flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes

3077. 05/08/79 Flac 16 - 0, 97517 State College Recreation Hall, Penn State University flac16 Recording by Barry Glassberg: MOTB Release: 0028 16/44.1 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell notes

3078. 05/08/79 Shn - 0, 11552 State College Recreation Hall, Penn State University Recording by Barry Glassberg: Nak 700's>Sony D5>MC>DAT>CDR; Seeded to etree by Willy: upgrade now in circulation. notes

3079. 05/08/79 Shn - 0, 18876 State College Recreation Hall, Penn State University Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation. notes

3080. 05/08/79 Flac 24/96 - 0, 87806 State College Recreation Hall, Penn State University flac24; Recording by Barry Glassberg: MOTB Release: 0028 24/96 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell notes

3081. 05/08/79 Flac 24/96 - 0, 147828 State College Recreation Hall, Penn State University flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

3082. 05/08/79 Flac 16/48 - 0, 147827 State College Recreation Hall, Penn State University flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3083. 05/08/79 Flac 16/48 - 0, 152209 State College Recreation Hall, Penn State University flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes

3084. 05/08/79 Flac 24/96 - 0, 152210 State College Recreation Hall, Penn State University flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes

3085. 05/09/79 Flac 16 - 0, 85421 Binghamton Broome County Arena flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, 50ft. DFC, Hand-Held Nak CM700's Media: Maxell UD-XLII 90 min. Lineage 1: Nakamichi CM700's > Sony 158SD > MAC > Sony 158SD > C1 Lineage 2: Nakamichi CM700's > Sony 158SD > MAC Transfer 1: C1 > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Transfer 2: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky notes

3086. 05/09/79 Flac 16 - 0, 99027 Binghamton Broome County Arena flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller notes

3087. 05/09/79 Shn - 0, 4881 Binghamton Broome County Arena FOB Naks > Teac PC-10 (cassette master) > DAT x2; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (tracking, downsampling [Set II only]) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; flips after Minglewood and Drums [Note: A sbe fixed version also circulates notes

3088. 05/09/79 Shn - 0, 18875 Binghamton Broome County Arena Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation. notes

3089. 05/09/79 Flac 24/96 - 0, 147830 Binghamton Broome County Arena flac24; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

3090. 05/09/79 Flac 16/48 - 0, 147829 Binghamton Broome County Arena flac16/48kHz; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3091. 05/09/79 Flac 16/48 - , 155839 Binghamton Broome County Arena flac1648 Source Info: FOB NAK 700-> Cassette-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes

3092. 05/11/79 Shn - 0, 19268 Billerica Billerica Forum Recording by Keith Gatto via Mark Cohen encoded by Matt Vernon notes

3093. 05/11/79 Shn - 0, 314 Billerica Billerica Forum FOB Sony ECM 280's > cassette master > 48k DAT; Transfer: DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling); via A. Gustin notes

3094. 05/11/79 Flac - 0, 99029 Billerica Billerica Forum flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller notes

3095. 05/12/79 Flac 24 - 0, 106433 Amherst Alumni Stadium, University Of Massachusetts flac24; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010 notes

3096. 05/12/79 Flac - 0, 106434 Amherst Alumni Stadium, University Of Massachusetts flac16; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010 notes

3097. 05/12/79 Flac - 0, 85220 Amherst Alumni Stadium, University Of Massachusetts flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes

3098. 05/12/79 Shn - 0, 10345 Amherst Alumni Stadium, University Of Massachusetts Recording by Barry Glassberg: Nak CM700s> MC>DAT>CD; via Paul B; Seeded to etree by Willy: upgrade now in circulation. notes

3099. 05/12/79 Shn - 0, 18874 Amherst Alumni Stadium, University Of Massachusetts Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation. notes

3100. 05/12/79 Flac 16/44,1 - , 151040 Amherst Alumni Stadium, University Of Massachusetts flac16/44.1khz Source: Audience FOB Recording Lineage: Nakamichi CM300's > Sony 158SD Hand-Held Transfer: MAC > Dat@44.1( K. Goto) Taped by: K. Gotto Transfer: MAC > Dat@44.1( K. Gotto) rebuilt Dat(taken Apart to Slice) Transfer Sony M1 analogue out > Edirol R09hr@24/88.2 > Wavelab6 > OzoneRx7A > Ozone6A > R8brain > CDWave notes

3101. 05/13/79 Shn - 0, 18873 Portland Cumberland County Civic Center Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon : upgrade now in circulation. notes

3102. 05/13/79 Flac 24 - 0, 127354 Portland Cumberland County Civic Center flac24; First Set Nakamichi 550>AKG 222e; Second set Nakamichi 550>Sen 441; First Set MAC>Nakamichi 1000II>Sound Device USBPre2; Second set 1st Gen>Nakamichi 1000II>Sound Devices USBPre2; Various patches made with Barry Glassbergs recording; First set Recorded by Richie Stankiewicz; Second set Recorded By Dave Wienman; All transfered by Richie Stankiewicz notes

3103. 05/13/79 Flac 16 - 0, 87854 Portland Cumberland County Civic Center flac16; Recording by Barry Glassberg: MotB Release: 0036 16/44.1 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust notes

3104. 05/13/79 Flac 24/96 - 0, 88261 Portland Cumberland County Civic Center flac24 Recording by Barry Glassberg: MOTB Release: 0036 24/96 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust notes

3105. 05/13/79 Shn - 0, 8037 Portland Cumberland County Civic Center Recording by Barry Glassberg: Nak CM 700 > Sony TCD-D5 > DAT > CD; via JR Fishman : upgrade now in circulation (note: this source also circulates without the filler tracks) notes

3106. 06/28/79 Shn - 0, 19514 Sacramento Sacramento Memorial Auditorium Set 2; SBD:MR> Cassettes x?> Pioneer 509 >CD; via Jools notes

3107. 06/28/79 Shn - 0, 11159 Sacramento Sacramento Memorial Auditorium Recording by Reinhardt Hollwein: Sony ECM>Sony-158>Cass>Reel>CD; 'Minor' static/distortion in spots; All Over Now, Fire, Samson, Ship, NFA, Peter; via David Minches & Paul B; Seeded to etree by Willy notes

3108. 06/30/79 Shn - 0, 10346 Portland Portland International Speedway Senn. 441's>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes

3109. 06/30/79 Flac 16 - 0, 105563 Portland Portland International Speedway flac16; 2 x AKG D224e's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes

3110. 06/30/79 Flac 16 - 0, 94386 Portland Portland International Speedway flac16; Recording Info: (2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; Taped By Rob Eaton; All Transfers and Mastering By Charlie Miller notes

3111. 06/30/79 Flac 16 - 0, 90694 Portland Portland International Speedway flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

3112. 06/30/79 Flac 24/96 - 0, 145142 Portland Portland International Speedway flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3113. 06/30/79 Flac 16 - 0, 145141 Portland Portland International Speedway flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpowweramp notes

3114. 06/30/79 Flac 16/48 - 0, 152215 Portland Portland International Speedway flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes

3115. 06/30/79 Flac 24/96 - 0, 152216 Portland Portland International Speedway flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes

3116. 07/01/79 Flac 16 Mtx - 0, 95742 Seattle Seattle Center Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes

3117. 07/01/79 Flac 16 - 0, 93433 Seattle Seattle Center Coliseum flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3118. 07/01/79 Flac 16 - 0, 105210 Seattle Seattle Center Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nak CM 700's >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes

3119. 07/01/79 Shn - 0, 315 Seattle Seattle Center Coliseum no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation notes

3120. 07/01/79 Flac 16 - 0, 90696 Seattle Seattle Center Coliseum flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

3121. 07/01/79 Flac 16 - 0, 141412 Seattle Seattle Center Coliseum flac16; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes

3122. 07/01/79 Flac 16 - 0, 141414 Seattle Seattle Center Coliseum flac16; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes

3123. 07/01/79 Flac 24/96 - 0, 141415 Seattle Seattle Center Coliseum flac24; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes

3124. 07/01/79 Flac 24/96 - 0, 141413 Seattle Seattle Center Coliseum flac24; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes

3125. 07/01/79 Flac 24/96 - 0, 145358 Seattle Seattle Center Coliseum flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3126. 07/01/79 Flac 16/48 - 0, 145357 Seattle Seattle Center Coliseum flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3127. 07/01/79 Flac 24/96 Mtx. - , 156176 Seattle Seattle Center Coliseum flac24; Matrix 2 Source Mix - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - matrix mixing by Kevin Tobin notes

3128. 07/01/79 Flac 16 - , 156177 Seattle Seattle Center Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - matrix mixing by Kevin Tobin notes

3129. 07/01/79 Flac 16 Dts 5.1 - , 156179 Seattle Seattle Center Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - dts mixing by Kevin Tobin notes

3130. 07/01/79 Flac 16/48 LPCM - , 156180 Seattle Seattle Center Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - surround mixing by Kevin Tobin notes

3131. 07/11/79 Flac 24/96 - , 153602 San Rafael Studio Rehersal, Club Front flac24/96 From the collection of John Musgrave A bit hissy but the Dolby decoding muffled this something awful so no Dolby on playback. Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M- notes

3132. 07/11/79 Flac 16/48 - , 153601 San Rafael Studio Rehersal, Club Front flac16/44 From the collection of John Musgrave Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > Korg Aqua (16-44) > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M- notes

3133. 08/04/79 Shn - 0, 34259 Oakland Oakland Auditorium Arena Fix of soundboard shn id 9578 (sbd) by Bill Tetzeli - see info file for details notes

3134. 08/04/79 Shn - 0, 9578 Oakland Oakland Auditorium Arena SBD>MC>C>DAT>CDR; Missing Jack Straw; via Paul B; Seeded to etree by Willy;; upgrade now in circulation notes

3135. 08/04/79 Flac 16 - 0, 90699 Oakland Oakland Auditorium Arena flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

3136. 08/04/79 Flac 16/44,1 - 0, 144160 Oakland Oakland Auditorium Arena flac16/44.1khz Source Info: Master Soundboard Cassettes > Cassette > PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 notes

3137. 08/04/79 Flac 24/96 - 0, 148941 Oakland Oakland Auditorium Arena flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3138. 08/04/79 Flac 16/48 - 0, 148940 Oakland Oakland Auditorium Arena flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3139. 08/05/79 Flac 24/96 - , 158644 Oakland Oakland Auditorium Arena flac24; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (July 2022) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel notes

3140. 08/05/79 Flac 16/48 - , 158645 Oakland Oakland Auditorium Arena flac1648; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (July 2022) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel notes

3141. 08/05/79 Flac 16 Mtx - 0, 98716 Oakland Oakland Auditorium Arena flac16; Matrix Analog Audience Source: Aud Master Cassettes (MAC) Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe and Soundboard Source: gd79-08-05.sbd.munder.9579.sbeok.shnf notes

3142. 08/05/79 Shn - 0, 9579 Oakland Oakland Auditorium Arena SBD>MC>C>DAT>CDR; Some cuts, see info file for details; via Paul B; Seeded to etree by Willy; Note- Fixed versions of d1t09 & d1t10 now circ, courtesy of PainoMan. The 'splice' in Althea was found to be a skip and was fixed, and shntool fixed the resulting sbe for the remaining tracks on d1; 'original' and 'fixed' md5's are listed here notes

3143. 08/05/79 Flac 24 Mtx. - 0, 98717 Oakland Oakland Auditorium Arena flac24; Matrix Analog Audience Source: Aud Master Cassettes (MAC) Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe and Soundboard Source: gd79-08-05.sbd.munder.9579.sbeok.shnf notes

3144. 08/05/79 Flac 24/96 - 0, 98715 Oakland Oakland Auditorium Arena flac24; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes

3145. 08/05/79 Flac 16 - 0, 98714 Oakland Oakland Auditorium Arena flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes

3146. 08/05/79 Flac 24/96 - 0, 148943 Oakland Oakland Auditorium Arena flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3147. 08/05/79 Flac 16/48 - 0, 148942 Oakland Oakland Auditorium Arena flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3148. 08/12/79 Flac 16 - 0, 35038 Morrison Red Rocks Ampitheatre flac16; Seamless fix of soundboard shn id 9288 - MSC>R>PCM>CD>EAC>SHN>WAV>FLAC by Bil Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes

3149. 08/12/79 Flac 16 - 0, 97683 Morrison Red Rocks Ampitheatre flac16; Master AUD>C>C>WAV>FLAC notes

3150. 08/12/79 Flac 16 - 0, 130347 Morrison Red Rocks Ampitheatre flac16; Recording Info: SBD > MC > R > PCM > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes

3151. 08/12/79 Shn - 0, 9288 Morrison Red Rocks Ampitheatre Master Soundboard Cassette > Reel to Reel > PCM > CDR; CD Mastering, Eac'ed & Shn'ed by Scott Clugston; to fungus & abgd via Charlie Connor;; upgrade now in circulation notes

3152. 08/12/79 Flac 16 - 0, 107166 Morrison Red Rocks Ampitheatre flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke notes

3153. 08/12/79 Flac 24/96 - 0, 145472 Morrison Red Rocks Ampitheatre flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3154. 08/12/79 Flac 16/48 - 0, 145471 Morrison Red Rocks Ampitheatre flac16/kHz48; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 126-bit via dBpoweramp notes

3155. 08/13/79 Flac - 0, 119999 Denver McNichols Sports Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (48k); Set 2: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3156. 08/13/79 Flac - 0, 123208 Denver McNichols Sports Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes

3157. 08/13/79 Shn - 0, 9289 Denver McNichols Sports Arena Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source: Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor notes

3158. 08/13/79 Flac - 0, 33583 Denver McNichols Sports Arena Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > Revox Reel to Reel (DBX encoded) > DBX decoded > DAT > CDR > Flac (unknown taper at this time); "Phil's Big Night!"; converted 01 April 2006 by winterland121072@yahoo.com notes

3159. 08/13/79 Flac - 0, 87271 Denver McNichols Sports Arena flac16; Set 1 only: SBD -> Cassette Master -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes

3160. 08/13/79 Flac 24/96 - , 154845 Denver McNichols Sports Arena FLAC 2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes

3161. 08/13/79 Flac 16/48 - , 154846 Denver McNichols Sports Arena FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes

3162. 08/14/79 Flac 16 - 0, 32500 Denver McNichols Sports Arena flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes

3163. 08/14/79 Flac 16 - 0, 32500 Denver McNichols Sports Arena flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller notes

3164. 08/14/79 Shn - 0, 9563 Denver McNichols Sports Arena FOB-AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes

3165. 08/14/79 Flac 16 - 0, 93047 Denver McNichols Sports Arena flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3166. 08/14/79 Flac 16/48 - 0, 125251 Denver McNichols Sports Arena flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes

3167. 08/14/79 Flac 24/96 - 0, 152252 Denver McNichols Sports Arena flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes

3168. 08/31/79 Flac - 0, 92924 Glens Falls Glens Falls Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3169. 08/31/79 Flac - 0, 129030 Glens Falls Glens Falls Civic Center flac16; AUD: Set One, AKG D222E's > Nakamichi 550; Set Two, Nak 300's > Nakamichi 550. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014. notes

3170. 08/31/79 Shn - 0, 9973 Glens Falls Glens Falls Civic Center AUD(Nak 300's)>MC>DAT>CDR; via Paul; Seeded to etree by Glyde notes

3171. 08/31/79 Flac - 0, 135775 Glens Falls Glens Falls Civic Center flac16; 2 source matrix by dusborne; Soundboard (shnid:92924), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 ->Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; Audience (shnid:9973)AUD(Nak 300?s)>MC>DAT>CDR>EAC>SHN notes

3172. 09/01/79 Shn - 0, 18898 Rochester Holleder Memorial Stadium master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830 Patched wtih AUD>MC>DAT>CDR. Encoding and patching Ernie Dodd. SBD source from David Gans via Zeb Weber. notes

3173. 09/01/79 Flac 16 - 0, 119965 Rochester Holleder Memorial Stadium flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes

3174. 09/01/79 Flac 16 - 0, 123742 Rochester Holleder Memorial Stadium flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Cassette (Dolby C) -> TC2000 EQ (24bit) -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3175. 09/01/79 Flac 16 - 0, 125464 Rochester Holleder Memorial Stadium flac16; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013. notes

3176. 09/01/79 Shn - 0, 10363 Rochester Holleder Memorial Stadium AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes

3177. 09/01/79 Flac 24/96 - 0, 119964 Rochester Holleder Memorial Stadium flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes

3178. 09/01/79 Flac 24/96 - 0, 125463 Rochester Holleder Memorial Stadium flac24; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013 notes

3179. 09/01/79 Flac 24/96 - 0, 139488 Rochester Holleder Memorial Stadium flac24; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017 notes

3180. 09/01/79 Flac 16 - 0, 145174 Rochester Holleder Memorial Stadium flac16; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017; This file set is 16 bit @ 44.1 notes

3181. 09/02/79 Flac 16 - 0, 93011 Augusta Augusta Civic Center flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3182. 09/02/79 Flac 24 - 0, 127920 Augusta Augusta Civic Center flac24; Set 2 Source AKG D-222e> Nakamichi 550; Recorded and transfered By Richie stankiewicz; Recorded 18th row left ctr; Transfer MAC>Nakamichi 1000II> USBPre2 notes

3183. 09/02/79 Shn - 0, 10364 Augusta Augusta Civic Center Recording by Steve Rolfe: Nak700's > D5: MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes

3184. 09/02/79 Flac 16 - 0, 121942 Augusta Augusta Civic Center flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes

3185. 09/02/79 Flac 16 - 0, 130738 Augusta Augusta Civic Center flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017 notes

3186. 09/02/79 Flac 16 - 0, 145183 Augusta Augusta Civic Center flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit 44.1 notes

3187. 09/02/79 Flac 16 Mtx - 0, 147685 Augusta Augusta Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes

3188. 09/02/79 Flac 24/96 - 0, 147837 Augusta Augusta Civic Center flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes

3189. 09/02/79 Flac 16/48 - 0, 147836 Augusta Augusta Civic Center flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3190. 09/02/79 Flac 16 - 0, 149508 Augusta Augusta Civic Center flac16; Source: Nakamichi 300 cardioids > Sony D5 > ? > FLAC; Location: FOB notes

3191. 09/02/79 Flac 16/44,1 - , 151041 Augusta Augusta Civic Center flac16/44.1khz Recorded by Keith Gatto Nak 300s> Sony TC-158 location: FOB Keith transferred his cassettes to Dat 16/44.1 *Dat clone playback Sony M-1(analogue out) > Edirol R09HR @ 24/88.2 Wav WaveLab 6 > Ozone RX4A > Ozone6A > R8brainPro notes

3192. 09/02/79 Flac 16 - , 153100 Augusta Augusta Civic Center Source: Nakamichi 300 cardioids > Sony D5 Location: FOB speed-pitch correction : original flacs > Wav > Magix Music Studio > TLH > Flac 8 sidewindersf 2021 notes

3193. 09/04/79 Flac 16 - 0, 79747 New York Madison Square Garden flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

3194. 09/04/79 Flac 24 - 0, 127491 New York Madison Square Garden flac24; Set 1 Recorded 6th row right center; Nakamichi 550 AKG D-222e; Transfer Nakamichi 1000II>Sound Devices USBPre2; Recorded and transfered by Richie Stankiewicz notes

3195. 09/04/79 Shn - 0, 9452 New York Madison Square Garden Sources: Primary Source: Master Soundboard Cassette > Reel to Reel > PCM > CDR: Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics; Secondary source supplies portions of "Jack Straw", "Minglewood Blues", "China Cat Sunflower", "Looks Like Rain" in its entirety, as well as a patch in "Wharf Rat" ; Patching / CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation. notes

3196. 09/04/79 Flac 16 - 0, 1117776 New York Madison Square Garden flac16; Nakamichi 700s > Sony TC-158, 14th row recording by Barry Glassberg. Transferred MAC > CDR by Jim Wise (c2000) CDR > EAC > TLH > FLAC 1644 tagged (Dec 2011 notes

3197. 09/04/79 Shn - 0, 8379 New York Madison Square Garden Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org notes

3198. 09/04/79 Flac 24/96 - 0, 151656 New York Madison Square Garden flac24/96khz Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes

3199. 09/04/79 Flac 16/44,1 - 0, 151988 New York Madison Square Garden flac16/44.1khz Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151636 24 > 16 @ 44.1 notes

3200. 09/04/79 Flac 16/48 - , 156348 New York Madison Square Garden flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes

3201. 09/04/79 Flac 24/96 - , 156349 New York Madison Square Garden flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes

3202. 09/05/79 Flac 16 Mtx - 0, 110829 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16) notes

3203. 09/05/79 Flac 16 - 0, 79748 New York Madison Square Garden flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

3204. 09/05/79 Flac 16 Mtx - 0, 102476 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes

3205. 09/05/79 Shn - 0, 2484 New York Madison Square Garden Recording by Barry Glassberg: Nak 700's> Sony TC-158> DAT> ZA-2> CDR> EAC> SHN; A>D Transfer by Jim Wise from Barry Glassberg Master; EAC> SHN> upload by Mike 'Dank Star' Parrillo notes

3206. 09/05/79 Shn - 0, 8457 New York Madison Square Garden Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org notes

3207. 09/05/79 Shn - 0, 9453 New York Madison Square Garden Sources: Primary Source;Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies "Loser", "Promised Land", patches in "Scarlet Begonias", "Estimated Prophet", "Eyes of theWorld", "Black Peter", "Bertha". Both the Soundboard and Audience sources are missing the begining of "Mississippi Half-step"; Patching/CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation. notes

3208. 09/05/79 Flac 24/96 - 0, 151831 New York Madison Square Garden flac24/96 Recording Info: (FOB/11th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes

3209. 09/05/79 Flac 16/44,1 - 0, 151987 New York Madison Square Garden flac16/44.1khz Recording Info: (FOB/11th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 151831 24 > 16 @ 44.1 notes

3210. 09/05/79 Flac 16/48 - , 156350 New York Madison Square Garden flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes

3211. 09/05/79 Flac 24/96 - , 156351 New York Madison Square Garden flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes

3212. 09/06/79 Flac 16 - 0, 79749 New York Madison Square Garden flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes

3213. 09/06/79 Shn - 0, 9454 New York Madison Square Garden Sources: Primary Source; Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41; Patching/CD Mastering by Scott Clugston; Also to abgd via Charlie Connor : upgrade now in circulation. notes

3214. 09/06/79 Shn - 0, 8458 New York Madison Square Garden Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org notes

3215. 09/06/79 Flac 16 - 0, 35218 New York Madison Square Garden flac16; Seamless fix of shn id 9454 - Master Soundboard Cassette > Reel to Reel > PCM > CDR > EAC > SHN > WAV > FLAC : upgrade now in circulation. notes

3216. 09/06/79 Flac 24/96 - 0, 151832 New York Madison Square Garden flac24/96 Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes

3217. 09/06/79 Flac 16/44 - 0, 151985 New York Madison Square Garden flac16/44 Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151832 24 > 16 @ 44.1 notes

3218. 09/06/79 Flac 16 - 0, 151783 New York Madison Square Garden flac16 Source: Sony Stereo ECM -->SONY TCD126
Location: PA behind Stage
Transfer: Master Cassette Transfer->RR ->Cassette
Transfer/Flac Conversion by Brian Mandel - Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave
CD Wave Editor -> TLP->Flac Taper: Gerry Moskal notes

3219. 09/06/79 Flac 24/48 - , 152718 New York Madison Square Garden flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2021 notes

3220. 10/24/79 Flac 16 - 0, 97440 Springfield Springfield Civic Center flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller notes

3221. 10/24/79 Shn - 0, 19589 Springfield Springfield Civic Center Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon notes

3222. 10/24/79 Flac 16 - 0, 93142 Springfield Springfield Civic Center flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3223. 10/24/79 Flac 24/96 - 0, 145373 Springfield Springfield Civic Center flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3224. 10/24/79 Flac 16/48 - 0, 145372 Springfield Springfield Civic Center flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3225. 10/24/79 Flac 16 - 0, 148162 Springfield Springfield Civic Center flac16; Set 1 lineage: SBD > ? > FLAC notes

3226. 10/24/79 Flac 16 - 0, 151424 Springfield Springfield Civic Center flac16; Recording Info: Master Soundboard Cassettes > DAT Transfer Info: Speed Corrections by Jason Chastain Mastering by Jamie Waddell with assistance from Jim Blackwood Track, FLAC and Pack by Steve Gravel 16bit 44.1kHz FLAC Level 8 notes

3227. 10/24/79 Flac 16/48 - 0, 152428 Springfield Springfield Civic Center flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes

3228. 10/24/79 Flac 24/96 - 0, 152429 Springfield Springfield Civic Center flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes

3229. 10/25/79 Shn - 0, 22792 New Haven Veterans Memorial Coliseum Upgrade to previous shn set by Charlie Miller - "Steve Rolfe sent me CDs of the show which sounded better than what I originally used, so on 2/20/04, I re-patched the sbd" notes

3230. 10/25/79 Shn - 0, 4627 New Haven Veterans Memorial Coliseum Set 2 SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN notes

3231. 10/25/79 Flac 16 - 0, 90098 New Haven Veterans Memorial Coliseum flac16; Set 2 Recording by Steve Rolfe: Nakamichi 700 -> Cassette Master -> Dat -> CD. Transfer: CD -> EAC -> CEP -> Flac(level 8) by Matt Vernon. Set 1 already circulates. notes

3232. 10/25/79 Flac 16 - 0, 93143 New Haven Veterans Memorial Coliseum flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3233. 10/25/79 Shn - 0, 21271 New Haven Veterans Memorial Coliseum Set 2 : SBD>Cassette Master>Cassette>DAT>CD (HHB 800 Pro Deck)>EAC .93b>SHN Transferred from DAT to CD-r (1998). Transcribed to SHN 11/28/2003 . JR Fishman : upgrade now in circulation. notes

3234. 10/25/79 Shn - 0, 22311 New Haven Veterans Memorial Coliseum Recording Info: Set 1: Nakamichi 700 -> Cassette Master -> Dat (Recorded By Steve Rolfe) Set 2: SBD -> Master Cassette (Sony TCD5M/Maxell UDXL II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Set 1: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN Set 2: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) : upgrade now in circulation. notes

3235. 10/25/79 Shn - 0, 19599 New Haven Veterans Memorial Coliseum Aud:M?>?>CD (It may be either Aud:MC>Cas>DAT>CD or Aud:MC>DAT>CD) via Jools notes

3236. 10/25/79 Flac 24/96 - 0, 145460 New Haven Veterans Memorial Coliseum flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3237. 10/25/79 Flac 16/48 - 0, 145459 New Haven Veterans Memorial Coliseum flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3238. 10/25/79 Flac 16/48 - 0, 152435 New Haven Veterans Memorial Coliseum flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes

3239. 10/25/79 Flac 24/96 - 0, 152436 New Haven Veterans Memorial Coliseum flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes

3240. 10/27/79 Flac 16 - 0, 98561 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC;All Transfers and Mastering By Charlie Miller; ( upgrade now in circulation). notes

3241. 10/27/79 Flac16 Mtx - 0, 105234 South Yarmouth Cape Cod Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes

3242. 10/27/79 Flac 24 - 0, 127550 South Yarmouth Cape Cod Coliseum flac24; Recorded 14th row left center; Nakamichi 550>AKG D222e; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered by Richie Stankiewicz notes

3243. 10/27/79 Flac 16 - 0, 98950 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is a fix of shnid=29411, 29490 and 98561.) notes

3244. 10/27/79 Flac 16 - 0, 29411 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation). notes

3245. 10/27/79 Shn - 0, 28832 South Yarmouth Cape Cod Coliseum Set 2 Only: zero gen source upgrade. Lineage: Master SBD Cassette > Master DAT > CDR > EAC > SHN. Seeded to etree by Seth Kaplan : upgrade now in circulation. notes

3246. 10/27/79 Shn - 0, 13980 South Yarmouth Cape Cod Coliseum Master Soundboard Cassette > Cass > DAT > CD; Patches made with Audience recording mastered by Steve Rolfe (Nak CM300 > Sony TC-158); See info file for details; via Scott Clugston; Seeded to etree by Steve Barbella : upgrade now in circulation. notes

3247. 10/27/79 Flac 16 - 0, 92049 South Yarmouth Cape Cod Coliseum flac16; SBD and Audience Matrix Mix of about a 60% SBD to 40% Audience. notes

3248. 10/27/79 Shn - 0, 317 South Yarmouth Cape Cod Coliseum SBD> [?]> DAT (D. DiProsa)> TB Montego Digi i/o (44.1)> .wav> .shn; transfer by A. Walton; see pub comments for listening notes : upgrade now in circulation. notes

3249. 10/27/79 Flac 16 - 0, 120367 South Yarmouth Cape Cod Coliseum flac16; Sennheiser 441's > Nakamichi 550 > CM > C1 > C2 (TDK SA-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16; Transfer, edit/patch, and pitch correction by Bob Morris, May 2012. notes

3250. 10/27/79 Shn - 0, 19416 South Yarmouth Cape Cod Coliseum Recording by Steve Rolfe: MAC(Nakamichi CM-700 mics > Sony TC-158) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

3251. 10/27/79 Shn - 0, 29002 South Yarmouth Cape Cod Coliseum Repatch of SHNid=28832; Lineage: Master SBD Cassette > Master DAT > CDR > EAC > SHN Source: Master SBD Cassette (Sony TC D5 on Maxell UD XL-II cassette tape) Source Playback: Sony D5 DAT Transfer: Panasonic SV3800 (48 KHZ sampling rate) DAT Playback: Sony PCM R-700 Disc Transfer: HHB CDR-800; This is a repatch of disc 2 done by charlie miller on 3/31/05 using samplitude : upgrade now in circulation. notes

3252. 10/27/79 Flac 16 - 0, 29490 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation). notes

3253. 10/27/79 Flac 16/44 - 0, 109777 South Yarmouth Cape Cod Coliseum flac16; AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII 90's. Set up behind the soundboard. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010 notes

3254. 10/27/79 Flac 24/96 - 0, 145462 South Yarmouth Cape Cod Coliseum flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3255. 10/27/79 Flac 16/48 - 0, 145461 South Yarmouth Cape Cod Coliseum flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3256. 10/27/79 Flac 16 - 0, 145664 South Yarmouth Cape Cod Coliseum flac16; Recorded 14th row left center; Nakamichi 550>AKG D222e; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set notes

3257. 10/28/79 Flac 16 Mtx - 0, 105530 South Yarmouth Cape Cod Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes

3258. 10/28/79 Flac 16 - 0, 105434 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional 10.22 -> Adobe Audition v1.5 -> FLAC; Transferred and Edited By Charlie Miller; This is a re-master of source ID 30655 notes

3259. 10/28/79 Flac 16 - 0, 134396 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3260. 10/28/79 Shn - 0, 19590 South Yarmouth Cape Cod Coliseum Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon notes

3261. 10/28/79 Flac 16 - 0, 113748 South Yarmouth Cape Cod Coliseum flac16; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011 notes

3262. 10/28/79 Flac 24/48 - 0, 113747 South Yarmouth Cape Cod Coliseum flac24; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. notes

3263. 10/28/79 Shn - 0, 7602 South Yarmouth Cape Cod Coliseum SBD : MC > R > DAT > CDR Beginning through Ship of Fools courtesy of Jim Wise AUD : MC ( NAK 700's > TC-158 by Steve Rolfe) > DAT > CDR Playin' through end of show From Peter Teitelbaum; via Peter Braverman : upgrade now in circulation. notes

3264. 10/28/79 Flac 24/96 - 0, 145465 South Yarmouth Cape Cod Coliseum flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3265. 10/28/79 Flac 16/48 - 0, 145464 South Yarmouth Cape Cod Coliseum flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3266. 10/28/79 Flac 16 - 0, 30655 South Yarmouth Cape Cod Coliseum flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation notes

3267. 10/31/79 Flac - 0, 29410 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller notes

3268. 10/31/79 Flac - 0, 86239 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording by Barry Glassberg: MOTB 0039: Source: Audience At SBD Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes

3269. 10/31/79 Shn - 0, 17360 Uniondale Nassau Veterans Memorial Coliseum Set1: SBD>>MC>>REEL>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Set2: SBD>>MC>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Last 20 minutes of show: MAC(Nak 700's)>>SonyTC-158>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B notes

3270. 10/31/79 Shn - 0, 7921 Uniondale Nassau Veterans Memorial Coliseum Partial 2nd Set; SB> MR> Dick Latvala's cass> DAT> CD> EAC> CDWAV> .shn & CD-R; via Alasdair Macdonald : upgrade now in circulation. notes

3271. 10/31/79 Flac - 0, 91040 Uniondale Nassau Veterans Memorial Coliseum flac16; SBD and Audience Matrix Mix notes

3272. 10/31/79 Flac - 0, 96606 Uniondale Nassau Veterans Memorial Coliseum flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: unknown Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac notes

3273. 10/31/79 Shn - 0, 0372 Uniondale Nassau Veterans Memorial Coliseum D1 (set 1) SBD> MR> C> DAT> CD; D2 (set 2a) SBD> MR> Dick Latvala's Cass> DAT> CD; D3 (set 2b) AUDMC (Nak 700's> Sony TC158)> DAT> CD; Seeded to etree by Dave Shepard, w/ thanks to Chuck Reynolds; also to abgd : upgrade now in circulation. notes

3274. 10/31/79 Flac 24/96 - 0, 87523 Uniondale Nassau Veterans Memorial Coliseum flac24; Recording by Barry Glassberg: MOTB Release: 0039 24/96 Source: Audience At SBD Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM-700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes

3275. 10/31/79 Flac 16/44 - 0, 151982 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151882 24 > 16 @ 44.1 notes

3276. 10/31/79 Flac 24/96 - 0, 151882 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes

3277. 11/01/79 Flac 16 - 0, 113354 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info:SBD -> Master Cassette (Sony TC-D5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony R500) -> Tascasm SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3278. 11/01/79 Flac 16 Mtx - 0, 128311 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes

3279. 11/01/79 Flac 16 - 0, 91762 Uniondale Nassau Veterans Memorial Coliseum flac16; SBD and Audience Matrix Mix from SBD: shnid 23445 SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller and Audience: shnid 22316 Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550 notes

3280. 11/01/79 Shn - 0, 2412 Uniondale Nassau Veterans Memorial Coliseum Master Soundboard Cassette > Cassette > Hi-Fi VHS > DAT > CDR, with nearly complete patches from AUD Nak CM300 (see info file for details); mastered by Scott Clugston; d2 tracked for 80 min; 9/01 update: upgrade now in circulation notes

3281. 11/01/79 Shn - 0, 5586 Uniondale Nassau Veterans Memorial Coliseum Master Soundboard Cassette, played back via Nakamichi DR-3> RME 96/8 PST > Harddrive > SHN; with patches from Master Soundboard Cassette > Cassette > Hi-Fi VHS> CDR, and Master Audience Cassette; Nakamichi CM300 mics > Nakamichi 550 > CDR sources (see info file); Patching / CD Mastering, SHN'ed by Scott Clugston, with thanks to Don Goodwin for new source; d1 tracked for 80 min : upgrade now in circulation notes

3282. 11/01/79 Flac 16 - 0, 78301 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; This is a repatch of shn id 23445 & shn id 77363 notes

3283. 11/01/79 Flac 16 - 0, 77363 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller -- This is a repatch of shn id 23445: upgrade now in circulation notes

3284. 11/01/79 Flac 16 - 0, 77329 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550 via David Minches notes

3285. 11/01/79 Shn - 0, 23445 Uniondale Nassau Veterans Memorial Coliseum SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info:Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN; Transferred and Edited By charliemiller87@earthlink.net Charlie Miller; Note: had originally circulated only as set 2; upgrade now in circulation notes

3286. 11/01/79 Flac 16 - 0, Uniondale Nassau Veterans Memorial Coliseum notes

3287. 11/01/79 Flac 16 - 0, 151772 Uniondale Nassau Veterans Memorial Coliseum Source: 2 Nakamichi 300s > Nakamichi 550 > Master Audience Cassettes
Recording by Pete Jaeger.
Edited & Remastered (Adobe Audition) by Joe Noel. January 30, 2021.
Remaster of SHIND 77329 notes

3288. 11/02/79 Flac16 Mtx - 0, 124392 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes

3289. 11/02/79 Shn - 0, 7920 Uniondale Nassau Veterans Memorial Coliseum SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald notes

3290. 11/02/79 Flac 16 - 0, 94220 Uniondale Nassau Veterans Memorial Coliseum flac16; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green notes

3291. 11/02/79 Shn - 0, 4672 Uniondale Nassau Veterans Memorial Coliseum SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN; First 30-60 seconds of Miss 1/2 Step is missing; to abgd; note spaces in filenames- may need rename : upgrade now in circulation notes

3292. 11/02/79 Flac 16 - 0, 86553 Uniondale Nassau Veterans Memorial Coliseum flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: Behind Stage Right 30' 300 Section elevation Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac notes

3293. 11/02/79 Shn - 0, 12761 Uniondale Nassau Veterans Memorial Coliseum AUD> MC> DAT> CDR; via Paul B, Alan Schlissel notes

3294. 11/02/79 Flac 16/48 - 0, 142393 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k notes

3295. 11/02/79 Flac 24/96 - 0, 94221 Uniondale Nassau Veterans Memorial Coliseum flac24; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green notes

3296. 11/02/79 Flac 24/96 - , 154424 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller notes

3297. 11/02/79 Flac 16/44 - , 154496 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller - This is 154424 2496 > 1644 notes

3298. 11/04/79 Shn - 0, 7919 Providence Providence Civic Center SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R; Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald notes

3299. 11/04/79 Flac 16 - 0, 128814 Providence Providence Civic Center flac16; Recording Info: SBD > MC > C > DAT > CDR. Transfer Info: CDR > wav > Sound Forge 10 >TLH > flac notes

3300. 11/04/79 Shn - 0, 6947 Providence Providence Civic Center Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; misc cuts, missing USB notes

3301. 11/04/79 Flac 16 - 0, 101486 Providence Providence Civic Center flac16; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain TLH > FLAC 1644. Transfer by Andrew F. 09/2009 notes

3302. 11/04/79 Flac 16 - 0, 84210 Providence Providence Civic Center flac16; Unknown Taper: Master recorded with 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Master played back on unknown deck to unknown deck to record 1st Generation Cassette 1st Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches notes

3303. 11/04/79 Flac 16/48 - 0, 142917 Providence Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k notes

3304. 11/04/79 Flac 24/96 - 0, 101485 Providence Providence Civic Center flac24; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009 notes

3305. 11/05/79 Flac - 0, 28932 Philadelphia The Spectrum Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R700) -> CD (HHB CDR800) Dat > CD Transfer By Jim Wise Patched By Charlie Miller charliemiller87@earthlink.net Patch Info: Estimated Prophet has a tape flip which I pacthed with SBD>Cm>Cass>Dat>CD. End of Lost Sailor through the end of the show patched with Nakamichi 300 -> Cassette Master > C2 > CD notes

3306. 11/05/79 Shn - 0, 2410 Philadelphia The Spectrum Master Soundboard Cassette > Cassette > DAT > CDR; pitch corrected and with AUD Nak CM300 patches (see info file for details); mastered by Scott Clugston : upgrade now in circulation notes

3307. 11/05/79 Shn - 0, 12177 Philadelphia The Spectrum Third in the series :O); This is the previous shn set with a shntool fix and silence removed from d2 (by Charles Weir); See info file for details; Master Soundboard Cassette > Cassette > DAT > CDR. : upgrade now in circulation notes

3308. 11/05/79 Flac 16 - 0, 83710 Philadelphia The Spectrum flac16; Recording by Joel Barnehama: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

3309. 11/05/79 Flac 16 - 0, 89053 Philadelphia The Spectrum flac16; Unknown Taper; Recorded with 3 Nak 300s> Nak 550 2nd Generation Audience Cassette provided by Gordon Sharpless Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

3310. 11/06/79 Flac 16 - 0, 29735 Philadelphia The Spectrum flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller notes

3311. 11/06/79 Flac 16 - 0, 125857 Philadelphia The Spectrum flac16; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes

3312. 11/06/79 Flac 24/96 - 0, 125956 Philadelphia The Spectrum flac24; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. notes

3313. 11/06/79 Shn - 0, 2417 Philadelphia The Spectrum Master Soundboard Cassette > Cassette > DAT > CDR; mastered by Scott Clugston: upgrade now in circulation notes

3314. 11/06/79 Flac 16 - 0, 137296 Philadelphia The Spectrum flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm notes

3315. 11/06/79 Flac 16 - 0, 85575 Philadelphia The Spectrum flac 16; set 2 only; Recording by Joel Barnehama: Source: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding;Transfer and FLAC encoding by David Minches: notes

3316. 11/06/79 Flac 24/96 - 0, 150953 Philadelphia The Spectrum flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes

3317. 11/06/79 Flac 24/96 - 0, 150952 Philadelphia The Spectrum flac24/96khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) notes

3318. 11/06/79 Flac 16/44 - 0, 151466 Philadelphia The Spectrum flac16/44khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) 150952 24 -> 16 @ 44.1 notes

3319. 11/06/79 Flac 16/44 - 0, 151467 Philadelphia The Spectrum flac16/44khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 150953 24 -> 16 @ 44.1 notes

3320. 11/08/79 Flac 16 - 0, 29503 Landover Capital Centre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC notes

3321. 11/08/79 Shn - 0, 18126 Landover Capital Centre This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin; updated source: both sets SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked SDB> MR> D> CDR] : upgrade now in circulation notes

3322. 11/08/79 Shn - 0, 8546 Landover Capital Centre retracked version of previous set 2 shn set, for 1x80; md5s do not change, redundant tracks omitted; via Dan MacNeill; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked sdb> master reel> dat> cdr] : upgrade now in circulation notes

3323. 11/08/79 Flac 16 - 0, 132330 Landover Capital Centre flac16; AUD of unknown lineage; TDK D90's (c1979) > Nakamichi CR-5A > Edirol FA-66 Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F 01/2015 notes

3324. 11/08/79 Flac 16 - 0, 132455 Landover Capital Centre flac16; mac > hd or maybe the label was swapped and this is a first gen; unk equip. could be 2xshure sm58>sony 152 notes

3325. 11/08/79 Shn - 0, 8409 Landover Capital Centre set 1; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked sdb> master reel> dat> cdr] via Mike Lai, with thanks to Scott Kolber; meant to accompany previous set 2 shn set (with inclusive txt file), but circulates separately : upgrade now in circulation notes

3326. 11/08/79 Shn - 0, 3901 Landover Capital Centre set 2; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction); [had been marked sdb> master reel> dat> cdr]; via Mike Lai; note this set 2 material, labelled as d2-d3, has redundant tracks (d3t1-t5 simply repeat d2t3-t7 and can be omitted); 3/02 note: set 1 now circulates separately : upgrade now in circulation notes

3327. 11/08/79 Flac 16 - 0, 150270 Landover Capital Centre flac16; Set 2 Only; SBD > ? > FLAC notes

3328. 11/09/79 Flac - 0, 34936 Buffalo Community War Memorial Auditorium flac16; SBD> Cm> Cass> Dat> Sound Forge> CD > WAV > SHN > WAV > FLAC - Fix of shn id 318. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes

3329. 11/09/79 Flac 16 - 0, 76499 Buffalo Community War Memorial Auditorium flac16; 2 Songs from AUD of unknown lineage via Andrew F and Dennis C (Seeded as filler on 12/10/79 aud from same seeders) notes

3330. 11/09/79 Shn - 0, 318 Buffalo Community War Memorial Auditorium Updated source: SBD> Cm> Cass> Dat> Sound Forge> CD; 6ote d1t1 is JBG from 11/8/79 encore; to abgd previously; via A. Stern; note variable right-channel static throughout. : upgrade now in circulation notes

3331. 11/09/79 Flac - 0, 79702 Buffalo Community War Memorial Auditorium flac16; Audience tape of unknown lineage Transfer: C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, by Andrew F. November 2006 notes

3332. 11/09/79 Flac 16 - 0, 150448 Buffalo Community War Memorial Auditorium flac16; Soundboard Cassette Master > ? > flac; Speed Corrections by Jason Chastain; Audio Mastering by Jamie Waddell notes

3333. 11/10/79 Shn - 0, 13108 Ann Arbor Crisler Arena Master Soundboard Cassette > Reel to Reel > DAT> CDR, with AUD patches (see notes); via Scott Clugston; to abgd notes

3334. 11/10/79 Shn - 0, 10457 Ann Arbor Crisler Arena SBD>MR>DAT>CDR; Missing first three 1/2 songs of first set; via Paul B; Seeded to etree by Willy : upgrade now in circulation notes

3335. 11/10/79 Flac 16 - , 152823 Ann Arbor Crisler Arena Source Info: Master Soundboard Cassettes > 1st generation cassettes > Tim Dalton's Beta PCM
Transfer Info: Tim Dalton's Beta PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 > Adobe Audition 2020 > TLH flac16 notes

3336. 11/23/79 Shn - 0, 7861 San Diego Golden Hall, Community Concourse SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source notes

3337. 11/23/79 Flac - 0, 107405 San Diego Golden Hall, Community Concourse flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes

3338. 11/23/79 Flac - 0, 77330 San Diego Golden Hall, Community Concourse flac16; Recording by Bob Wagner: A:C:R:D Nak 700s>Sony TC-158 via David Minches notes

3339. 11/23/79 Flac - 0, 136697 San Diego Golden Hall, Community Concourse flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Mastering Info: Audition CC 2015 -> Samplitude Pro 11.2.1 -> FLAC; All Mastering By Charlie Miller notes

3340. 11/24/79 Flac 16 Mtx - 0, 113741 San Diego Golden Hall, Community Concourse flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes

3341. 11/24/79 Flac 16 - 0, 113499 San Diego Golden Hall, Community Concourse flac16; Recording Info: SBD -> Cassette Master; Transfer Info: Cassette Master (Tascam 122MKII) -> Sound Devices 744T -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Mastering By Charlie Miller notes

3342. 11/24/79 Flac 24/96 - 0, 145590 San Diego Golden Hall, Community Concourse flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3343. 11/24/79 Flac 16/48 - 0, 145589 San Diego Golden Hall, Community Concourse flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3344. 11/24/79 Shn - 0, 10022 San Diego Golden Hall, Community Concourse Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.) notes

3345. 11/24/79 Flac 16 - 0, 106307 San Diego Golden Hall, Community Concourse flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes

3346. 11/25/79 Flac 16 - 0, 84489 Los Angeles Pauley Pavilion, UCLA flac16; Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen); repatched version of shn id 25609 (this has a new patch in Bertha) notes

3347. 11/25/79 Flac 16 Mtx - 0, 90846 Los Angeles Pauley Pavilion, UCLA flac16; Matrix 2 Source Mix - SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin notes

3348. 11/25/79 Flac 16 - 0, 90636 Los Angeles Pauley Pavilion, UCLA flac16; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes

3349. 11/25/79 Shn - 0, 7192 Los Angeles Pauley Pavilion, UCLA SBD Cassmaster-> PCM-> DAT-> CDRs-> EAC-> SHN (Unconfirmed); Small splices in The Other One and Bertha, some digipops; via Cozmichuck and Dan : upgrade now in circulation notes

3350. 11/25/79 Shn - 0, 25609 Los Angeles Pauley Pavilion, UCLA Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation notes

3351. 11/25/79 Flac 16 - 0, 90720 Los Angeles Pauley Pavilion, UCLA flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 40' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

3352. 11/25/79 Flac Dts 5.1 - 0, 90872 Los Angeles Pauley Pavilion, UCLA DTS Audio 5.1; SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin notes

3353. 11/25/79 Flac 24/96 - 0, 90638 Los Angeles Pauley Pavilion, UCLA flac24; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes

3354. 11/25/79 Flac 24/96 - 0, 145602 Los Angeles Pauley Pavilion, UCLA flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3355. 11/25/79 Flac 16/48 - 0, 145601 Los Angeles Pauley Pavilion, UCLA flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3356. 11/29/79 Flac 16 - 0, 95831 Cleveland Cleveland Public Hall flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29421 notes

3357. 11/29/79 Shn - 0, 11630 Cleveland Cleveland Public Hall 2nd Set Only; SBD>?>CDR; via Dr. Sketchy, Stillman; Seeded to etree by jim@juddcreek : upgrade now in circulation notes

3358. 11/29/79 Shn - 0, 12376 Cleveland Cleveland Public Hall Master Soundboard Cassette > Cassette > DAT> Cassette > DAT > CDR complete via Scott Clugston : upgrade now in circulation notes

3359. 11/29/79 Flac 16 - 0, 29421 Cleveland Cleveland Public Hall flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation notes

3360. 11/29/79 Flac 24/96 - 0, Cleveland Cleveland Public Hall flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes

3361. 11/29/79 Flac 16/48 - 0, 151720 Cleveland Cleveland Public Hall flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes

3362. 11/30/79 Flac 16 - 0, 95832 Pittsburgh Stanley Theatre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29424 notes

3363. 11/30/79 Flac 16 Mtx - 0, 126893 Pittsburgh Stanley Theatre flac16; 2 Source matrix by Dave Usborne;Soundboard (shnid:95832); All Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k);Transfer Info:Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 ->Adobe Audition v1.5 -> FLAC; Audience (shnid:76348);Taped and Transferred by Charlie Connor; Source: (FOB, 10th Row Center Stage)>Sony ECM 990>JVC 1636mkII(CM);Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT) notes

3364. 11/30/79 Shn - 0, 76348 Pittsburgh Stanley Theatre Recording by Charlie Connor: (FOB, 10th Row Center Stage)>Sony ECM 990>JVC 1636mkII(CM)Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT)Taped and Transferred by Charlie Connor notes

3365. 11/30/79 Shn - 0, 24226 Pittsburgh Stanley Theatre SBD > DAT > CDREAC'ed / SHN'ed by Bob Delaney. Circulated 04/19/2004 via Tom Donaldson : upgrade now in circulation notes

3366. 11/30/79 Shn - 0, 3118 Pittsburgh Stanley Theatre Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source (see info file for details); patching, CD mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation notes

3367. 11/30/79 Shn - 0, 33215 Pittsburgh Stanley Theatre Soundboard > Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source. Note: This is the Clugston source with minor fixes by Charlie Miller. Charlie has circulated a more recent soundboard recording since this fix. : upgrade now in circulation notes

3368. 11/30/79 Shn - 0, 21784 Pittsburgh Stanley Theatre Fixed version of http://db.etree.org/shn/3118 via cm : upgrade now in circulation notes

3369. 11/30/79 Flac 16 - 0, 29424 Pittsburgh Stanley Theatre flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller; Note: since no one had the previous seed I am just updating this source notes

3370. 11/30/79 Flac 24/96 - 0, 148526 Pittsburgh Stanley Theatre flac24; Source Info: 1st Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 300 mics > Sony TC-158 (in the pit); 2nd Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (in the pit); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes

3371. 11/30/79 Flac 16/48 - 0, 148525 Pittsburgh Stanley Theatre flac16/48kHz; Source Info: 1st Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 300 mics > Sony TC-158 (in the pit); 2nd Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (in the pit); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes

3372. 12/01/79 Flac 16 - 0, 96408 Pittsburgh Stanley Theatre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; this is a re-master of source id 29429 notes

3373. 12/01/79 Flac 16 Mtx - 0, 31946 Pittsburgh Stanley Theatre flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell notes

3374. 12/01/79 Flac 16 - 0, 29429 Pittsburgh Stanley Theatre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation notes

3375. 12/01/79 Shn - 0, 6022 Pittsburgh Stanley Theatre mixed source: set 1: SBD> Rm> Cass> Dat> CD> EAC> SHN, Set 2: SBD> Rm> Dat> CD> EAC> SHN; via Skip Jenkins vine, from Charlie Miller seed; EAC>SHN by Steve Barbella; missing Easy to Love You, Splice in LLR, otherwise complete : upgrade now in circulation notes

3376. 12/01/79 Flac 16 - 0, 120453 Pittsburgh Stanley Theatre flac16; Low-gen Audience Cassette (Maxell UDXLII-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16 Transfer, edit, pitch correction by Bob Morris, May 2012 notes

3377. 12/01/79 Flac Dts 5.1 - 0, 34294 Pittsburgh Stanley Theatre flac16; Source: DTS-Audio-CD 5.1 Mix of SBD: shn id 29429 and AUD: shn id 31330 Multichannel Mix by Dan dan@am-dig.com notes

3378. 12/01/79 Shn - 0, 319 Pittsburgh Stanley Theatre set 2; MSR > Cassette > DAT > CDR; via S. Clugston, L. Revell; note reportedly no 10s dropout in LLR : upgrade now in circulation notes

3379. 12/01/79 Flac 16 - 0, 31330 Pittsburgh Stanley Theatre flac16; AUD (unknown equipment and lineage, speculated to have been taped by Scott Jones with Shure > Sony TC-158) via Andrew F notes

3380. 12/01/79 Flac 16 - 0, 82489 Pittsburgh Stanley Theatre flac16; Recording by Joel Barnehama: Master Audience Cassette; 2 Sennheiser 421s> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Digital Audio Labs Card Deluxe (24/96)>Adobe Audition> (dither/downsample)> FLAC encoding notes

3381. 12/01/79 Flac 24/96 - 0, 148532 Pittsburgh Stanley Theatre flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes

3382. 12/01/79 Flac 16/48 - 0, 148531 Pittsburgh Stanley Theatre flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3383. 12/01/79 Flac 16 Mtx - , 161627 Pittsburgh Stanley Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 96408 & 148531. notes

3384. 12/01/79 Flac 24/96 - 0, 150983 Pittsburgh Stanley Theatre flac24/96 Recording Info: Set 1: AUD (Unknown Mics) > Cassette Master (Nakamichi 350) Set 2: SBD > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) notes

3385. 12/01/79 Flac 16/44 - 0, 151468 Pittsburgh Stanley Theatre flac16/44khz Recording Info: Set 1: AUD (Unknown Mics) > Cassette Master (Nakamichi 350) Set 2: SBD > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) 150983 24 -> 16 @ 44.1 notes

3386. 12/03/79 Flac 16 - 0, 29434 Chicago Uptown Theater flac16; Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller notes

3387. 12/03/79 Shn - 0, 320 Chicago Uptown Theater SBD > Cassette Master > C0 > DAT > SHN (Latvala vault leak); via L. Orf; known flaws: from master, first few seconds of some songs clipped (Orf smoothed with fades), levels low from DAT- left alone (note encore louder) : upgrade now in circulation notes

3388. 12/03/79 Flac 16 Mtx - 0, 135897 Chicago Uptown Theater flac16; 2 source matrix by dusborne; Soundboard (shnid:29434), Recording Info: Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: Set 1: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC, Transferred and Edited By Charlie Miller and Audience (shnid:83611),Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC * from 1st generation cassette from same master; master played back on Nak 550> Nak 250 notes

3389. 12/03/79 Shn - 0, 1241 Chicago Uptown Theater "analog> PCMWAVs very close to the master reels"; see notes and flaws discussed in info files; via BongRipper to abgd; later via tol to etree notes

3390. 12/03/79 Flac 16 - 0, 83611 Chicago Uptown Theater flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding * from 1st generation cassette from same master; master played back on Nak 550> Nak 250 notes

3391. 12/04/79 Flac - 0, 34937 Chicago Uptown Theatre flac16; lineage: Master Soundboard Cassette -> Cassette -> DAT transfer: DAT -> CD -> EAC -> SHN - Fix of shn id 2535. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes

3392. 12/04/79 Flac - 0, 130387 Chicago Uptown Theatre flac16; Recording Info: SBD > MC > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes

3393. 12/04/79 Flac - 0, 83593 Chicago Uptown Theatre flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding notes

3394. 12/04/79 Shn - 0, 2535 Chicago Uptown Theatre Master Soundboard Cassette -> Cassette -> DAT; DAT -> CD -> EAC -> SHN conversion by Scott Clugston; to etree via Adam Jerugim; static from MR in d1t3,6 : seamless version upgrade now in circulation notes

3395. 12/04/79 Flac - 0, 135898 Chicago Uptown Theatre flac16; 2 source matrix by dusborne;Soundboard (shnid:34937), Master Soundboard Cassette -> Cassette -> DAT -> CD -> EAC -> SHN; Audience (shnid:83593), Recording by Ira Frisch:Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding notes

3396. 12/05/79 Flac 16 Mtx - 0, 112235 Chicago Uptown Theater flac16:Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/couple areas of EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes

3397. 12/05/79 Flac 16 - 0, 112163 Chicago Uptown Theater flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3398. 12/05/79 Flac 16 - 0, 128622 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes

3399. 12/05/79 Shn - 0, 9359 Chicago Uptown Theater 2nd set minus ship of fools and don't ease; See info file for details; SBD>MC>DAT>CDR; via neo_levo/candyman FTP: upgrade now in circulation notes

3400. 12/05/79 Shn - 0, 19418 Chicago Uptown Theater MAC (Unknown equipment) > Unknown analog generations > Nakamichi RX-505 cassette > 20-bit conversion with Burr-Brown ADC, dithered to 16-bit for output > HHB CDR8930 > EAC > CoolEdit > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes

3401. 12/05/79 Flac 16 - 0, 34874 Chicago Uptown Theater flac16; composite of shn id 19418 (set1 aud) + shn id 31959 (set2 sbd) with minor edit to smooth transition by Andrew Long notes

3402. 12/05/79 Flac 16 - 0, 31959 Chicago Uptown Theater flac16; SBD (set 2 only) -> Cassette Master -> Dat (44.1k) Transferred and Remastered By Charlie Miller notes

3403. 12/05/79 Flac 16 - 0, 83532 Chicago Uptown Theater flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding notes

3404. 12/07/79 Flac 16 - 0, 108853 Indianapolis Indiana Convention Center flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid=23682 notes

3405. 12/07/79 Shn - 0, 23682 Indianapolis Indiana Convention Center Updated source info: SBD ->Cass Master > Reel > Dat (48k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Dat Supplied By Rob Eaton; Transferred By Charlie Miller (had been marked: BD -> Master Cassette -> Cassette -> Dat (48k)) notes

3406. 12/07/79 Shn - 0, 9114 Indianapolis Indiana Convention Center MAC (3 Nak CM-300s-> Sony TC-158)>R>D>CD); via Jack Warner; Don Chase; Seeded to etree by Matt Vernon;upgrade now in circulation notes

3407. 12/07/79 Shn - 0, 14842 Indianapolis Indiana Convention Center (3) Nak 300>Cm>Reel>CD shn'd by Charlie Miller : same source as shnid 9114 notes

3408. 12/09/79 Flac 16 - 0, 108854 St. Louis Kiel Auditorium flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid=27751 notes

3409. 12/09/79 Flac 16 - 0, 128713 St. Louis Kiel Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones. Transferred on a Nak CR 7A notes

3410. 12/09/79 Flac 16 - 0, 27751 St. Louis Kiel Auditorium flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller notes

3411. 12/09/79 Shn - 0, 8833 St. Louis Kiel Auditorium MAC(Nak CM-700s-> Sony TC-158)>R>D>CD; via Jack Warner; Don Chase notes

3412. 12/10/79 Flac 16 - 0, 34938 Kansas City Soldiers & Sailors Memorial Hall flac16; Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN, Set 2 SBD>Cm>?>Dat>CD>EAC>SHN - Fix of shn id 3371 via Bill Tetzeli notes

3413. 12/10/79 Flac 16 - 0, 128746 Kansas City Soldiers & Sailors Memorial Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak Cr7A notes

3414. 12/10/79 Flac 16 Mtx - 0, 126986 Kansas City Soldiers & Sailors Memorial Hall flac16; 2 Source Matrix by dusborne; Soundboard (shnid:34938) Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN; Set 2 SBD>Cm>?>Dat>CD>EAC>SHN; Fix of shnid 3371 and Audience (shnid:89136) Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes

3415. 12/10/79 Shn - 0, 3371 Kansas City Soldiers & Sailors Memorial Hall SBD> Cm> (set 1 = Reel, set 2 = ?)> Dat> CD> EAC> SHN; with AUD patch; see info file for notes; via Steve;upgrade now in circulation notes

3416. 12/10/79 Flac 16 - 0, 76498 Kansas City Soldiers & Sailors Memorial Hall flac16; AUD of unknown lineage Transfer: Cassette > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, FLAC compression, and checksums) > FLAC via Andrew F notes

3417. 12/10/79 Flac 16 - 0, 77331 Kansas City Soldiers & Sailors Memorial Hall flac16; Source: A:C:R:D Recorded with Nak 700s>Sony TC-D5 Played back on Akai GX-4000D R2R; Edited and normalized with Cool Edit Transfer and Flac encoding by David Minches notes

3418. 12/10/79 Flac 16 - 0, 89136 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

3419. 12/10/79 Flac 16 Mtx - , 165854 Kansas City Soldiers & Sailors Memorial Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 165179 & 34938 (SBD's), and 128746. notes

3420. 12/10/79 Flac 16/44 - , 165876 Kansas City Soldiers & Sailors Memorial Hall flac1644; Recording info: SBD Cassette Master > DAT > AIF via Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel; Replaces Source IDs 165179 and 165429 notes

3421. 12/11/79 Flac 16 - 0, 103092 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89165 notes

3422. 12/11/79 Flac 16 - 0, 32058 Kansas City Soldiers & Sailors Memorial Hall flac16; SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller : upgrade now in circulation notes

3423. 12/11/79 Flac 16 - 0, 128800 Kansas City Soldiers & Sailors Memorial Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak CR 7A; a complete version now in circulation notes

3424. 12/11/79 Flac 16 - 0, 131731 Kansas City Soldiers & Sailors Memorial Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak CR 7A notes

3425. 12/11/79 Flac 16 - 0, 89165 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info: SBD -> Cassette Master (Nak 550) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

3426. 12/11/79 Flac16 Mtx - 0, 92439 Kansas City Soldiers & Sailors Memorial Hall flac16; SBD + AUD Matrix (60%-SBD/40%-AUD) Mixed by Dan Haugh notes

3427. 12/11/79 Flac 2448 - 0, 92287 Kansas City Soldiers & Sailors Memorial Hall flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (60%-SBD/40%-AUD); see info files for sources used notes

3428. 12/11/79 Shn - 0, 5981 Kansas City Soldiers & Sailors Memorial Hall SBD> Cm> Cass> Dat> CD (Tascam CDRW700)> EAC> CD; Tracked with CDWav; via Charlie Miller, Ron Speer, Jim Parzych, Steve Barbella (see notes);upgrade now in circulation notes

3429. 12/11/79 Shn - 0, 9799 Kansas City Soldiers & Sailors Memorial Hall Nak CM-700s-> Sony TC-D5; MAC>R>D>CD; via Jack Warner; Seeded to etree by Don Chase notes

3430. 12/11/79 Flac 16 - 0, 89166 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

3431. 12/11/79 Flac 16 - 0, 28890 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller charliemiller87@earthlink.net : upgrade now in circulation notes

3432. 12/26/79 Flac 16 - 0, 81323 Oakland Oakland Auditorium Arena flac16; Lineage: SBD Transfer: SBD -> ? -> DAT; DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing:- All editing and mastering by Jamie Waddell Wavelab 6.0- BBE, L3(type 1 dither)>16/44.1 SBE FREE notes

3433. 12/26/79 Flac 16 - 0, 128505 Oakland Oakland Auditorium Arena flac16; Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A notes

3434. 12/26/79 Flac 16 Mtx - , 154873 Oakland Oakland Auditorium Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 150235 & 128505. notes

3435. 12/26/79 Flac 16 - 0, 89187 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

3436. 12/26/79 Shn - 0, 17418 Oakland Oakland Auditorium Arena AUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller : upgrade now in circulation notes

3437. 12/26/79 Shn - 0, 16092 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded by Matt Vernon with Soundcheck. notes

3438. 12/26/79 Flac 24/96 - 0, 144774 Oakland Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3439. 12/26/79 Flac 16/48 - 0, 144773 Oakland Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3440. 12/26/79 Flac 16/48 - 0, 150235 Oakland Oakland Auditorium Arena flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller notes

3441. 12/27/79 Flac 24/96 - , 154876 Oakland Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes

3442. 12/27/79 Flac 16/48 - , 154875 Oakland Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes

3443. 12/27/79 Flac 16 - 0, 81601 Oakland Oakland Auditorium Arena flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes

3444. 12/27/79 Flac 16 - 0, 128618 Oakland Oakland Auditorium Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes

3445. 12/27/79 Shn - 0, 5593 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR; EAC'ed / SHN'ed by Scott Clugston : upgrade now in circulation notes

3446. 12/27/79 Flac 16 - 0, 83944 Oakland Oakland Auditorium Arena flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

3447. 12/27/79 Flac 16 - 0, 89199 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

3448. 12/27/79 Shn - 0, 15081 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon notes

3449. 12/27/79 Flac 16/48 - 0, 144775 Oakland Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3450. 12/27/79 Flac 24/96 - 0, 144776 Oakland Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3451. 12/28/79 Flac 24/96 - , 154878 Oakland Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes

3452. 12/28/79 Flac 16 Mtx - 0, 94267 Oakland Oakland Auditorium Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC notes

3453. 12/28/79 Flac 16 - 0, 87384 Oakland Oakland Auditorium Arena flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros. notes

3454. 12/28/79 Shn - 0, 4145 Oakland Oakland Auditorium Arena SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation notes

3455. 12/28/79 Flac 16 - 0, 128624 Oakland Oakland Auditorium Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes

3456. 12/28/79 Flac 16 - 0, 134499 Oakland Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes

3457. 12/28/79 Shn - 0, 19918 Oakland Oakland Auditorium Arena sector boundary errors fixed with shntool and new md5 generated of previous sbd source : upgrade now in circulation notes

3458. 12/28/79 Flac 16 - 0, 103117 Oakland Oakland Auditorium Arena flac16;Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89273 notes

3459. 12/28/79 Shn - 0, 16117 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr taped via Dave Minor encoded by Matt Vernon notes

3460. 12/28/79 Flac 16 - 0, 89273 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

3461. 12/28/79 Flac 16 - 0, 140817 Oakland Oakland Auditorium Arena flac16; Recording Info: Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k) > Adobe Audition 3.0 > TLH flac16 notes

3462. 12/28/79 Flac 16 - 0, 140833 Oakland Oakland Auditorium Arena flac16; Recording Info: Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k) > Adobe Audition 3.0 > TLH flac16; this sources fixes two 2 dropouts in the previous source notes

3463. 12/28/79 Flac 16/48 - 0, 144777 Oakland Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3464. 12/28/79 Flac 24/96 - 0, 144778 Oakland Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3465. 12/28/79 Flac 16/48 - , 154877 Oakland Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes

3466. 12/30/79 Shn - 0, 4797 Oakland Oakland Auditorium Arena SBD> MC> DAT> CD (except for Truckin' which is from an unknown AUD source); seeds via Charlie Miller; DAE and hosting by neo_levo;upgrade now in circulation notes

3467. 12/30/79 Flac 16 - 0, 35219 Oakland Oakland Auditorium Arena flac16; SBD>MC>DAT>CD - Seamless fix of shn id 4797. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes

3468. 12/30/79 Shn - 0, 18221 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon notes

3469. 12/30/79 Flac 16 - 0, 89259 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes

3470. 12/30/79 Flac 16 - 0, 90677 Oakland Oakland Auditorium Arena flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 35' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes

3471. 12/30/79 Flac 24/96 - 0, 144786 Oakland Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3472. 12/30/79 Flac 16/48 - 0, 144785 Oakland Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3473. 12/30/79 Flac 16/48 - , 154879 Oakland Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes

3474. 12/30/79 Flac 24/96 - , 154880 Oakland Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes

3475. 12/31/79 Shn - 0, 17281 Oakland Oakland Auditorium Arena SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko notes

3476. 12/31/79 Flac 16 - 0, 126183 Oakland Oakland Auditorium Arena flac16; SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin notes

3477. 12/31/79 Flac 16 Mtx - 0, 126184 Oakland Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD1 (shnid=17281) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko + AUD1 (shn id 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 + SBD2 (no shn id) low generation video - matrix mixing by Kevin Tobin notes

3478. 12/31/79 Shn - 0, 5477 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 cassette deck > DAT > CDR; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation notes

3479. 12/31/79 Shn - 0, 18589 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded and patched by Matt Vernon notes

3480. 12/31/79 Shn - 0, 6031 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: AUD > NAK 700s >Sony TC-158 > MC > DAT > CDR > EAC > SHN; EAC> SHN> etree by G. Gorinsky, with thanks to Glenn Gillis; cut in NFA : upgrade now in circulation notes

3481. 12/31/79 Flac 16 - 0, 88768 Oakland Oakland Auditorium Arena flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 notes

3482. 12/31/79 Flac 16/48 - 0, 144795 Oakland Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes

3483. 12/31/79 Flac 24/96 - 0, 144796 Oakland Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes

3484. 12/31/79 Flac 16/48 - , 154881 Oakland Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes

3485. 12/31/79 Flac 24/96 - , 154882 Oakland Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes

3486. 12/31/79 Flac 16/48 - , 156628 Oakland Oakland Auditorium Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 126183) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin + AUD (shnid = 155895) (original shnid = 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 - surround mixing by Kevin Tobin notes

3487. ??/??/79 Flac 16 - 0, 97925 Unknown Go To Heaven Outtakes flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC -> FLAC by Joe Samaritano notes

3488. ??/??/79 Flac 24 - 0, 137649 Unknown Go To Heaven Outtakes flac24; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes

3489. ??/??/79 Flac 16 - 0, 137673 Unknown Go To Heaven Outtakes flac16; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, Thiss is 137649 24 bit > 16 bit with r8brain notes

Grateful Dead Interviews

Date Venue - City, State City Media

1. 10/04/70 Flac 16/44,1 - 0, 145874 San Francisco Winterland Arena flac16/44.1khz tiny bit of clean up by Jamie Waddell of Barry Smith source, balanced the off center DJ as it was hard to listen to in just one ear notes

New Riders of the Purple Sage http://www.nrps.net

Date Venue - City, State City Media

1. 02/18/71 Flac 16/48 - 0, 148275 Port Chester Capitol Theater Master Audience Cassettes (1648) notes

Seastones

Date Venue - City, State City Media

1. 11/28/73 Shn - 0, 968 San Francisco Palace of Fine Arts Seastones collection: 4 disc set includes 3 separate sessions labelled as 11/28/73, plus 6/6/75; misc. filler bits; via D. Finney notes

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